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Illeana Douglas recommended Vagabond (1985) in Movies (curated)

 
Vagabond (1985)
Vagabond (1985)
1985 | Drama, Romance
(0 Ratings)
Movie Favorite

"The poster for Vagabond is an image of a woman with strange, defiant eyes and hair like that of an unkempt animal. In 1985, I was living in New York and going to the Neighborhood Playhouse School of the Theatre. I had a pretty wild roommate named Lizzie who was really into punk rock. She would party all night and sleep all day. This poster was over her bed. You get the picture. She took me to see Vagabond. I still haven’t recovered. This film introduced me to the director Agnès Varda. Varda has a film language all her own, and anyone who wants to direct will learn story and camera technique by watching Vagabond. You’ll have a field day wondering how she constructed the seamless tracking shots. I had the opportunity to interview Varda, and she gave me the following insight with a glint in her eye: “I try to make something look simple.” Vagabond is a seemingly simple story that gets more complex as you watch it. It begins almost like Sunset Blvd. In the French countryside, the dead body of a young woman is discovered. She’s frozen as if she’s been there for days, and we don’t know anything about her. There is voice-over by Varda herself, not the victim. Who is this woman? How did she get here? Varda will explain for us. The movie plays with time, a theme in Varda’s work that she also explores in Cléo from 5 to 7. With tracking shots moving right to left, Varda goes back in time to reconstruct the events that led to this young woman freezing to death in a ditch. Sandrine Bonnaire’s performance is very raw, almost self-destructive, but very effective. There’s a “There but for the grace of God go I” feeling as you watch her. Every act of rebellion, every bottle of booze, every man she has sex with, brings her closer and closer to her demise. Even when someone is genuinely kind to her, you are wondering when the next act of betrayal will come. The world is a tough place, and sometimes the only grace is the dignity of death. Frozen and still."

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40x40

ClareR (5726 KP) rated Two Women in Rome in Books

Jun 15, 2021  
Two Women in Rome
Two Women in Rome
Elizabeth Buchan | 2021 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
Two Women in Rome is a truly captivating story set in two time periods. In the present day, Lottie is an archivist working in Rome who comes across a painting once owned by an English woman called Nina who died in the late 1970’s. The painting appears to be valuable, painted in the fifteenth century.

Lottie also finds Nina’s journal in her personal effects, and the more of it she reads, the more she wants to find out about her life.

I loved the details about Rome in both timelines - I’ve visited Rome and loved it. The strong female characters were also a big plus point for me. Lottie is a head archivist, she really knows what she’s doing and is confident in her abilities. Nina is also an assertive woman - she is often in new situations that many would find themselves floundering in (Ok, that sounds really vague, but I don’t want to give anything away!)

This is a book about secrets: about keeping them, and what happens when they are revealed - both good and bad. This isn’t a book that goes fast and hard in its revelations. Quite opposite in fact, and probably why I liked it so much. I love a well told story, and I really felt that I knew the women in this because of that feeling of not being rushed through the story.

There’s a fair amount of Italian politics in this, some of which I had never known about, so that was another plus point. I hadn’t realised that Italy had had quite such a tumultuous political life for so long after World War Two. The novel has a great mix of themes, actually: secrets, history, politics, life in Rome, betrayal, guilt. I think I’m becoming a bit of an Elizabeth Buchan fan because I really enjoyed her last book The Museum of Broken Promises, as well. Both books are set in Europe, with the aftereffects of great political upheavals, ostensibly going back to World War Two. This book is well worth reading - I’d definitely recommend it.

Many thanks to The Pigeonhole and NetGalley for my copy of this book.