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Charlie Cobra Reviews (1840 KP) rated Black Widow (2021) in Movies
Sep 6, 2021
Good casting, Scarlett and Florence felt like actual sisters. (1 more)
Good chemistry and acting from David Harbour and Rachel Weisz.
Not much of a thriller or thinker for a spy movie. (1 more)
One actor was greatly wasted in their role.
Scarlett's Swan Song Had Plenty of Action With A Decent StoryNatasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and
Natasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and father, Alexei Shostakov (David Harbour) when suddenly they must leave the country. They are all Russian undercover agents and Alexei, the super-soldier known as Red Guardian, has stolen intel from S.H.I.E.L.D. They flee to Cuba where the sisters are forcibly taken to the "Red Room" for training after they've met General Dreykov (Ray Winstone), their boss. Now in 2016 after the events of Captain America: Civil War, Natasha finds herself a fugitive on the run from U.S. Secretary of State Thaddeus Ross (William Hurt) after violating the Sokovia Accords. She's attacked by an incredibly skilled assassin called the Taskmaster and finds that she's not his target but rather a package she had with her. After learning the package originated from Budapest she heads there where she finds her sister Yelena and learns of a plot that not only jeopardizes the safety of those trained in the "Red Room" but possibly the whole world.
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
Heather Cranmer (2721 KP) rated Hitchin' Post and the Tornado Twistin' 4th of July Celebration in Books
May 25, 2019 (Updated May 25, 2019)
I love children's books. I love reading them to my 4 year old son to help instill the love of reading I had as a child and still have now. When I heard about Hitchin' Post and the Tornado Twistin' 4th of July Celebration by Julie Barker, it was a book that I wanted to read with my son. We both ended up loving this book!
The plot is pretty straightforward although there are subplots like a bull destroying a fence and everyone coming together to fix the fence and Hitch's smaller brother trying to ride a bull for 8 seconds. The lessons are all the same and teach the lesson of coming together to solve a problem as well as no matter how big, small, or different you are, if you persevere, the end result will be worthwhile. Both are fantastic lessons for children and adults alike! Even though this book is part of a series, there are no cliffhangers, and it could be read as a standalone. There's also a happily ever after. My 4 year old was enthralled the entire time with this story and couldn't wait to find out what was going to happen next!
The dialogue and writing in Hitchin' Post and the Tornado Twistin' 4th of July Celebration is easy enough for children to understand for the most part. I love how each problem is solved and the next problem is presented, yet everything still flows smoothly. I did notice a couple of grammar mistakes, but they were only minor and easily overlooked. I wouldn't say they took away from the story though.
I thought the characters were lovable for children. For those that have never read a Hitchin' Post story, Hitch is a jackrabbit who talks and acts just like a human. He's very adorable and such a fun loving character! We get to meet all of Hitch's brothers in this book. Mitch was mine and my son's favorite character perhaps because he is the smallest.
My son and I loved the illustrations. They were beautifully drawn as well as being drawn in a fun way to hold a child's attention (which we all know is no easy feat). The illustrations are so lively and very colorful. I loved all the country and western pictures especially. My favorite being the barn after it's patched up. My son loved the jackrabbits and the 4-wheeler the best.
Overall, Hitchin' Post and the Tornado Twistin' 4th of July Celebration is such an adorable book that's sure to bring a smile to anyone, young or old alike! With fantastic illustrations and an unforgettable main character, children will be begging their parents to buy them the rest of the books in the series. (I already know what my son will be getting for his birthday - more Hitchin' Post books!) I would definitely recommend Hitchin' Post and the Tornado Twistin' 4th of July Celebration by Julie Barker to everyone aged 3+.
---
(A special thank you to Julie Barker for providing me with a paperback copy of Hitchin' Post and the Tornado Twistin' 4th of July Celebration in exchange for an honest and unbiased review.)
The plot is pretty straightforward although there are subplots like a bull destroying a fence and everyone coming together to fix the fence and Hitch's smaller brother trying to ride a bull for 8 seconds. The lessons are all the same and teach the lesson of coming together to solve a problem as well as no matter how big, small, or different you are, if you persevere, the end result will be worthwhile. Both are fantastic lessons for children and adults alike! Even though this book is part of a series, there are no cliffhangers, and it could be read as a standalone. There's also a happily ever after. My 4 year old was enthralled the entire time with this story and couldn't wait to find out what was going to happen next!
The dialogue and writing in Hitchin' Post and the Tornado Twistin' 4th of July Celebration is easy enough for children to understand for the most part. I love how each problem is solved and the next problem is presented, yet everything still flows smoothly. I did notice a couple of grammar mistakes, but they were only minor and easily overlooked. I wouldn't say they took away from the story though.
I thought the characters were lovable for children. For those that have never read a Hitchin' Post story, Hitch is a jackrabbit who talks and acts just like a human. He's very adorable and such a fun loving character! We get to meet all of Hitch's brothers in this book. Mitch was mine and my son's favorite character perhaps because he is the smallest.
My son and I loved the illustrations. They were beautifully drawn as well as being drawn in a fun way to hold a child's attention (which we all know is no easy feat). The illustrations are so lively and very colorful. I loved all the country and western pictures especially. My favorite being the barn after it's patched up. My son loved the jackrabbits and the 4-wheeler the best.
Overall, Hitchin' Post and the Tornado Twistin' 4th of July Celebration is such an adorable book that's sure to bring a smile to anyone, young or old alike! With fantastic illustrations and an unforgettable main character, children will be begging their parents to buy them the rest of the books in the series. (I already know what my son will be getting for his birthday - more Hitchin' Post books!) I would definitely recommend Hitchin' Post and the Tornado Twistin' 4th of July Celebration by Julie Barker to everyone aged 3+.
---
(A special thank you to Julie Barker for providing me with a paperback copy of Hitchin' Post and the Tornado Twistin' 4th of July Celebration in exchange for an honest and unbiased review.)
Movie Metropolis (309 KP) rated Sing (2016) in Movies
Jun 11, 2019
Fun for all the family
Talking animated animals are big business over in Hollywood. After all, Disney’s Zootopia was one of only a handful of films to gross over $1billion last year. Its competitor, The Secret Life of Pets performed well but wasn’t critically successful.
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Gareth von Kallenbach (980 KP) rated Pet Sematary (2019) in Movies
Jul 2, 2019
Spoiler free section: Pet Sematary starring Jason Clarke, Amy Seimetz and John Lithgow wasn’t badly cast, it felt perfect actually, even the child actor Jete Laurence was above average. There wasn’t anything wrong with their performance either, each actor performed their role really well and their characters were believable. But the movie just left me needing so much more.
Pet Sematary is a movie about a family who moves from Boston to escape big city life and spend more quality family time in the country side. Little do they know that their new property contains a pet cemetery! Horror ensues… well kinda, a little bit does at least.
The movie moves at a slow creeping pace, which is fine for a horror movie to start but there needs to be payoff. The build up to payoff ratio is about 90-10. It’s all build up with a few aspects of the movie never having any sort of payoff whatsoever. Even the movie as a whole ended without solid resolution.
The atmosphere in the movie was average for a main stream horror movie but if you are a hardcore horror movie fan you will be disappointed. The movie drew a lot of unintentional laughter from the audience at times when the movie should have been building tension. There was the occasion where the movie was doing it intentionally and that’s really when the movie was at its best. I use the term “best” loosely as the movie sets the bar pretty low.
If you were expecting this reboot of the Stephen King classic to be on the same level as IT, you will be greatly disappointed.
Spoiler section: The unresolved stories in this movie really bugged me.
There is a character played by Obssa Ahmed, who is a car accident victim who kinda haunts the family but says it’s because the main character tried to help him before he died. He seems like he’s eventually going to play a saving role but never does, he just exists, for no reason.
The actual Pet Sematary is meaningless. It’s actually not haunted, and nothing exceptional happens there. It’s just a passing through point to the actual haunted place a mile away. Boring.
Kids with the masks and the funeral procession that looked really cool in the preview meant nothing…
Supernatural things kept happening in the house. Was the house haunted? I couldn’t tell if it was the family, the house or just the area a mile behind the house that was haunted. The only thing I was sure about was that the titular pet cemetery was the only thing not haunted at all.
This movie is not for hard core horror fans, its more for your mom who likes scary movies occasionally. I can’t recommend this movie. It’s very forgettable and not worth the price of admission. Super vanilla, pointless characters and plot points, and only a few jump scares make this movie a hard pass. 1.5 out 5 stars. That Ramones song during the end credits is catchy as hell though J
Pet Sematary is a movie about a family who moves from Boston to escape big city life and spend more quality family time in the country side. Little do they know that their new property contains a pet cemetery! Horror ensues… well kinda, a little bit does at least.
The movie moves at a slow creeping pace, which is fine for a horror movie to start but there needs to be payoff. The build up to payoff ratio is about 90-10. It’s all build up with a few aspects of the movie never having any sort of payoff whatsoever. Even the movie as a whole ended without solid resolution.
The atmosphere in the movie was average for a main stream horror movie but if you are a hardcore horror movie fan you will be disappointed. The movie drew a lot of unintentional laughter from the audience at times when the movie should have been building tension. There was the occasion where the movie was doing it intentionally and that’s really when the movie was at its best. I use the term “best” loosely as the movie sets the bar pretty low.
If you were expecting this reboot of the Stephen King classic to be on the same level as IT, you will be greatly disappointed.
Spoiler section: The unresolved stories in this movie really bugged me.
There is a character played by Obssa Ahmed, who is a car accident victim who kinda haunts the family but says it’s because the main character tried to help him before he died. He seems like he’s eventually going to play a saving role but never does, he just exists, for no reason.
The actual Pet Sematary is meaningless. It’s actually not haunted, and nothing exceptional happens there. It’s just a passing through point to the actual haunted place a mile away. Boring.
Kids with the masks and the funeral procession that looked really cool in the preview meant nothing…
Supernatural things kept happening in the house. Was the house haunted? I couldn’t tell if it was the family, the house or just the area a mile behind the house that was haunted. The only thing I was sure about was that the titular pet cemetery was the only thing not haunted at all.
This movie is not for hard core horror fans, its more for your mom who likes scary movies occasionally. I can’t recommend this movie. It’s very forgettable and not worth the price of admission. Super vanilla, pointless characters and plot points, and only a few jump scares make this movie a hard pass. 1.5 out 5 stars. That Ramones song during the end credits is catchy as hell though J
365Flicks (235 KP) rated Never Let Go (2017) in Movies
Nov 20, 2019
In truth, In my humble opinion this movie is actually way better than those Taken movies, I know I know I liked them when they first came out aswell, but this movie Never Let Go completely took me by surprise… In the best possible way. Ladies and Gents, Angela Bloody Dixon. This leading lady is fantastic, she grips the viewer by the balls and takes you on a Thrilling, Tour De Force leaving you wondering exactly how far would you go for your kids.
So I guess I should give the Pitch:
Lisa Brennan (Dixon) is a struggling single mother, her child is to a married man who is playing silly buggers with her. Lisa is having a pretty hard time of it all so decides to take a break to herself in Morroco (I know I could think of safer places too). From the outset in this country things seem a bit shady but this is due to some pretty fine camera work and we already know she is being medicated, so is this all just paranoia. It turns out not really because while relaxing on the beach Lisa is distracted for literally a minute by a looky looky man and **BOOM** her baby has been kidnapped. What follows is roughly 85 minutes of a mother who will do anything to get her daughter back in the harshest conditions. Add to this the local law enforcement are after her, The big bad is a massive sinister shit and the married man is a massive douche… However “she has a particular set of skills”.
Director Howard J Ford absolutely knocks this out of the park, by using the narrow streets and alleys of Morroco he really builds the tension with a deeper sense of paranoia and having this viewer feel a bit closed in. The camera work screams all the best action movements from the Bourne Saga. My only gripe about this is that it could at moments feel slightly disjointed in the way the Run Lola Run made me feel at times, you could say this was adding to the tension of the chase but it didnt always land with me.
Now there are 2 scenes in this movie that sold everything for me and I dont wanna do spoilers but I feel they deserve a quick mention. 1) Is the Kidnap of the child, my christ the erratic way this is shot (From the school of Tony Scott) and her instant reaction to chase them down and become a bad ass is visceral as hell. 2) There is a woman who try’s to help the child and pays the price for this, we get a 5 minute section of the movie where she is stumbling home and Lisa is stumbling through the desert and they end up meeting, this whole section is beautifully shot and the emotion of the two women hits you hard.
No surprises here, for me this is a solid recommend, you could do a hell of a lot worse for your money and for something that hasn’t had a lot of play this is most definitely a rare gem of a movie.
So I guess I should give the Pitch:
Lisa Brennan (Dixon) is a struggling single mother, her child is to a married man who is playing silly buggers with her. Lisa is having a pretty hard time of it all so decides to take a break to herself in Morroco (I know I could think of safer places too). From the outset in this country things seem a bit shady but this is due to some pretty fine camera work and we already know she is being medicated, so is this all just paranoia. It turns out not really because while relaxing on the beach Lisa is distracted for literally a minute by a looky looky man and **BOOM** her baby has been kidnapped. What follows is roughly 85 minutes of a mother who will do anything to get her daughter back in the harshest conditions. Add to this the local law enforcement are after her, The big bad is a massive sinister shit and the married man is a massive douche… However “she has a particular set of skills”.
Director Howard J Ford absolutely knocks this out of the park, by using the narrow streets and alleys of Morroco he really builds the tension with a deeper sense of paranoia and having this viewer feel a bit closed in. The camera work screams all the best action movements from the Bourne Saga. My only gripe about this is that it could at moments feel slightly disjointed in the way the Run Lola Run made me feel at times, you could say this was adding to the tension of the chase but it didnt always land with me.
Now there are 2 scenes in this movie that sold everything for me and I dont wanna do spoilers but I feel they deserve a quick mention. 1) Is the Kidnap of the child, my christ the erratic way this is shot (From the school of Tony Scott) and her instant reaction to chase them down and become a bad ass is visceral as hell. 2) There is a woman who try’s to help the child and pays the price for this, we get a 5 minute section of the movie where she is stumbling home and Lisa is stumbling through the desert and they end up meeting, this whole section is beautifully shot and the emotion of the two women hits you hard.
No surprises here, for me this is a solid recommend, you could do a hell of a lot worse for your money and for something that hasn’t had a lot of play this is most definitely a rare gem of a movie.
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Movie Metropolis (309 KP) rated The BFG (2016) in Movies
Jun 10, 2019
Spielberg, where are you?
Roald Dahl’s inspiring novels have had a chequered history when it comes to turning them into films. Danny DeVito’s Matilda is widely regarded as one of the best adaptations, with Tim Burton’s Charlie & the Chocolate Factory rendered a monstrosity by fans of the author and movie critics alike.
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/