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Erika (17789 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 8, 2019 (Updated Jun 8, 2019)
Better than Last Stand
Last Stand didn't exactly set a high bar for the Dark Phoenix story line, and luckily, this film surpassed it. To be honest, the only reason they got my butt in a seat was for Michael Fassbender and James McAvoy.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
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Lee (2222 KP) rated Luce (2019) in Movies
Oct 30, 2019
Luce (Kelvin Harrison Jr) is the perfect student. Captain of the high school track team, a passionate member of the school debating society, a great writer and a polite, grown-up young man that just seems too good to be true. Luce was adopted at the age of 9 from war-torn Eritrea by white couple Amy (Naomi Watts) and Peter (Tim Roth, sporting a pretty dodgy American accent). Following years of therapy and the devoted efforts of Amy and Peter, he seems to have successfully put his horrific and traumatic childhood behind him, embracing his future in America.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
Prof. Hornet - Easy Autocue
Productivity and Business
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Eleanor Luhar (47 KP) rated Alice in the Looking Glass: A Mother and Daughter's Experience of Anorexia in Books
Jun 24, 2019
I'm probably more obsessed with ED books than is healthy, but it's so reassuring to read other people's experiences that are similar to my own. This book was absolutely fantastic - not only did it help me see that I'm not alone or abnormal, but I was also able to read a mother's point of view on the experience. I understand now how awful it must have been for my own mother during my inpatient hospital stay and the initial battle of getting a diagnosis.
I found it interesting that they gave Jo (the mother)'s perspective first, instead of Alice herself. We learn about what she witnesses before we find out exactly what Alice was actually thinking and feeling.
They don't include weights or numbers in this, which is tremendously helpful. Like Jo says, this is a competitive illness, and even parents seem to want to compete in having the "most poorly" child. But it's so triggering for other people to read about how much weight someone lost, and it's not really relevant. Weight loss is just a side affect of the illness, and not the main issue itself.
The reality is addressed so honestly in this book, all the feelings and experiences that we may be ashamed to admit are written in black and white. It made me feel a lot less guilty about things that I've felt, knowing other people have felt the same way, too. And the recovery aspect was not unrealistically easy or happy; Alice is not completely recovered even at the end of the book, but is managing her illness. That is how most of us will live for a long time, if not for the rest of our lives. But Alice expresses how she is so much happier "managing" her anorexia than she was when she was suffering years ago. It gives hope - even if you don't fully recover, life can be good.
I really loved this book. I'd urge anyone with a loved one who is suffering from an eating disorder (or has one themselves) to read this, as it would really help seeing both perspectives on the journey. 5 stars.
I found it interesting that they gave Jo (the mother)'s perspective first, instead of Alice herself. We learn about what she witnesses before we find out exactly what Alice was actually thinking and feeling.
They don't include weights or numbers in this, which is tremendously helpful. Like Jo says, this is a competitive illness, and even parents seem to want to compete in having the "most poorly" child. But it's so triggering for other people to read about how much weight someone lost, and it's not really relevant. Weight loss is just a side affect of the illness, and not the main issue itself.
The reality is addressed so honestly in this book, all the feelings and experiences that we may be ashamed to admit are written in black and white. It made me feel a lot less guilty about things that I've felt, knowing other people have felt the same way, too. And the recovery aspect was not unrealistically easy or happy; Alice is not completely recovered even at the end of the book, but is managing her illness. That is how most of us will live for a long time, if not for the rest of our lives. But Alice expresses how she is so much happier "managing" her anorexia than she was when she was suffering years ago. It gives hope - even if you don't fully recover, life can be good.
I really loved this book. I'd urge anyone with a loved one who is suffering from an eating disorder (or has one themselves) to read this, as it would really help seeing both perspectives on the journey. 5 stars.
The Color of Law
Book
In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading...
History Politics
Hazel (1853 KP) rated Hostage Three in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Hostage Three</i> is the second literary thriller by Carnegie Shortlisted Nick Lake. I must admit that I was a little apprehensive about reading this book after having read Lake’s first literary thriller, <i>In Darkness</i>, which, although well written, was rather hard going and, at times, boring. However I really enjoyed <i>Hostage Three</i>. Maybe it helped having a narrator I could relate to more, or maybe it was because the narrative was not shared between two major different time periods as <i>In Darkness</i> was. Whatever the reason, it was good.
The narrative jumps straight in to something happening in 2008 on the coast of Eyl, Puntland, Somalia. Seventeen-year-old Amy Fields is on a yacht, there are pirates; it appears someone is about to be killed. End of part one. What has happened? What is going to happen? Begin part two, three and a half months earlier. From this moment on Amy narrates what has happened in the lead up to the initial insight given and what happened afterwards. The reader learns more about Amy, her father and his wife, Sarah, who Amy constantly refers to as ‘the stepmother’, which gives an indication of their tense relationship. Throughout the book there are also flashbacks to what happened to Amy’s real mother, a sufferer of severe OCD, and the events that caused Amy to become the rebellious teenager she is portrayed as at the beginning of the novel.
Amy and her family end up travelling the world on a private yacht only to get taken hostage by pirates in the Indian Ocean. To begin with it is clear that the Fields family and yacht crew are the goodies and the pirates the baddies, however Amy begins to develop a complicated, secret relationship with one of the pirates, Farouz. The reader discovers the pirates’ motives, well at least Farouz’s motives, behind the hostage situation. Things begin to look less black and white, less good versus bad. And everything, of course, becomes more complex once romance is thrown into the mix.
<i>Hostage Three</i> is well worth a read. Lake writes really well and keeps the reader engaged. It is as if Amy is talking to the reader the entire time. Once you get used to the unconventional use of punctuation (no speech marks) it will become fast paced and you will be torn between wanting to read it all in one go and wanting to slow down to prevent it from ending too soon!
<i>Hostage Three</i> is the second literary thriller by Carnegie Shortlisted Nick Lake. I must admit that I was a little apprehensive about reading this book after having read Lake’s first literary thriller, <i>In Darkness</i>, which, although well written, was rather hard going and, at times, boring. However I really enjoyed <i>Hostage Three</i>. Maybe it helped having a narrator I could relate to more, or maybe it was because the narrative was not shared between two major different time periods as <i>In Darkness</i> was. Whatever the reason, it was good.
The narrative jumps straight in to something happening in 2008 on the coast of Eyl, Puntland, Somalia. Seventeen-year-old Amy Fields is on a yacht, there are pirates; it appears someone is about to be killed. End of part one. What has happened? What is going to happen? Begin part two, three and a half months earlier. From this moment on Amy narrates what has happened in the lead up to the initial insight given and what happened afterwards. The reader learns more about Amy, her father and his wife, Sarah, who Amy constantly refers to as ‘the stepmother’, which gives an indication of their tense relationship. Throughout the book there are also flashbacks to what happened to Amy’s real mother, a sufferer of severe OCD, and the events that caused Amy to become the rebellious teenager she is portrayed as at the beginning of the novel.
Amy and her family end up travelling the world on a private yacht only to get taken hostage by pirates in the Indian Ocean. To begin with it is clear that the Fields family and yacht crew are the goodies and the pirates the baddies, however Amy begins to develop a complicated, secret relationship with one of the pirates, Farouz. The reader discovers the pirates’ motives, well at least Farouz’s motives, behind the hostage situation. Things begin to look less black and white, less good versus bad. And everything, of course, becomes more complex once romance is thrown into the mix.
<i>Hostage Three</i> is well worth a read. Lake writes really well and keeps the reader engaged. It is as if Amy is talking to the reader the entire time. Once you get used to the unconventional use of punctuation (no speech marks) it will become fast paced and you will be torn between wanting to read it all in one go and wanting to slow down to prevent it from ending too soon!
