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Lenard (726 KP) rated Tolkien (2019) in Movies

May 19, 2019  
Tolkien (2019)
Tolkien (2019)
2019 | Biography, Drama
4
5.7 (18 Ratings)
Movie Rating Watch
Tolkien is a biopic of author/professor JRR Tolkien, the writer of The Hobbit and other fantasy novels. The only reason it was greenlit was to ensnare fans of the LOTR. The film opens with Ronald in the trenches of Belgium during WWI suffering from trench fever. He is overcome with a need to find his friend who he learns is nearby and in dire trouble. We then flashback to his country childhood home located in a village reminiscent of The Shire from his novels. His father has died and left the family with little hope of survival. The church has found a new home for the Tolkiens in Lake-town, I mean Birmingham. Soon, his mother is dead, Ronald and his brother become wards of the Catholic Church and are moved into the home of elderly woman who already cares for a young female pianist. Tolkien earns scholarship to a local private school where he accidentally becomes friends with other artistically inclined young men. One of whom, the poet, is secretly in love with Tolkien. Thus, with a kiss, I die in the trenches of Belgium fron poison gas. The whole film spends so much time finding connections to his famous novels, it never really gets to know the writer himself. Plus, Nicholas Hoult does not help much playing the writer like a Hugh Grant rom-com character. He even does the squinting quirk multiple times to romance his boarding house companion.
  
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Tim Booth recommended Pink Flag by Wire in Music (curated)

 
Pink Flag by Wire
Pink Flag by Wire
1977 | Punk
9.0 (3 Ratings)
Album Favorite

"After Patti, I sold all my record collection because I felt I couldn't have any music around me that didn't do something to me like Horses did. For about six months, I had no other records, except Lou Reed's Berlin as I felt that was comparably powerful and emotive. After those six months, punk started. I thought punk was fun and it reached the anger in me that needed to come out. I had been sent away to school; being sent to a boarding school was like being sent away to prison by parents who apparently loved you. So, I had a lot of anger and distress at this strange turn of events and I started going to punk gigs. The first gig I organised to see was the White Riot tour with The Jam, Buzzcocks, Subway Sect and The Slits. It turned into a bit of a riot and we were these schoolboys in our uniforms with one teacher to chaperone us, and suddenly chairs and tables were flying through the air. After that, I was banned from organising any more trips to punk gigs. So, even though I was banned, I decided to get the school magazine to employ me as a journalist. I would try to interview the first local punk band that came down to Shrewsbury. That happened to be Wire, who were a fascinating band. I think Pink Flag is one of the only punk albums that has stood the test of time. It is a remarkable piece of music. There are songs that last 45 seconds and others that last two or three minutes. It is quite a feat to pull off a 45-second song and make it work. Wire were wonderful to interview – intelligent and articulate – and their music was brutal and yet humorous at the same time, which was a very odd thing for punk. To call an album Pink Flag, after the label that the Nazis put on gay people in the camps, was an incredibly brave thing to do in such homophobic times. Punk, although liberating in many aspects, was pretty homophobic until Tom Robinson came along and confronted it directly. Pink Flag was a miracle of creativity in these short, harsh little songs. Even to this day, when I listen to it, I think it is a masterpiece. I think it would have influenced a band like Pixies. I don't know if Pixies ever heard Wire, but I would be very surprised if they hadn't."

Source
  
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Kristy H (1252 KP) rated The Lying Game in Books

Jan 21, 2018  
The Lying Game
The Lying Game
Ruth Ware | 2017 | Fiction & Poetry, Mystery, Thriller
6
7.8 (23 Ratings)
Book Rating
Readable (0 more)
Predictable (1 more)
Slow-moving
Isa, Kate, Fatima, and Thea were the best of friends for a year in boarding school. Thick as thieves, they kept to themselves at Salten House, bonded by a game they invented (The Lying Game), where they came up with increasingly higher stakes lies for a series of points and boasting rights. The girls spent much of their time at The Mill House, Kate's childhood home--a quick walk across the marsh from their boarding school and home to Kate's father, Ambrose, and stepbrother, Luc. But all that changes when Ambrose, an art teacher at Salten, dies; a scandal is uncovered; and the girls are expelled. Years pass without the four women seeing each other, until they receive a text from Kate: I need you. Isa--with her baby daughter in tow, Fatima, and Thea return to The Mill House, where Kate still lives, to help their friend. But what exactly happened all those years ago? And are the women still playing The Lying Game?

So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.

Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.

Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.