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Halloween (2007)
Halloween (2007)
2007 | Horror
The original Halloween is such a goddam incredible movie, that anytime the franchise has tried to stray too far from its roots, the wheels just come off. The psychic stuff in Halloween 5 just didn't work. The cult stuff in Halloween 6 just didn't work. The found footage stuff in Resurrection just didn't work. This time around, it's a remake of the original, directed by Rob Zombie. His particular brand of hateful characters and nasty dialogue can be effective in other corners of horror, but when applied to the Halloween template, you guessed it, it just doesn't work.
It has its moments - Malcolm McDowell is great as Dr Loomis, and the towering behemoth of a Michael Myers we get her is genuinely fucking terrifying. There's also a fine selection of genre icons here and there - Dee Wallace, Brad Dourif, Clint Howard, Ken Foree, Sybil Danning, Bill Moseley, Sid Haig, Danny Trejo, Danielle Harris - it's an impressive roster for sure.
All of this isn't enough to lift this remake above all of its problems however.
None of the characters are particularly likable, and it's off pacing make for a bloated experience, an issue that's further exacerbated by the more widely available Directors Cut, which further pans out its runtime with an horrifically unnecessary rape scene.
I can appreciate the decision to explore the origins of Michael, but the end results are very mixed. When the familiar stuff kicks off halfway through, it's actually kind of boring. It manages to ape the original at every turn, whilst simultaneously feeling disrespectful with it's token RZ tropes.

All in all, Halloween is a remake that I wouldn't take issue with, but the decision to put Zombie in the driver's seat results in a movie that doesn't feel like it belongs anywhere. An inferior re-tread in every aspect, that leaves a bitter after taste.
  
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ClareR (5603 KP) rated The Every in Books

Jan 11, 2022  
The Every
The Every
Dave Eggers | 2021 | Contemporary, Dystopia, Fiction & Poetry, Science Fiction/Fantasy, Thriller
6
8.0 (2 Ratings)
Book Rating
The Every would appear to be something of a ‘Marmite’ book. I liked it, but I think I would have liked it more if it hadn’t been like a personal vendetta towards what Dave Eggers in the novel , very frequently refers to as “an e-commerce behemoth named after a South American jungle”. He’s blatantly anti-Amazon, and that’s ok, each to their own. This whole book seemed to be a cautionary tale of big business (particularly the online type), and smart phones (particularly the apps). This last part I can actually agree with: my sons are pretty much glued to their phone screens (although they seem to prefer YouTube, Reddit and Discord to some of the apps described in the book).

The characters who work for The Every are evangelical about their employer - they can see no wrong in their monopoly of, well, everything really. This in itself would throw up every red flag to me - and it does to the main character, Delaney. And when her co-conspirator joins the dark side, it seems even less unlikely that she’ll be able to bring the company down. The more weird and whacky her ideas for ridiculous apps become, the more the company likes them. And that means everyone - the company and the customers. It starts to seem unlikely that Delaney will be successful.

I think that there may well be a follow up to this - it’s left open-ended. Even though I’m a big fan of the open-ended-ending, I really don’t know whether I’ll read the next one (if it comes!), although I should think I’ll have time to decide whether I will or won’t!

Many thanks to The Pigeonhole and the publisher for serialising this.
  
The Scent of Dragon’s Blood ( The Tattered Realm book 1)
The Scent of Dragon’s Blood ( The Tattered Realm book 1)
Kova Killian | 2022 | Science Fiction/Fantasy
5
5.0 (1 Ratings)
Book Rating
161 of 230
Kindle
The Scent of Dragon’s Blood ( The Tatteted Realm book 1)
By Kova Killian
⭐️⭐️

When the Knight in shining armor needs saving, you send in his hybrid monster girlfriend. . . and her squishy human friend to save the day.

"It's tragic how something so beautiful has been twisted into something so fearful."

Cree has been on the run from the Dread behemoth King since she was a child for crimes her mother committed.

Crimes. . .

Her mother didn’t mean to.

Cree never thought she would fall for one of the knights that stalk her. . . let alone the captain that protects the king. But she did.

And now he’s cursed.

To keep them both safe, she hides in the realm behind The Mirror.

Humans are strange creatures, but in her short year in their realm, they have time and time again shown their kindness.

Too bad the Hunter finds her. And now her human friend, who has no idea how to protect herself, is in danger of the King and his knights.

At least she found a counter curse for her knight. . . maybe.

So what do you do when the knight in shining armor needs saving? You send in his hybrid monster girlfriend. . . and her squishy human friend to save the day.

This book holds so much potential! The premise was good, the characters were good and it really is something I’d like to see developed. But the whole thing was so rushed you just fumbled through each chapter wondering what the hell. I just couldn’t push past how rushed it was which is such a shame. It also left a lot to guess work to I mean a 40ft Wolf??? Was that her sarcasm?? Or maybe it’s really late and I should sleep!
  
Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
Spider-Man's first solo outing within the MCU is a frequently charming and grounded affair.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.

Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.

All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
  
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LoganCrews (2861 KP) rated Halloween (2007) in Movies

Nov 1, 2020 (Updated Nov 26, 2020)  
Halloween (2007)
Halloween (2007)
2007 | Horror
An interesting experiment, to be sure - but one which only ends up being adequate. A fragmented, weird, messy experience (which certainly isn't always bad) but compared to today's shit throwaway remakes that we see every other week now this seems much more nuanced than we gave it credit for, in retrospect. Still feels like two totally different movies - first you have the sort of scuffed backstory stuff which, yes, I agree does devalue the mystery of this character a bit but it's peppered graciously with Zombie's greasy, raunchy flavor and is the most genuinely brutal part of the film in comparison to the CliffNotes remake portion which seems a lot more confusingly sterile, frustratingly cutting away from most of the stabs and pulling out knives with no blood on them - stuff like that. Perhaps I'm spoiled by the likes of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 but like many I wish this stuck with being a Rob Zombie movie rather than just doing an express retread of the original where all the characters are grating jerkwads who hate each other. Often not a bad emulation and it's sort of interesting seeing these once formal characters now going around saying harmful expletives all the time - it's still suitably grimy after all but the new additions seem senseless while the returning characters/aspects are given nothing to do. The saving grace of this back portion is Tyler Mane's hulking behemoth Myers - just eating bullets, stabs, and blunt trauma one after the other as if someone's flicking spitballs at him while delivering effortless violence in his wake. And come on that revamped mask is so damn cool. In these moments it's clear that nobody roots for the bad guy(s) and revels in the abject misfortune of the innocent quite like Zombie - and that his movies are at their best when they focus acutely on the sort of writhes, convulsions, and pleads the human body does when it's faced with inhuman destruction by the hands of those who live by it. I still have no idea why they gave him this franchise though when his trailer park spectacle aesthetic is practically *gift-wrapped* for the 𝘛𝘦𝘹𝘢𝘴 𝘊𝘩𝘢𝘪𝘯𝘴𝘢𝘸 series.
  
    Dino Hunter: Deadly Shores

    Dino Hunter: Deadly Shores

    Games and Entertainment

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    Hunt or be hunted! Embark on the hunting expedition of a lifetime in pursuit of the ultimate game in...