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Lucy Buglass (45 KP) rated The House That Jack Built (2018) in Movies
Jun 20, 2019
Danish director Lars Von Trier is no stranger to controversy. He has certainly divided film fans with some praising his work and some condemning it. The House That Jack Built is his most recent creation, causing audience members at Cannes to either walk out in disgust or stand up and applaud. This seriously mixed reception caught my interest and I wanted to find out what he’d done to generate such a response.
I’ve only seen two of his previous films; Antichrist and Melancholia, the former being a film that disturbed me so much I haven’t been able to watch it a second time. Its visceral, raw and harrowing portrayal of sex, violence, and self-mutilation is something that is a thoroughly uncomfortable and unpleasant watch. Because of Antichrist, I felt nervous yet strangely excited to see what The House That Jack Built had in store for me. I was surprised, however, to discover that it is arguably his tamest film to date, with a lot of the more graphic content happening off-screen. That doesn’t mean it doesn’t have its disturbing moments, but it was a lot less visceral than I was expecting based on its recent backlash.
The film is split into five chapters labelled ‘The Incidents’ and an epilogue, detailing some of the murders that Jack carried out over a 12-year span. Two of these incidents include child abuse and female mutilation, but is presented in a much more psychologically disturbing way rather than uncomfortable close-ups and drawn out scenes that you watch from behind your hands. The House That Jack Built spends more time tapping into Jack’s own psyche than it does the atrocities he commits, with Matt Dillon really stealing the show as the titular character.
It’s also darkly funny in places, which I certainly wasn’t expecting. Dillon’s portrayal of a psychotic killer with OCD is both terrifying and amusing. He is simultaneously charming and unhinged, which is a difficult thing to pull off. He was by far my favourite thing about the film, reminiscent of so many iconic serial killers that have fascinated the general public. The film relied heavily on Jack’s character and inner thoughts so it was great to see Dillon pull it off so brilliantly.
Much like Von Trier’s previous work, The House That Jack Built features lots of symbolism throughout the narrative. In this case, it focuses heavily on religion, art and family, with Jack being challenged on all of these as he recounts the incidents. The voice challenging him is a mystery to us until the third act, where Bruno Ganz’s character is finally revealed to us. I found this reveal to be a little jarring and strange, but not unexpected from one of his films. For me, the third act is where it started to go downhill and I lost interest, which is a real shame after the strength of the first two. Despite seeing some really great analyses online, it wasn’t enough to change my own views on the way it ended. It just seemed a little too out of place for my liking.
The visual style is interesting and combines live action with animation and still images. This feels very random but in the context of this particular film, it actually works in its favour. Both Dillon and Ganz narrate over the animation and still images, giving us monologues that act as food for thought and raise questions about morality, life, death and so on. It’s an intense film in that regard and one that you have to really concentrate on in order to enjoy properly.
The House That Jack Built is a depressing, harrowing and strange film. Its blend of sadistic violence and humour makes it a truly unique horror film that seems to appeal to a very specific audience. It’s not for the faint of heart, and Jack’s misogynistic killing sprees teamed with his nihilistic outlook on life is bound to be uncomfortable for many to witness. As a case study on a serial killer it’s a fascinating watch, but out of the three films I’ve seen, this one is unfortunately the weakest in my eyes.
https://jumpcutonline.co.uk/review-the-house-that-jack-built-2018/
I’ve only seen two of his previous films; Antichrist and Melancholia, the former being a film that disturbed me so much I haven’t been able to watch it a second time. Its visceral, raw and harrowing portrayal of sex, violence, and self-mutilation is something that is a thoroughly uncomfortable and unpleasant watch. Because of Antichrist, I felt nervous yet strangely excited to see what The House That Jack Built had in store for me. I was surprised, however, to discover that it is arguably his tamest film to date, with a lot of the more graphic content happening off-screen. That doesn’t mean it doesn’t have its disturbing moments, but it was a lot less visceral than I was expecting based on its recent backlash.
The film is split into five chapters labelled ‘The Incidents’ and an epilogue, detailing some of the murders that Jack carried out over a 12-year span. Two of these incidents include child abuse and female mutilation, but is presented in a much more psychologically disturbing way rather than uncomfortable close-ups and drawn out scenes that you watch from behind your hands. The House That Jack Built spends more time tapping into Jack’s own psyche than it does the atrocities he commits, with Matt Dillon really stealing the show as the titular character.
It’s also darkly funny in places, which I certainly wasn’t expecting. Dillon’s portrayal of a psychotic killer with OCD is both terrifying and amusing. He is simultaneously charming and unhinged, which is a difficult thing to pull off. He was by far my favourite thing about the film, reminiscent of so many iconic serial killers that have fascinated the general public. The film relied heavily on Jack’s character and inner thoughts so it was great to see Dillon pull it off so brilliantly.
Much like Von Trier’s previous work, The House That Jack Built features lots of symbolism throughout the narrative. In this case, it focuses heavily on religion, art and family, with Jack being challenged on all of these as he recounts the incidents. The voice challenging him is a mystery to us until the third act, where Bruno Ganz’s character is finally revealed to us. I found this reveal to be a little jarring and strange, but not unexpected from one of his films. For me, the third act is where it started to go downhill and I lost interest, which is a real shame after the strength of the first two. Despite seeing some really great analyses online, it wasn’t enough to change my own views on the way it ended. It just seemed a little too out of place for my liking.
The visual style is interesting and combines live action with animation and still images. This feels very random but in the context of this particular film, it actually works in its favour. Both Dillon and Ganz narrate over the animation and still images, giving us monologues that act as food for thought and raise questions about morality, life, death and so on. It’s an intense film in that regard and one that you have to really concentrate on in order to enjoy properly.
The House That Jack Built is a depressing, harrowing and strange film. Its blend of sadistic violence and humour makes it a truly unique horror film that seems to appeal to a very specific audience. It’s not for the faint of heart, and Jack’s misogynistic killing sprees teamed with his nihilistic outlook on life is bound to be uncomfortable for many to witness. As a case study on a serial killer it’s a fascinating watch, but out of the three films I’ve seen, this one is unfortunately the weakest in my eyes.
https://jumpcutonline.co.uk/review-the-house-that-jack-built-2018/
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Jamie Towell Cook (13 KP) rated the PlayStation 4 version of Resident Evil 2 (Remake) in Video Games
Apr 6, 2020
September 29th 1998
Raccoon City, home to the worlds leading pharmaceutical company, the Umbrella Corporation. This is the day that the city and its inhabitants would never forget.
It's been 21 years since the original release of the second installment of the Resident Evil franchise and I can honestly say time (and Capcom) have been incredibly kind to this game. Using the new RE engine that we saw in Resident Evil 7, this remake of what was already a legend of a game, gets a complete modern makeover. Now it's not just the graphics that have been pushed into the modern era: Capcom are a company who grows and learns and they have obviously listened to a lot of fan feedback. The controls are very similar to early installments of the game such as RE4, RE5 and RE6, giving you the over the shoulder perspective and the ability to aim freely, unlike RE5 and 6 though they have managed to amp up the scare tactics, taking Resident evil all they way back to its roots of being a survival horror game and not an action game (*cough, cough* RE4, 5 & 6).
The game story, if you don't already know, or are just too young to have been around for its original release, centres on two characters who by chance both meet at a gas station on that fateful night just outside the city limits. There is the rookie cop, Leon S. Kennedy, who, unluckily for him has decided to enroll into the RPD (Raccoon Police Department) or you can choose College student, motorcyclist and all round badass Claire Redfield, who has gone to Raccon City to find her brother, Chris. Who fans are bound to know if they have played basically any of the other titles out there.
Soon after Leon and Claire arrive this gas station (separately), both soon realize that there is something very strange happening. Upon investigating, they soon find out what that is.
Yep, zombies!
Now any normal people out there at this point would be running as far away as possible leaving a trail of wee behind them as they did so, that is if you aren't eaten first. However Leon and Claire hop in a car a decide heading into the city is the best course of action (SERIOUSLY??) Anyways, that's how the story sets its pace and trust me when I say, wear clean underwear when you start this game and maybe change them a few times because Capcom have learnt how to use those scare tactics quite effectively now. So fasten your seat belts, kids, it's going to be a bumpy night!
The story remains essentially the same as the original from 1998: things have been moved around slightly and some cut scenes extended but it does stay true to the masterpiece that it was for its day and age. Obviously now though, the graphics are just a beauty to behold; both Claire and Leon look amazing in their HD splendour, and the police station entrance, which has got to be the most iconic moment of the game, will take your breath away.
Although why Raccoon City has the world's most fancy police station is beyond me...
Not only have our protagonists and surroundings had the HD makeover but so have all the enemies too. Zombies, zombie dogs (Why just dogs though) and other abominable creatures that are lurking in the shadows also look truly amazing as well.
Now back in the day when Resident Evil 2 first came out it was spread out over two discs. One disc solely focused on Leon's series of events and the other on Claire's. The game's story was split into two different versions: you had Scenario A and Scenario B. Basically if you played A as either character then B would be what the other character was doing at that same time. The remake follows the same principle, allowing you to play through two different sequences of events. Completing all scenarios will give you access to the true ending and the fourth survivor mini story. The fourth survivor follows the story of an Umbrella secret service agent known as HUNK. The fourth survivors tale begins in the sewers of the forsaken city and is essentially a mini mission to escape to an extraction point and flee the city.
In addition to the main game and fourth survivor mode, there is also another mode called Ghost Survivors. Ghost survivors tells the story of different characters that are encountered in one way or another throughout the main games story and is a `what if` telling of events from their perspectives. The game play itself follows the same principles as fourth survivor mode in that timed, get from point A to point B kind of style. By playing through these modes you can unlock some extremely random accessories to make the modes more interesting.
For me, Resident Evil 2 was one of the first survival horror games i had ever played back on the PS1. I have some very fond memories of playing this game and of teaching my little brother how to play this game as well. I had my doubts when a remake was announced but i can honestly say without a shadow of a doubt that this remake is a work of art. Doing more than justice to its original and even surpassing it.
This is a title that should most definatley be in any gamers arsenal.
Raccoon City, home to the worlds leading pharmaceutical company, the Umbrella Corporation. This is the day that the city and its inhabitants would never forget.
It's been 21 years since the original release of the second installment of the Resident Evil franchise and I can honestly say time (and Capcom) have been incredibly kind to this game. Using the new RE engine that we saw in Resident Evil 7, this remake of what was already a legend of a game, gets a complete modern makeover. Now it's not just the graphics that have been pushed into the modern era: Capcom are a company who grows and learns and they have obviously listened to a lot of fan feedback. The controls are very similar to early installments of the game such as RE4, RE5 and RE6, giving you the over the shoulder perspective and the ability to aim freely, unlike RE5 and 6 though they have managed to amp up the scare tactics, taking Resident evil all they way back to its roots of being a survival horror game and not an action game (*cough, cough* RE4, 5 & 6).
The game story, if you don't already know, or are just too young to have been around for its original release, centres on two characters who by chance both meet at a gas station on that fateful night just outside the city limits. There is the rookie cop, Leon S. Kennedy, who, unluckily for him has decided to enroll into the RPD (Raccoon Police Department) or you can choose College student, motorcyclist and all round badass Claire Redfield, who has gone to Raccon City to find her brother, Chris. Who fans are bound to know if they have played basically any of the other titles out there.
Soon after Leon and Claire arrive this gas station (separately), both soon realize that there is something very strange happening. Upon investigating, they soon find out what that is.
Yep, zombies!
Now any normal people out there at this point would be running as far away as possible leaving a trail of wee behind them as they did so, that is if you aren't eaten first. However Leon and Claire hop in a car a decide heading into the city is the best course of action (SERIOUSLY??) Anyways, that's how the story sets its pace and trust me when I say, wear clean underwear when you start this game and maybe change them a few times because Capcom have learnt how to use those scare tactics quite effectively now. So fasten your seat belts, kids, it's going to be a bumpy night!
The story remains essentially the same as the original from 1998: things have been moved around slightly and some cut scenes extended but it does stay true to the masterpiece that it was for its day and age. Obviously now though, the graphics are just a beauty to behold; both Claire and Leon look amazing in their HD splendour, and the police station entrance, which has got to be the most iconic moment of the game, will take your breath away.
Although why Raccoon City has the world's most fancy police station is beyond me...
Not only have our protagonists and surroundings had the HD makeover but so have all the enemies too. Zombies, zombie dogs (Why just dogs though) and other abominable creatures that are lurking in the shadows also look truly amazing as well.
Now back in the day when Resident Evil 2 first came out it was spread out over two discs. One disc solely focused on Leon's series of events and the other on Claire's. The game's story was split into two different versions: you had Scenario A and Scenario B. Basically if you played A as either character then B would be what the other character was doing at that same time. The remake follows the same principle, allowing you to play through two different sequences of events. Completing all scenarios will give you access to the true ending and the fourth survivor mini story. The fourth survivor follows the story of an Umbrella secret service agent known as HUNK. The fourth survivors tale begins in the sewers of the forsaken city and is essentially a mini mission to escape to an extraction point and flee the city.
In addition to the main game and fourth survivor mode, there is also another mode called Ghost Survivors. Ghost survivors tells the story of different characters that are encountered in one way or another throughout the main games story and is a `what if` telling of events from their perspectives. The game play itself follows the same principles as fourth survivor mode in that timed, get from point A to point B kind of style. By playing through these modes you can unlock some extremely random accessories to make the modes more interesting.
For me, Resident Evil 2 was one of the first survival horror games i had ever played back on the PS1. I have some very fond memories of playing this game and of teaching my little brother how to play this game as well. I had my doubts when a remake was announced but i can honestly say without a shadow of a doubt that this remake is a work of art. Doing more than justice to its original and even surpassing it.
This is a title that should most definatley be in any gamers arsenal.
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Gareth von Kallenbach (980 KP) rated the PC version of Titanfall in Video Games
Jun 19, 2019
Much like Hollywood, the gaming industry is one built on hype and expectations. The nature of the game is to fan the flames of interest to ensure the best possible sales of a product and to encourage people to pre-order the title.
The rise of social media has only added to the frenzy as the race to get a title trending has publicists constantly in motion. Like many things though, the danger of hype and expectations being greater than the final product is always a constant threat.
TitanFall in many ways is the biggest release of 2014 to date and is one of the most watched, analyzed, and anticipated games in recent memory. Created by Respawn, the talents behind Infinity Ward and the Call of Duty series, a game mixing first person shooter and Mech combat with eye-popping graphics is one that was sure to grab attention.
When it was announced the game would be exclusive to the Xbox 360 and Xbox One consoles there was some concern from a gamer base eager to experience the game on as many platforms as they could. Thankfully the game was also released on PC and that is the platform in which conducted my review.
The game is online only and mixes live opponents with bots in a series of campaigns and matches where players not only try to eliminate as many enemy units as possible, but they also can battle to capture and hold strategic points and other objectives.
The game has a high degree of customization as players level up based on kills and in game achievements and leveling up allows access to new weapons, attachments, and abilities which really help the tide of battle.
The campaigns are told from two different perspectives and once players complete the Militia campaign they get to experience the same campaign from the other side of the conflict, The IMC Corporation. What you do or do not do does not really change the outcome of the story as the campaigns are essentially cut scenes as a level loads and do not really give a full explanation of the story. It almost seemed to me as if a full campaign was planned at one time and then scrapped, but elements were left in for the sake of ambiance.
Story aside, the action in the game is intense. Running at full settings on PC with an NVIDIA card, the action was fast, smooth, and amazing. On rare instances when I could look up safely, I saw ships overhead engaged in heated battles and the detail level of the cites and combat locales were great. I especially liked one that had dragon like creatures around while combat raged on.
Players have options for their Titans ranging from the Atlas, Styrder an Ogre which aside from missile and ballistic weapons have energy shields, temporary jet boosts and a devastating punch which can reduce enemy units to pulp.
Finding the right mix of speed, agility, power, and weapons is a matter of personal choice and being able to eject from a damaged unit or ride along on an allied unit is great fun. The best experience for me was jumping onto an enemy unit and blasting it down but hanging on and shooting into a control port.
As much fun as the Titan combat is, players will spend a good chunk of their time on foot. Getting up close and personal with a melee kill is great as is feasting on bots and other A.I. units. The challenge of taking on other pilots is tough, but highly enjoyable as when you take one down you have earned it. Players will have power ups known as Burn Cards which come in handy especially when two minutes is about what players can expect to wait for their Titan to arrive after they have lost one.
I enjoy using the personal cloak of my pilot to sneak up on an enemy unit and my new tactic is to dismount from my mech and set it in Guard or Follow mode. It will engage an enemy or another Titan which allows me to flank and attack from a cross fire.
Aside from some minor connection issues during the first two days, I was able to get into games with no issues and my lag was minimal as I was able to ping in the low 50s for most games.
While the campaigns were fairly short, the multitude of Deathmatch, Hardpoint, and last Titan Standing multiplay options ensures several hours of gaming ahead.
I have not really touched on the wall walking and double jump features as pilots can scale walls, buildings, and such with ease which brings a new dimension to combat and comes in very handy when running to catch your ride.
I hope that the developers will offer more maps in the near future and will work to tweak a few minor things such as play balance which saw me unload multiple machine gun rounds into an enemy yet see them able to withstand that and dispatch me with a single kick.
It is hard to find much to complain about the game as not only on PC is it a visual joy, but the fast paced action and highly satisfying and diverse combat options makes the game incredibly fun to play and an early contender for our Game of the Year Awards.
http://sknr.net/2014/03/12/titanfall/
The rise of social media has only added to the frenzy as the race to get a title trending has publicists constantly in motion. Like many things though, the danger of hype and expectations being greater than the final product is always a constant threat.
TitanFall in many ways is the biggest release of 2014 to date and is one of the most watched, analyzed, and anticipated games in recent memory. Created by Respawn, the talents behind Infinity Ward and the Call of Duty series, a game mixing first person shooter and Mech combat with eye-popping graphics is one that was sure to grab attention.
When it was announced the game would be exclusive to the Xbox 360 and Xbox One consoles there was some concern from a gamer base eager to experience the game on as many platforms as they could. Thankfully the game was also released on PC and that is the platform in which conducted my review.
The game is online only and mixes live opponents with bots in a series of campaigns and matches where players not only try to eliminate as many enemy units as possible, but they also can battle to capture and hold strategic points and other objectives.
The game has a high degree of customization as players level up based on kills and in game achievements and leveling up allows access to new weapons, attachments, and abilities which really help the tide of battle.
The campaigns are told from two different perspectives and once players complete the Militia campaign they get to experience the same campaign from the other side of the conflict, The IMC Corporation. What you do or do not do does not really change the outcome of the story as the campaigns are essentially cut scenes as a level loads and do not really give a full explanation of the story. It almost seemed to me as if a full campaign was planned at one time and then scrapped, but elements were left in for the sake of ambiance.
Story aside, the action in the game is intense. Running at full settings on PC with an NVIDIA card, the action was fast, smooth, and amazing. On rare instances when I could look up safely, I saw ships overhead engaged in heated battles and the detail level of the cites and combat locales were great. I especially liked one that had dragon like creatures around while combat raged on.
Players have options for their Titans ranging from the Atlas, Styrder an Ogre which aside from missile and ballistic weapons have energy shields, temporary jet boosts and a devastating punch which can reduce enemy units to pulp.
Finding the right mix of speed, agility, power, and weapons is a matter of personal choice and being able to eject from a damaged unit or ride along on an allied unit is great fun. The best experience for me was jumping onto an enemy unit and blasting it down but hanging on and shooting into a control port.
As much fun as the Titan combat is, players will spend a good chunk of their time on foot. Getting up close and personal with a melee kill is great as is feasting on bots and other A.I. units. The challenge of taking on other pilots is tough, but highly enjoyable as when you take one down you have earned it. Players will have power ups known as Burn Cards which come in handy especially when two minutes is about what players can expect to wait for their Titan to arrive after they have lost one.
I enjoy using the personal cloak of my pilot to sneak up on an enemy unit and my new tactic is to dismount from my mech and set it in Guard or Follow mode. It will engage an enemy or another Titan which allows me to flank and attack from a cross fire.
Aside from some minor connection issues during the first two days, I was able to get into games with no issues and my lag was minimal as I was able to ping in the low 50s for most games.
While the campaigns were fairly short, the multitude of Deathmatch, Hardpoint, and last Titan Standing multiplay options ensures several hours of gaming ahead.
I have not really touched on the wall walking and double jump features as pilots can scale walls, buildings, and such with ease which brings a new dimension to combat and comes in very handy when running to catch your ride.
I hope that the developers will offer more maps in the near future and will work to tweak a few minor things such as play balance which saw me unload multiple machine gun rounds into an enemy yet see them able to withstand that and dispatch me with a single kick.
It is hard to find much to complain about the game as not only on PC is it a visual joy, but the fast paced action and highly satisfying and diverse combat options makes the game incredibly fun to play and an early contender for our Game of the Year Awards.
http://sknr.net/2014/03/12/titanfall/
Gareth von Kallenbach (980 KP) rated Quantum of Solace (2008) in Movies
Aug 14, 2019
With the success of “Casino Royale” featuring new Bond Daniel Craig, the world has waiting eagerly for the follow up, “Quantum of Solace” which continues the historic spy franchise.
Picking up exactly where the last film ended, Bond is walking a fine line between revenge and doing his duty after being betrayed by Vesper at the end of the last film. While interrogating a suspect with M (Judy Densch), it is learned that there is an organization that is very dangerous and influential that even has influence in the C.I.A. and MI6.
Before they can learn any further information, a shocking betrayal happens and Bond is in hot pursuit of the suspect across the rooftops of Italy and soon locked in a deadly confrontation with the traitor.
The recent events have M concerned and Bond is dispatched to Haiti to follow on a lead which thanks to a case of mistaken identity leads Bond to a woman named Camille (Olga Kurylenko). Olga is involved in a deadly game with a corrupt businessman named Dominic Greene (Mathieu Amalric), and a Bolivian General named Medrano (Joaquin Cosio).
Unsure of their involvement, Bond follows Greene, and learns that he heads an environmental group and has designs on a track of desert in Bolivia. Unsure if Greene’s interest in the area is related to diamonds, oil, or something else, M tasks Bond with finding out what is going on, as her superiors are betting that it is related to oil, and with the C.I. A. involved, it is reasoned that the England cannot be left out of an already dwindling oil supply.
It is at this point that the film lost much of its steam for me as the final revelation seemed to be much ado about nothing as this sort of thing happens, and has happened the world over for years and is hardly worthy of involving the MI6, much less the worlds must dangerous spy.
What follows is a series of betrayals and a few action scenes leading up to a fiery climax which almost redeems the film.
Let me say at the outset that I am a Bond fan and a traditionalist. I understand change happens over time and I am not one who thinks that the role began and ended with Sean Connery. I enjoyed Roger Moore though found him a bit camp. Timothy Dalton did not work for me, and George Lazenby was only Bond for one film so it is hard to judge him fairly. That being said, I found Pierce Brosnan to have been the best Bond since Connery as his interpretation of the character is dead on.
Sir Ian Fleming created the character and has said that he was influenced by people he knew. Bond is a well educated and cultured individual who was educated at the top schools, was an officer in the Royal Navy, and is a suave and charming individual as well as a cold and deadly killer when needed. He is scarred by events in his past, as such he relies on alcohol, duty, and woman to get by, but never once allows himself to get to close to anyone.
When they rebooted the franchise with Craig, much of the 40 years of Bond as well as the essence of the character have been lost. Craig’s Bond is not a cultured blue blood, he is a common thug. In my review of “Casino Royale” I mentioned that the new Bond passed up spending a night with a woman in order to pursue a lead, and how Connery would have found time to do both with style.
Craig’s Bond is very light on womanizing and the film has zero sexual tension and only a very brief romance seen that seems tacked on. The underlying themes of Bond has been guns, gadgets, girls, and action, and this film has chosen to pretty much eschew almost all of this as there are zero gadgets in the film and to be honest, I found the plot to be uninspired.
I think that in many ways the people behind the film have tried to get as far away from the past Bond films as possible especially the maniacal villains who were bent on destroying the world.
As an action film, the movie does have its moments and if it was not a Bond film would be a passable action thriller. As a Bond film, it promises the world and will likely disappoint much long term Bond fans and appeal mainly to those who do not have a longstanding history with the character from book to film. I have to wonder if Sir Ian Fleming is spinning in his grave over what they have done to his gentleman spy in the name of progress.
Picking up exactly where the last film ended, Bond is walking a fine line between revenge and doing his duty after being betrayed by Vesper at the end of the last film. While interrogating a suspect with M (Judy Densch), it is learned that there is an organization that is very dangerous and influential that even has influence in the C.I.A. and MI6.
Before they can learn any further information, a shocking betrayal happens and Bond is in hot pursuit of the suspect across the rooftops of Italy and soon locked in a deadly confrontation with the traitor.
The recent events have M concerned and Bond is dispatched to Haiti to follow on a lead which thanks to a case of mistaken identity leads Bond to a woman named Camille (Olga Kurylenko). Olga is involved in a deadly game with a corrupt businessman named Dominic Greene (Mathieu Amalric), and a Bolivian General named Medrano (Joaquin Cosio).
Unsure of their involvement, Bond follows Greene, and learns that he heads an environmental group and has designs on a track of desert in Bolivia. Unsure if Greene’s interest in the area is related to diamonds, oil, or something else, M tasks Bond with finding out what is going on, as her superiors are betting that it is related to oil, and with the C.I. A. involved, it is reasoned that the England cannot be left out of an already dwindling oil supply.
It is at this point that the film lost much of its steam for me as the final revelation seemed to be much ado about nothing as this sort of thing happens, and has happened the world over for years and is hardly worthy of involving the MI6, much less the worlds must dangerous spy.
What follows is a series of betrayals and a few action scenes leading up to a fiery climax which almost redeems the film.
Let me say at the outset that I am a Bond fan and a traditionalist. I understand change happens over time and I am not one who thinks that the role began and ended with Sean Connery. I enjoyed Roger Moore though found him a bit camp. Timothy Dalton did not work for me, and George Lazenby was only Bond for one film so it is hard to judge him fairly. That being said, I found Pierce Brosnan to have been the best Bond since Connery as his interpretation of the character is dead on.
Sir Ian Fleming created the character and has said that he was influenced by people he knew. Bond is a well educated and cultured individual who was educated at the top schools, was an officer in the Royal Navy, and is a suave and charming individual as well as a cold and deadly killer when needed. He is scarred by events in his past, as such he relies on alcohol, duty, and woman to get by, but never once allows himself to get to close to anyone.
When they rebooted the franchise with Craig, much of the 40 years of Bond as well as the essence of the character have been lost. Craig’s Bond is not a cultured blue blood, he is a common thug. In my review of “Casino Royale” I mentioned that the new Bond passed up spending a night with a woman in order to pursue a lead, and how Connery would have found time to do both with style.
Craig’s Bond is very light on womanizing and the film has zero sexual tension and only a very brief romance seen that seems tacked on. The underlying themes of Bond has been guns, gadgets, girls, and action, and this film has chosen to pretty much eschew almost all of this as there are zero gadgets in the film and to be honest, I found the plot to be uninspired.
I think that in many ways the people behind the film have tried to get as far away from the past Bond films as possible especially the maniacal villains who were bent on destroying the world.
As an action film, the movie does have its moments and if it was not a Bond film would be a passable action thriller. As a Bond film, it promises the world and will likely disappoint much long term Bond fans and appeal mainly to those who do not have a longstanding history with the character from book to film. I have to wonder if Sir Ian Fleming is spinning in his grave over what they have done to his gentleman spy in the name of progress.
Chris Sawin (602 KP) rated Avatar (2009) in Movies
Jun 20, 2019
Jake Sully (Sam Worthington) is your typical jarhead from the military other than the fact that he doesn't have the use of his legs, but him being in a wheelchair doesn't seem to slow him down at all. Jake is the type of soldier to shoot first and ask questions later while his twin brother was more of the scientific type, but Jake's life takes an unexpected turn when his brother is killed. Jake is asked to step into his brother's shoes, so to speak, and take his spot in the Avatar project. The project requires him to travel to Pandora, a planet that takes nearly six years to get to, and to try to learn the ways of the natives there, the Na'vi.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.
Lucy Buglass (45 KP) rated A Star Is Born (2018) in Movies
Jun 20, 2019
A haunting look at fame, love and addiction
As a fan of both Lady Gaga and Bradley Cooper, I was intrigued when a new remake of A Star Is Born was announced. Despite not having seen either of its predecessors, I vaguely knew what the story was about and was interested by the chosen pairing, especially since this is Cooper’s directorial debut. I went into this film with an open heart and mind.
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/