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Acanthea Grimscythe (300 KP) rated Insidious: Chapter 2 (2013) in Movies
May 12, 2018
For every bit that I enjoyed Insidious, Insidious: Chapter 2 is a complete snoozefest. Harsh, I know, but the sequel takes a path that’s far too common, and does it dreadfully so. It’s redeeming quality comes in the way it weaves into past events, hinting at time running in a completely different way in the Further. It’s an interesting notion, but can it really be called a haunting with what we learn?
Character wise, Wilson does a far better portrayal of Josh/Not Josh and, almost as if my complaints were heard (which I know they weren’t), the kids are actually passed off and their disappearance form the film for many scenes thus explained.
The plot of this second installment deals with saving Josh. At the end of Insidious, we learn that it’s not Josh that came back from the Further in his body. Naturally, given that an entity from beyond has taken up habitation in his meat suit, the ghastly things that terrify his family follow them to their new house (or technically, old house since it’s Josh’s childhood home). Thus the goal of this movie is to save Josh (though this reverse damsel-in-distress is fairly amusing).
In Insidious: Chapter 2 we get to see the fun part of a ghost story – because this one is actually a ghost, rather than a demon. The Bride in Black, y’know the ghostly thing that Josh encounters in the first film, has a pretty interesting story behind her and much of this film is centered around discovering that… at a crawl. Worse, there’s not a whole bunch of originality in her, which is where I’ll leave it in order to avoid spoilers.
Once again, it’s the Further that seems to bother me most. We only get glimpses of it and we know next to nothing of it, aside from the fact that time is not linear. I do have to commend the writers for the whole dead body inside living body means the decaying of the latter, because that’s a neat thing that I expect to see in possessions. There’s just not anything that stands out about this film, though, and for me that’s a disappointment.
Character wise, Wilson does a far better portrayal of Josh/Not Josh and, almost as if my complaints were heard (which I know they weren’t), the kids are actually passed off and their disappearance form the film for many scenes thus explained.
The plot of this second installment deals with saving Josh. At the end of Insidious, we learn that it’s not Josh that came back from the Further in his body. Naturally, given that an entity from beyond has taken up habitation in his meat suit, the ghastly things that terrify his family follow them to their new house (or technically, old house since it’s Josh’s childhood home). Thus the goal of this movie is to save Josh (though this reverse damsel-in-distress is fairly amusing).
In Insidious: Chapter 2 we get to see the fun part of a ghost story – because this one is actually a ghost, rather than a demon. The Bride in Black, y’know the ghostly thing that Josh encounters in the first film, has a pretty interesting story behind her and much of this film is centered around discovering that… at a crawl. Worse, there’s not a whole bunch of originality in her, which is where I’ll leave it in order to avoid spoilers.
Once again, it’s the Further that seems to bother me most. We only get glimpses of it and we know next to nothing of it, aside from the fact that time is not linear. I do have to commend the writers for the whole dead body inside living body means the decaying of the latter, because that’s a neat thing that I expect to see in possessions. There’s just not anything that stands out about this film, though, and for me that’s a disappointment.
LeftSideCut (3776 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
Leanne Crabtree (480 KP) rated Mine to Keep (Mine, #2) in Books
Jan 6, 2021
I received this ARC in exchange for an honest review.
This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…
This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.
We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.
Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.
I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.
It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!
I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!
If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.
This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…
This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.
We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.
Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.
I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.
It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!
I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!
If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.
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Gareth von Kallenbach (980 KP) rated The Incredibles 2 (2018) in Movies
Jul 8, 2019
It’s hard to believe that the first Incredibles by Disney Pixar debuted all the way back in 2004, and for those of you counting that’s over 14 years ago. Featuring the vibrant animation and incredible voice acting that only Disney Pixar can offer, we find ourselves once again sharing a grand adventure with this lovable superhero family. This will be a spoiler free review so feel free to read on and prepare for a journey of epic proportions.
Not much has changed since we last left off with the original Incredibles. Superheroes are still outlawed, seemingly because the damage they cause when fighting crime is far more expensive than the actual crime itself. This is proven in the very first scene of the movie, where our crime fighting family attempts to stop a bank robbery and they end up causing more havoc and mayhem than would have occurred had they not been involved at all. It seems there isn’t a place anywhere left in the world for superheroes…or is there?
The family is then offered an opportunity to prove how important superheroes are to the world and the impact they can have on the good of humanity. This mission only needs the talents of Elastigirl (Holly Hunter) however, so Elastigirl goes off to fight crime while Mr. Incredible (Craig T. Nelson) stays back at the homestead to take care of the three kids.
As with all Pixar movies, Incredibles 2 is far more than simply a cute movie about a family of crime fighting heroes. It is about how Mr. Incredible must learn to be a hero by taking care of his family instead of fighting crime. It shows how even without a secret identity and super suit that a parent helping their kids with “new math” or reading them a bedtime story can makes them the greatest hero of all. I loved that the underlying message to this movie was that being there for your family is as equally as important as saving the town from the next evil menace.
In a similar reversal of roles, Elastigirl takes on the role of the family provider. While she excels with her superhero duties, she struggles with not always being there for her kids. For Elastigirl it’s about letting go and trusting that her husband and family can learn to manage on their own when she can’t be there. We also learn that sometimes being a hero means making sacrifices for the good of the family as a whole.
As you’d expect from any film with Pixar behind it, the animation is beautiful and colorful. I would warn those that might be sensitive to strobe lights to be a bit cautious during a few scenes. There weren’t any warnings for those who might be photosensitive, and the scenes don’t last long, but I feel it’s still important to note. As already mentioned, the voice acting is also excellent. Sarah Vowell does a great job as Violet and Huck Milner is adorable as the voice of Dash. As you might have already guessed, Samuel L. Jackson does an outstanding job at reprising his role of Frozone. Unfortunately, Frozone isn’t in the movie too much but he definitely steals any scene he is in. The story was fun, entertaining and at times downright hilarious. Even though baby Jack-Jack hasn’t been a big part of this review, he is a huge part of the movie. Jack-Jack’s emerging powers mean an even greater challenge for everyone and some of the most entertaining scenes revolve around Jack-Jack and his ever-growing list of powers.
Incredibles 2 is a heartwarming film that shows us all that heroes come in different shapes and sizes, and how important it is for everyone to come together as a family in order to succeed at life (and occasionally take down a bad guy). It’s a worthy successor to the original in every way and will certainly appeal to both young and old alike. So, gather up your own superhero family and run/fly/warp your way to see Incredibles 2 when it releases in theatres on June 15th!
Not much has changed since we last left off with the original Incredibles. Superheroes are still outlawed, seemingly because the damage they cause when fighting crime is far more expensive than the actual crime itself. This is proven in the very first scene of the movie, where our crime fighting family attempts to stop a bank robbery and they end up causing more havoc and mayhem than would have occurred had they not been involved at all. It seems there isn’t a place anywhere left in the world for superheroes…or is there?
The family is then offered an opportunity to prove how important superheroes are to the world and the impact they can have on the good of humanity. This mission only needs the talents of Elastigirl (Holly Hunter) however, so Elastigirl goes off to fight crime while Mr. Incredible (Craig T. Nelson) stays back at the homestead to take care of the three kids.
As with all Pixar movies, Incredibles 2 is far more than simply a cute movie about a family of crime fighting heroes. It is about how Mr. Incredible must learn to be a hero by taking care of his family instead of fighting crime. It shows how even without a secret identity and super suit that a parent helping their kids with “new math” or reading them a bedtime story can makes them the greatest hero of all. I loved that the underlying message to this movie was that being there for your family is as equally as important as saving the town from the next evil menace.
In a similar reversal of roles, Elastigirl takes on the role of the family provider. While she excels with her superhero duties, she struggles with not always being there for her kids. For Elastigirl it’s about letting go and trusting that her husband and family can learn to manage on their own when she can’t be there. We also learn that sometimes being a hero means making sacrifices for the good of the family as a whole.
As you’d expect from any film with Pixar behind it, the animation is beautiful and colorful. I would warn those that might be sensitive to strobe lights to be a bit cautious during a few scenes. There weren’t any warnings for those who might be photosensitive, and the scenes don’t last long, but I feel it’s still important to note. As already mentioned, the voice acting is also excellent. Sarah Vowell does a great job as Violet and Huck Milner is adorable as the voice of Dash. As you might have already guessed, Samuel L. Jackson does an outstanding job at reprising his role of Frozone. Unfortunately, Frozone isn’t in the movie too much but he definitely steals any scene he is in. The story was fun, entertaining and at times downright hilarious. Even though baby Jack-Jack hasn’t been a big part of this review, he is a huge part of the movie. Jack-Jack’s emerging powers mean an even greater challenge for everyone and some of the most entertaining scenes revolve around Jack-Jack and his ever-growing list of powers.
Incredibles 2 is a heartwarming film that shows us all that heroes come in different shapes and sizes, and how important it is for everyone to come together as a family in order to succeed at life (and occasionally take down a bad guy). It’s a worthy successor to the original in every way and will certainly appeal to both young and old alike. So, gather up your own superhero family and run/fly/warp your way to see Incredibles 2 when it releases in theatres on June 15th!
Acanthea Grimscythe (300 KP) rated Annabelle: Creation (2017) in Movies
May 12, 2018
I’ve been waiting for quite some time to get the opportunity to watch Annabelle: Creation and thanks to my boyfriend, that chance finally arrived. My interest in the Conjuring universe as a whole began with the introduction of the Warrens in The Conuring. Having been a devout fan of anything paranormal, I knew their names and history long before I watched the fictionalized film. That said, I was definitely curious as to the story behind the doll, Annabelle. (I watched that film shortly after it came out, naturally.)
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.
Lee (2222 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 26, 2020
Based on the famous and beloved novel by Charles Dickens, Armando Iannucci (Veep, The Thick of It, The Death of Stalin) brings us this fresh new take on David Copperfield. And it’s like no other Dickens adaptation you’ve ever seen before.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Bob Mann (459 KP) rated The Last Letter from Your Lover (2021) in Movies
Aug 9, 2021
Engaging love story (at least, the one in the 60's) (2 more)
Lush production values, especially production design and cinematography
Great cast - especially Shailene Woodley and Ben Cross
A proper old-fashioned love story that older viewers will appreciate.
Is "chick flick" a phrase that you can use these days? I guess not, since it infers that a movie is only of interest to a particular gender. Perhaps "Sunday afternoon film" is a better phrase. And "The Last Letter From Your Lover" is a real SAF.
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
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From Chris Wallace, the veteran journalist and anchor of Fox News Sunday, comes an electrifying...