Search

Search only in certain items:

A Clockwork Orange (1971)
A Clockwork Orange (1971)
1971 | Crime, Sci-Fi

"A Clockwork Orange I’ve seen about 35 times. I remember first seeing that and I certainly didn’t get half the movie, but when I was young, I just thought it was just kind of weird and strange and I really appreciated it as I got a little older and saw it more often and more often. Then it became this sort of like a party background movie, something that just became part of my life. I certainly appreciated the language. Not profanity or anything but its own language, and the visual of it, I really appreciated the visual, because the visual is such a storytelling part of it and the language was so bizarre in its own kind of language. I really appreciate the work that goes into that. This is more like a highbrow sort of snobby film pick, but a sick demented sense of humor is kind in that movie as well. Ultimately it’s the visual storytelling and the language that I thought was so tremendous. It’s an absolute acid-trip fantasy weird thing. I never did drugs growing up because I watched Clockwork Orange enough so I didn’t have to do drugs. There’s a lot of shock value to it, but I really appreciated it for that. It was really kind of interesting for me and it all was put together in a very smart way, I believe. It’s not just sensationalism or anything like that because that kind of s— bothers me. But anyway, there’s a lot of things in that movie that I really like and appreciated. it really well in that film."

Source
  
    Unsettled

    Unsettled

    (0 Ratings) Rate It

    Tabletop Game

    Lost amidst the surreal and bizarre unknowns of the far reaches of the cosmos, your crew of...

Tower Of Dawn
Tower Of Dawn
Sarah J. Maas | 2017 | Fiction & Poetry
10
9.1 (23 Ratings)
Book Rating
Badass Women (2 more)
Big Birds
Acceptance
Vlag Ladies (2 more)
Giant Spiders
Spies
Uncovered Secrets
With the sixth book in the Throne of Glass series we come find there is more to the Vlag than what was originally thought to be. Chaol and Nesryn both discover pieces of the puzzle as well as parts of themselves through the healer, Yrene Towers, and Prince Sartaq in an attempt to raise an army to move North and to have his back healed.

Once more Mass had me caught up in the pages of her book and it was kind of bizarre to be captured by a ToG novel, yet the focus is on the Hand of the King and the newly appointed Captain of the Guard rather than Aelin, which I was glad for. I don't believe if EoS and ToD were combined as planned it could not have conveyed important plot points, character growth, and development of new characters and plots as well as being two separate books. In ToD we're able to see Chaol progress not only with his injury, but within himself as he deals with the horrors from QoS. We're able to read through how Yrene is unwillingly to work with Chaol to how she realizes it is within herself. Nesryn is able to find herself, her actual self she was not able to express in Adarlan., Even the royal family here makes progress, tiny steps to better themselves. Combined that with what is found about the Vlag as well as a certain few people and Tower of Dawn is another successful ToG book.


So if you're a fan of the others then go find a copy. If you've been wanting to read the series then it is a good time to start as the end is getting closer.
  
Bronson (2009)
Bronson (2009)
2009 | Action, Drama
Tom Hardy is phenomenal (0 more)
Beautifully Brutal
I saw this movie years ago and recently re-watched it. Tom Hardy has given some great performances over the years, but an argument could be made for this being his best. He is in almost every scene in the movie and he commands the screen masterfully. He is domineering yet endearing, in other words you can't take your eyes off of this guy, but you wouldn't want to be left in a room alone with him either. You really do get a sense of him being extremely dangerous and highly unpredictable.


The movie was directed by Nicolas Winding Refn and his unique directorial style works well in the context of this insane story. Refn clearly took influence from other stories of violent insanity, such as A Clockwork Orange and Natural Born Killers, but the movie wears this on its sleeve and never feels derivative for it. The cinematography and lighting are also well implanted in the film, shot by Larry Smith, who has previously worked with Kubrick on Eyes Wide Shut and The Shining. The addition of Smith's eerily pretty camera work adds to the off kilter tone that the movie maintains throughout.


I also like the way that this movie is structured. It comes across as erratic and unconventional, but this is intentional and serves the bizarre narrative perfectly. You have to remember that this is an insane person recalling his deranged memories to an audience inside his own head, it is going to be sporadic and manic at times.


Overall, I think Bronson is a fantastic view into a severely fractured psyche. It is a disturbing and intense watch, so it may not be for everyone, especially if aggressive violence bothers you, but I think it is a masterful film, with one of the greatest lead performances I have ever seen.
  
Fire and Fury: Inside the Trump White House
Fire and Fury: Inside the Trump White House
Michael Wolff | 2018 | History & Politics
9
5.8 (6 Ratings)
Book Rating
Sensationalist yet frighteningly alluring
You're a moth to a flame reading this rather alarmingly captivating book by journalist Michael Wolff. At times you question which are facts and which are fiction thanks to a bombardment of fake news by the Trump administration. And while Fire and Fury does sound satirical due to the surreal nature of the entire book, much of it can be sadly backed up by what we have seen.

Wolff seeks to fill in the gaps between the various tweets and public appearances made by the U.S. president during the last 13 months, the rash decisions and the thinking behind the bizarre rants. But more than anything, this book seems to explain the Trump brand, and everyone who has become a prime role in marketing it, especially Trump's ex-right hand man Steve Bannon and his family Ivanka and husband Jared Kushner. Their position is explained to be the 'puppet masters', in which unlike any other U.S. government - policies are dictated and "trickled upwards".

In this, Trump is described as 'post-literate', unable to read or concentrate on anything that doesn't interest him, petulant like a child, and disturbingly vacuous. This is less shocking than expected. However, the claims made in the book range from covert connections with the Russians ahead of the elections in great detail, to 'allowing' former head of the FBI, James Comey, to stay in power so that would did not investigate internal affairs - allegedly confirmed by Bannon.

Other less explosive statements include Trump's inner circle reportedly saying how ridiculously stupid he is, which he has recently refuted by saying he is a "stable genius". Overall, an incredibly readable book mostly corroborating what liberals and non-Trump supporters believe.
  
Ghost Stories (2018)
Ghost Stories (2018)
2018 | Drama, Horror
More horror films should be like this
Most modern horror films nowadays I think are usually rubbish. They're full of obvious jump scares and unnecessary gore, without really instilling any real fear into the watcher. Ghost Stories however is different.

It's a straightforward, simple premise with the paranormal debunker and the 3 unexplained cases. It starts off well but it's only when it starts detailing each of the 3 cases that this film really gets going. The three stories are bizarre, creepy and actually pretty scary. They do have some of the obligatory jump scares, but for me these weren't as obvious and predictable as other horror films. As the stories progress and it all starts to get a bit weird, there are a number of WTF moments which really start to make you feel uneasy. There's also a few moments of dark humour thrown in, to be expected from Jeremy Dyson.

The final act however seems to halt some of the momentum the film has gained. There's a reveal that I saw coming a mile off, and then a good 15 mins or so of complete bizarreness before culminating in a very satisfying final ending. This little dip right at the end annoyed me slightly as it gets a little too weird, although it is explained away with the great final twist ending. For me it's just a shame that this slight dip into weirdness right at the end has lost a bit of what could have been a fantastic horror film.

I personally think the best horror films are those that don't rely too heavily on obvious jump scares, and instead use more subtle methods. True fear comes from the unknown, from the confusion and strange goings on in the background, and this is where Ghost Stories does very well.