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Lucy Buglass (45 KP) rated 2:HRS (2018) in Movies
Jun 20, 2019
The concept of knowing when you’re going to die is a fascinating one, and sparks many philosophical debates. Would you like to know so you can do everything you’ve wanted, or would you rather live in blissful ignorance and take life as it comes? Unfortunately for our protagonist, Tim, he doesn’t really get the opportunity to debate this after encountering a machine that correctly predicts the lifespan of every living thing. The title 2:HRS relates to the time predicted by the machine, which encourages Tim to use his time left wisely.
Whilst it’s a harrowing revelation, the events that follow are predominantly slapstick and family-friendly, with the occasional heartwarming moment thrown in. Tim isn’t alone on his quest to check off his bucket list, being accompanied by two of his school friends who he convinced to ditch a school trip with him. This decision is how they stumbled across the machine in the first palace, so the trio certainly got more than they bargained for that day. Like any adventure, an antagonist is close behind, and in this case its the machine’s inventor who wants to see the prediction come true no matter what.
Despite being an intriguing concept for all ages, 2:HRS falls flat in a lot of places. The script is more cringe-worthy than funny, and whilst I appreciate the target audience is younger than me, I still believe it would’ve benefited from better screenwriting. That being said, the actors worked well with what they were given and gave great performances throughout. I probably laughed about three times throughout the film, so at least I can give them that. The young actors were especially good, and I’m looking forward to seeing their future work as I know they could go far.
Another thing that bothered me was the ending. It ended so abruptly and nothing was really tied up, which was a huge disappointment for me. I didn’t like their decision to leave it so open-ended as it didn’t make sense nor make an impact. It was probably designed to coax one last laugh from audiences, but didn’t work for me sadly. 2:HRS does have some redeeming scenes that I enjoyed a lot, including a moment near the end of the film with Tim and his sister. If the rest of the film had been of that quality, I would have rated it higher.
Overall, 2:HRS feels like an average, forgettable film but an entertaining watch when you’re relaxing on the sofa looking for something light-hearted to stick on. It’s worth a watch, but it’s not a film I’ll be rewatching any time soon.
https://lucygoestohollywood.com/2018/07/30/the-clock-is-ticking-my-thoughts-on-2hrs/
Whilst it’s a harrowing revelation, the events that follow are predominantly slapstick and family-friendly, with the occasional heartwarming moment thrown in. Tim isn’t alone on his quest to check off his bucket list, being accompanied by two of his school friends who he convinced to ditch a school trip with him. This decision is how they stumbled across the machine in the first palace, so the trio certainly got more than they bargained for that day. Like any adventure, an antagonist is close behind, and in this case its the machine’s inventor who wants to see the prediction come true no matter what.
Despite being an intriguing concept for all ages, 2:HRS falls flat in a lot of places. The script is more cringe-worthy than funny, and whilst I appreciate the target audience is younger than me, I still believe it would’ve benefited from better screenwriting. That being said, the actors worked well with what they were given and gave great performances throughout. I probably laughed about three times throughout the film, so at least I can give them that. The young actors were especially good, and I’m looking forward to seeing their future work as I know they could go far.
Another thing that bothered me was the ending. It ended so abruptly and nothing was really tied up, which was a huge disappointment for me. I didn’t like their decision to leave it so open-ended as it didn’t make sense nor make an impact. It was probably designed to coax one last laugh from audiences, but didn’t work for me sadly. 2:HRS does have some redeeming scenes that I enjoyed a lot, including a moment near the end of the film with Tim and his sister. If the rest of the film had been of that quality, I would have rated it higher.
Overall, 2:HRS feels like an average, forgettable film but an entertaining watch when you’re relaxing on the sofa looking for something light-hearted to stick on. It’s worth a watch, but it’s not a film I’ll be rewatching any time soon.
https://lucygoestohollywood.com/2018/07/30/the-clock-is-ticking-my-thoughts-on-2hrs/
Emma @ The Movies (1786 KP) rated Mid90s (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
At 1 hour 25 minutes you'd be forgiven for thinking this would be a brief affair, but if you're not into it then this 85-minute film is agonisingly long.
Going into this the only thing I knew about this film was that it was directed by Jonah Hill, and I like him so that felt like something positive.
31 people had booked to see this preview at my Cineworld, I think there were maybe 10 of us that showed up. I have to say that there wasn't a lot of enthusiasm from any of us until it was time to leave.
Kudos on going with the 4:3 look on the screen and the grainier quality on the filming (I'm sure there are technical terms for that but I don't know them!) That combined with accurate costumes and settings to really take you back to the 90s. I found the smaller aspect to be rather distracting on the big screen though. I watch 4:3 a lot at home on my widescreen TV without it seeming odd, perhaps this is just one of those things, I go so often that I'm probably just expecting it to fill the whole screen.
The film starts with a particularly jarring scene, and while I don't have an issue with that shock impact I don't like that there's no context. You can infer things later on, but at no point do you explicitly find out the reason behind some of the shocking scenes. The film feels much more like we've been plonked down into his life rather than learning about it.
It's difficult to sum up how I feel about the characters.
Sunny Suljic is fine in the main role but there wasn't anything that wowed me from the role. That's no slur on the acting, I just didn't feel that the dialogue or story gave us more than a glance at his life.
Ray came across as the strongest out of all the skaters, we see a few different aspects of him and he gets a proper chance to open up. Had all the characters had this opportunity then I think we'd have had something much more interesting... but then teenage boys aren't notoriously fans of opening up emotionally on screen unless we're in a romantic film.
Those of you who read my reviews will know how I feel about Lucas Hedges, that is to say, I don't really get it. This role offers little backstory apart from the fact that he clearly has a long passion for beating the crap out of his brother, Stevie. Despite my growing indifference for him I feel like Hedges wasn't given enough time in the movie. I can see why he wasn't, Ian is hyper-aggressive and a very threatening presence so having more of him would have changed the dynamic a lot. Having more of him though might have allowed us to understand him a little bit more and take away some of the unanswered questions at the end of the film.
There are a lot of scenes with drug use and alcohol, and I can see those being relevant to the story, but the "sex" scene was uncomfortable and really didn't feel like it fit in at all. From the moment you see it coming to the point where the boys are prying out details of the encounter I sat there wondering why. Why it needed to be there and why the script was just so bad through it.
The ending was the only part of the film that actually made me feel anything for the characters and the events. That in itself is quite an achievement being that you can tell exactly what is coming. The way the final event is handled was visually striking and leads us into a moment where all the characters get to show something that finally feels like genuine emotion. I think it says a lot that the most effective bits of the film had no dialogue in them. The events at the end of this film saved Mid90s from getting one of the lowest ratings in my reviewing history.
I'd say that had they given over an extra 20 minutes to better character development then this would have been better, but I worry that an extra 20 minutes would just have made the event even more excruciating.
What you should do
I'm sure this has it's audience somewhere, after all, people seem to be raving about it. Sadly I am not that audience and I really can't recommend this to anyone.
Movie thing you wish you could take home
I love the idea of making customer skateboards.
Going into this the only thing I knew about this film was that it was directed by Jonah Hill, and I like him so that felt like something positive.
31 people had booked to see this preview at my Cineworld, I think there were maybe 10 of us that showed up. I have to say that there wasn't a lot of enthusiasm from any of us until it was time to leave.
Kudos on going with the 4:3 look on the screen and the grainier quality on the filming (I'm sure there are technical terms for that but I don't know them!) That combined with accurate costumes and settings to really take you back to the 90s. I found the smaller aspect to be rather distracting on the big screen though. I watch 4:3 a lot at home on my widescreen TV without it seeming odd, perhaps this is just one of those things, I go so often that I'm probably just expecting it to fill the whole screen.
The film starts with a particularly jarring scene, and while I don't have an issue with that shock impact I don't like that there's no context. You can infer things later on, but at no point do you explicitly find out the reason behind some of the shocking scenes. The film feels much more like we've been plonked down into his life rather than learning about it.
It's difficult to sum up how I feel about the characters.
Sunny Suljic is fine in the main role but there wasn't anything that wowed me from the role. That's no slur on the acting, I just didn't feel that the dialogue or story gave us more than a glance at his life.
Ray came across as the strongest out of all the skaters, we see a few different aspects of him and he gets a proper chance to open up. Had all the characters had this opportunity then I think we'd have had something much more interesting... but then teenage boys aren't notoriously fans of opening up emotionally on screen unless we're in a romantic film.
Those of you who read my reviews will know how I feel about Lucas Hedges, that is to say, I don't really get it. This role offers little backstory apart from the fact that he clearly has a long passion for beating the crap out of his brother, Stevie. Despite my growing indifference for him I feel like Hedges wasn't given enough time in the movie. I can see why he wasn't, Ian is hyper-aggressive and a very threatening presence so having more of him would have changed the dynamic a lot. Having more of him though might have allowed us to understand him a little bit more and take away some of the unanswered questions at the end of the film.
There are a lot of scenes with drug use and alcohol, and I can see those being relevant to the story, but the "sex" scene was uncomfortable and really didn't feel like it fit in at all. From the moment you see it coming to the point where the boys are prying out details of the encounter I sat there wondering why. Why it needed to be there and why the script was just so bad through it.
The ending was the only part of the film that actually made me feel anything for the characters and the events. That in itself is quite an achievement being that you can tell exactly what is coming. The way the final event is handled was visually striking and leads us into a moment where all the characters get to show something that finally feels like genuine emotion. I think it says a lot that the most effective bits of the film had no dialogue in them. The events at the end of this film saved Mid90s from getting one of the lowest ratings in my reviewing history.
I'd say that had they given over an extra 20 minutes to better character development then this would have been better, but I worry that an extra 20 minutes would just have made the event even more excruciating.
What you should do
I'm sure this has it's audience somewhere, after all, people seem to be raving about it. Sadly I am not that audience and I really can't recommend this to anyone.
Movie thing you wish you could take home
I love the idea of making customer skateboards.
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Movie Metropolis (309 KP) rated Ant-Man (2015) in Movies
Jun 10, 2019
Paul Rudd like you've never seen him before
You can almost hear the groans, yet another superhero film bulldozes its way into cinemas. Sandwiched between the ambitious Avengers: Age of Ultron and the Fantastic Four reboot, Marvel’s Ant-Man is the first of this year’s summer superheroes.
However, numerous setbacks that included a director walking out halfway through filming meant that Ant-Man would be haunted by the action behind-the-scenes, rather than that on it. But what is the finished product like?
Peyton Reed took over from Edgar Wright after some “creative differences” and directs one of the best films to come out of Marvel studios, despite a few issues.
The film follows the story of former criminal Scott Lang, played by Paul Rudd, as he is tasked with becoming the mightily tiny superhero and stop a dangerous form of weaponry falling into the wrong hands – notably those of Darren Cross.
Helping him along the way is scientist Hank Pym, Michael Douglas, and his daughter Hope – played by the wonderful Evangeline Lilly.
Rudd’s casting raised a few eyebrows during the films pre-production but he is as charming as ever and really gets stuck into the role of a superhero. Michael Douglas and Evangeline Lilly are both more than a match for Rudd’s charisma and play their roles well.
What sets Ant-Man apart from the plethora of other big-budget superhero movies is the unique way the titular character utilises the environments around him. Summoning a host of ants to infiltrate buildings adds a new dimension to the genre that is much needed.
The CGI during these sequences is absolutely top-notch. When Rudd shrinks down we are drawn into a whole new world of giant carpet pile and huge ants and it’s hard not to get involved with the insects – you’ll never look at them in the same way again.
Marvel’s usual sense of humour is also in fine form, but again taking a different approach. This is a film well aware of the fact that Ant-Man is a ridiculous character, one of the most bizarre creations to ever come out of the studio.
Thankfully, this doesn’t stop Ant-Man from being ridiculously good fun. The action sequences are thrilling and beautifully choreographed throughout the film and on the whole show that the change in director hasn’t harmed the finished product.
However, like the titular character, the film feels ultimately, very small. After the city-levelling antics of Avengers: Age of Ultron and all the previous Marvel movies, Ant-Man comes across a little lightweight and lacking in substance.
Overall, Paul Rudd’s first foray into the superhero genre is highly commendable. Peyton Reed has managed to overcome near constant bad publicity to create a film that’s funny, thrilling and a little different.
Marvel will continue to churn out these movies until audiences are fed up with the genre, and if the quality remains at this level, it may be a while yet.
https://moviemetropolis.net/2015/07/19/paul-rudd-like-youve-never-seen-him-ant-man-review/
However, numerous setbacks that included a director walking out halfway through filming meant that Ant-Man would be haunted by the action behind-the-scenes, rather than that on it. But what is the finished product like?
Peyton Reed took over from Edgar Wright after some “creative differences” and directs one of the best films to come out of Marvel studios, despite a few issues.
The film follows the story of former criminal Scott Lang, played by Paul Rudd, as he is tasked with becoming the mightily tiny superhero and stop a dangerous form of weaponry falling into the wrong hands – notably those of Darren Cross.
Helping him along the way is scientist Hank Pym, Michael Douglas, and his daughter Hope – played by the wonderful Evangeline Lilly.
Rudd’s casting raised a few eyebrows during the films pre-production but he is as charming as ever and really gets stuck into the role of a superhero. Michael Douglas and Evangeline Lilly are both more than a match for Rudd’s charisma and play their roles well.
What sets Ant-Man apart from the plethora of other big-budget superhero movies is the unique way the titular character utilises the environments around him. Summoning a host of ants to infiltrate buildings adds a new dimension to the genre that is much needed.
The CGI during these sequences is absolutely top-notch. When Rudd shrinks down we are drawn into a whole new world of giant carpet pile and huge ants and it’s hard not to get involved with the insects – you’ll never look at them in the same way again.
Marvel’s usual sense of humour is also in fine form, but again taking a different approach. This is a film well aware of the fact that Ant-Man is a ridiculous character, one of the most bizarre creations to ever come out of the studio.
Thankfully, this doesn’t stop Ant-Man from being ridiculously good fun. The action sequences are thrilling and beautifully choreographed throughout the film and on the whole show that the change in director hasn’t harmed the finished product.
However, like the titular character, the film feels ultimately, very small. After the city-levelling antics of Avengers: Age of Ultron and all the previous Marvel movies, Ant-Man comes across a little lightweight and lacking in substance.
Overall, Paul Rudd’s first foray into the superhero genre is highly commendable. Peyton Reed has managed to overcome near constant bad publicity to create a film that’s funny, thrilling and a little different.
Marvel will continue to churn out these movies until audiences are fed up with the genre, and if the quality remains at this level, it may be a while yet.
https://moviemetropolis.net/2015/07/19/paul-rudd-like-youve-never-seen-him-ant-man-review/
Sarah (7798 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Emma @ The Movies (1786 KP) rated Rambo: Last Blood (2019) in Movies
Nov 5, 2019
The film is an incredibly short 90 minutes long, not just for the fact it's 90 minutes but it ramps up the action so fast that you get to the end in what seems like record speed. Don't expect to be here for the storyline, while it has the makings of an excellent base it's clear that they really wanted a blood spurting mess of action... and in that respect this was a massive success.
Had I not see any of the other films before this I think I would still get a sense of the character but I wouldn't have been able to appreciate the trauma behind it all. You can tell he's got some kind of combat background and from the fact he's built himself a warren of tunnels and makes his own weapons you know there's something major in the backstory.
It could be a stand alone movie as it is but it probably would have been a better one with some more character work.
Everyone plays to their character well and the sheer volume of violence they all manage to bring to the screen with mostly fitting reactions is incredible. The amount of extra characters is something to behold and I particularly liked the way the gang comes together when Rambo goes hunting for them.
We're introduced to Carmen who is on her own hunt like Rambo, sadly she is a little underused and is mainly a way to get Rambo out of trouble so he can get to the next part of the film. Her story is summed up pretty quickly and this could easily have been developed into a bigger part.
Stallone... What do you want me to say? He's here to kick ass in the only way Stallone can. He does the crazed thing really well and I liked the way his parental instincts kicked, but there isn't a whole lot of acting to deal with in this really.
I want to avoid spoilers but there are a couple of emotional scenes that are done quite well and make a nice contrast with the "all hell breaks loose" action.
Let's just get to that action, shall we? Rambo basically Home Alones the shit out of his property. I'm honestly surprised that there wasn't the inclusion of some Wile E. Coyote traps to get a bit of everything in there. I enjoyed the montage of him kitting the place out, it really worked and built the anticipation of what was to come.
If there's one thing I knew before seeing this film it's that nothing was going to be subtle and the way he gets the gangs attention for the finale really threw subtle out the window. Sometimes you just need ridiculous violence, this was pretty ridiculous.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/rambo-last-blood-movie-review.html
Had I not see any of the other films before this I think I would still get a sense of the character but I wouldn't have been able to appreciate the trauma behind it all. You can tell he's got some kind of combat background and from the fact he's built himself a warren of tunnels and makes his own weapons you know there's something major in the backstory.
It could be a stand alone movie as it is but it probably would have been a better one with some more character work.
Everyone plays to their character well and the sheer volume of violence they all manage to bring to the screen with mostly fitting reactions is incredible. The amount of extra characters is something to behold and I particularly liked the way the gang comes together when Rambo goes hunting for them.
We're introduced to Carmen who is on her own hunt like Rambo, sadly she is a little underused and is mainly a way to get Rambo out of trouble so he can get to the next part of the film. Her story is summed up pretty quickly and this could easily have been developed into a bigger part.
Stallone... What do you want me to say? He's here to kick ass in the only way Stallone can. He does the crazed thing really well and I liked the way his parental instincts kicked, but there isn't a whole lot of acting to deal with in this really.
I want to avoid spoilers but there are a couple of emotional scenes that are done quite well and make a nice contrast with the "all hell breaks loose" action.
Let's just get to that action, shall we? Rambo basically Home Alones the shit out of his property. I'm honestly surprised that there wasn't the inclusion of some Wile E. Coyote traps to get a bit of everything in there. I enjoyed the montage of him kitting the place out, it really worked and built the anticipation of what was to come.
If there's one thing I knew before seeing this film it's that nothing was going to be subtle and the way he gets the gangs attention for the finale really threw subtle out the window. Sometimes you just need ridiculous violence, this was pretty ridiculous.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/rambo-last-blood-movie-review.html
Lee (2222 KP) rated Missing Link (2019) in Movies
Jan 21, 2020
Despite being a huge fan of Coraline and Kubo and the Two Strings, I'd managed to miss out on Missing Link, the latest movie from stop-motion masters Laika, last year when it was originally shown in cinemas. Having recently won the Golden Globe for Best Animated Feature Film, and on the receiving end of a number of other nominations, including an Oscar nom for Best Animated Feature, I was very happy to discover (by chance!) that it had now made its way onto Netflix.
Missing Link is set in Victorian England and tells the story of Sir Lionel Frost (voiced by Hugh Jackman), an adventurer with a passion for exploration and the discovery of mythical creatures. When we first meet Sir Lionel, he is on a small boat with his assistant, hoping to obtain photographic evidence of the existence of the elusive Loch Ness monster. Such evidence would hopefully grant him membership to the exclusive "Society of Great Men", which is run by Lord Piggot-Dunceby (Stephen Fry). Unfortunately, despite Nessie making an appearance to Frost, things don't quite go according to plan and he returns home without any evidence. And in need of a new assistant!
Another shot at entry into the society comes in the form of a letter, which is addressed to Frost on his return home to London. The letter describes the legendary Sasquatch and tells of sightings in the Pacific Northwest so Frost immediately makes a deal with Piggot-Dunceby that will see him accepted should he return with proof that the Sasquatch is real. But Piggot-Dunceby has no such plans to admit Frost and enlists the services of an assassin (Timothy Olyphant) to follow and eliminate him before he gets chance to make it back to England.
When Frost eventually arrives in the forest, he not only discovers the Sasquatch, but also that the Sasquatch can talk and was in fact the one who sent the letter! Sir Lionel names him "Mr. Link" and learns that he just wanted his help in finding his relatives, the Yetis who live in the Himalayas. They join forces and set off, back across America, across the Ocean and across Europe, all the while trying to avoid and outwit the deadly assassin.
Missing Link is more vibrant, more detailed and exhibits a much smoother animation style than any of the previous movies from Laika. It is an outstanding achievement from everyone involved and I am always in awe whenever I see the behind the scenes making of videos from Laika. However, despite looking amazing and featuring some very funny moments from a talented and on-form voice cast, I found Missing Link to the be the weakest in terms of story when compared to Coraline and Kubo. It's certainly not a bad movie, it just didn't grab me at any point, and I didn't feel it was particularly memorable when I'd finished it either.
Missing Link is set in Victorian England and tells the story of Sir Lionel Frost (voiced by Hugh Jackman), an adventurer with a passion for exploration and the discovery of mythical creatures. When we first meet Sir Lionel, he is on a small boat with his assistant, hoping to obtain photographic evidence of the existence of the elusive Loch Ness monster. Such evidence would hopefully grant him membership to the exclusive "Society of Great Men", which is run by Lord Piggot-Dunceby (Stephen Fry). Unfortunately, despite Nessie making an appearance to Frost, things don't quite go according to plan and he returns home without any evidence. And in need of a new assistant!
Another shot at entry into the society comes in the form of a letter, which is addressed to Frost on his return home to London. The letter describes the legendary Sasquatch and tells of sightings in the Pacific Northwest so Frost immediately makes a deal with Piggot-Dunceby that will see him accepted should he return with proof that the Sasquatch is real. But Piggot-Dunceby has no such plans to admit Frost and enlists the services of an assassin (Timothy Olyphant) to follow and eliminate him before he gets chance to make it back to England.
When Frost eventually arrives in the forest, he not only discovers the Sasquatch, but also that the Sasquatch can talk and was in fact the one who sent the letter! Sir Lionel names him "Mr. Link" and learns that he just wanted his help in finding his relatives, the Yetis who live in the Himalayas. They join forces and set off, back across America, across the Ocean and across Europe, all the while trying to avoid and outwit the deadly assassin.
Missing Link is more vibrant, more detailed and exhibits a much smoother animation style than any of the previous movies from Laika. It is an outstanding achievement from everyone involved and I am always in awe whenever I see the behind the scenes making of videos from Laika. However, despite looking amazing and featuring some very funny moments from a talented and on-form voice cast, I found Missing Link to the be the weakest in terms of story when compared to Coraline and Kubo. It's certainly not a bad movie, it just didn't grab me at any point, and I didn't feel it was particularly memorable when I'd finished it either.
Ravensburger Puzzle - the jigsaw collection
Games and Entertainment
App
The best jigsaw puzzle app for iPhone and iPad - of course from Ravensburger. A huge selection of...
Gareth von Kallenbach (974 KP) rated X-Men Origins - Wolverine (2009) in Movies
Aug 14, 2019
The 2009 summer movie season has arrived with the releases of “X-Men Origins: Wolverine”, which once again stars Hugh Jackman in the role of the razor clawed Wolverine.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
Kristy H (1252 KP) rated The Girl in the Spider's Web: Continuing Stieg Larsson's Millennium Series in Books
Feb 13, 2018
This book picks up, time-wise, after the last of Stieg Larsson's Millennium books ended. Mikael Blomkvist is struggling - his career is being debated in the press and his beloved Millennium magazine is floundering. He receives a tip from a source about a story. Mikael reluctantly follows up, but becomes more intrigued when it sounds like the story might involve Lisbeth Salander. Mikael immediately gets sucked into a plot of intrigue with implications far beyond his greatest expectations.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.