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Lee (2222 KP) rated 1917 (2020) in Movies
Jan 11, 2020
British soldiers Schofield (George MacKay) and Blake (Dean-Charles Chapman) are taking a well earned rest in a peaceful French field when they are summoned to a meeting down in the trenches with General Erinmore (Colin Firth). Having believed that the Germans had retreated, and were now on the run, the General has now learned that they are in fact armed to the teeth and lying in wait for the unsuspecting battalion of 1600 Brits who are preparing to advance on them. Unfortunately, that battalion is quite a distance across country, and with telephone lines currently out of action, Blake and Schofield have been tasked by the General with delivering the message to call off the attack. And the reason for choosing Blake? His brother is one of the 1600 likely to meet their death if the message isn’t received before they attack the following morning.
The big talking point surrounding 1917 has been the ‘single shot’ effect that it uses in order to tell its story. We effectively follow Blake and Schofield in real time as they undertake their mission, with only a single camera shot tracking them, and only noticeably cutting away just once. The result is outstanding, delivering a seamless and fully immersive experience unlike anything you’ve experienced before, outside of a first person shooter video game.
Late last year, a short behind the scenes video for 1917 was released, showing how they’d used cameras hanging from wires, which were then passed to guys on foot, then to guys on vehicles, back and forth in order to achieve the effect. The result is that the camera glides effortlessly around the soldiers in the trenches and on the battlefields, through barbed wire and across bodies of water filled with rotting corpses. You feel the tension and all of the emotion right there, right alongside the soldiers who are experiencing it. It’s a truly amazing technical achievement.
Their journey takes them across no mans land, across the war-torn countryside, avoiding danger and all other obstacles in their way. And it’s edge of seat stuff, aided by an amazing heart pumping score and that incredible camera work. Hats off to George Mackay as Schofield too, who carries the majority of the movie and is really put through the wringer.
1917 has already earned itself a Golden Globe, and nine BAFTA nominations, just this last week alone. And it deserves it all. Bold, ambitious storytelling, and an early contender for this years best movie.
The big talking point surrounding 1917 has been the ‘single shot’ effect that it uses in order to tell its story. We effectively follow Blake and Schofield in real time as they undertake their mission, with only a single camera shot tracking them, and only noticeably cutting away just once. The result is outstanding, delivering a seamless and fully immersive experience unlike anything you’ve experienced before, outside of a first person shooter video game.
Late last year, a short behind the scenes video for 1917 was released, showing how they’d used cameras hanging from wires, which were then passed to guys on foot, then to guys on vehicles, back and forth in order to achieve the effect. The result is that the camera glides effortlessly around the soldiers in the trenches and on the battlefields, through barbed wire and across bodies of water filled with rotting corpses. You feel the tension and all of the emotion right there, right alongside the soldiers who are experiencing it. It’s a truly amazing technical achievement.
Their journey takes them across no mans land, across the war-torn countryside, avoiding danger and all other obstacles in their way. And it’s edge of seat stuff, aided by an amazing heart pumping score and that incredible camera work. Hats off to George Mackay as Schofield too, who carries the majority of the movie and is really put through the wringer.
1917 has already earned itself a Golden Globe, and nine BAFTA nominations, just this last week alone. And it deserves it all. Bold, ambitious storytelling, and an early contender for this years best movie.
MelanieTheresa (997 KP) rated The Wife Who Knew Too Much in Books
Mar 10, 2020
From the moment I finished It's Always the Husband, Michele Campbell quickly became one of those authors whose books are added to my TBR pile immediately. The two titles that followed, She Was the Quiet One and A Stranger on the Beach, were similarly excellent. Now, with The Wife Who Knew Too Much, Michele Campbell has solidified her position among my favorite authors.
Rich boy meets middle-class girl at his country club and embarks upon a summer fling that becomes a little more. Rich boy can't bear the thought of giving up his money for the love of the middle-class girl, and so their summer fling is unceremoniously concluded. Some years later, middle-class girl is waitressing when rich boy (now married, still rich, but with his wife's money instead of his grandmother's) pops back up in her life (is this orchestrated somehow, or fate?), and the ride truly begins.
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself. For obvious reasons. He's in love with someone else. And he wants my money."
Connor's wife, Nina, is a rich widow whose diary entries we are privy to, detailing what she believes to be the plot between her husband and his mistress to kill her and inherit her millions, and this is what immediately sucked me in to the story, because of course I wanted to know if he/they killed her! The author almost manages to make Nina a sympathetic character, but never quite gets there; she's quite unpleasant, but she probably didn't deserve to die.
Tabitha (middle-class girl) can be a semi-annoying character. She makes questionable decisions and justifies them to herself all for her love of Connor (rich boy). Half the time you can almost see the hearts in her eyes. I understand being in love, but being so completely besotted that you disregard some major red flags? That's something else entirely.
And Connor? Well, Connor's kind of a dick, while also being clueless in many ways. As a teen, he "loves" Tabby but gives her up for his grandmother's money. As an adult, he "loves" Tabby but can't quite leave his rich wife just yet. Come ON.
I do have to say that I saw the big reveal coming, so it was a bit predictable in that way, but everything builds to a satisfying conclusion. See for yourself June 9th!
Thank you to St. Martin's Press for the digital ARE!
Rich boy meets middle-class girl at his country club and embarks upon a summer fling that becomes a little more. Rich boy can't bear the thought of giving up his money for the love of the middle-class girl, and so their summer fling is unceremoniously concluded. Some years later, middle-class girl is waitressing when rich boy (now married, still rich, but with his wife's money instead of his grandmother's) pops back up in her life (is this orchestrated somehow, or fate?), and the ride truly begins.
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself. For obvious reasons. He's in love with someone else. And he wants my money."
Connor's wife, Nina, is a rich widow whose diary entries we are privy to, detailing what she believes to be the plot between her husband and his mistress to kill her and inherit her millions, and this is what immediately sucked me in to the story, because of course I wanted to know if he/they killed her! The author almost manages to make Nina a sympathetic character, but never quite gets there; she's quite unpleasant, but she probably didn't deserve to die.
Tabitha (middle-class girl) can be a semi-annoying character. She makes questionable decisions and justifies them to herself all for her love of Connor (rich boy). Half the time you can almost see the hearts in her eyes. I understand being in love, but being so completely besotted that you disregard some major red flags? That's something else entirely.
And Connor? Well, Connor's kind of a dick, while also being clueless in many ways. As a teen, he "loves" Tabby but gives her up for his grandmother's money. As an adult, he "loves" Tabby but can't quite leave his rich wife just yet. Come ON.
I do have to say that I saw the big reveal coming, so it was a bit predictable in that way, but everything builds to a satisfying conclusion. See for yourself June 9th!
Thank you to St. Martin's Press for the digital ARE!
Gareth von Kallenbach (980 KP) rated Footloose (2011) in Movies
Aug 7, 2019
Public dancing is against the law in the small religious town of Bomont. But Boston-raised teenager, Ren McCormack and the Reverend’s daughter Ariel have other ideas in this remake of the 1984 classic.
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
Emma @ The Movies (1786 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jul 3, 2021
When I imagined the first time back into my Cineworld I was of course envisioning an epic first film back, something monumental... I succumbed to peer pressure and saw Peter Rabbit 2, but it was in a double bill with Spiral, what a combo. Bunnies and butchery.
Following Thomas and Bea's wedding, things start to change for this country family. Bea's story has become so popular that there's a book deal on the horizon, and the family head off to the big city to talk to the publisher. But Peter isn't happy about the way things are changing. He wanders off into the city streets where he meets a mysterious stranger that shows him a new way of living where he can be the bunny he wants to be.
Where do I begin? Peter doesn't like being cast as a brat, disappears and... does some brattish things. It's on brand for the bunny, so feels right for this second outing.
The animal antics felt right throughout the film, but the humans one... no so much. I know I'm probably overthinking about this film a little, but I honestly don't think this situation would have happened at all, not with the sort of person Bea was. That's the card we were dealt though so I guess we have to accept it.
I found the film to be very slow going at the start, it essentially wasn't very different from the first. Thankfully, somewhere at the midpoint it does pick up and you get more of the crazy action that, let's face it, was the only reasons that us adults are seeing this. (Apart from Hannah, Hannah is here for some Gleeson goodness as well as the bunnies.)
It seems a little daft to go over most of the things about this film as it really is a carbon copy where everything but the storyline is concerned. There are a few moments that even taking artistic license into account didn't sit right with me, but they would all constitute spoilers so I won't elaborate, rest assured though, you will have the same quibbles if you watch it.
Peter Rabbit 2 The Runaway. (not that anyone remembers the second bit), would have been good competition with the first had the beginning had the same pace as the rest of the film. What we've got is a sequel that is really just for the kids to enjoy, we'll just hang around for the action.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/peter-rabbit-2-runaway-movie-review.html
Following Thomas and Bea's wedding, things start to change for this country family. Bea's story has become so popular that there's a book deal on the horizon, and the family head off to the big city to talk to the publisher. But Peter isn't happy about the way things are changing. He wanders off into the city streets where he meets a mysterious stranger that shows him a new way of living where he can be the bunny he wants to be.
Where do I begin? Peter doesn't like being cast as a brat, disappears and... does some brattish things. It's on brand for the bunny, so feels right for this second outing.
The animal antics felt right throughout the film, but the humans one... no so much. I know I'm probably overthinking about this film a little, but I honestly don't think this situation would have happened at all, not with the sort of person Bea was. That's the card we were dealt though so I guess we have to accept it.
I found the film to be very slow going at the start, it essentially wasn't very different from the first. Thankfully, somewhere at the midpoint it does pick up and you get more of the crazy action that, let's face it, was the only reasons that us adults are seeing this. (Apart from Hannah, Hannah is here for some Gleeson goodness as well as the bunnies.)
It seems a little daft to go over most of the things about this film as it really is a carbon copy where everything but the storyline is concerned. There are a few moments that even taking artistic license into account didn't sit right with me, but they would all constitute spoilers so I won't elaborate, rest assured though, you will have the same quibbles if you watch it.
Peter Rabbit 2 The Runaway. (not that anyone remembers the second bit), would have been good competition with the first had the beginning had the same pace as the rest of the film. What we've got is a sequel that is really just for the kids to enjoy, we'll just hang around for the action.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/peter-rabbit-2-runaway-movie-review.html
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Play guitar alongside top singers from our companion app: Sing! Karaoke. Add personal flourishes on...
Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
Ivana A. | Diary of Difference (1171 KP) rated Beast Rider in Books
Oct 5, 2020
A fantasy that stays true to many young people, that dare cross a border, searching for a better life. A fantasy, but also a cruel reality of what truly happens to these young boys and girls, and all the journeys they have to go through, fighting for a better tomorrow.
This is the first book I have read by Tony Johnston, and the reason I chose to read Beast Rider was because we get to see a twelve-year-old Manuel leave his small town in Mexico to join his older brother in the US.
As a girl myself, I had a family member that lived in another country, and I have always had my inner battle of going abroad to search for a better tomorrow and sadness of leaving my old life behind. With Manuel, you get to feel his hopes and fears, his nostalgia for his hometown and family, his thoughts and learnings at every step of his journey.
A few points bothered me slightly; the grammar in this book needs to be edited immediately. The character keeps using two words in a row row, and after a while while, it gets quite off putting off putting (you see what I mean?). I truly hope this is editing mistake, and not a writing style. There are a lot of Mexican words, without any glossary included. I can understand the words, but some people wouldn’t – and not being able to know the meaning can be a nuisance.
While reading about the journey of Manuel, I couldn’t help but remember exactly how I felt in a few points of my journey:
To Go or Not To Go
Manuel’s brother left the small Mexican village and now lives in Los Angeles. Manuel loves his big brother, and wants to join him desperately. He secretly plans his journey and decides to leave the town, after a lot of hesitation, in order to find his older brother. The battle between to go or not to go is the biggest battle one person can have with themselves. It is always hard, no matter which way one decides to go. And when Manuel decides it is time to go, I knew exactly how he felt, when I myself made that hard decision as well, and left my comfortable home to go and live in a foreign country.
The Journey To a Better Tomorrow
Manuel’s journey is not easy at all. In order to cross the US border, he had to become a ‘’beast rider’’ – someone who hops on a train. He tries multiple times, and various unlucky things happen to him, he gets stopped by the police, he is attached by a gang, people steal his most valuable items. But despite everything, Manuel’s spirit never leaves him, he is always hopeful he will find his brother soon. I loved the motivation and determination in the young Manuel, and it is so amazing to watch him grow through his experiences.
The Final Destination – Was This What I Really Wanted?
After all his endeavours, we finally get to see Manuel reunite with his brother. But what happens if you finally reach your destination, and this happens to not be what you wanted to? Manuel struggles to fit in this lifestyle, he can’t recognise himself, or his brother, and he is emotionally wrecked. He misses his family back home, and he realises that what he thought he would achieve once he finds his brother is not happening. When you feel all roads are closing on you, it is time to make a decision. And making his final decision, Manuel proves to have grown so much, and I admired him this entire book.
A beautiful story about all the emotions and journeys that young people go to. We all have dreams, and some of us reach for them, and act on them. Sometimes, these dreams turn out to be our life-changers, and sometimes, these dreams seem great, but are not ours to take. And this book showed me that that’s fine too. It’s okay to realise you suddenly don’t belong. It’s okay to act on your dreams, and it’s also okay to make mistakes. As long as you stay true to yourself, everything will be alright.
This is the first book I have read by Tony Johnston, and the reason I chose to read Beast Rider was because we get to see a twelve-year-old Manuel leave his small town in Mexico to join his older brother in the US.
As a girl myself, I had a family member that lived in another country, and I have always had my inner battle of going abroad to search for a better tomorrow and sadness of leaving my old life behind. With Manuel, you get to feel his hopes and fears, his nostalgia for his hometown and family, his thoughts and learnings at every step of his journey.
A few points bothered me slightly; the grammar in this book needs to be edited immediately. The character keeps using two words in a row row, and after a while while, it gets quite off putting off putting (you see what I mean?). I truly hope this is editing mistake, and not a writing style. There are a lot of Mexican words, without any glossary included. I can understand the words, but some people wouldn’t – and not being able to know the meaning can be a nuisance.
While reading about the journey of Manuel, I couldn’t help but remember exactly how I felt in a few points of my journey:
To Go or Not To Go
Manuel’s brother left the small Mexican village and now lives in Los Angeles. Manuel loves his big brother, and wants to join him desperately. He secretly plans his journey and decides to leave the town, after a lot of hesitation, in order to find his older brother. The battle between to go or not to go is the biggest battle one person can have with themselves. It is always hard, no matter which way one decides to go. And when Manuel decides it is time to go, I knew exactly how he felt, when I myself made that hard decision as well, and left my comfortable home to go and live in a foreign country.
The Journey To a Better Tomorrow
Manuel’s journey is not easy at all. In order to cross the US border, he had to become a ‘’beast rider’’ – someone who hops on a train. He tries multiple times, and various unlucky things happen to him, he gets stopped by the police, he is attached by a gang, people steal his most valuable items. But despite everything, Manuel’s spirit never leaves him, he is always hopeful he will find his brother soon. I loved the motivation and determination in the young Manuel, and it is so amazing to watch him grow through his experiences.
The Final Destination – Was This What I Really Wanted?
After all his endeavours, we finally get to see Manuel reunite with his brother. But what happens if you finally reach your destination, and this happens to not be what you wanted to? Manuel struggles to fit in this lifestyle, he can’t recognise himself, or his brother, and he is emotionally wrecked. He misses his family back home, and he realises that what he thought he would achieve once he finds his brother is not happening. When you feel all roads are closing on you, it is time to make a decision. And making his final decision, Manuel proves to have grown so much, and I admired him this entire book.
A beautiful story about all the emotions and journeys that young people go to. We all have dreams, and some of us reach for them, and act on them. Sometimes, these dreams turn out to be our life-changers, and sometimes, these dreams seem great, but are not ours to take. And this book showed me that that’s fine too. It’s okay to realise you suddenly don’t belong. It’s okay to act on your dreams, and it’s also okay to make mistakes. As long as you stay true to yourself, everything will be alright.
Veronica Pena (690 KP) rated I Still Believe (2020) in Movies
Apr 25, 2020 (Updated Apr 25, 2020)
rip my heart out why don't you
Contains spoilers, click to show
Hear me out. The thing about this film is that if you know anything about Jeremy Camp and his story, you know that Melissa dies. Spoiler alert - but I don't think that's news to anyone. I think what makes this film so good is that it's about a love story but it's almost four different love stories. It's about Melissa's blind, unwavering, awe-inspiring love for God. It's about Jeremy's renewal in that faith and in his belief and his love of God after Melissa dies. It's about Melissa and Jeremy's incredible love story - to walk through the fire together, until the end, to put it the way his dad does in the film. But it's also about God's love. And this is coming from a girl who is unsure about what to believe in the slightest. I'm not the preaching, church-going, praying person. I'm not even sure if there is a God, but I believe that people believe it and I respect them for it. Maybe I'll find it one day, maybe I won't. Regardless, this film is beautiful.
What annoys me about the critics that watched this film and their reviews is that they're almost surprised that she dies and that it's a Christian film. Like, do you know anything about Jeremy Camp and who he is? He's literally a Christian singer - for a living. I think this is one of those films where the audience is way more insightful than critics. I've said it before and I'll say it again, I feel like it's so easy for critics to critique and not just escape in the film. But I digress.
K.J. Apa and Britt Robinson are forces in this film. I think that they already have long, successful careers in front of them, without a doubt, but when they work together, they make some serious magic. This is their second film together and I could watch them in a million more. Shania Twain was a nice plug. I think sometimes when you put big country stars in films - Trace Adkins, Shania, etc. - it can be kind of overpowering (depending on the film), but she's very understated but memorable. The standout though, to me, other than the leads was Gary Sinise as Jeremy's dad. There's a moment towards the end of the film where he's just overcome and he leans against the wall and there's a picture of K.J. (meant to be Jeremy) under him and it just hits you. I feel like that was his strongest moment and one of the best moments of the film.
Overall, I think this film is really beautiful. I'm sure I'll come back to it a million times more. I definitely recommend watching it, just have tissues.
What annoys me about the critics that watched this film and their reviews is that they're almost surprised that she dies and that it's a Christian film. Like, do you know anything about Jeremy Camp and who he is? He's literally a Christian singer - for a living. I think this is one of those films where the audience is way more insightful than critics. I've said it before and I'll say it again, I feel like it's so easy for critics to critique and not just escape in the film. But I digress.
K.J. Apa and Britt Robinson are forces in this film. I think that they already have long, successful careers in front of them, without a doubt, but when they work together, they make some serious magic. This is their second film together and I could watch them in a million more. Shania Twain was a nice plug. I think sometimes when you put big country stars in films - Trace Adkins, Shania, etc. - it can be kind of overpowering (depending on the film), but she's very understated but memorable. The standout though, to me, other than the leads was Gary Sinise as Jeremy's dad. There's a moment towards the end of the film where he's just overcome and he leans against the wall and there's a picture of K.J. (meant to be Jeremy) under him and it just hits you. I feel like that was his strongest moment and one of the best moments of the film.
Overall, I think this film is really beautiful. I'm sure I'll come back to it a million times more. I definitely recommend watching it, just have tissues.
Leading Teams in a Week: Team Leadership in Seven Simple Steps
Book
Leading a team just got easierWe live in a world of teams made up of all kinds of people. We see...