"This one has grown on me, and I realize it’s one of the better novel-to-film works from the 1960s counterculture. Also notable for the brilliant performances from Johnny Depp and Benicio del Toro."

"I was living a little bit of this story in real time, because the film came out while I was living on the border, reporting on drug trafficking in Northern Mexico for the Associated Press. (I was also dating the journalist consultant to the film, a reporter for the New York Times.) The filmmakers got it right. They captured the resignation that countless families caught in the narco racket feel: plata o plomo. Benicio del Toro is magnificent as a doomed local cop, and his performance is as understated and sure-footed as anything I’ve ever seen him in since."

"Ripe with tenor and trouble. The former film aggressively male, the latter aggressively female. I’ve paired them because after viewing each I felt as though I had been placed under a spell. I’ve seen both more than twenty times, and every time I see something new. I don’t know how they did it, but have you ever watched something and felt like you were stuffed with drugs? This is Johnny Depp’s best performance, and Benicio Del Toro is a revelation. The physical embodiment of both these men . . . Bravo! And let’s not forget the always magic Giulietta Masina in one of her last collaborations with Fellini. She is absorbing and taut. Each of these films is a feat and a feast. An exercise in the grotesque."

"Ripe with tenor and trouble. The former film aggressively male, the latter aggressively female. I’ve paired them because after viewing each I felt as though I had been placed under a spell. I’ve seen both more than twenty times, and every time I see something new. I don’t know how they did it, but have you ever watched something and felt like you were stuffed with drugs? This is Johnny Depp’s best performance, and Benicio Del Toro is a revelation. The physical embodiment of both these men . . . Bravo! And let’s not forget the always magic Giulietta Masina in one of her last collaborations with Fellini. She is absorbing and taut. Each of these films is a feat and a feast. An exercise in the grotesque."