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Searching for Augusta: The Forgotten Angel of Bastogne
Book
A brutal siege. A forgotten heroine. A war-torn romance. And a historian determined to uncover the...
66: The World Cup in Real Time: Relive the Finals as If They Were Happening Today
Book
It is now 50 years since 1966 and all that. We've all heard Kenneth Wolstenholme's famous TV...
Night of Cake & Puppets (Daughter of Smoke & Bone, #2.5)
8.7
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Book
In this stand-alone companion to the New York Times bestselling Daughter of Smoke & Bone series...
What Would Alice Do?: Advice for the Modern Woman
Lewis Carroll and Lauren Laverne
Book
"Why, sometimes I've believed as many as six impossible things before breakfast." Lewis Carroll's...
LeftSideCut (3776 KP) rated Dracula (English) (1931) in Movies
Jul 6, 2020
It goes without saying that the importance of Dracula cannot be understated. Releasing in 1931, it was Universal Studios first steps into the horror genre, not long after 'talkies' became a thing, and surely paved the way for he mountain of horror titles that have come along since.
Bela Lugosi is Dracula, and though there have been fine portrayals of the titular vampire since, his performance lay the ground work for how a lot of media realise vampires to this day. He cuts a striking figure, he's suave and sinister, and the thick European accent is paramount to how he made Dracula a classic.
I first saw Dracula when I was a kid, and having watched it again recently, it's still a striking experience. While there may not be anything inherently frightening or scary by today's standards, the old black and white style, paired with long moments of uncomfortable silence (Director Tod Browning has exclusively worked on silent films before this), make for a suitably eerie atmosphere.
It's obviously a film that shows it age, but still hasn't lost any of it's charm. The version I watched recently was a Blu Ray restoration, and it's clear how lovingly that restoration has been implemented. Watching a film from the 30s look so crystal clear is something special.
Bela Lugosi is Dracula, and though there have been fine portrayals of the titular vampire since, his performance lay the ground work for how a lot of media realise vampires to this day. He cuts a striking figure, he's suave and sinister, and the thick European accent is paramount to how he made Dracula a classic.
I first saw Dracula when I was a kid, and having watched it again recently, it's still a striking experience. While there may not be anything inherently frightening or scary by today's standards, the old black and white style, paired with long moments of uncomfortable silence (Director Tod Browning has exclusively worked on silent films before this), make for a suitably eerie atmosphere.
It's obviously a film that shows it age, but still hasn't lost any of it's charm. The version I watched recently was a Blu Ray restoration, and it's clear how lovingly that restoration has been implemented. Watching a film from the 30s look so crystal clear is something special.
Color Text Messages+ Customize Keyboard Free Now
Social Networking and Utilities
10.0
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This is the HOTTEST app to create colorful and rainbowful textings! ...
Khaki Town
Book
Judy Nunn’s exciting new novel, a no.1 bestseller, is inspired by a true wartime story that has...
A Soldier's Sketchbook: The Illustrated First World War Diary of R.H. Rabjohn by John Wilson is a fascinating glimpse into the actual sketchbook/diary of a soldier who served in World War I. It follows Russell Rabjohn from 1916 to 1919 during his time in World War I. Russell was a trained artist, so his superiors directed him to make technical drawings and maps. Constantly having pen and paper available enabled Russell to freely sketch his experiences on the frontlines. The drawings are a unique peek into the past.
The selected diary entries are interspersed with clearly marked context. The black-and-white pencil drawings are impressive and the sketches that show the horrors of war are respectfully rendered. What impacted me most in the beginning was the innocence of the young man from Toronto going out into the world for the first time.
I appreciated this chance to get to know a little more about World War I from the life of a Canadian soldier. It was a pleasure to get to know Private Rabjohn. I am grateful to him for his commitment to documentation. Historian and author John Wilson did a great job providing context and compiling the information into an engaging and beautifully formatted book. This book can be appreciated by older children and adults.
I received an advanced readers copy from Penguin Random House Canada and Tundra Books via NetGalley in exchange for an honest review.
The selected diary entries are interspersed with clearly marked context. The black-and-white pencil drawings are impressive and the sketches that show the horrors of war are respectfully rendered. What impacted me most in the beginning was the innocence of the young man from Toronto going out into the world for the first time.
I appreciated this chance to get to know a little more about World War I from the life of a Canadian soldier. It was a pleasure to get to know Private Rabjohn. I am grateful to him for his commitment to documentation. Historian and author John Wilson did a great job providing context and compiling the information into an engaging and beautifully formatted book. This book can be appreciated by older children and adults.
I received an advanced readers copy from Penguin Random House Canada and Tundra Books via NetGalley in exchange for an honest review.
Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
Phil Leader (619 KP) rated Ghosts of Winter (Grey Areas #2) in Books
Nov 13, 2019
Following his flight from Gable, Iowa after getting inadvertently involved in a drug war, Barrett Grayson is determined to stay on the run from the FBI. However some bad news from home makes him re-evaluate his actions. Back in Gable the fallout from the fateful night of Chum's party continues with the local police and DEA determined to track down the missing drugs and the cartel prepared to stop at nothing to get hold of them instead. Meanwhile Claire can't shake thoughts of 'Henry Fields' from her head.
The first book in this sage was good; this second is even better. Carl is a very talented author who can move seamlessly between emotional and romantic to crime drama without missing a beat. As with the first book, despite a large cast of characters each one is depicted with incredible realism.
The thrust of the saga is that black and white don't exist, that everyone has shades of grey and has to make decisions which may be compromising or morally questionable, and that is brought into sharp relief here with what would normally be 'good guys' and 'bad guys' both blurring a lot of lines and meeting in the middle.
Despite being the second in a sequence of four books this does have its own plot which moves to a satisfying conclusion but obviously leaves all the main players in place for the next book. Anyone who picks this up and reads it will not be disappointed.
The first book in this sage was good; this second is even better. Carl is a very talented author who can move seamlessly between emotional and romantic to crime drama without missing a beat. As with the first book, despite a large cast of characters each one is depicted with incredible realism.
The thrust of the saga is that black and white don't exist, that everyone has shades of grey and has to make decisions which may be compromising or morally questionable, and that is brought into sharp relief here with what would normally be 'good guys' and 'bad guys' both blurring a lot of lines and meeting in the middle.
Despite being the second in a sequence of four books this does have its own plot which moves to a satisfying conclusion but obviously leaves all the main players in place for the next book. Anyone who picks this up and reads it will not be disappointed.