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Christine and the Queens recommended Love on the Beat by Serge Gainsbourg in Music (curated)

 
Love on the Beat by Serge Gainsbourg
Love on the Beat by Serge Gainsbourg
(0 Ratings)
Album Favorite

"Most people know Serge Gainsbourg's Histoire de Melody Nelson album, but what's interesting is that in the early '90s, he actually went into a dark, weird phase that French people don't really like. They consider his music from that time weak. But for me, it's the best. It's porn, it's queer, it's rap before that was a thing in France. It's just him mumbling obscene things on drum-and-guitar heavy production, really raw and tough. At the same time, it's poetic. The contrast is interesting: it's beautiful but dirty. On this album, Gainsbourg is hiding behind nothing. You get everything: the obsessions, the lust, the weaknesses, the scars. You see everything ugly and everything beautiful."

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40x40

Bill Plympton recommended Mind Games (2002) in Movies (curated)

 
Mind Games (2002)
Mind Games (2002)
2002 | Drama, Mystery
(0 Ratings)
Movie Favorite

"I want to start off with a film you’ve probably seen called Mind Game, by Masaaki Yuasa. It’s a very interesting story. It’s a Japanese film; it’s not anime. It’s very western, actually. It came out in 2005, and critics panned it in Japan, and therefore the producers lost their nerve and shelved the film, which is very sad. I saw it at the Asian Film Festival, and I think you can see it online, but to me, it’s the Citizen Kane of animation. It is such an ambitious and visually unique film. It’s just full of action and full of crazy ideas and surrealism and humor and just beautiful, beautiful craftsmanship."

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Georgia Hubley recommended Au Hasard Balthazar (1966) in Movies (curated)

 
Au Hasard Balthazar (1966)
Au Hasard Balthazar (1966)
1966 | Drama
(0 Ratings)
Movie Favorite

"Saw this at a Bresson retrospective at MOMA, popular dinner spot of many of NYC’s finest moviegoers. And who knew dinner could be so work-intensive, demanding to be unwrapped and rewrapped several times over? Now that I have Laurie Bird on my mind, I am seeing her resemblance and similarity to Balthazar’s Anne Wiazemsky. Maybe these two films have more in common than I would have thought. Both involve brown hair with bangs, drifters, and modes of transportation, although in the case of Balthazar the real tragic, beautiful victim is the donkey. You just don’t get more beautiful and tragic than a donkey. Let it be said that I did not liken James Taylor to a donkey."

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