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Sarah (7798 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
The ending is worth it
Ghosts of War follows a group of American soldiers as they make their way to take up post at a French chateau towards the end of the Second World War, and encounter much more than they bargained for in this slightly above average B movie.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Sarah (7798 KP) rated The Boys - Season 2 in TV
Oct 10, 2020
Excellent, but not quite as good as the first
For me, the first series of The Boys was a brilliant surprise and the wait for this second series has been a rather frustrating and impatient experience, especially as Amazon decided not to release the entire series at once. Fortunately by the time the credits rolled on the series 2 finale, it was definitely worth the wait.
This second series follows on from the reveal at the end of the series 1 finale, and features more dodgy supes and the Boys trying to take down both them and Vought.
Series 2 is very similar to the first. It’s just as rude and crude as before, full of dark and often hilarious humour and the blood and gore ante seems to have been upped considerably. It definitely provides a refreshing change to the Marvel universe and the majority of other superheroes that stick to their PG or 12A ratings. This has a very smart and funny take on politics and also on pop culture and the media, and even superhero films don’t escape this unscathed when we see The Seven making their own movie.
The cast are as fantastic as they were in the first series. Antony Starr is outstanding as Homelander, playing the homicidal maniac with some semblance of a heart – after 2 series I think I both love and hate him in equal parts, he’s such a complex character. It was very nice to see Dominique McElligott get more to work with as Maeve as well and to see more depth to her character. The rest of the cast and the new additions do very well too - Goran Visjnic, Shawn Ashmore and Jim Beaver are especially welcome, and it was very clever of Eric Kripke to name Beaver’s character as Robert Singer, the same name as his character from Supernatural.
Despite this, I don’t think this series is perfect and I do think it’s a slight baby step down from the rather excellent first series. Some of the episodes feel like they drag a little, although they do end up picking up towards the end (usually with a bang). The final two episodes definitely try and make up for this and I think the finale itself was especially good as we get to see Stormfront get her much deserved comeuppance. I also think some of the interactions between Starlight and the other characters are slightly badly scripted and feel a little forced and cringeworthy, but I’m not entirely sure if this is on purpose to show how awkwardly Starlight interacts with others.
The Deep has also been done a disservice in this series. He starts off brilliantly and the scene with the whale in the third episode is downright genius, however as the series moves on we see less and less of him and he’s sorely missed. Admittedly when he does pop up in the later episodes he has some cracking lines, but it’s not enough. I also think that Shawn Ashmore as Lamplighter was fantastic for the brief time we saw him, and I really wish he’d been kept around for much longer.
The Boys series 2 is overall a very good series that for the most part lives up to it’s predecessor and after the final few scenes in episode 8, definitely leaves us crying out for more.
This second series follows on from the reveal at the end of the series 1 finale, and features more dodgy supes and the Boys trying to take down both them and Vought.
Series 2 is very similar to the first. It’s just as rude and crude as before, full of dark and often hilarious humour and the blood and gore ante seems to have been upped considerably. It definitely provides a refreshing change to the Marvel universe and the majority of other superheroes that stick to their PG or 12A ratings. This has a very smart and funny take on politics and also on pop culture and the media, and even superhero films don’t escape this unscathed when we see The Seven making their own movie.
The cast are as fantastic as they were in the first series. Antony Starr is outstanding as Homelander, playing the homicidal maniac with some semblance of a heart – after 2 series I think I both love and hate him in equal parts, he’s such a complex character. It was very nice to see Dominique McElligott get more to work with as Maeve as well and to see more depth to her character. The rest of the cast and the new additions do very well too - Goran Visjnic, Shawn Ashmore and Jim Beaver are especially welcome, and it was very clever of Eric Kripke to name Beaver’s character as Robert Singer, the same name as his character from Supernatural.
Despite this, I don’t think this series is perfect and I do think it’s a slight baby step down from the rather excellent first series. Some of the episodes feel like they drag a little, although they do end up picking up towards the end (usually with a bang). The final two episodes definitely try and make up for this and I think the finale itself was especially good as we get to see Stormfront get her much deserved comeuppance. I also think some of the interactions between Starlight and the other characters are slightly badly scripted and feel a little forced and cringeworthy, but I’m not entirely sure if this is on purpose to show how awkwardly Starlight interacts with others.
The Deep has also been done a disservice in this series. He starts off brilliantly and the scene with the whale in the third episode is downright genius, however as the series moves on we see less and less of him and he’s sorely missed. Admittedly when he does pop up in the later episodes he has some cracking lines, but it’s not enough. I also think that Shawn Ashmore as Lamplighter was fantastic for the brief time we saw him, and I really wish he’d been kept around for much longer.
The Boys series 2 is overall a very good series that for the most part lives up to it’s predecessor and after the final few scenes in episode 8, definitely leaves us crying out for more.
Sarah (7798 KP) rated Spree (2020) in Movies
Jan 24, 2021
Different
In a world filled with YouTubers and social media influencers, it was inevitable that eventually we’d get a film shot in the style of a social media stream. We’ve seen similar with films like Unfriended and Searching, taking on the likes of social media whilst shot entirely from a webcam. However Spree is the first that I’ve seen that takes on social media almost entirely from live streaming or go pro recordings, and overall it’s a pretty decent attempt.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Sarah (7798 KP) rated Shaun of the Dead (2004) in Movies
Dec 26, 2020 (Updated Dec 26, 2020)
Zombie hilarity
Film #8 on the 100 Movies Bucket List: Shaun of the Dead
Shaun of the Dead (2004) is the first film in the Cornetto trilogy, a series of films directed by Edgar Wright and starring Simon Pegg and Nick Frost. I have to admit I’m a little biased when it comes to Shaun and 2007’s Hot Fuzz (shameful that this isn’t also on the bucket list), the first two films in the trilogy, as they’re two of my comedy favourites and films I can quote far too much from. And as zombie horror comedies go, you can’t get much better than Shaun of the Dead.
The film follows Shaun (Simon Pegg), a hopeless boyfriend who shares a house with his slacker friend Ed (Nick Frost) and stickler Pete (Peter Serafinowicz), while he tried to save his Rocky relationship with girlfriend Liz (Kate Ashfield) whilst trying to battle his way through a zombie apocalypse. The best thing about Shaun of the Dead is how it follows Shaun trudging almost zombie like through his own life, while in the background a real zombie apocalypse is breaking out. It’s so incredibly fun watching all of the zombie related acts in the background that the main characters are completely oblivious about, and not only is it funny, it’s also a rather clever commentary on the state of our culture and society – I’m sure we could all imagine this oblivious self absorbed attitude being very much present in a lot of people if a zombie apocalypse ever really happened.
Shaun also succeeds due to the incredibly clever and witty script and the gags that don’t ever seem to let up. From the subtle zombie nods in the beginning to the wisecracking and snide remarks between Shaun, Ed and virtually everyone else in Shaun’s life, this film is hilarious and infectiously quotable. The zombie apocalypse is tackled in such a typically British way, and not only is this funny but it’s incredibly refreshing too when compared to the overly stylish guns ‘n’ ammo style zombie films we’re used to from across the pond. How often do you see character trying to kill zombies with records before settling down with a cup of tea and a cornetto? It’s a work of genius.
The cast too are equally responsible for how good this film is, and do a great job with the script and pace. Not only do you have the charismatic pairing of Pegg and Frost who’s chemistry is undeniable, there’s also an excellent supporting cast with some rather big names in the UK industry: Bill Nighy, Jessica Hynes, Dylan Moran, Lucy Davis and Penelope Wilton. And some blink and you’ll miss it cameos from comedy greats Matt Lucas, Reece Shearsmith and Tamsin Greig. These names paired with Edgar Wright’s well paced directing style makes for an engaging film.
Shaun of the Dead is basically a big screen zombie version of Spaced, and this definitely isn’t a bad thing. The only negative about this, especially watching it 16 years later, is that it seems so obviously low budget which I think has only been made more obvious with age. Even in HD it does look a tad aged which is a shame, but the amount of blood and gore is still impressive for a 15 rated film.
Despite it’s age, Shaun of the Dead is one of the best zombie films out there and the fact that it’s hilarious too just makes it even better. And after watching this, you’ll never think of Queen’s Don’t Stop Me Now in the same way again.
Shaun of the Dead (2004) is the first film in the Cornetto trilogy, a series of films directed by Edgar Wright and starring Simon Pegg and Nick Frost. I have to admit I’m a little biased when it comes to Shaun and 2007’s Hot Fuzz (shameful that this isn’t also on the bucket list), the first two films in the trilogy, as they’re two of my comedy favourites and films I can quote far too much from. And as zombie horror comedies go, you can’t get much better than Shaun of the Dead.
The film follows Shaun (Simon Pegg), a hopeless boyfriend who shares a house with his slacker friend Ed (Nick Frost) and stickler Pete (Peter Serafinowicz), while he tried to save his Rocky relationship with girlfriend Liz (Kate Ashfield) whilst trying to battle his way through a zombie apocalypse. The best thing about Shaun of the Dead is how it follows Shaun trudging almost zombie like through his own life, while in the background a real zombie apocalypse is breaking out. It’s so incredibly fun watching all of the zombie related acts in the background that the main characters are completely oblivious about, and not only is it funny, it’s also a rather clever commentary on the state of our culture and society – I’m sure we could all imagine this oblivious self absorbed attitude being very much present in a lot of people if a zombie apocalypse ever really happened.
Shaun also succeeds due to the incredibly clever and witty script and the gags that don’t ever seem to let up. From the subtle zombie nods in the beginning to the wisecracking and snide remarks between Shaun, Ed and virtually everyone else in Shaun’s life, this film is hilarious and infectiously quotable. The zombie apocalypse is tackled in such a typically British way, and not only is this funny but it’s incredibly refreshing too when compared to the overly stylish guns ‘n’ ammo style zombie films we’re used to from across the pond. How often do you see character trying to kill zombies with records before settling down with a cup of tea and a cornetto? It’s a work of genius.
The cast too are equally responsible for how good this film is, and do a great job with the script and pace. Not only do you have the charismatic pairing of Pegg and Frost who’s chemistry is undeniable, there’s also an excellent supporting cast with some rather big names in the UK industry: Bill Nighy, Jessica Hynes, Dylan Moran, Lucy Davis and Penelope Wilton. And some blink and you’ll miss it cameos from comedy greats Matt Lucas, Reece Shearsmith and Tamsin Greig. These names paired with Edgar Wright’s well paced directing style makes for an engaging film.
Shaun of the Dead is basically a big screen zombie version of Spaced, and this definitely isn’t a bad thing. The only negative about this, especially watching it 16 years later, is that it seems so obviously low budget which I think has only been made more obvious with age. Even in HD it does look a tad aged which is a shame, but the amount of blood and gore is still impressive for a 15 rated film.
Despite it’s age, Shaun of the Dead is one of the best zombie films out there and the fact that it’s hilarious too just makes it even better. And after watching this, you’ll never think of Queen’s Don’t Stop Me Now in the same way again.
Gareth von Kallenbach (980 KP) rated Land of the Dead (2005) in Movies
Aug 14, 2019
Twenty years after his last installment of the classic “Dead” zombie genre, landmark Horror writer/director George Romero has returned to the delight of fans worldwide.
After years of various horror projects, and remakes of his previous “Dead” films, fans had begun to wonder if they had seen the last of Romero’s Zombie films and had to content themselves with the remakes and rumored offshoots and sequels from such.
Thankfully, with Land of the Dead Romero has returned to his basics and has crafted a Zombie thriller that is not only better than 85’s disappointing “Day of the Dead”, but on par with the ground breaking “Dawn of the Dead and the classic Original “Night of the Living Dead.”
For those who are not familiar with the series, the dead have arisen and now walk the earth looking for humans to feed upon. Gone is any memory of their former selves, only the insatiable desire to feed remains. How this event happened is never explained in the films viewers simply have to accept that it is happening and that those who are bitten by zombies are destined to join the ranks of the undead.
Like the previous films, the story follows a group of humans who are attempting to survive against the zombie hordes and who seek shelter and a way to stave off the zombie masses.
In Land of the Dead, a group of survivors have taken refuge in a fortified city where the common folks live in the streets while the affluent live in pristine high rise complex with many of the luxuries of their past lives.
One such survivor is Riley (Simon Baker), who spends his time venturing beyond the walls of the city with his team as they attempt to locate food, medicines, and other needed items in cities that have been abandoned due to zombie infestation.
As the film opens, Riley is completing his last run as he plans to venture north to find a cold and desolated area that is devoid of zombies and huddled masses.
His second in command Cholo, (John Leguizamo), is anxious to take over, as he sees the expeditions as a chance to obtain valuable items such as cigars and whiskey, which he can in turn sell to those who live in luxury. This desire causes much friction between Riley and Cholo but with the pending departure of Riley, Cholo realizes he may be able to finally purchase a home of his own in the luxury high rise.
Things do not go as planned for Cholo as when he tells his boss, Kaufman (Dennis Hopper), about his plans to move into the new complex, he is shocked to learn that Riley’s prediction of class exclusions in the building apply to him as well.
Furious over being used and cheated of his dreams and money, and an attempt upon his life, Cholo decides to hijack a well-armed armored vehicle that defends the city in an effort to extort his payment from Kaufman.
At the same time, Riley has learned that he has be swindled from his car, and soon finds himself working with Kaufman in an attempt to recover the armored vehicle from Cholo before he unleashes a hail of rockets upon the city. In short order, Riley and his support team are forced to enter the zombie infested streets to save the day.
Of course with “Land” being a Zombie film, the city will soon find itself overrun with all manner of ghouls and there will be plenty of flesh splitting, blood spattering, gore spewing scenes that will delight fans of the genre and elicit more than a few shrieks and cheers from the audience.
It is learned that the zombies have started to evolve and as such, now communicate with each other in a basic way, which makes their attacks even more dangerous as they are organized and starting to use tools and weapons.
What this all ads up to is a thrilling romp that will delight fans of the genre. Sure the story and characters are not the deepest, but as horror films go, there is a complexity to them. Hopper does great work as Kaufman as his malicious and selfish nature provides the perfect focal point to the films numerous commentaries on topics ranging from social class, to politics and well fare as well as the plight of the inner cities.
The genius of Romero is that he can insert so many topics into the film without it every seeming heavy-handed or over the top. The use of social commentary adds strength to the story as while the characters are in a very unrealistic situation, their base desires, motivations and behaviors are easily identifiable and strong.
Some may see Land of the Dead as just another blood and guts film with a basic story that lacks depth. To those who are fans of the genre and series, “Land” will likely be seen as a triumphant return to the genre he made his own by Romero and will enjoy the ride.
After years of various horror projects, and remakes of his previous “Dead” films, fans had begun to wonder if they had seen the last of Romero’s Zombie films and had to content themselves with the remakes and rumored offshoots and sequels from such.
Thankfully, with Land of the Dead Romero has returned to his basics and has crafted a Zombie thriller that is not only better than 85’s disappointing “Day of the Dead”, but on par with the ground breaking “Dawn of the Dead and the classic Original “Night of the Living Dead.”
For those who are not familiar with the series, the dead have arisen and now walk the earth looking for humans to feed upon. Gone is any memory of their former selves, only the insatiable desire to feed remains. How this event happened is never explained in the films viewers simply have to accept that it is happening and that those who are bitten by zombies are destined to join the ranks of the undead.
Like the previous films, the story follows a group of humans who are attempting to survive against the zombie hordes and who seek shelter and a way to stave off the zombie masses.
In Land of the Dead, a group of survivors have taken refuge in a fortified city where the common folks live in the streets while the affluent live in pristine high rise complex with many of the luxuries of their past lives.
One such survivor is Riley (Simon Baker), who spends his time venturing beyond the walls of the city with his team as they attempt to locate food, medicines, and other needed items in cities that have been abandoned due to zombie infestation.
As the film opens, Riley is completing his last run as he plans to venture north to find a cold and desolated area that is devoid of zombies and huddled masses.
His second in command Cholo, (John Leguizamo), is anxious to take over, as he sees the expeditions as a chance to obtain valuable items such as cigars and whiskey, which he can in turn sell to those who live in luxury. This desire causes much friction between Riley and Cholo but with the pending departure of Riley, Cholo realizes he may be able to finally purchase a home of his own in the luxury high rise.
Things do not go as planned for Cholo as when he tells his boss, Kaufman (Dennis Hopper), about his plans to move into the new complex, he is shocked to learn that Riley’s prediction of class exclusions in the building apply to him as well.
Furious over being used and cheated of his dreams and money, and an attempt upon his life, Cholo decides to hijack a well-armed armored vehicle that defends the city in an effort to extort his payment from Kaufman.
At the same time, Riley has learned that he has be swindled from his car, and soon finds himself working with Kaufman in an attempt to recover the armored vehicle from Cholo before he unleashes a hail of rockets upon the city. In short order, Riley and his support team are forced to enter the zombie infested streets to save the day.
Of course with “Land” being a Zombie film, the city will soon find itself overrun with all manner of ghouls and there will be plenty of flesh splitting, blood spattering, gore spewing scenes that will delight fans of the genre and elicit more than a few shrieks and cheers from the audience.
It is learned that the zombies have started to evolve and as such, now communicate with each other in a basic way, which makes their attacks even more dangerous as they are organized and starting to use tools and weapons.
What this all ads up to is a thrilling romp that will delight fans of the genre. Sure the story and characters are not the deepest, but as horror films go, there is a complexity to them. Hopper does great work as Kaufman as his malicious and selfish nature provides the perfect focal point to the films numerous commentaries on topics ranging from social class, to politics and well fare as well as the plight of the inner cities.
The genius of Romero is that he can insert so many topics into the film without it every seeming heavy-handed or over the top. The use of social commentary adds strength to the story as while the characters are in a very unrealistic situation, their base desires, motivations and behaviors are easily identifiable and strong.
Some may see Land of the Dead as just another blood and guts film with a basic story that lacks depth. To those who are fans of the genre and series, “Land” will likely be seen as a triumphant return to the genre he made his own by Romero and will enjoy the ride.
graveyardgremlin (7194 KP) rated A Blood Seduction (Vamp City, #1) in Books
Feb 15, 2019
Marketed as a paranormal romance, <i>A Blood Seduction</i> is much closer to the genre of urban fantasy with strong romantic/lusty elements (there is only one instance of "doing the deed" and that is very close to the end of the book). Quinn Lennox is the lead, and while she might not be the usual kick-ass heroine usually drawn upon in this field, she is far from the weakling I've seen others refer to her as. Face it, she was in way over her head, there's no way in hell she could ever be a contender against these vampires, at least not in this particular book. Heck, I bet the indomitable Buffy would have had trouble. She could be smart and she made the occasional dumb move, who hasn't? I like the fact that she isn't perfect. Okay, she has to be saved, <b>a lot</b>, and she doesn't have the most memorable personality, but this is only the beginning of the series and there is plenty of time for her to grow and come into her own. I rooted for her all through the book. I <i>wanted</i> Quinn to save her brother Zack and his friend/potential girlfriend, Lily, I wanted her to be able to use her magic, and I just wanted her to succeed and become even stronger as a person.
The world is well drawn, mostly on account of it being a magical copy of Washington, D.C. circa 1860, but with some modern conveniences thrown in as well. Okay, so I did groan at the name Washington, V.C. (Vampire City), it is a bit cheesy, but luckily it was usually called either Vamp City or V.C., which both fit the atmosphere of the book much better. Parts of the city are abandoned and decaying, others a thriving compound for the different vampire families, called a kovena. The vampires themselves are killer, quite literally. Gone are the pantywaists of recent ilk, we're going back to basics (mostly) here. Not only do they feed on blood, but some also have to feed on either fear or pain as well. They go from zero to sixty in about a second, have super strength, mind control, slaves who adore them (called slavas), and boy, are they are mean. But hey, it's just in their nature, they can't help who they are, except maybe for the love interest and possible future heroes depending on how the series goes. For those who are fainthearted, this ain't the book for you. There are numerous disturbing scenes that depict torture or gore, I can handle it, but not everyone can. Ye have been warned.
Speaking of the love interest, Arturo "Vampire" Mazzo, he was, well, certainly mysterious. Due to his unswerving allegiance to his master, Cristoff (who I pictured as <spoiler>a 25 year old Lucius Malfoy played by Jason Isaacs, with a black goatee:
<img src="http://i272.photobucket.com/albums/jj183/piscesrain/goodreads/luciusmalfoy.jpg"></spoiler>;),
Arturo would turn his back on Quinn, yet the further on the harder it was for him to do so. His loyalty was being tested because of his feelings for her. Just to make things clear, this is a messed up relationship, some may not like that, but I thought it added a dose of reality and interest to the circumstances. Sure I felt like Quinn was an idiot at times to be attracted to this untrustworthy vampire, especially the very first scene that just didn't work for me in context, but overall the relationship works for the book. My absolute favorite relationship is the sibling one between Quinn and Zack. I thought the author did an awesome job conveying just how much Zack means to her. Basically he is everything to her and all she has. Her father may be alive but he was never there for her, he always sided with her stepmonster (Zack's mother) instead of his firstborn. Creep. Anyway, despite her stepwitch's hatred of Quinn, Zack adored her from the time of his birth, and vice versa, he's always been there for her, even when she was being punished, and after high school he even moved to D.C. to be closer to her. It's really a sweet and respectful relationship. She'd do anything to save him and she tries like hell all throughout the book, which doesn't always work out so well. To me that shows Quinn is strong. It's not weakness to keep fighting in adverse situations, it's strength of character to keep going even when losing is more likely.
This is definitely the start to a series, and while there is an end to the book, there is still much to be told. In the fates of Vamp City, Quinn's sorcery, the relationship between her and Arturo, plus much more I don't want to give away. I'd recommend that if you're looking for a romance to go elsewhere, but if you're a fan of evil vampires, darkness, don't mind abnormal relationships, and just want to have a bloody good time, then what are you waiting for?!
Originally Reviewed: September 20, 2012
Received: Amazon Vine
The world is well drawn, mostly on account of it being a magical copy of Washington, D.C. circa 1860, but with some modern conveniences thrown in as well. Okay, so I did groan at the name Washington, V.C. (Vampire City), it is a bit cheesy, but luckily it was usually called either Vamp City or V.C., which both fit the atmosphere of the book much better. Parts of the city are abandoned and decaying, others a thriving compound for the different vampire families, called a kovena. The vampires themselves are killer, quite literally. Gone are the pantywaists of recent ilk, we're going back to basics (mostly) here. Not only do they feed on blood, but some also have to feed on either fear or pain as well. They go from zero to sixty in about a second, have super strength, mind control, slaves who adore them (called slavas), and boy, are they are mean. But hey, it's just in their nature, they can't help who they are, except maybe for the love interest and possible future heroes depending on how the series goes. For those who are fainthearted, this ain't the book for you. There are numerous disturbing scenes that depict torture or gore, I can handle it, but not everyone can. Ye have been warned.
Speaking of the love interest, Arturo "Vampire" Mazzo, he was, well, certainly mysterious. Due to his unswerving allegiance to his master, Cristoff (who I pictured as <spoiler>a 25 year old Lucius Malfoy played by Jason Isaacs, with a black goatee:
<img src="http://i272.photobucket.com/albums/jj183/piscesrain/goodreads/luciusmalfoy.jpg"></spoiler>;),
Arturo would turn his back on Quinn, yet the further on the harder it was for him to do so. His loyalty was being tested because of his feelings for her. Just to make things clear, this is a messed up relationship, some may not like that, but I thought it added a dose of reality and interest to the circumstances. Sure I felt like Quinn was an idiot at times to be attracted to this untrustworthy vampire, especially the very first scene that just didn't work for me in context, but overall the relationship works for the book. My absolute favorite relationship is the sibling one between Quinn and Zack. I thought the author did an awesome job conveying just how much Zack means to her. Basically he is everything to her and all she has. Her father may be alive but he was never there for her, he always sided with her stepmonster (Zack's mother) instead of his firstborn. Creep. Anyway, despite her stepwitch's hatred of Quinn, Zack adored her from the time of his birth, and vice versa, he's always been there for her, even when she was being punished, and after high school he even moved to D.C. to be closer to her. It's really a sweet and respectful relationship. She'd do anything to save him and she tries like hell all throughout the book, which doesn't always work out so well. To me that shows Quinn is strong. It's not weakness to keep fighting in adverse situations, it's strength of character to keep going even when losing is more likely.
This is definitely the start to a series, and while there is an end to the book, there is still much to be told. In the fates of Vamp City, Quinn's sorcery, the relationship between her and Arturo, plus much more I don't want to give away. I'd recommend that if you're looking for a romance to go elsewhere, but if you're a fan of evil vampires, darkness, don't mind abnormal relationships, and just want to have a bloody good time, then what are you waiting for?!
Originally Reviewed: September 20, 2012
Received: Amazon Vine
Charlie Cobra Reviews (1840 KP) rated Hellboy (2019) in Movies
Jul 7, 2020
Entertaining Hell Yes, Great Hell No
Hellboy is a 2019 supernatural superhero movie based on the Dark Horse Comics character created by Mike Mignola. It is the third film in the franchise and is also a reboot of the series. It is directed by Neil Marshall with screenplay by Andrew Cosby and distributed by Lionsgate. The film stars David Harbour, Millar Jovovich, Ian McShane and Daniel Dae Kim.
In the Dark Ages, Nimue, the Blood Queen, nearly destroyed humanity with a deadly plague. Immortal, she was only defeated by King Arthur with the help of Merlin and the magical blade Excalibur. She was beheaded, dismembered, and her remains scattered over Europe. In present day Tijuana, Hellboy (David Harbour), searches for a missing B.P.R.D. agent, Ruiz. Hellboy discovers Ruiz has been turned into a vampire and while trying to reason with him, Hellboy is forced into a confrontation which ultimately leads to the death of the agent. Meanwhile a mysterious person speaks with Baba Yaga, a witch-like creature, seeking revenge on Hellboy, and is told to locate the remains of Nimue and resurrect her.
This has been a really hard movie for me to review. I genuinely enjoyed it while watching it in theaters. That being said, this movie is a train wreck and I can't recommend for people to spend money to see it unless you wait for it to be at the dollar movies or Redbox. There were just so many things that I guess I was blind to while watching it, that i just shrugged off or didn't pay much attention to. Like all my reviews this will be as spoiler free as possible but i have to acknowledge major flaws that other critics and reviewers brought up. And there were a lot, I mean right now the critics are tearing this movie a new one. First, I thought David Harbour did as good a job as anyone could do replacing Ron Pearlman as Hellboy in this film. But replacing such a beloved and likeable character with a funny and charismatic personality which Pearlman made his own, he had his work cut out for him. I don't think he's ever acted with all the makeup and prosthetics and it showed because I don't think he was as expressive as he could have been. Plus this movie was also made with a different director and not Guillermo Del Toro, so it was already going to have a way different feel to it. To me though, those weren't the things that contributed the most to the failure of this movie, it's more of the other things I'm still getting to. This was a reboot of the series and they decided to go with a different group of supporting characters, and to also make the plot or story more closely related or similar to the comics (the source material). Now usually sticking with what the comics have for the story is always better than changing it in my opinion but it seems for this film that they chose to incorporate several different storylines and characters and felt like it was too much crammed into too little. Also this movie was all over the place, story wise and literally. It seemed the characters kept having to travel unnecessarily. It felt like the supporting characters were just thrown into the story and it didn't bother to introduce them to the audience correctly. Everyone just got a flashback and or had themselves or their origin "expositioned" into the movie. I liked a lot of the character designs and thought a lot of the CGI was well done, in places, however it seems like they had different animators or studios work on different scenes or characters and some of it was horrible. The dialogue was really bad too. There were a lot of jokes and one liners that just fell flat and nobody laughed, plus like i said way too much exposition. There was a character who wears a headdress that was so big it looked ridiculous, which I wonder if it was done on purpose. And there was a character whose clothes tear when they transform and they automatically have pants when they transform back, which makes no sense. The plot too was not very sound and full of plot holes and things that didn't make sense, were just added in, or were part of scenes that got cut along the way. It hurts me to give this movie a score so low but I give this movie a 5/10.
Now I'm not saying don't watch it. I just can't recommend you drop as much cash as you usually do to see it in theaters. I personally still really enjoyed it and was genuinely entertained. It was awesome to see the blood and gore in a darker Hellboy movie and the action was great even if the CGI always wasn't. The music even if it didn't fit the tone or every scene was great. If your expecting the Hellboy from the Guillermo Del Toro films you might just hate this movie. But if you're just looking for "Big Red" to beat up on some baddies then I think you might get a kick out of this movie. Hey, some critics are saying that it's so bad it's good.
In the Dark Ages, Nimue, the Blood Queen, nearly destroyed humanity with a deadly plague. Immortal, she was only defeated by King Arthur with the help of Merlin and the magical blade Excalibur. She was beheaded, dismembered, and her remains scattered over Europe. In present day Tijuana, Hellboy (David Harbour), searches for a missing B.P.R.D. agent, Ruiz. Hellboy discovers Ruiz has been turned into a vampire and while trying to reason with him, Hellboy is forced into a confrontation which ultimately leads to the death of the agent. Meanwhile a mysterious person speaks with Baba Yaga, a witch-like creature, seeking revenge on Hellboy, and is told to locate the remains of Nimue and resurrect her.
This has been a really hard movie for me to review. I genuinely enjoyed it while watching it in theaters. That being said, this movie is a train wreck and I can't recommend for people to spend money to see it unless you wait for it to be at the dollar movies or Redbox. There were just so many things that I guess I was blind to while watching it, that i just shrugged off or didn't pay much attention to. Like all my reviews this will be as spoiler free as possible but i have to acknowledge major flaws that other critics and reviewers brought up. And there were a lot, I mean right now the critics are tearing this movie a new one. First, I thought David Harbour did as good a job as anyone could do replacing Ron Pearlman as Hellboy in this film. But replacing such a beloved and likeable character with a funny and charismatic personality which Pearlman made his own, he had his work cut out for him. I don't think he's ever acted with all the makeup and prosthetics and it showed because I don't think he was as expressive as he could have been. Plus this movie was also made with a different director and not Guillermo Del Toro, so it was already going to have a way different feel to it. To me though, those weren't the things that contributed the most to the failure of this movie, it's more of the other things I'm still getting to. This was a reboot of the series and they decided to go with a different group of supporting characters, and to also make the plot or story more closely related or similar to the comics (the source material). Now usually sticking with what the comics have for the story is always better than changing it in my opinion but it seems for this film that they chose to incorporate several different storylines and characters and felt like it was too much crammed into too little. Also this movie was all over the place, story wise and literally. It seemed the characters kept having to travel unnecessarily. It felt like the supporting characters were just thrown into the story and it didn't bother to introduce them to the audience correctly. Everyone just got a flashback and or had themselves or their origin "expositioned" into the movie. I liked a lot of the character designs and thought a lot of the CGI was well done, in places, however it seems like they had different animators or studios work on different scenes or characters and some of it was horrible. The dialogue was really bad too. There were a lot of jokes and one liners that just fell flat and nobody laughed, plus like i said way too much exposition. There was a character who wears a headdress that was so big it looked ridiculous, which I wonder if it was done on purpose. And there was a character whose clothes tear when they transform and they automatically have pants when they transform back, which makes no sense. The plot too was not very sound and full of plot holes and things that didn't make sense, were just added in, or were part of scenes that got cut along the way. It hurts me to give this movie a score so low but I give this movie a 5/10.
Now I'm not saying don't watch it. I just can't recommend you drop as much cash as you usually do to see it in theaters. I personally still really enjoyed it and was genuinely entertained. It was awesome to see the blood and gore in a darker Hellboy movie and the action was great even if the CGI always wasn't. The music even if it didn't fit the tone or every scene was great. If your expecting the Hellboy from the Guillermo Del Toro films you might just hate this movie. But if you're just looking for "Big Red" to beat up on some baddies then I think you might get a kick out of this movie. Hey, some critics are saying that it's so bad it's good.
Darren (1599 KP) rated Scream 2 (1997) in Movies
Oct 31, 2019
Characters – Sidney is back studying a college and over the events of the first film, she has moved on with a new boyfriend and new friends, that is until the ‘Stab’ movie is released. Sidney becomes the primary target of the killer and must use the experience with surviving a massacre before to make it out alive. Dewey still suffering the effects of his injuries in the first film, he is no longer a cop and with the events occurring he arrives back in Sidney’s life to try and help before the killer can get near her. Gale wrote the book on the murders, the one that the movie is based on, she is still trying to get a story, but does start to learn the errors in her way when she deals with other reporters. Cotton Weary does have a bigger part this time, as he is trying to piece his life back together after the wrongful accusations. Randy returns to give us the rules needed to make a sequel which an important part of the original. Of our new characters we get the new boyfriend in Derek who seems to be the best part of Sidney’s new life. Cici is the best friend at the college that is the more popular one at the college. This movie does have a larger cast than the first film which doesn’t always give the characters enough screen time.
Performances – Neve Campbell is still good in her role, she does make us believe she is the everyday student that is being tormented by the killer. Courteney Cox and David Arquette continue their good work in the supporting roles, where this film struggles to get the best of the of the supporting cast is by introducing too many characters, with Sarah Michelle Gellar seemingly filling the Drew Barrymore type role, where we expect to see her more in the film.
Story – The story picks up in a universe following the events of the first film where Hollywood makes movies on massacres, with this release we get to see the darker side of Hollywood taking advantage of real-life murders and how the innocent victims and survivor can be painted differently to cinematic purposes, well that seems to be the message I picked up on in this one. when it comes to the slasher side of things we get to watch the victims getting picked off by the killer, this does feel the same as before, while the references through this film focus on the idea of the sequels that Hollywood makes, and how they always story to improve on the last, though we do step away from the horror discussion this time.
Horror/Mystery – The horror side of the film comes from the ideas that people can take advantage of tragic stories for a bigger story, reflecting the events of the film, the mystery can keep us guessing to just who could be behind it this time around with plenty of potential suspects.
Settings – This time the film is set in a college that show us just where Sidney is now in her life which is important as she has moved on, but the event will always be part of her life.
Special Effects – The effects in the film once again show us how blood and gore can be achieved without going over the top.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – Too many supporting characters this time around.
Final Thoughts – This is a sequel that is well worth the watch, it shows progression in the horror genre with a sequel that does make sense to how an everyday person would be moving on with their life after the events in the first one, while still having the tragedy on their shoulder.
Overall: Good fun sequel.
Performances – Neve Campbell is still good in her role, she does make us believe she is the everyday student that is being tormented by the killer. Courteney Cox and David Arquette continue their good work in the supporting roles, where this film struggles to get the best of the of the supporting cast is by introducing too many characters, with Sarah Michelle Gellar seemingly filling the Drew Barrymore type role, where we expect to see her more in the film.
Story – The story picks up in a universe following the events of the first film where Hollywood makes movies on massacres, with this release we get to see the darker side of Hollywood taking advantage of real-life murders and how the innocent victims and survivor can be painted differently to cinematic purposes, well that seems to be the message I picked up on in this one. when it comes to the slasher side of things we get to watch the victims getting picked off by the killer, this does feel the same as before, while the references through this film focus on the idea of the sequels that Hollywood makes, and how they always story to improve on the last, though we do step away from the horror discussion this time.
Horror/Mystery – The horror side of the film comes from the ideas that people can take advantage of tragic stories for a bigger story, reflecting the events of the film, the mystery can keep us guessing to just who could be behind it this time around with plenty of potential suspects.
Settings – This time the film is set in a college that show us just where Sidney is now in her life which is important as she has moved on, but the event will always be part of her life.
Special Effects – The effects in the film once again show us how blood and gore can be achieved without going over the top.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – Too many supporting characters this time around.
Final Thoughts – This is a sequel that is well worth the watch, it shows progression in the horror genre with a sequel that does make sense to how an everyday person would be moving on with their life after the events in the first one, while still having the tragedy on their shoulder.
Overall: Good fun sequel.
LeftSideCut (3778 KP) rated Hellboy (2019) in Movies
Nov 14, 2019
This sort of soft reboot of Hellboy is a truly mixed bag. It's just about watchable, and there are some things I liked, and a whole heap of things I didn't like.
Let's start with the negatives - the absolute biggest problems with Hellboy is the editing and pacing.
The quick cuts and bizzarre transitions that happen often are incredibly jarring, and stops the narrative running smoothly for much of the duration.
It almost feels as if the film has been designed for someone who gets bored easily, and will shoehorn in a new scene before giving you the chance to take in the previous one.
It also plays havoc with a lot of the already mediocre (and sometimes cringe-worthy) script - a good example of this comes right at the beginning, as Hellboy is introduced us, searching for an MIA fellow agent.... Its here that Ian McShane's character explains to Hellboy over the phone, what this agent was doing when he went missing, only for Hellboy to himself repeat it to another character seconds later - it's weird and feels lazy.
Another issue is something I seem to complain about a lot recently - CGI. A lot of the CGI throughout is not great, and it's again, a complete mixed bag. Some of the practical effects look fine. The big demons glimpsed in the trailer look fine. And then everywhere else it just shits the bed, most glaringly when it comes to Ben Daimio, a character from the comics who should be an exciting inclusion, but is dragged down buy just how awful it looks.
Another thing I also disliked was the insistence of having 'cool' rock songs playing every two minutes, especially in fight scenes that would otherwise have been entertaining. At times, it felt like I was watching Suicide Squad all over again, which is never a good thing.
A lot of the acting throughout Hellboy is also stale and unenthused. Milla Jovovich is particularly uninspiring as The Blood Queen (a villain from the comics that never enthralled me in the first place), Daniel Dae Kim (Ben Daimio) and Sasha Lane (Alice Monaghan) just seem embarrassed to be involved at all.
This does bring me on to the things a liked about Hellboy though - David Harbour won me over pretty quickly as the titular half demon, he provides the movies sparse humour, and the make up work is great - he does his absolute best to hold it all together.
Ian McShane is good also, but come on, it's Ian McShane man.
Even if they aren't represented perfectly, I still liked seeing a lot of characters from the comic book, and my love for Lobster Johnson is strong.
The monster designs are pretty great for the most part, Baba Yaga looks skin crawling, and as I said, the big demons seen in the trailers are pretty horrifying.
The violence and gore is unfortunately, mostly CGI, but is pretty effective for the most part, even if it does feel like the movie is sometimes packing in an R rating to disguise the averageness of everything else.
As mentioned above, some of the action pieces are pretty fun, but I must say, the climax of the movie is pretty underwhelming.
I didn't find Hellboy as horrible as some people made it out to be - it's certainly not as good as the original two films (although I find the first one to be quite average as it is!) but it still has some credibility, even if it's a small amount.
Unfortunately, for every step Hellboy takes forward, it's takes two back, resulting in a messy and muddled film that struggles to find an identity, and it's reeks of studio meddling.
Still though, Big Mo Harris shooting an Uzi is always a pleasure 👍
Let's start with the negatives - the absolute biggest problems with Hellboy is the editing and pacing.
The quick cuts and bizzarre transitions that happen often are incredibly jarring, and stops the narrative running smoothly for much of the duration.
It almost feels as if the film has been designed for someone who gets bored easily, and will shoehorn in a new scene before giving you the chance to take in the previous one.
It also plays havoc with a lot of the already mediocre (and sometimes cringe-worthy) script - a good example of this comes right at the beginning, as Hellboy is introduced us, searching for an MIA fellow agent.... Its here that Ian McShane's character explains to Hellboy over the phone, what this agent was doing when he went missing, only for Hellboy to himself repeat it to another character seconds later - it's weird and feels lazy.
Another issue is something I seem to complain about a lot recently - CGI. A lot of the CGI throughout is not great, and it's again, a complete mixed bag. Some of the practical effects look fine. The big demons glimpsed in the trailer look fine. And then everywhere else it just shits the bed, most glaringly when it comes to Ben Daimio, a character from the comics who should be an exciting inclusion, but is dragged down buy just how awful it looks.
Another thing I also disliked was the insistence of having 'cool' rock songs playing every two minutes, especially in fight scenes that would otherwise have been entertaining. At times, it felt like I was watching Suicide Squad all over again, which is never a good thing.
A lot of the acting throughout Hellboy is also stale and unenthused. Milla Jovovich is particularly uninspiring as The Blood Queen (a villain from the comics that never enthralled me in the first place), Daniel Dae Kim (Ben Daimio) and Sasha Lane (Alice Monaghan) just seem embarrassed to be involved at all.
This does bring me on to the things a liked about Hellboy though - David Harbour won me over pretty quickly as the titular half demon, he provides the movies sparse humour, and the make up work is great - he does his absolute best to hold it all together.
Ian McShane is good also, but come on, it's Ian McShane man.
Even if they aren't represented perfectly, I still liked seeing a lot of characters from the comic book, and my love for Lobster Johnson is strong.
The monster designs are pretty great for the most part, Baba Yaga looks skin crawling, and as I said, the big demons seen in the trailers are pretty horrifying.
The violence and gore is unfortunately, mostly CGI, but is pretty effective for the most part, even if it does feel like the movie is sometimes packing in an R rating to disguise the averageness of everything else.
As mentioned above, some of the action pieces are pretty fun, but I must say, the climax of the movie is pretty underwhelming.
I didn't find Hellboy as horrible as some people made it out to be - it's certainly not as good as the original two films (although I find the first one to be quite average as it is!) but it still has some credibility, even if it's a small amount.
Unfortunately, for every step Hellboy takes forward, it's takes two back, resulting in a messy and muddled film that struggles to find an identity, and it's reeks of studio meddling.
Still though, Big Mo Harris shooting an Uzi is always a pleasure 👍
Infected by Scott Sigler
Podcast
Across America a mysterious disease is turning ordinary people into raving, paranoid murderers who...