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Darren (1599 KP) rated Get On Up (2014) in Movies
Oct 17, 2019
Thoughts on Get on Up
Characters – James Brown is one of the most influential musicians of the last century, there is no doubt what he did will live on forever. We get to see how James started with nothing, in an abusive childhood with no education, before learning to take the chances thrown his way, trying to make a difference to the world in the spotlight, even if he doesn’t always keep the crowd around him, not always as loyal as he should be. This doesn’t make James look like the most integral person behind the spotlight. Bobby Byrd is the man that gave James a chance to get out of prison, to start something with his singing in gospel, he will stand by James through all the troubles he faces, the bands he goes through, knowing James is the main talent and just being part of this would make him remembered. Ben Bart makes everything happen for James, he tries to help him navigate difficult moments in history, but will help him make the right choices which sees the friendship grow as the success does. Susie is the mother of James, she is forced to leave because of her partner and once he becomes famous wants to come back into his life, while James isn’t willing to let this happen.
Performances – Chadwick Boseman is fantastic in the leading role, he shows that his biopic man, he can bring James Brown to life on stage and in his personal life with ease. Nelsan Ellis is great in his role, showing us that he could provide excellent supporting performances in the film. Dan Aykroyd is strong too, with Viola Davis making a big impact in her scenes in the film.
Story – The story here follows the life of James Brown, from his poverty like childhood, to his international success in the music industry, we see his ideas on wanting to make a change and just what it will do to the people that helped him get to the top. One of the biggest weaknesses in the film here comes from the early time jumps, we are constantly jumping between moments, which doesn’t help the story telling process. This story also doesn’t paint James as a nice person away from the spotlight, even if he was always trying to achieve something more from his career. The story does try to ram too much into the film, which does make it hard to understand each moment of his life.
Biopic/Music – This does show a lot of his life, it doesn’t help us get invested in just how much of an impact each moment was. The music can’t be questioned with his hits playing through the film with every beat we know.
Settings – The film creates some of the biggest stages of James career, never looking like we aren’t in the correct time period.
Scene of the Movie – The performances.
That Moment That Annoyed Me – The time jumps.
Final Thoughts – This is a by the book biopic, it has wonderful performances and the music you would expect to see, though we do cram too much in for everything to run smoothly.
Overall: By the Books Biopic.
Characters – James Brown is one of the most influential musicians of the last century, there is no doubt what he did will live on forever. We get to see how James started with nothing, in an abusive childhood with no education, before learning to take the chances thrown his way, trying to make a difference to the world in the spotlight, even if he doesn’t always keep the crowd around him, not always as loyal as he should be. This doesn’t make James look like the most integral person behind the spotlight. Bobby Byrd is the man that gave James a chance to get out of prison, to start something with his singing in gospel, he will stand by James through all the troubles he faces, the bands he goes through, knowing James is the main talent and just being part of this would make him remembered. Ben Bart makes everything happen for James, he tries to help him navigate difficult moments in history, but will help him make the right choices which sees the friendship grow as the success does. Susie is the mother of James, she is forced to leave because of her partner and once he becomes famous wants to come back into his life, while James isn’t willing to let this happen.
Performances – Chadwick Boseman is fantastic in the leading role, he shows that his biopic man, he can bring James Brown to life on stage and in his personal life with ease. Nelsan Ellis is great in his role, showing us that he could provide excellent supporting performances in the film. Dan Aykroyd is strong too, with Viola Davis making a big impact in her scenes in the film.
Story – The story here follows the life of James Brown, from his poverty like childhood, to his international success in the music industry, we see his ideas on wanting to make a change and just what it will do to the people that helped him get to the top. One of the biggest weaknesses in the film here comes from the early time jumps, we are constantly jumping between moments, which doesn’t help the story telling process. This story also doesn’t paint James as a nice person away from the spotlight, even if he was always trying to achieve something more from his career. The story does try to ram too much into the film, which does make it hard to understand each moment of his life.
Biopic/Music – This does show a lot of his life, it doesn’t help us get invested in just how much of an impact each moment was. The music can’t be questioned with his hits playing through the film with every beat we know.
Settings – The film creates some of the biggest stages of James career, never looking like we aren’t in the correct time period.
Scene of the Movie – The performances.
That Moment That Annoyed Me – The time jumps.
Final Thoughts – This is a by the book biopic, it has wonderful performances and the music you would expect to see, though we do cram too much in for everything to run smoothly.
Overall: By the Books Biopic.
Phillip McSween (751 KP) rated Black Panther (2018) in Movies
Mar 5, 2018
Epic
There is so much to love about Black Panther that it's taken me awhile to figure out where to begin. I guess I'll start with the message. A message that leaves us with two options: We can all spend the rest of our lives hating each other or we can choose to work together. That's not just a message for black people, which the cast predominately represents, but a message for the human race.
The film would be nothing without the powerful cast surrounding it. Their performances were both memorable and deep. I could spend this entire review going into depth on the effect of each actor/actresses performance on the film, but instead I want to take a moment to recognize one particular actress who has been in the game for decades: Angela Bassett. She absolutely nails the role of Queen mother Ramonda. Because the other roles are so strong, her performance may go unnoticed but not by me. She's a picture of calm, always displaying the perfect amount of strength in her position of power. Her vulnerability doesn't diminish her role of power in this matriarchal society.
Critics and fans alike have been complaining about one-dimensional villains for years in the Marvel Cinematic Universe. You won't find that in Black Panther as Killmonger (Michael B. Jordan) is extremely well-developed. The best villains make you sensitive to their plight. Not only did I understand where Killmonger was coming from, there were plenty of moments where I wondered whether or not he was wrong.
As much as the film creates a strong feeling of black empowerment, Black Panther creates a strong sense of women's empowerment as well. The Wakandan tribes revolve around a king, yet the society would be nothing without the strong matriarchal figures that keep things running smoothly. There is a scene in the beginning of the film where N'Jobu (Sterling K. Brown) is discussing underdealings in his apartment when there is a knock at his door. When asked if he should open the door, he responds, "They won't ask twice." You can read the fear in his eyes as he understands the power of the women waiting behind that door. The more of the film you watch, the more you understand the justification behind that fear.
The conflict in the film wasn't created, but happened naturally as a result of flawed characters with depth and strong minds. W'Kabi (Daniel Kaluuya) loves his people but has a heart for vengeance which begins to consume him. His story is just one of many revolving pieces that provide layers to the story.
The set pieces throughout the film were absolutely stunning. From its beautiful waterfall overlooks to the wintery mountains of the Jabari Tribe, you can't help but feel the magic in this place. The casino set piece was easily my favorite, a location that's seedy on the outside yet full of glamour and ritz within.
Now for my one minor gripe: I can't go into detail without ruining the film for those that haven't seen it, but there was one particular relationship that I felt should have been fleshed out a bit more, especially since it impacted the tide of the movie as a whole. The original cut of this film is four hours long and I've read that my issue is a non-issue in that version so I won't deduct too much. Not to mention, there are so many moments that they got right, particularly in the action front, that it's hard being too picky. Even the fight scenes and sprawling battles (rhinos in vibranium armor? Yes, please!) are original, breathing fresh life into the MCU the same way Doctor Strange did.
At the heart of everything, Black Panther is shaped by memorable, powerful moments that impact the way you look at the movie. Killmonger's dream sequence is probably the most powerful scene in an MCU movie yet, just edging out the final confrontation between Vision and Ultron in Avengers: Age of Ultron. The film is a double threat as it not only packs a strong action punch, but an introspective one as well.
Wakanda is crowning a new king, but there is one who would oppose the throne for reasons of his own. One, coincidentally, is the same amount of points that I deducted from my rating. Just amazing, Black Panther gets a 99 from me.
The film would be nothing without the powerful cast surrounding it. Their performances were both memorable and deep. I could spend this entire review going into depth on the effect of each actor/actresses performance on the film, but instead I want to take a moment to recognize one particular actress who has been in the game for decades: Angela Bassett. She absolutely nails the role of Queen mother Ramonda. Because the other roles are so strong, her performance may go unnoticed but not by me. She's a picture of calm, always displaying the perfect amount of strength in her position of power. Her vulnerability doesn't diminish her role of power in this matriarchal society.
Critics and fans alike have been complaining about one-dimensional villains for years in the Marvel Cinematic Universe. You won't find that in Black Panther as Killmonger (Michael B. Jordan) is extremely well-developed. The best villains make you sensitive to their plight. Not only did I understand where Killmonger was coming from, there were plenty of moments where I wondered whether or not he was wrong.
As much as the film creates a strong feeling of black empowerment, Black Panther creates a strong sense of women's empowerment as well. The Wakandan tribes revolve around a king, yet the society would be nothing without the strong matriarchal figures that keep things running smoothly. There is a scene in the beginning of the film where N'Jobu (Sterling K. Brown) is discussing underdealings in his apartment when there is a knock at his door. When asked if he should open the door, he responds, "They won't ask twice." You can read the fear in his eyes as he understands the power of the women waiting behind that door. The more of the film you watch, the more you understand the justification behind that fear.
The conflict in the film wasn't created, but happened naturally as a result of flawed characters with depth and strong minds. W'Kabi (Daniel Kaluuya) loves his people but has a heart for vengeance which begins to consume him. His story is just one of many revolving pieces that provide layers to the story.
The set pieces throughout the film were absolutely stunning. From its beautiful waterfall overlooks to the wintery mountains of the Jabari Tribe, you can't help but feel the magic in this place. The casino set piece was easily my favorite, a location that's seedy on the outside yet full of glamour and ritz within.
Now for my one minor gripe: I can't go into detail without ruining the film for those that haven't seen it, but there was one particular relationship that I felt should have been fleshed out a bit more, especially since it impacted the tide of the movie as a whole. The original cut of this film is four hours long and I've read that my issue is a non-issue in that version so I won't deduct too much. Not to mention, there are so many moments that they got right, particularly in the action front, that it's hard being too picky. Even the fight scenes and sprawling battles (rhinos in vibranium armor? Yes, please!) are original, breathing fresh life into the MCU the same way Doctor Strange did.
At the heart of everything, Black Panther is shaped by memorable, powerful moments that impact the way you look at the movie. Killmonger's dream sequence is probably the most powerful scene in an MCU movie yet, just edging out the final confrontation between Vision and Ultron in Avengers: Age of Ultron. The film is a double threat as it not only packs a strong action punch, but an introspective one as well.
Wakanda is crowning a new king, but there is one who would oppose the throne for reasons of his own. One, coincidentally, is the same amount of points that I deducted from my rating. Just amazing, Black Panther gets a 99 from me.
Phillip McSween (751 KP) rated Christopher Robin (2018) in Movies
Apr 1, 2019
Endearing and Pleasant
Never was a big “Winnie the Pooh” guy growing up, but I was always familiar with the characters. Christopher Robin made me fall in love with these characters all the same. Now an adult, Christopher returns to the Hundred Acre Woods to reunite with old friends he left behind.
Acting: 10
Jim Cummings is stellar as both Pooh and Tigger. Although I don’t have a huge point of reference, I can say that it felt like he poured his heart into these characters, making them extremely lovable. His tone and inflection just have a way of making me smile. I also loved Brad Garrett voicing Eeyore. That choice is almost a given as his voice is perfect, but I loved how he took the role and made it his own. Amazing job by the cast all around.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Reminiscent of what they did with the Snuggle bear, the characters are not quite animated, but an odd form of CGI. They don’t feel like fake creatures, rather they are a uniquely pleasant creation. Seeing them interact with Christopher Robin and the settings around them was a treat. I loved the way the Hundred Acre Woods are captured and the well-crafted closeups of the characters that evoke emotion. Especially powerful was the montage of Christopher Robin growing into a man at the beginning of the movie. It shows you just how far removed he is from his childhood.
Conflict: 7
Genre: 9
I appreciate it when a kids film can take their material and use it to appeal to adults. Christopher Robin straddles the line between adults and children extremely well and makes it an enjoyable experience for all. I smiled. I laughed. And maybe, just maybe, I got a little teary.
Memorability: 9
The movie hits you with a strong message about the necessity of growing up and the importance of holding on to yourself as you age. Watching it inspired me to remember how it felt to be fancy free without a care in the world and how good that felt. The movie does a great job of sprinkling the message in with the fun of the story.
One of my favorite scenes in the movie is when Pooh and Christopher reunite for the first time. They are sitting on park benches facing away from each other. It’s an endearing moment that helps to get the adventure rolling.
Pace: 10
Plot: 10
Resolution: 10
If this ending doesn’t move you, you are not human. Kidding, but it’s the perfect sappy ending for a sappy movie. The kind of ending that makes you want to start the movie over from the beginning and watch it all over again.
Overall: 94
First Po, then Paddington, now Pooh. I don’t know what it is about these bears that put a smile on my face, but whatever it is, it works! Christopher Robin was definitely one of my favorite movies of 2018.
Acting: 10
Jim Cummings is stellar as both Pooh and Tigger. Although I don’t have a huge point of reference, I can say that it felt like he poured his heart into these characters, making them extremely lovable. His tone and inflection just have a way of making me smile. I also loved Brad Garrett voicing Eeyore. That choice is almost a given as his voice is perfect, but I loved how he took the role and made it his own. Amazing job by the cast all around.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Reminiscent of what they did with the Snuggle bear, the characters are not quite animated, but an odd form of CGI. They don’t feel like fake creatures, rather they are a uniquely pleasant creation. Seeing them interact with Christopher Robin and the settings around them was a treat. I loved the way the Hundred Acre Woods are captured and the well-crafted closeups of the characters that evoke emotion. Especially powerful was the montage of Christopher Robin growing into a man at the beginning of the movie. It shows you just how far removed he is from his childhood.
Conflict: 7
Genre: 9
I appreciate it when a kids film can take their material and use it to appeal to adults. Christopher Robin straddles the line between adults and children extremely well and makes it an enjoyable experience for all. I smiled. I laughed. And maybe, just maybe, I got a little teary.
Memorability: 9
The movie hits you with a strong message about the necessity of growing up and the importance of holding on to yourself as you age. Watching it inspired me to remember how it felt to be fancy free without a care in the world and how good that felt. The movie does a great job of sprinkling the message in with the fun of the story.
One of my favorite scenes in the movie is when Pooh and Christopher reunite for the first time. They are sitting on park benches facing away from each other. It’s an endearing moment that helps to get the adventure rolling.
Pace: 10
Plot: 10
Resolution: 10
If this ending doesn’t move you, you are not human. Kidding, but it’s the perfect sappy ending for a sappy movie. The kind of ending that makes you want to start the movie over from the beginning and watch it all over again.
Overall: 94
First Po, then Paddington, now Pooh. I don’t know what it is about these bears that put a smile on my face, but whatever it is, it works! Christopher Robin was definitely one of my favorite movies of 2018.
Connor Sheffield (293 KP) rated Assassin's Creed: The Official Movie Novelization in Books
May 21, 2017
Descriptive Writing brings out so much more information (6 more)
Characters and settings remain true in the adaptation
(Special Edition) Short stories to give more information and characters to the film
Action sequences are beautifully written
(Special Edition) Behind the Scenes stuff
(Special Edition) Beautiful Concept Art
(Special Edition) An overview of the Spanish Inquistion and the historical accuracy of the film
Bringing forth what the movie could not
So, as you all know this film, and this franchise, are my favourites, so my opinion is somewhat bias, but please understand that I know that the movie is in no way perfect or close to perfect of what it could have been, but I love what they have done.
With that said, I turned my attention to the novel, and pre-ordered the special edition because I knew it would make a great addition to my collection of Assassin's Creed novels, and I wanted everything I could possibly get from the novel. I love all the behind the scenes features on a DVD/Blu Ray and when I heard that this book contained some BHS content I wanted it so badly that I made sure I got the special edition despite the addition to the price.
The adaptation of the Film to the novel, is incredible. When Movies are adapted from Books, there will always be the person with you that says "The Book is always better". Sometimes, in the vice versa of this situation, when books are adapted from films, it doesn't always add anything more to make the film's plot better, or give you anything else to think about. This book is something else entirely.
In the movie we are introduced to so many characters, and so many sub plots that just can't be explored in the film itself, because it would be what I and others like to call, a cluster fuck. There would far too much going on, and people already seemed confused by the simple plot of the film, that the addition of these subplots would have given them a headache and everything they needed to see to enjoy the movie would be lost even further, as people would walk out of the cinemas saying "What the heck did I just watch?". Books allow the writer and the reader the freedom to explore these subplots and open up our experience to these other characters such as Moussa, Emir, Nathan, and Lin. If you don't even know these names, that's because the film didn't get the opportunity to express to you the importance of these names, whilst introducing them in a way that you only really remember them as, 'The other assassins in the facility who organize the breakout of Abstergo finale'.
However these characters each have their own Assassin ancestors, at least two of which are heavily connected to the video games. Lin's ancestor, is Shao Jun, the protagonist who you play as in Assassin's Creed Chronicles: China. Emir's ancestor, is a Turkish Assassin named Yusuf, the same Yusuf who you befriend in Assassin's Creed: Revelations, whilst playing as an older Ezio Auditore in his final video game to end the Ezio Trilogy. In the movie's special features, there is a deleted scene in which Cal is able to see these ancestors, during the common room scene as he is trying to eat his steak. However it was taken out due to it not making much sense for him to be able to see other people ancestors via the bleeding effect. The novel on the other hand, doesn't need this scene, and instead the reader is treated to the thoughts and a little backstory to each of these modern day assassins, and how they had felt after being introduced to their ancestors, and how they connected to them through their own lives.
We learn even more about the films central characters as well, mainly Aguilar, Sofia and Callum Lynch, and the novel adaptation gives us a new view on their relationship as a whole. Sofia feels emotions she has never felt with other patients. Callum has a lot running through his mind that just can't be spoken or portrayed in the film. Aguilar's relationship to his fellow Assassin Maria is opened up to us, with us learning that they had been very intimate, and that despite never truly portraying their love for one another, the two assassins knew what the other was thinking and they moved and thought in unison with one another, which makes the final memory sequence, that much more heart breaking, and powerful.
The book grants us access to everything, and this is what makes it such a thrilling read. From start to finish I just wanted to read on and on, despite how heavy my eyes felt at night, tucked up in bed. It grips you and pulls you into the exciting journey of the beautifully written emotional rollercoster. Christie Golden, known for her own literary work and for her work on other franchise based novels, including Star Wars, World of Warcraft and Star Trek, has done a fantastic job at expanded the movie into a new experience, which even I wasn't expecting, and I've watched the film twice in the cinema and about 7 times since the day of it's digital release, March 10, 2017. I really do love this book and everything it has to offer.
My only bad point, which is personal to me, as I have theories about certain points of this movie, and I was hoping it would help answer some of my theories. However, whilst it expanded on them a little, giving more evidence to support one of my theories, it simply left more questions than answers. That is no fault of the writer or her work, but simply to my own inquisitive mind. The book overall has no faults in my opinion.
If you enjoyed the movie, you'll love the book more. If you didn't enjoy the movie, give the book a try. It might surprise you.
With that said, I turned my attention to the novel, and pre-ordered the special edition because I knew it would make a great addition to my collection of Assassin's Creed novels, and I wanted everything I could possibly get from the novel. I love all the behind the scenes features on a DVD/Blu Ray and when I heard that this book contained some BHS content I wanted it so badly that I made sure I got the special edition despite the addition to the price.
The adaptation of the Film to the novel, is incredible. When Movies are adapted from Books, there will always be the person with you that says "The Book is always better". Sometimes, in the vice versa of this situation, when books are adapted from films, it doesn't always add anything more to make the film's plot better, or give you anything else to think about. This book is something else entirely.
In the movie we are introduced to so many characters, and so many sub plots that just can't be explored in the film itself, because it would be what I and others like to call, a cluster fuck. There would far too much going on, and people already seemed confused by the simple plot of the film, that the addition of these subplots would have given them a headache and everything they needed to see to enjoy the movie would be lost even further, as people would walk out of the cinemas saying "What the heck did I just watch?". Books allow the writer and the reader the freedom to explore these subplots and open up our experience to these other characters such as Moussa, Emir, Nathan, and Lin. If you don't even know these names, that's because the film didn't get the opportunity to express to you the importance of these names, whilst introducing them in a way that you only really remember them as, 'The other assassins in the facility who organize the breakout of Abstergo finale'.
However these characters each have their own Assassin ancestors, at least two of which are heavily connected to the video games. Lin's ancestor, is Shao Jun, the protagonist who you play as in Assassin's Creed Chronicles: China. Emir's ancestor, is a Turkish Assassin named Yusuf, the same Yusuf who you befriend in Assassin's Creed: Revelations, whilst playing as an older Ezio Auditore in his final video game to end the Ezio Trilogy. In the movie's special features, there is a deleted scene in which Cal is able to see these ancestors, during the common room scene as he is trying to eat his steak. However it was taken out due to it not making much sense for him to be able to see other people ancestors via the bleeding effect. The novel on the other hand, doesn't need this scene, and instead the reader is treated to the thoughts and a little backstory to each of these modern day assassins, and how they had felt after being introduced to their ancestors, and how they connected to them through their own lives.
We learn even more about the films central characters as well, mainly Aguilar, Sofia and Callum Lynch, and the novel adaptation gives us a new view on their relationship as a whole. Sofia feels emotions she has never felt with other patients. Callum has a lot running through his mind that just can't be spoken or portrayed in the film. Aguilar's relationship to his fellow Assassin Maria is opened up to us, with us learning that they had been very intimate, and that despite never truly portraying their love for one another, the two assassins knew what the other was thinking and they moved and thought in unison with one another, which makes the final memory sequence, that much more heart breaking, and powerful.
The book grants us access to everything, and this is what makes it such a thrilling read. From start to finish I just wanted to read on and on, despite how heavy my eyes felt at night, tucked up in bed. It grips you and pulls you into the exciting journey of the beautifully written emotional rollercoster. Christie Golden, known for her own literary work and for her work on other franchise based novels, including Star Wars, World of Warcraft and Star Trek, has done a fantastic job at expanded the movie into a new experience, which even I wasn't expecting, and I've watched the film twice in the cinema and about 7 times since the day of it's digital release, March 10, 2017. I really do love this book and everything it has to offer.
My only bad point, which is personal to me, as I have theories about certain points of this movie, and I was hoping it would help answer some of my theories. However, whilst it expanded on them a little, giving more evidence to support one of my theories, it simply left more questions than answers. That is no fault of the writer or her work, but simply to my own inquisitive mind. The book overall has no faults in my opinion.
If you enjoyed the movie, you'll love the book more. If you didn't enjoy the movie, give the book a try. It might surprise you.
Bob Mann (459 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Jun 27, 2020
Rachel McAdams and Dan Stevens steal most of the scenes (1 more)
A real feelgood movie that spoofs the unspoofable pretty well
My lovely farce
Will Ferrell's output over the last few years has been decidedly patchy. I have to go back to "Get Hard" to find one of his movies that really got to my funny bone. But this latest Netflix offering hits the spot for me.
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
Lucy Buglass (45 KP) rated 2:HRS (2018) in Movies
Jun 20, 2019
The concept of knowing when you’re going to die is a fascinating one, and sparks many philosophical debates. Would you like to know so you can do everything you’ve wanted, or would you rather live in blissful ignorance and take life as it comes? Unfortunately for our protagonist, Tim, he doesn’t really get the opportunity to debate this after encountering a machine that correctly predicts the lifespan of every living thing. The title 2:HRS relates to the time predicted by the machine, which encourages Tim to use his time left wisely.
Whilst it’s a harrowing revelation, the events that follow are predominantly slapstick and family-friendly, with the occasional heartwarming moment thrown in. Tim isn’t alone on his quest to check off his bucket list, being accompanied by two of his school friends who he convinced to ditch a school trip with him. This decision is how they stumbled across the machine in the first palace, so the trio certainly got more than they bargained for that day. Like any adventure, an antagonist is close behind, and in this case its the machine’s inventor who wants to see the prediction come true no matter what.
Despite being an intriguing concept for all ages, 2:HRS falls flat in a lot of places. The script is more cringe-worthy than funny, and whilst I appreciate the target audience is younger than me, I still believe it would’ve benefited from better screenwriting. That being said, the actors worked well with what they were given and gave great performances throughout. I probably laughed about three times throughout the film, so at least I can give them that. The young actors were especially good, and I’m looking forward to seeing their future work as I know they could go far.
Another thing that bothered me was the ending. It ended so abruptly and nothing was really tied up, which was a huge disappointment for me. I didn’t like their decision to leave it so open-ended as it didn’t make sense nor make an impact. It was probably designed to coax one last laugh from audiences, but didn’t work for me sadly. 2:HRS does have some redeeming scenes that I enjoyed a lot, including a moment near the end of the film with Tim and his sister. If the rest of the film had been of that quality, I would have rated it higher.
Overall, 2:HRS feels like an average, forgettable film but an entertaining watch when you’re relaxing on the sofa looking for something light-hearted to stick on. It’s worth a watch, but it’s not a film I’ll be rewatching any time soon.
https://lucygoestohollywood.com/2018/07/30/the-clock-is-ticking-my-thoughts-on-2hrs/
Whilst it’s a harrowing revelation, the events that follow are predominantly slapstick and family-friendly, with the occasional heartwarming moment thrown in. Tim isn’t alone on his quest to check off his bucket list, being accompanied by two of his school friends who he convinced to ditch a school trip with him. This decision is how they stumbled across the machine in the first palace, so the trio certainly got more than they bargained for that day. Like any adventure, an antagonist is close behind, and in this case its the machine’s inventor who wants to see the prediction come true no matter what.
Despite being an intriguing concept for all ages, 2:HRS falls flat in a lot of places. The script is more cringe-worthy than funny, and whilst I appreciate the target audience is younger than me, I still believe it would’ve benefited from better screenwriting. That being said, the actors worked well with what they were given and gave great performances throughout. I probably laughed about three times throughout the film, so at least I can give them that. The young actors were especially good, and I’m looking forward to seeing their future work as I know they could go far.
Another thing that bothered me was the ending. It ended so abruptly and nothing was really tied up, which was a huge disappointment for me. I didn’t like their decision to leave it so open-ended as it didn’t make sense nor make an impact. It was probably designed to coax one last laugh from audiences, but didn’t work for me sadly. 2:HRS does have some redeeming scenes that I enjoyed a lot, including a moment near the end of the film with Tim and his sister. If the rest of the film had been of that quality, I would have rated it higher.
Overall, 2:HRS feels like an average, forgettable film but an entertaining watch when you’re relaxing on the sofa looking for something light-hearted to stick on. It’s worth a watch, but it’s not a film I’ll be rewatching any time soon.
https://lucygoestohollywood.com/2018/07/30/the-clock-is-ticking-my-thoughts-on-2hrs/
Emma @ The Movies (1786 KP) rated Mid90s (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
At 1 hour 25 minutes you'd be forgiven for thinking this would be a brief affair, but if you're not into it then this 85-minute film is agonisingly long.
Going into this the only thing I knew about this film was that it was directed by Jonah Hill, and I like him so that felt like something positive.
31 people had booked to see this preview at my Cineworld, I think there were maybe 10 of us that showed up. I have to say that there wasn't a lot of enthusiasm from any of us until it was time to leave.
Kudos on going with the 4:3 look on the screen and the grainier quality on the filming (I'm sure there are technical terms for that but I don't know them!) That combined with accurate costumes and settings to really take you back to the 90s. I found the smaller aspect to be rather distracting on the big screen though. I watch 4:3 a lot at home on my widescreen TV without it seeming odd, perhaps this is just one of those things, I go so often that I'm probably just expecting it to fill the whole screen.
The film starts with a particularly jarring scene, and while I don't have an issue with that shock impact I don't like that there's no context. You can infer things later on, but at no point do you explicitly find out the reason behind some of the shocking scenes. The film feels much more like we've been plonked down into his life rather than learning about it.
It's difficult to sum up how I feel about the characters.
Sunny Suljic is fine in the main role but there wasn't anything that wowed me from the role. That's no slur on the acting, I just didn't feel that the dialogue or story gave us more than a glance at his life.
Ray came across as the strongest out of all the skaters, we see a few different aspects of him and he gets a proper chance to open up. Had all the characters had this opportunity then I think we'd have had something much more interesting... but then teenage boys aren't notoriously fans of opening up emotionally on screen unless we're in a romantic film.
Those of you who read my reviews will know how I feel about Lucas Hedges, that is to say, I don't really get it. This role offers little backstory apart from the fact that he clearly has a long passion for beating the crap out of his brother, Stevie. Despite my growing indifference for him I feel like Hedges wasn't given enough time in the movie. I can see why he wasn't, Ian is hyper-aggressive and a very threatening presence so having more of him would have changed the dynamic a lot. Having more of him though might have allowed us to understand him a little bit more and take away some of the unanswered questions at the end of the film.
There are a lot of scenes with drug use and alcohol, and I can see those being relevant to the story, but the "sex" scene was uncomfortable and really didn't feel like it fit in at all. From the moment you see it coming to the point where the boys are prying out details of the encounter I sat there wondering why. Why it needed to be there and why the script was just so bad through it.
The ending was the only part of the film that actually made me feel anything for the characters and the events. That in itself is quite an achievement being that you can tell exactly what is coming. The way the final event is handled was visually striking and leads us into a moment where all the characters get to show something that finally feels like genuine emotion. I think it says a lot that the most effective bits of the film had no dialogue in them. The events at the end of this film saved Mid90s from getting one of the lowest ratings in my reviewing history.
I'd say that had they given over an extra 20 minutes to better character development then this would have been better, but I worry that an extra 20 minutes would just have made the event even more excruciating.
What you should do
I'm sure this has it's audience somewhere, after all, people seem to be raving about it. Sadly I am not that audience and I really can't recommend this to anyone.
Movie thing you wish you could take home
I love the idea of making customer skateboards.
Going into this the only thing I knew about this film was that it was directed by Jonah Hill, and I like him so that felt like something positive.
31 people had booked to see this preview at my Cineworld, I think there were maybe 10 of us that showed up. I have to say that there wasn't a lot of enthusiasm from any of us until it was time to leave.
Kudos on going with the 4:3 look on the screen and the grainier quality on the filming (I'm sure there are technical terms for that but I don't know them!) That combined with accurate costumes and settings to really take you back to the 90s. I found the smaller aspect to be rather distracting on the big screen though. I watch 4:3 a lot at home on my widescreen TV without it seeming odd, perhaps this is just one of those things, I go so often that I'm probably just expecting it to fill the whole screen.
The film starts with a particularly jarring scene, and while I don't have an issue with that shock impact I don't like that there's no context. You can infer things later on, but at no point do you explicitly find out the reason behind some of the shocking scenes. The film feels much more like we've been plonked down into his life rather than learning about it.
It's difficult to sum up how I feel about the characters.
Sunny Suljic is fine in the main role but there wasn't anything that wowed me from the role. That's no slur on the acting, I just didn't feel that the dialogue or story gave us more than a glance at his life.
Ray came across as the strongest out of all the skaters, we see a few different aspects of him and he gets a proper chance to open up. Had all the characters had this opportunity then I think we'd have had something much more interesting... but then teenage boys aren't notoriously fans of opening up emotionally on screen unless we're in a romantic film.
Those of you who read my reviews will know how I feel about Lucas Hedges, that is to say, I don't really get it. This role offers little backstory apart from the fact that he clearly has a long passion for beating the crap out of his brother, Stevie. Despite my growing indifference for him I feel like Hedges wasn't given enough time in the movie. I can see why he wasn't, Ian is hyper-aggressive and a very threatening presence so having more of him would have changed the dynamic a lot. Having more of him though might have allowed us to understand him a little bit more and take away some of the unanswered questions at the end of the film.
There are a lot of scenes with drug use and alcohol, and I can see those being relevant to the story, but the "sex" scene was uncomfortable and really didn't feel like it fit in at all. From the moment you see it coming to the point where the boys are prying out details of the encounter I sat there wondering why. Why it needed to be there and why the script was just so bad through it.
The ending was the only part of the film that actually made me feel anything for the characters and the events. That in itself is quite an achievement being that you can tell exactly what is coming. The way the final event is handled was visually striking and leads us into a moment where all the characters get to show something that finally feels like genuine emotion. I think it says a lot that the most effective bits of the film had no dialogue in them. The events at the end of this film saved Mid90s from getting one of the lowest ratings in my reviewing history.
I'd say that had they given over an extra 20 minutes to better character development then this would have been better, but I worry that an extra 20 minutes would just have made the event even more excruciating.
What you should do
I'm sure this has it's audience somewhere, after all, people seem to be raving about it. Sadly I am not that audience and I really can't recommend this to anyone.
Movie thing you wish you could take home
I love the idea of making customer skateboards.
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Sarah (7800 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.