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TacoDave (3523 KP) rated The Hunt (2020) in Movies
Mar 13, 2020
Dark humor (3 more)
Cast
Unpredictability
Outrageous violence
Much better than I anticipated
When I first heard about "The Hunt" I didn't have much interest in it. I like most of the movies that Blumhouse produces, so I intended to go see it, but I didn't expect much.
The concept - liberal elites trying to hunt and kill conservative "deplorables" - seemed ripe for one-sided over-politicization. I expected to see the liberals shown in a better light than the conservatives for sure.
Instead, I was pleasantly surprised to find a no-holds-barred, skewer-every-perspective story that used every stereotype to good effect.
I won't go into spoilers, but I will say this: 20 minutes in, I knew that my expectations had been subverted. People died quickly that I didn't anticipate. The humor, which is pitch black, caught me off guard and I found myself laughing out loud several times. And the plot shifted in ways I never would have predicted.
All in all, it's a quick, fun, funny, violent, profanity-laced ride that I am glad I took.
The concept - liberal elites trying to hunt and kill conservative "deplorables" - seemed ripe for one-sided over-politicization. I expected to see the liberals shown in a better light than the conservatives for sure.
Instead, I was pleasantly surprised to find a no-holds-barred, skewer-every-perspective story that used every stereotype to good effect.
I won't go into spoilers, but I will say this: 20 minutes in, I knew that my expectations had been subverted. People died quickly that I didn't anticipate. The humor, which is pitch black, caught me off guard and I found myself laughing out loud several times. And the plot shifted in ways I never would have predicted.
All in all, it's a quick, fun, funny, violent, profanity-laced ride that I am glad I took.
Insidious : The Last Key (2018)
6.7
Rate It
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The creative minds behind the hit Insidious trilogy return for Insidious: The Last Key. In the...
LeftSideCut (3778 KP) rated Fantasy Island (2020) in Movies
Mar 22, 2021
Is Fantasy Island a good movie? I'd be inclined to say no. Is it as bad as everyone has been saying? Kind of...
The absolutely biggest flaw with this movie is it's pacing. The last 20 or so minutes are entertaining enough, and show off a few half decent twists, no matter how silly it gets, but sweet lord it really takes its time getting there. It's not a good slow burn either. The series of events leading up to the films climax is messy and bloated, and feels like a whole load of hot air being blown about.
The cast are ok...they do the best they can with an on the nose script that sounds like it's been written by adults trying to be "down with the kids" but the only person who comes out of this looking good (?) is Maggie Q. Her character was relatively interesting, everyone else was just an arsehole, and Michael Rooker is criminally under utilised. Michael Peña just looks severely uninterested for the whole runtime.
As I said, I didn't find it as ball achingly awful as I'd heard. It's a decent enough premise that unfortunately faffs about in its execution. It's sometimes entertaining, but devoid of any scares. And between this and the 2019 Black Christmas, I'm completely over Blumhouse movies replacing blood with jet black gooey liquid. Have some balls dammit!
The absolutely biggest flaw with this movie is it's pacing. The last 20 or so minutes are entertaining enough, and show off a few half decent twists, no matter how silly it gets, but sweet lord it really takes its time getting there. It's not a good slow burn either. The series of events leading up to the films climax is messy and bloated, and feels like a whole load of hot air being blown about.
The cast are ok...they do the best they can with an on the nose script that sounds like it's been written by adults trying to be "down with the kids" but the only person who comes out of this looking good (?) is Maggie Q. Her character was relatively interesting, everyone else was just an arsehole, and Michael Rooker is criminally under utilised. Michael Peña just looks severely uninterested for the whole runtime.
As I said, I didn't find it as ball achingly awful as I'd heard. It's a decent enough premise that unfortunately faffs about in its execution. It's sometimes entertaining, but devoid of any scares. And between this and the 2019 Black Christmas, I'm completely over Blumhouse movies replacing blood with jet black gooey liquid. Have some balls dammit!
LeftSideCut (3778 KP) rated Happy Death Day 2U (2019) in Movies
Dec 31, 2020
There is enough increasing absurdity in Happy Death Day 2U to ensure that it's just as fun and entertaining as the first movie. It's sadly less rooted in horror this time around, and instead opts for a sci-fi/comedy approach, with the occasional sprinkle of PG-13 slasher tropes.
Jessica Rothe is honestly, for a second time, fantastic. Neither of these films would work half as well without her. Her character Tree, is hugely likable, and has great chemistry with the other cast members. This goes double for when director Christopher Landon decides to blindside the audience with an emotional beat. There's one scene in particular with Tree and her Mother that has all the potential to be a cheesy mess, but thanks to Rothe and Missy Yager, hits all the right notes. It's all good stuff that is unexpected from what is a standard family friendly Blumhouse flick on the surface.
As mentioned, the plot is so silly, but it's attempts to explain how the events of the first film even happened are admirable, and shakes up the formula enough to ensure it doesn't get boring, even though it has familiar moments. Some of the twists are a little convoluted, and the comedy aspects go a tad overboard sometimes, but overall the dumb narrative works a treat.
Happy Death Day 2U is a great if flawed switch-off popcorn movie, that's frequently funny, and has just enough horror elements to belong in the genre. Worth checking out!
Jessica Rothe is honestly, for a second time, fantastic. Neither of these films would work half as well without her. Her character Tree, is hugely likable, and has great chemistry with the other cast members. This goes double for when director Christopher Landon decides to blindside the audience with an emotional beat. There's one scene in particular with Tree and her Mother that has all the potential to be a cheesy mess, but thanks to Rothe and Missy Yager, hits all the right notes. It's all good stuff that is unexpected from what is a standard family friendly Blumhouse flick on the surface.
As mentioned, the plot is so silly, but it's attempts to explain how the events of the first film even happened are admirable, and shakes up the formula enough to ensure it doesn't get boring, even though it has familiar moments. Some of the twists are a little convoluted, and the comedy aspects go a tad overboard sometimes, but overall the dumb narrative works a treat.
Happy Death Day 2U is a great if flawed switch-off popcorn movie, that's frequently funny, and has just enough horror elements to belong in the genre. Worth checking out!
LeftSideCut (3778 KP) rated The Lie (2020) in Movies
Nov 18, 2020
To sum up The Lie in one word - frustrating.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
LeftSideCut (3778 KP) rated Black Box (2020) in Movies
Nov 23, 2020
I was pleasantly surprised by Black Box, even it does feel overly familiar.
The concept revolves around a man, Nolan, still suffering from amnesia, six months after he was in a car accident that killed his wife, and left him to raise their young daughter on his own. He eventually ends up taking part in an experimental procedure designed to help people like Nolan dive deep into their subconscious to directly confront their memories, and in turn, restore what they have lost.
It's a neat, if very Black Mirror-esque premise, with a hint of discount Get Out hypnosis for good measure.
There are plenty of plot turns scattered throughout, and when the inevitable big twist hits, it's lands an emotional punch. Some people I'm sure will argue that the twist is easy to see early on but it's elevated by some great performances, even if that is the case.
Lead actor Mamoudoe Athie is fantastic throughout, and is supported by decent turns from Phylicia Rashad, Tosin Morohunfola, and Charmaine Bingwa. Amanda Christine, who plays Nolan's daughter is great as well, and the chemistry between her and Athie really adds to the overall film.
Black Box won't set your world on fire, but it's a competent and tight thriller with a few creepy moments sprinkled here and there and It's comfortably the best of the recent Amazon Original-Blumhouse offerings, even if it does borrow liberally from other (and better) movies. It's not for everyone, but worth checking out.
The concept revolves around a man, Nolan, still suffering from amnesia, six months after he was in a car accident that killed his wife, and left him to raise their young daughter on his own. He eventually ends up taking part in an experimental procedure designed to help people like Nolan dive deep into their subconscious to directly confront their memories, and in turn, restore what they have lost.
It's a neat, if very Black Mirror-esque premise, with a hint of discount Get Out hypnosis for good measure.
There are plenty of plot turns scattered throughout, and when the inevitable big twist hits, it's lands an emotional punch. Some people I'm sure will argue that the twist is easy to see early on but it's elevated by some great performances, even if that is the case.
Lead actor Mamoudoe Athie is fantastic throughout, and is supported by decent turns from Phylicia Rashad, Tosin Morohunfola, and Charmaine Bingwa. Amanda Christine, who plays Nolan's daughter is great as well, and the chemistry between her and Athie really adds to the overall film.
Black Box won't set your world on fire, but it's a competent and tight thriller with a few creepy moments sprinkled here and there and It's comfortably the best of the recent Amazon Original-Blumhouse offerings, even if it does borrow liberally from other (and better) movies. It's not for everyone, but worth checking out.
The horror genre can’t wait to splash the screen with as much blood and gore as possible, letting you know what the intentions of the film are going to be. In this Blumhouse produced thriller that isn’t the case, as Oscar winner Octavia Spencer plays quiet but dissociated veterinary assistant Sue-Ann, who befriends a group of adolescent teens.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
Matthew Krueger (10051 KP) rated Paranormal Activity (2007) in Movies
Oct 28, 2019 (Updated Jan 27, 2020)
The Found-Footage Rebirth
After the huge sucess of the blair witch project, Paramount pitcures and blumhouse decided many years later to rebirth the found-footage movies. And this result was this and so many god damn sequels later.
Here's how confusing the timeline is and how many sequels this movie has...
The film is the first (chronologically, the third) entry in the Paranormal Activity film series. A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015.
So really this is the third movie in the franchise, but it came out first, than a prequel/sequel with the 2nd one, than the prequel with the 3d one, than the sequel to the 2nd one which is actually the 4th movie. Makes any sense, no!!!!! Confusing fuck yes!!!!!
Anyways the plot: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what appears to be a supernatural presence. Hoping to capture evidence of it on film, they set up video cameras in the house but are not prepared for the terrifying events that follow.
Its very slow, its not that scary, nothing really happens, just people watching footage on a computer, repeat that couple of times, make sure who ever is holding the camera make it shake and out of focus. Also Cameras!!!!! So Many Cameras.
This movie was so overhyped and in the end that was its downfall. That and not being actaully really scary. Makes this film, really not good.
Lastly shout out to @Sarah for getting the hints/clues for this movie correct.
Here's how confusing the timeline is and how many sequels this movie has...
The film is the first (chronologically, the third) entry in the Paranormal Activity film series. A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015.
So really this is the third movie in the franchise, but it came out first, than a prequel/sequel with the 2nd one, than the prequel with the 3d one, than the sequel to the 2nd one which is actually the 4th movie. Makes any sense, no!!!!! Confusing fuck yes!!!!!
Anyways the plot: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what appears to be a supernatural presence. Hoping to capture evidence of it on film, they set up video cameras in the house but are not prepared for the terrifying events that follow.
Its very slow, its not that scary, nothing really happens, just people watching footage on a computer, repeat that couple of times, make sure who ever is holding the camera make it shake and out of focus. Also Cameras!!!!! So Many Cameras.
This movie was so overhyped and in the end that was its downfall. That and not being actaully really scary. Makes this film, really not good.
Lastly shout out to @Sarah for getting the hints/clues for this movie correct.
Gareth von Kallenbach (968 KP) rated Night Swim (2024) in Movies
Jan 5, 2024
The first major release of 2024 has arrived in the form of “Night Swim” and the Blumhouse production looks to follow on the success of “M3gan” and
their other recent hit “Five Nights at Freddy’s”.
The movie stars Wyatt Russell and Kerry Condon as Ray and Eve Walter; a married couple trying to raise their two children and deal with Ray’s M.S.
diagnosis. Ray is a former Major League Baseball player and holds out hope that he can overcome his situation and make a return to his profession even if those around him do not.
A life on the road has caused Ray to miss many events such as the birth of their daughter as well as be distant from their son. A new job at a prestigious school offers Eve a chance to have the needed insurance for Ray and work to do while she completes her degree.
The family opt to purchase a home with a pool versus renting as the ability to finally have some stability and use the pool for therapy is a welcome combination. This is enhanced by the discovery that the pool is
actually filled by a natural water source which Ray believes is healing him and rapidly putting him on the road to recovery.
Things are not as they seem as the pool holds some dark and deadly secrets that go back for decades and the family soon finds themselves dealing
with forces beyond their control as they desperately try to survive.
The film has an interesting premise though at times I did think about various other films and some of the shock moments failed to get me as they did others in the audience but I am not one who startles easily.
The cast was strong but at times I found myself not caring as much for the outcomes of certain characters as I was more concerned with the overall
explanation behind the supernatural elements of the film.
Despite this, it was an enjoyable watch that provided something a bit different than the usual monster or psycho on the loose horror film and Co-Writer/ Director Bryce McGuire has adapted his short film well into a
film which provides just enough of what the core audience wants to make it an effective horror entry.
3 stars out of 5
their other recent hit “Five Nights at Freddy’s”.
The movie stars Wyatt Russell and Kerry Condon as Ray and Eve Walter; a married couple trying to raise their two children and deal with Ray’s M.S.
diagnosis. Ray is a former Major League Baseball player and holds out hope that he can overcome his situation and make a return to his profession even if those around him do not.
A life on the road has caused Ray to miss many events such as the birth of their daughter as well as be distant from their son. A new job at a prestigious school offers Eve a chance to have the needed insurance for Ray and work to do while she completes her degree.
The family opt to purchase a home with a pool versus renting as the ability to finally have some stability and use the pool for therapy is a welcome combination. This is enhanced by the discovery that the pool is
actually filled by a natural water source which Ray believes is healing him and rapidly putting him on the road to recovery.
Things are not as they seem as the pool holds some dark and deadly secrets that go back for decades and the family soon finds themselves dealing
with forces beyond their control as they desperately try to survive.
The film has an interesting premise though at times I did think about various other films and some of the shock moments failed to get me as they did others in the audience but I am not one who startles easily.
The cast was strong but at times I found myself not caring as much for the outcomes of certain characters as I was more concerned with the overall
explanation behind the supernatural elements of the film.
Despite this, it was an enjoyable watch that provided something a bit different than the usual monster or psycho on the loose horror film and Co-Writer/ Director Bryce McGuire has adapted his short film well into a
film which provides just enough of what the core audience wants to make it an effective horror entry.
3 stars out of 5