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Kevin Phillipson (9934 KP) rated Chasing Amy (1997) in Movies
Jul 7, 2018
Kevin Phillipson (9934 KP) rated Night at the Museum: Battle of the Smithsonian (2009) in Movies
Apr 14, 2020
CHILLFILTR (46 KP) rated Swallow by Ben Reneer in Music
Jul 11, 2019
Ben Reneer reminds us a bit of Joel Levi but with a more washy vibe and one of those laser falsettos. The lyrics are thick and the message is simple: love endures. It tortures and redeems our own motivations for living.
“Have you sold your wisdom for glory
will you let me sell mine for youth
now you whisper the journey’s not over
I rattle my cage on the edge of the truth”
— Ben Reneer
Tag this one as Ryan Adams underwater.
Ben Reneer comes to us from Alpine, Utah. He considers himself more songwriter than singer but we beg to differ.
“Have you sold your wisdom for glory
will you let me sell mine for youth
now you whisper the journey’s not over
I rattle my cage on the edge of the truth”
— Ben Reneer
Tag this one as Ryan Adams underwater.
Ben Reneer comes to us from Alpine, Utah. He considers himself more songwriter than singer but we beg to differ.
Erika (17788 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Aug 26, 2017
If I ever have to see Bruce Wayne's parents die on screen again, I'm never watching another Batman movie. It was so unnecessary. I didn't mind Ben Affleck as Batman (my unpopular opinion=Christian Bale was an awful Batman). Henry Cavill was the quiet, conflicted Superman, as he was in Man of Steel. No comment on Amy Adams as Lois Lane (because I have nothing nice to say). The shining moment: Wonder Woman. Though, if I didn't know who Wonder Woman was, I wouldn't have had any idea of who she was, because they never actually introduce the fact that she's Wonder Woman. Jesse Eisenberg as Mark Zuckerberg, I mean, Lex Luthor, was, well... interesting?
Hey, it was a better movie than Suicide Squad.
Hey, it was a better movie than Suicide Squad.
Doug Jones recommended Creature from the Black Lagoon (1954) in Movies (curated)
kitty ♡ (68 KP) rated Justice League (2017) in Movies
Dec 5, 2017 (Updated Dec 5, 2017)
ezra miller as the flash (4 more)
jeremy irons
amy adams
aquaman's "my man!"
ray fisher
gal gadot (2 more)
ben affleck
the fact that lois and martha were seemingly a-ok with bruce's plan
don't let the critics get you down
Contains spoilers, click to show
let me just start this off with: when barry allen said "i need... friends" I FELT THAT
anyway, with that being said, this movie got way too much shit for existing. the mistake people keep making is comparing it to the avengers, which i get because it's basically the same plot, but please give the writers and the cast and crew more credit.
the one thing that still annoys me though is the fact that martha and lois didn't have a scene with bruce in which they talk about resurrecting clark. correct me if i'm wrong, but if memory serves me correctly, martha seemed surprised and doubtful? like she JUST got word of her son being jump-started back to life? umm? ethics department, hello?? why were lois and martha just okay with letting this happen umm???
anyway, with that being said, this movie got way too much shit for existing. the mistake people keep making is comparing it to the avengers, which i get because it's basically the same plot, but please give the writers and the cast and crew more credit.
the one thing that still annoys me though is the fact that martha and lois didn't have a scene with bruce in which they talk about resurrecting clark. correct me if i'm wrong, but if memory serves me correctly, martha seemed surprised and doubtful? like she JUST got word of her son being jump-started back to life? umm? ethics department, hello?? why were lois and martha just okay with letting this happen umm???
ClareR (5556 KP) rated Amazing Grace Adams in Books
Feb 27, 2023
Grace Adams has had enough, and frankly I don’t blame her. She’s gone from being “Polyglot of the Year”, to the mother of a 16 year old who won’t speak to her, and her husband (Ben) has just served her with divorce papers. She feels like she’s losing her mind.
As she rushes to get her daughters very expensive and very tiny birthday cake to her ex’s house (where she’s living), she abandons her car in a traffic jam and decides to walk there - and it’s a very hot day.
The story alternates between the present day, and the events leading up to when she met Ben and back to the present day. Within these flashbacks are the reasons why Grace is struggling with her life. None of these events are helped by the fact that she’s clearly not medically in a good place. Peri-menopause has a large part to play in her interactions with others, and how she’s coping at work and home. And other factors are revealed along the way.
Grace isn’t having an easy time of it, and all those things that could go wrong, have. I seriously felt like dragging her along to the chemist, forcing her to wait for her prescription (she has got one!), and slapping that HRT patch on for her myself! Not a solution, but a big help!
It’s so good to see more women being represented in literature in their mid to late forties now. And talking about the fun and games that is the perimenopause! Grace’s complete loss of self-confidence could be put down to it - although all the things going on with her daughter and husband could also be contributing factors!
I rather liked Grace, and I did a silent cheer every time she stood up to someone who deserved it! There are some really funny bits in amongst the more sombre parts.
This book is well worth a read!!
As she rushes to get her daughters very expensive and very tiny birthday cake to her ex’s house (where she’s living), she abandons her car in a traffic jam and decides to walk there - and it’s a very hot day.
The story alternates between the present day, and the events leading up to when she met Ben and back to the present day. Within these flashbacks are the reasons why Grace is struggling with her life. None of these events are helped by the fact that she’s clearly not medically in a good place. Peri-menopause has a large part to play in her interactions with others, and how she’s coping at work and home. And other factors are revealed along the way.
Grace isn’t having an easy time of it, and all those things that could go wrong, have. I seriously felt like dragging her along to the chemist, forcing her to wait for her prescription (she has got one!), and slapping that HRT patch on for her myself! Not a solution, but a big help!
It’s so good to see more women being represented in literature in their mid to late forties now. And talking about the fun and games that is the perimenopause! Grace’s complete loss of self-confidence could be put down to it - although all the things going on with her daughter and husband could also be contributing factors!
I rather liked Grace, and I did a silent cheer every time she stood up to someone who deserved it! There are some really funny bits in amongst the more sombre parts.
This book is well worth a read!!
Movie Metropolis (309 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Jun 10, 2019
The Transformers of the superhero genre
It feels like eons ago that Batman v Superman was announced as a genuine movie. Way back in 2007 there was a poster that seemed to signify DC Comic’s plans in I am Legend, but fans just thought of it as a pipedream.
Now, in 2016, the moment has finally arrived. The marketing campaign has been relentless, the trailers have been criticised for showing far too much (which they have), and Ben Affleck’s casting as Batman was met with disdain rather than joy. So what is the finished product like?
Superman has now become a controversial figure after his climactic battle with General Zod, with Batman in particular being cautious of his true plans for Earth. After a new threat is created, Doomsday, they must put aside their differences to save the planet.
Following on directly from the events of Man of Steel, director Zak Snyder brings together DC Comics’ biggest superheroes in a film as loud as anything Michael Bay served up in the Transformers series.
Henry Cavill returns as the god from above with Ben Affleck taking over duties from Christian Bale as the Dark Knight. Both of them give great performances with Cavill in particular impressing. Affleck proves his doubters wrong and is more than a match for Bale, though his one facial expression wears thin over the course of the film.
Elsewhere, Jesse Eisenberg takes on the role of Lex Luthor in a portrayal reminiscent of Johnny Depp’s Willy Wonka – eerily creepy and well-acted but just trying that little bit too hard. Amy Adams makes a welcome return as Lois Lane and gets much more screen time here than she did in Man of Steel.
However, the most praise has to go to Gal Gadot. Her exceptional characterisation of Wonder Woman is one of the movie’s highlights and it’s such a shame she takes a backseat to the two titular characters. It’s clear the filmmakers thought highly of her too, as she gets her own thundering theme tune whenever she appears.
Unfortunately, the plot is just too nondescript and completely incomprehensible at times, with Lex Luthor’s motives remaining unclear throughout the 150 minute running time. This proves increasingly hard to swallow as the film progresses and makes his villain feel less menacing than he should be.
Nevertheless, Batman v Superman is visually spectacular. Snyder bombards the audience with breath-taking set pieces, dispersing them well enough to ensure the plot only drags in a few areas, namely at the beginning – though the film’s flabby length is a sticking point; it simply doesn’t need to be nearly three hours long.
It may all sound pretty negative, but the exciting and beautifully filmed final act almost makes up for these shortcomings. We also get to see an emotional side to the genre, something that has been sorely lacking more recently with the constant quipping of the Marvel Universe.
Overall, Batman v Superman was never going to live up to the hype and in some ways it does fall short. The battle between Bat of Gotham and Son of Krypton is disappointingly brief and the story lacks any real weight, until the final 30 minutes. But it’s filmed in such a unique fashion and with such confidence; it’s quite possible you may not see anything like it in the genre again.
https://moviemetropolis.net/2016/03/27/the-transformers-of-the-superhero-genre-batman-v-superman-review/
Now, in 2016, the moment has finally arrived. The marketing campaign has been relentless, the trailers have been criticised for showing far too much (which they have), and Ben Affleck’s casting as Batman was met with disdain rather than joy. So what is the finished product like?
Superman has now become a controversial figure after his climactic battle with General Zod, with Batman in particular being cautious of his true plans for Earth. After a new threat is created, Doomsday, they must put aside their differences to save the planet.
Following on directly from the events of Man of Steel, director Zak Snyder brings together DC Comics’ biggest superheroes in a film as loud as anything Michael Bay served up in the Transformers series.
Henry Cavill returns as the god from above with Ben Affleck taking over duties from Christian Bale as the Dark Knight. Both of them give great performances with Cavill in particular impressing. Affleck proves his doubters wrong and is more than a match for Bale, though his one facial expression wears thin over the course of the film.
Elsewhere, Jesse Eisenberg takes on the role of Lex Luthor in a portrayal reminiscent of Johnny Depp’s Willy Wonka – eerily creepy and well-acted but just trying that little bit too hard. Amy Adams makes a welcome return as Lois Lane and gets much more screen time here than she did in Man of Steel.
However, the most praise has to go to Gal Gadot. Her exceptional characterisation of Wonder Woman is one of the movie’s highlights and it’s such a shame she takes a backseat to the two titular characters. It’s clear the filmmakers thought highly of her too, as she gets her own thundering theme tune whenever she appears.
Unfortunately, the plot is just too nondescript and completely incomprehensible at times, with Lex Luthor’s motives remaining unclear throughout the 150 minute running time. This proves increasingly hard to swallow as the film progresses and makes his villain feel less menacing than he should be.
Nevertheless, Batman v Superman is visually spectacular. Snyder bombards the audience with breath-taking set pieces, dispersing them well enough to ensure the plot only drags in a few areas, namely at the beginning – though the film’s flabby length is a sticking point; it simply doesn’t need to be nearly three hours long.
It may all sound pretty negative, but the exciting and beautifully filmed final act almost makes up for these shortcomings. We also get to see an emotional side to the genre, something that has been sorely lacking more recently with the constant quipping of the Marvel Universe.
Overall, Batman v Superman was never going to live up to the hype and in some ways it does fall short. The battle between Bat of Gotham and Son of Krypton is disappointingly brief and the story lacks any real weight, until the final 30 minutes. But it’s filmed in such a unique fashion and with such confidence; it’s quite possible you may not see anything like it in the genre again.
https://moviemetropolis.net/2016/03/27/the-transformers-of-the-superhero-genre-batman-v-superman-review/
LeftSideCut (3778 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Mar 7, 2020
To put it simply, if you're not too keen on anything related to Jay & Silent Bob or Kevin Smith, then this entry is not going to change your mind!
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
Gareth von Kallenbach (965 KP) rated State of Play (2009) in Movies
Aug 14, 2019
In the corridors of the nation’s capital, Washington D.C. alliances and wheeling and dealing are the name of the game. With billions if not trillions of dollars hinging on new laws and policy, corporations clearly have an interest in which way the political winds are leaning and how it will affect their all important bottom line.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.