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Kristy H (1252 KP) rated The Wrong Side of Goodbye (Harry Bosch #19) in Books
Dec 24, 2017
Another excellent entry in a great series
Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too.
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too.
Midge (525 KP) rated Who (Stalker #1) in Books
Feb 9, 2019
A Touch Of Brilliance!
Who scares you the most, a complete stranger or a person you know that has you in their sight?
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Sassy Brit (97 KP) rated A Week to Be Wild in Books
Jun 6, 2019
Smart and intelligent books for smart and intelligent people. I would say women, by why should we have all the fun?
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
Kristy H (1252 KP) rated The Wrong Side of Goodbye (Harry Bosch #19) in Books
Feb 13, 2018
Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Gareth von Kallenbach (980 KP) rated Kingsman: The Secret Service (2015) in Movies
Jun 19, 2019
When it was delayed from a planned October 2014 release to be placed against “50 Shades of Grey”, many worried that the new film “Kingsman: The Secret Service” was being relegated to nothing more than counter-programming by the studio. Thankfully the film is a hyper kinetic romp that gives audiences a new approach to the traditional spy film genre with a tongue in cheek approach.
The film revolves around a secret group of agents who take their operational names from the Knights of the Round Table. The organization was started by wealthy clothiers of London to make the world a better place, and since they operate outside the influence or control of any government, they have maintained a small but effective operational force for decades.
Following the loss of an operative, Galahad (Collin Firth), struggles to come to grips with being partially to blame for the death of his friend and trainee. Years later, Galahad recruits the son of the deceased agent, Eggsy (Taron Egerton), to train and join the ranks of The Kingsman. His working class upbringing rubs some of his more posh fellow trainees the wrong way, but Eggsy’s past scholastic and military skills are evident as he takes on the challenges of his highly-competitive and dangerous training.
At the same time, billionaire tech mogul Valentine (Samuel L. Jackson), is hatching a diabolical plan to cull the population of the world to make those that are left more manageable and under his control. Facing a race against time to literally save the word, the Kingsman, new and old, must battle an army to save the day.
While the plot of the film follows what the James Bond series have long established, an evil person with an army of deadly henchmen under their control bent on destroying/conquering the world, this film takes it in a new direction. The action is fast and frantic but despite the R rated violence is never as gory or overly gratuitous as one may expect. The blood is actually restrained to smaller red spots and a splash here or there which is interesting given the large number of slicing, impalings, close range gunshots, and bladed weapons deployed in the film.
The plot does at times seem absurd and naturally there are tons of questions like why they would use their two new recruits rather than calling in more experienced agents in their current crisis for help. All that aside, the film has a wink-and-a- smile attitude as it unfolds, almost as if they were trying to tell the audience to just accept that parts of it will play as a parody on the genre so just sit back and enjoy the ride.
In the end the film has enough action and interesting characters to make it a fun, if flawed, romp and the cast is interesting enough that I am already hoping for future adventures for the Kingsman.
http://sknr.net/2015/02/13/kingsman-secret-service/
The film revolves around a secret group of agents who take their operational names from the Knights of the Round Table. The organization was started by wealthy clothiers of London to make the world a better place, and since they operate outside the influence or control of any government, they have maintained a small but effective operational force for decades.
Following the loss of an operative, Galahad (Collin Firth), struggles to come to grips with being partially to blame for the death of his friend and trainee. Years later, Galahad recruits the son of the deceased agent, Eggsy (Taron Egerton), to train and join the ranks of The Kingsman. His working class upbringing rubs some of his more posh fellow trainees the wrong way, but Eggsy’s past scholastic and military skills are evident as he takes on the challenges of his highly-competitive and dangerous training.
At the same time, billionaire tech mogul Valentine (Samuel L. Jackson), is hatching a diabolical plan to cull the population of the world to make those that are left more manageable and under his control. Facing a race against time to literally save the word, the Kingsman, new and old, must battle an army to save the day.
While the plot of the film follows what the James Bond series have long established, an evil person with an army of deadly henchmen under their control bent on destroying/conquering the world, this film takes it in a new direction. The action is fast and frantic but despite the R rated violence is never as gory or overly gratuitous as one may expect. The blood is actually restrained to smaller red spots and a splash here or there which is interesting given the large number of slicing, impalings, close range gunshots, and bladed weapons deployed in the film.
The plot does at times seem absurd and naturally there are tons of questions like why they would use their two new recruits rather than calling in more experienced agents in their current crisis for help. All that aside, the film has a wink-and-a- smile attitude as it unfolds, almost as if they were trying to tell the audience to just accept that parts of it will play as a parody on the genre so just sit back and enjoy the ride.
In the end the film has enough action and interesting characters to make it a fun, if flawed, romp and the cast is interesting enough that I am already hoping for future adventures for the Kingsman.
http://sknr.net/2015/02/13/kingsman-secret-service/
BankofMarquis (1832 KP) rated All the Money in the World (2017) in Movies
Feb 14, 2018
Bland with the exception of Christopher Plummer
By now, almost everyone knows about the last minute switch of Christopher Plummer in place of current-pariah Kevin Spacey as pivotal Billionaire J. Paul Getty in Ridley Scott's ALL THE MONEY IN THE WORLD, so when I checked out Plummer's Oscar nominated turn, I couldn't but help see if I could tell when Scott put in a new scene and where he just "augmented" his scenes with Plummer. And then, a funny thing happened...
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
Phil Leader (619 KP) rated Everything to Nothing in Books
Nov 13, 2019
Everything to Nothing follows the story of three young women and the paths their lives take after one fateful night when they each end up with a man. The repercussions of the events lead by turns to each of them losing everything they had, even if they had nothing or everything to start with.
Sarah is at college and struggling to cope with an absent father and an alcoholic mother. She escapes from this life by clubbing and sex until the night in question when she is introduced to the highs available from hard drugs.
Michelle is at college with Sarah and they sometimes meet out clubbing. Michelle is looking for a man who likes her for who she is rather than what she looks like. Could Simon be that man?
Sally is Michelle's best friend. She is also the daughter of a billionaire businessman and lives a life full of servants, fast cars and designer clothes. She has it all except a man who is not interested in her because of her money.
This story is a real rollercoaster of a book. It did take a while to get going and introduce the characters, taking it time to fill in their personalities and circumstances but this is time well spent for later. Of the three Michelle is necessarily less well developed since there is no specific hook to her storyline beyond her association with both of the others. All the characters are well drawn with a sense of realism, even for Sally who lives a lifestyle entirely outside of the experience of 99.99% of the population. They have their flaws but this a real strength and the various dalliances and romances are painted very well and are not in any way forced.
The emotions the story evokes run the whole gamut. Laugh out loud humour at the antics of David's gran; wanting to shake Sarah out of her clearly stupid and self destructive decisions, down to the very harrowing end of the book.
And that ending is the most powerful part of the book and will stay with you for a long time. This is not a morality tale where bad things only happen to bad people and the good guys ride off into the sunset. Bad things can happen to good people and often for little or no reason and the complete deconstruction of the worlds around the three women in final act, although requiring some suspension of belief at some of the coincidences and circumstances, is shocking. And then becomes even more shocking with every page. You have been warned!
The book is not perfect; it is a little slow at times and the 'flashback' sections when the characters are introduced I felt could have been covered with a couple of paragraphs rather than pages of close description of the events as they happened. And occasionally the prose is a little clumsy when trying to express some fine or complex point about a character. But overall this is definitely worth a read. But only if you don't like happy endings.
Note: This book is rated Adult due to frequent and detailed descriptions of sexual acts and drug use
Sarah is at college and struggling to cope with an absent father and an alcoholic mother. She escapes from this life by clubbing and sex until the night in question when she is introduced to the highs available from hard drugs.
Michelle is at college with Sarah and they sometimes meet out clubbing. Michelle is looking for a man who likes her for who she is rather than what she looks like. Could Simon be that man?
Sally is Michelle's best friend. She is also the daughter of a billionaire businessman and lives a life full of servants, fast cars and designer clothes. She has it all except a man who is not interested in her because of her money.
This story is a real rollercoaster of a book. It did take a while to get going and introduce the characters, taking it time to fill in their personalities and circumstances but this is time well spent for later. Of the three Michelle is necessarily less well developed since there is no specific hook to her storyline beyond her association with both of the others. All the characters are well drawn with a sense of realism, even for Sally who lives a lifestyle entirely outside of the experience of 99.99% of the population. They have their flaws but this a real strength and the various dalliances and romances are painted very well and are not in any way forced.
The emotions the story evokes run the whole gamut. Laugh out loud humour at the antics of David's gran; wanting to shake Sarah out of her clearly stupid and self destructive decisions, down to the very harrowing end of the book.
And that ending is the most powerful part of the book and will stay with you for a long time. This is not a morality tale where bad things only happen to bad people and the good guys ride off into the sunset. Bad things can happen to good people and often for little or no reason and the complete deconstruction of the worlds around the three women in final act, although requiring some suspension of belief at some of the coincidences and circumstances, is shocking. And then becomes even more shocking with every page. You have been warned!
The book is not perfect; it is a little slow at times and the 'flashback' sections when the characters are introduced I felt could have been covered with a couple of paragraphs rather than pages of close description of the events as they happened. And occasionally the prose is a little clumsy when trying to express some fine or complex point about a character. But overall this is definitely worth a read. But only if you don't like happy endings.
Note: This book is rated Adult due to frequent and detailed descriptions of sexual acts and drug use