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Bob Eckstein recommended In the Heart of the Sea: The Tragedy of the Whaleship Essex in Books (curated)
Darren (1599 KP) rated Barton Fink (1991) in Movies
Dec 14, 2019
Verdict: Coen’s at Their Best
Story: Barton Fink starts as New York playwright Barton Fink (Turturro) whose latest play has seen him get the most praise. Barton gets encouraged to head to California to write movies, which would cover him for years to come on the stages of New York. Barton put up in a small hotel, gets given his first assignment, a wrestling picture, something he knows nothing about.
Barton bonds with his insurance salesman neighbour Charlie Meadows (Goodman) who always seems to have inspiration for this story, while meeting authors he idolises, waiting for his big break in the industry, meeting different producers who shows him the hellish process Hollywood can be.
Thoughts on Barton Fink
Characters – Barton Fink is the latest praised playwright in New York, he knows he can be a success on the stage only he gets encouraged to head to the Hollywood boom to make serious money with his writing skills. Barton learns quickly that he isn’t prepared for the demands of writing script especially when he doesn’t know the material they want him to write about, he struggles to settle in the area and the cheap hotel they put him up in, he only makes one friend and sees how the people in the industry always say what you want to say. Charlie Meadows is the hotel neighbour and insurance salesman that befriends Barton, the two often spend the nights talking about life’s events, while Charlie pushes Barton to become more confident. Audrey Taylor is the wife of one of the most famous authors Barton meets, he wants to use her as his muse after seeing how badly she is abused by her partner. Jack Lipnick is the producer that hires Barton, he demands the work and unlike most writers that he hires, he keeps up on Barton’s work.
Performances – John Turturro in the leading role is excellent, we can see him unravelling at the seams as he starts to lose his mind in the writing process. John Goodman is wonderful too as the friendly neighbour with a secret behind his kind-nature. When it comes to the rest of the cast we get some wonderful performance that send us into the era perfectly.
Story – The story here sees a playwright trying his hand at writing movies in the booming industry, only to learn the level of control he really has on what he write and how much time he has to get the work done. This is a story about the movie making process, while we focus more on the writing side of the filmmaking, it is focused on how being locked away in a new city can drive somebody slightly crazy. It is the story arcs that happen around the writing which become most interesting as we see just how things are never quite as they seem, this is Coen Brothers are their best, spinning what could be a routine story that sees things turned on their head.
Comedy – The comedy is the black comedy type, where we see just how twisted the comedy ends up being, with John Goodman getting most of the laughs in the film.
Settings – The LA setting shows what it would have been like in the early stages of the Hollywood boom, the era feels nature through the film.
Scene of the Movie – Flaming hallways.
That Moment That Annoyed Me – The cops are too accusation heavy.
Final Thoughts – This is a dark comedy that works very well, it hits the heights every time it needs to thanks to the leading performances from Turturro and Goodman that are outstanding through the film.
Overall: Brilliant Comedy.
Story: Barton Fink starts as New York playwright Barton Fink (Turturro) whose latest play has seen him get the most praise. Barton gets encouraged to head to California to write movies, which would cover him for years to come on the stages of New York. Barton put up in a small hotel, gets given his first assignment, a wrestling picture, something he knows nothing about.
Barton bonds with his insurance salesman neighbour Charlie Meadows (Goodman) who always seems to have inspiration for this story, while meeting authors he idolises, waiting for his big break in the industry, meeting different producers who shows him the hellish process Hollywood can be.
Thoughts on Barton Fink
Characters – Barton Fink is the latest praised playwright in New York, he knows he can be a success on the stage only he gets encouraged to head to the Hollywood boom to make serious money with his writing skills. Barton learns quickly that he isn’t prepared for the demands of writing script especially when he doesn’t know the material they want him to write about, he struggles to settle in the area and the cheap hotel they put him up in, he only makes one friend and sees how the people in the industry always say what you want to say. Charlie Meadows is the hotel neighbour and insurance salesman that befriends Barton, the two often spend the nights talking about life’s events, while Charlie pushes Barton to become more confident. Audrey Taylor is the wife of one of the most famous authors Barton meets, he wants to use her as his muse after seeing how badly she is abused by her partner. Jack Lipnick is the producer that hires Barton, he demands the work and unlike most writers that he hires, he keeps up on Barton’s work.
Performances – John Turturro in the leading role is excellent, we can see him unravelling at the seams as he starts to lose his mind in the writing process. John Goodman is wonderful too as the friendly neighbour with a secret behind his kind-nature. When it comes to the rest of the cast we get some wonderful performance that send us into the era perfectly.
Story – The story here sees a playwright trying his hand at writing movies in the booming industry, only to learn the level of control he really has on what he write and how much time he has to get the work done. This is a story about the movie making process, while we focus more on the writing side of the filmmaking, it is focused on how being locked away in a new city can drive somebody slightly crazy. It is the story arcs that happen around the writing which become most interesting as we see just how things are never quite as they seem, this is Coen Brothers are their best, spinning what could be a routine story that sees things turned on their head.
Comedy – The comedy is the black comedy type, where we see just how twisted the comedy ends up being, with John Goodman getting most of the laughs in the film.
Settings – The LA setting shows what it would have been like in the early stages of the Hollywood boom, the era feels nature through the film.
Scene of the Movie – Flaming hallways.
That Moment That Annoyed Me – The cops are too accusation heavy.
Final Thoughts – This is a dark comedy that works very well, it hits the heights every time it needs to thanks to the leading performances from Turturro and Goodman that are outstanding through the film.
Overall: Brilliant Comedy.
Luke (12 KP) rated Young Frankenstein (1974) in Movies
Oct 2, 2017
Stand out performances from Gene Wilder, Peter Boyle, and Marty Feldman. (2 more)
Written by Gene Wilder and Mel Brooks
Great parody of Mary Shelley's Frankenstein
Young Frankenstein is a comedy horror film from 1974 directed by Mel Brooks, also known for his work on Blazing Saddles and Spaceballs. The film follows Gene Wilder's character of Dr. Frederick Frankenstein, or should I say Froderick Fronkenstein, as he discovers that he has inherited the estate of his grandfather Victor von Frankenstein. It's interesting to see Wilder go from a calm and collected neuroscience professer to a stark raving madman throughout his performance. The film also benefits from being filmed entirely in black and white, evoking the style of old Universal horror movies from the 1930s. Most of the jokes land, making this film a treat to watch. However, some of them are a bit crude and reference sexual activities, so some people may be a bit turned off by them. The good thing is that there aren't that many of these types of crude jokes so it's not quite so overbearing. In conclusion, this is really one of Mel Brooks' best films and one of Wilder's best performances in his career. Go check it out this Halloween.
Awix (3310 KP) rated The Hopkins Manuscript in Books
Mar 21, 2019
Powerfully moving, surprisingly obscure British SF novel. Eerily prescient in some ways: written in 1939 but set from 1945 onward, the story is told by Edgar Hopkins, a retired schoolteacher and champion poultry-breeder who is one of the first men in the country to learn of an impending cataclysm - the moon has been knocked from its orbit and will collide with the Earth in a matter of months. Hopkins' ability to tell the story is impaired by his own pompousness, powerful sense of self-regard and unerring ability to miss the significance of anything going on around him.
Initially it reads like a very black, absurdist comedy, but as the book progresses it becomes genuinely poignant and moving - almost a eulogy for an idea of England soon to be wiped away forever. I have no idea how much the author was motivated by fears of the coming Second World War, but its presence hangs inescapably over the book. The actual science in the book is rather risible, and (like much other mid-20th century British SF) the film also contains race-related elements that some modern readers could find problematic, but the core of the book remains as significant and thought-provoking as ever.
Initially it reads like a very black, absurdist comedy, but as the book progresses it becomes genuinely poignant and moving - almost a eulogy for an idea of England soon to be wiped away forever. I have no idea how much the author was motivated by fears of the coming Second World War, but its presence hangs inescapably over the book. The actual science in the book is rather risible, and (like much other mid-20th century British SF) the film also contains race-related elements that some modern readers could find problematic, but the core of the book remains as significant and thought-provoking as ever.
Truths, Half Truths and Little White Lies
Book
'No life can really be all black, right? Even during the darkest times, what got me through that...
Oladipo Agboluaje: Plays One
Book
"This is the first collection of plays by award-winning playwright Oladipo Agboluaje, a significant...
Legoland
Book
Many of Legoland's fifteen stories begin with Woodward's sharp and unflinching eye alighting upon an...
LoganCrews (2861 KP) rated S1m0ne (2002) in Movies
Sep 21, 2020
The trifecta of flatness: a comedy with next to no laughs, a satire with no bite, and a drama without sufficient emotion. Yet another technophobic dud that fires on zero cylinders and has nothing to say - try to picture if 𝘏𝘦𝘳 was one of the (many) shittier "Black Mirror" episodes. Besides Rachel Roberts' perfectly realized, fittingly mysterious performance (which, of course, is underused) nothing else shines through here - has zero depth beyond a few performative quips and has that rush-through-everything-of-any-importance pacing + structure that I detest. Here we have what could have been a poignantly interesting film about a disenchanted director whose only authentic relationship is with a synthetic A.I. as well as a boiling satire about the state of celebrity, the objectification of women in entertainment, technology, etc. But instead we're left with such a rote, surface-level, come-and-go boilerplate narrative about this thinly-written 'failed director' trope having to hide an obviously fake woman from every idiot on the planet. Skimps out on where it counts, the brief spoof arthouse movies in these are more intelligent and watchable than the actual movie - which ironically feels as insincere and fakey as its central character. Also I miss Jay Mohr.
Awix (3310 KP) rated I, Claudius in TV
Aug 27, 2019 (Updated Aug 27, 2019)
It is entirely possible some modern viewers may take issue with this hugely acclaimed and influential drama simply because it was made entirely on videotape in TV studios, and some of the 1970s old-age make-up has not, well, aged well. I can't help but feel a bit sorry for these people, for this is one of the great TV treats of all time: the aged Emperor Claudius sits down to retell his family history, a horrifying tale of jealousy, lust, treachery, sexual perversion, murder, and insanity (quite how much of it is actually true is another issue).
A very unusual story by any standards: the main character isn't even born until well into the first episode, and the main villain dies of old age halfway through. Best to ignore the odd structure and enjoy the vicious black comedy the tale is dripping with, with an extraordinary cast making the most of a set of witty, sophisticated scripts. Hard to choose who shines the most: Brian Blessed is restrained as Augustus, Sian Phillips chilling as the psychopathic Livia, John Hurt hilarious and terrifying at the same time as the lunatic Caligula. Derek Jacobi carries the whole thing with warmth, wit and pathos. One of the masterpieces of TV drama.
A very unusual story by any standards: the main character isn't even born until well into the first episode, and the main villain dies of old age halfway through. Best to ignore the odd structure and enjoy the vicious black comedy the tale is dripping with, with an extraordinary cast making the most of a set of witty, sophisticated scripts. Hard to choose who shines the most: Brian Blessed is restrained as Augustus, Sian Phillips chilling as the psychopathic Livia, John Hurt hilarious and terrifying at the same time as the lunatic Caligula. Derek Jacobi carries the whole thing with warmth, wit and pathos. One of the masterpieces of TV drama.
Awix (3310 KP) rated The Assassination Bureau (1969) in Movies
Oct 1, 2020
Knockabout black comedy thriller. A feisty journalist (Rigg) challenges the leader of a group of elite assassins (Reed) to have himself killed: feeling his associates have become sloppy and corrupt, he accepts the challenge as it will allow him to purge his organisation. Exploits across Edwardian Europe follow, together with a touch of romance.
Oliver Reed never had the career as a leading man he deserved; Diana Rigg didn't get the film career you would have expected, either, so the film has a certain rarity value. However it's just not very funny, or thrilling, and the duo don't seem to have much chemistry - that said, a script which doesn't seem to know whether to be darkly witty or zany means he seems to be operating at about half-power. With Rigg and Savalas co-starring in a 1969 film about a suave assassin taking on a criminal conspiracy, the temptation is to speculate that this film gives a hint of what On Her Majesty's Secret Service might have looked like had Eon made better casting decisions - one hopes not, for this film isn't great in any department, on top of which the special effects in the climax are rotten and the closing song is pretty grim too. A waste of several great talents.
Oliver Reed never had the career as a leading man he deserved; Diana Rigg didn't get the film career you would have expected, either, so the film has a certain rarity value. However it's just not very funny, or thrilling, and the duo don't seem to have much chemistry - that said, a script which doesn't seem to know whether to be darkly witty or zany means he seems to be operating at about half-power. With Rigg and Savalas co-starring in a 1969 film about a suave assassin taking on a criminal conspiracy, the temptation is to speculate that this film gives a hint of what On Her Majesty's Secret Service might have looked like had Eon made better casting decisions - one hopes not, for this film isn't great in any department, on top of which the special effects in the climax are rotten and the closing song is pretty grim too. A waste of several great talents.