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We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence
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You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to...
Hazel (1853 KP) rated The Upside of Unrequited in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Merissa (11704 KP) rated Teach Me in Books
Apr 10, 2023
This book is about how a young man's life changes when he tells his parents that he is gay... and not in a good way. He ends up on the streets, not knowing which way to turn. Luckily for him, Bree and Casey are there and they show him the ropes. Casey lets Austin know that there is work for the weekend on a construction site so off they go. There David sees Austin for the first time and the story really kicks off.
David is 15 years older than Austin and, some of the time, this is really obvious. Other times, not so much. I found it hard at times to stick with Austin's character just because he did act so immature but then you have to remember the abuse that he lived with plus his age and it does become more understandable. David certainly deserves a medal for putting up with it though - although he does also have his own temper tantrums in the book. You don't actually learn that much more about David's past than what you read in the synopsis which I found a bit of a shame.
The supporting characters are brilliantly written and do just that... support the main leads. Chad is brilliant because he has concerns about David and Austin and isn't afraid to say so. However, he also is prepared to say that he was wrong and even to tell David when he's behaving like an idiot. Becky and Bree help the female side of the story and both are warm and caring towards Austin which helps him. Casey - I'd like to see a follow-up on him even though he's not the most likeable character in the book I just know there's more to him. I don't know if I want him to have a HEA with Bree though, I sort of feel he's put her through the mill enough!
Highly recommended for all fans of the M/M genre.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
August 9, 2016
David is 15 years older than Austin and, some of the time, this is really obvious. Other times, not so much. I found it hard at times to stick with Austin's character just because he did act so immature but then you have to remember the abuse that he lived with plus his age and it does become more understandable. David certainly deserves a medal for putting up with it though - although he does also have his own temper tantrums in the book. You don't actually learn that much more about David's past than what you read in the synopsis which I found a bit of a shame.
The supporting characters are brilliantly written and do just that... support the main leads. Chad is brilliant because he has concerns about David and Austin and isn't afraid to say so. However, he also is prepared to say that he was wrong and even to tell David when he's behaving like an idiot. Becky and Bree help the female side of the story and both are warm and caring towards Austin which helps him. Casey - I'd like to see a follow-up on him even though he's not the most likeable character in the book I just know there's more to him. I don't know if I want him to have a HEA with Bree though, I sort of feel he's put her through the mill enough!
Highly recommended for all fans of the M/M genre.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
August 9, 2016
Jordan Binkerd (567 KP) rated American Vampire, Vol. 6 in Books
Jul 21, 2019 (Updated Jul 21, 2019)
Not all the art works (for me) (1 more)
Adult content.... but if you made it this far in the series, that's not a surprise
Filler Anthology, but still fun...
Note: this review is transposted from my personal review blog, and so was originally written several years ago.
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
Movie Metropolis (309 KP) rated Love, Simon (2018) in Movies
Jun 10, 2019
One of the most important films in a generation
I don’t think anyone will have any qualms in me saying that the LGBT community is one of the most vastly underrepresented parts of society when it comes to mainstream Hollywood movies.
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/