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Saerie_Faerie (18 KP) rated Ready Player One in Books
Feb 17, 2018
Cute but total nerd fantasy insert
Contains spoilers, click to show
I was super excited for this book when it first came out and even more excited when I saw it was becoming a story. As a nerd, an over arching nerd into books, games, music, and everything else I thought I finally would get to witness a glorious book/movie about it.
However, almost immediately upon starting it I realized I was probably not going to enjoy it as much as I had hoped. Thankfully Wil Wheaton was the performer for the Audio book so I could continue listening.
The main character, Wade, goes on several solilogues about all of the nerd things that he knows everything about. Several times, Wade is miraculously the only one who knows everything and is amazing at it.
At one point he actually just lists out all of the 80s authors he has read in entirety which is amazing for a 17 year old who spends all of his time on the Oasis and also playing video games and watching movies. On top of all that, his list is entirely male authors, directors, and programmers. Why not mention Tamora Pierce, a huge author of the 80s or Marion Zimmer Bradley author of a King Arthur novel which Wade would have been very into considering his character name and the fact that he says he is very into King Arthur.
There are two female characters and they get barely any screen time. Here is where I got super excited because I am a female nerd who plays tons of video games and met several partners online it was going to be good to address the things that happen. But it doesn't. She says she is "deformed" and disappears until the end of the story, then we find out she looks just as amazing as her fake person avatar except *GASP* she has a birthmark on her face. Face birth marks can feel debilitating and terrifying but in the scope of things, its a not problem.
My main problem with Wade is that he asks the love interest "Are you a woman? Are you a woman that has never been a man?" And like... What? Worrying the person you are talking to is who they say they are is a big thing but to go straight to being transphobic is not okay. Sure, he is a teenager but he is a teenager in the distant future where people literally go to school in a video game and can make an alien avatar, surely it wouldn't still be "weird".
More than anything this felt like a nerd dream fantasy life that "came true". Was THE BEST at all the things, became rich from video games, got the hot girl, became famous. What more could you want?
But I still really like this book and story, it just could have gone so much better. So many important things could have been addressed and explained and they just weren't.
However, almost immediately upon starting it I realized I was probably not going to enjoy it as much as I had hoped. Thankfully Wil Wheaton was the performer for the Audio book so I could continue listening.
The main character, Wade, goes on several solilogues about all of the nerd things that he knows everything about. Several times, Wade is miraculously the only one who knows everything and is amazing at it.
At one point he actually just lists out all of the 80s authors he has read in entirety which is amazing for a 17 year old who spends all of his time on the Oasis and also playing video games and watching movies. On top of all that, his list is entirely male authors, directors, and programmers. Why not mention Tamora Pierce, a huge author of the 80s or Marion Zimmer Bradley author of a King Arthur novel which Wade would have been very into considering his character name and the fact that he says he is very into King Arthur.
There are two female characters and they get barely any screen time. Here is where I got super excited because I am a female nerd who plays tons of video games and met several partners online it was going to be good to address the things that happen. But it doesn't. She says she is "deformed" and disappears until the end of the story, then we find out she looks just as amazing as her fake person avatar except *GASP* she has a birthmark on her face. Face birth marks can feel debilitating and terrifying but in the scope of things, its a not problem.
My main problem with Wade is that he asks the love interest "Are you a woman? Are you a woman that has never been a man?" And like... What? Worrying the person you are talking to is who they say they are is a big thing but to go straight to being transphobic is not okay. Sure, he is a teenager but he is a teenager in the distant future where people literally go to school in a video game and can make an alien avatar, surely it wouldn't still be "weird".
More than anything this felt like a nerd dream fantasy life that "came true". Was THE BEST at all the things, became rich from video games, got the hot girl, became famous. What more could you want?
But I still really like this book and story, it just could have gone so much better. So many important things could have been addressed and explained and they just weren't.
Gareth von Kallenbach (980 KP) rated BlacKkKlansman (2018) in Movies
Jul 8, 2019
From Director Spike Lee comes the incredible story of true American hero. In the early 1970s, Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The movie is based on Stallworth’s 2014 book Black Klansman, which details his experience. When it came time to meet the Klan members face-to-face, he utilized the help of a white undercover narcotics officer (Adam Driver in the movie), who posed as Stallworth for all in-person meetings with the Klan. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
Ivana A. | Diary of Difference (1171 KP) rated Happy Girl Lucky (The Valentines, #1) in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2685992062">Happy Girl Lucky</a> - ★★★★★
<img src="https://gipostcards.files.wordpress.com/2019/02/book-review-title.png?w=636"/>;
<b> I am hosing a GIVEAWAY on my instagram page, ending on 22nd February 2019. Enter for a chance to win 5 signed copies with 5 pop sockets! </b>
Happy Girl Lucky is the first book from The Valentines Series. This is a story about a famous family, The Valentines, who have been Hollywood stars for ages. Hope is one of the daughters of the famous couple, but she grows up without all that paparazzi attention and hype. It is a family rule not to involve their children into the famous world until they are sixteen. Hope can’t wait to turn sixteen and start living this amazing life.
Hope spends her teenage years as a normal girl – she steals clothes from her sisters and makes movie scenarios in her head. She reads her horoscope every day and knows what the magazines say is true. She is naive and funny and so unique. And when one day, her horoscope says she is on her way to finally meet her true love, she has to make everything possible to make this come true.
And when she meets this boy, we follow Hope’s adventures from touring London, to travelling to the US, to making decisions she never thought she could make. I loved how we are with Hope every minute of her journey and we watch her slowly grow and make us giggle.
Even though Hope gives the life of this story, and makes us all want to be friends with her, all of the other characters have their own little unique spark, which I loved so much.
A wonderfully written story, but also a very meaningful one. Holly Smale managed to perfectly capture some of the issues that some teenage girls are facing today. Living their own reality while their family lives a completely different world is not so uncommon, and girls need to know this. Sometimes, we wake in a reality we don’t know and think we are the ones to blame, but there is nothing wrong with you. All you ladies out there, you need to hear this. There is nothing wrong with you. Don’t let anyone tell you otherwise. You are unique, and you should believe in what you are, who you are, and what makes you truly happy. And through Hope’s story, we can understand this so well, and I am forever grateful!
A fun and entertaining story, meant to capture all the teenage hearts out there. This is definitely a must-read for every girl out there, to find her true self and be happy for what she truly is.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2685992062">Happy Girl Lucky</a> - ★★★★★
<img src="https://gipostcards.files.wordpress.com/2019/02/book-review-title.png?w=636"/>;
<b> I am hosing a GIVEAWAY on my instagram page, ending on 22nd February 2019. Enter for a chance to win 5 signed copies with 5 pop sockets! </b>
Happy Girl Lucky is the first book from The Valentines Series. This is a story about a famous family, The Valentines, who have been Hollywood stars for ages. Hope is one of the daughters of the famous couple, but she grows up without all that paparazzi attention and hype. It is a family rule not to involve their children into the famous world until they are sixteen. Hope can’t wait to turn sixteen and start living this amazing life.
Hope spends her teenage years as a normal girl – she steals clothes from her sisters and makes movie scenarios in her head. She reads her horoscope every day and knows what the magazines say is true. She is naive and funny and so unique. And when one day, her horoscope says she is on her way to finally meet her true love, she has to make everything possible to make this come true.
And when she meets this boy, we follow Hope’s adventures from touring London, to travelling to the US, to making decisions she never thought she could make. I loved how we are with Hope every minute of her journey and we watch her slowly grow and make us giggle.
Even though Hope gives the life of this story, and makes us all want to be friends with her, all of the other characters have their own little unique spark, which I loved so much.
A wonderfully written story, but also a very meaningful one. Holly Smale managed to perfectly capture some of the issues that some teenage girls are facing today. Living their own reality while their family lives a completely different world is not so uncommon, and girls need to know this. Sometimes, we wake in a reality we don’t know and think we are the ones to blame, but there is nothing wrong with you. All you ladies out there, you need to hear this. There is nothing wrong with you. Don’t let anyone tell you otherwise. You are unique, and you should believe in what you are, who you are, and what makes you truly happy. And through Hope’s story, we can understand this so well, and I am forever grateful!
A fun and entertaining story, meant to capture all the teenage hearts out there. This is definitely a must-read for every girl out there, to find her true self and be happy for what she truly is.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
BankofMarquis (1832 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 12, 2021
See Shang-Chi on the Big Screen
The new Marvel Super Hero film, SHANG-CHI and the LEGEND OF THE TEN RINGS is the kind of film that deserves to be seen on the big screen and Writer/Director Destin Daniel Cretton (JUST MERCY) has crafted a film that earns that statement.
Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.
Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.
At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.
Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.
The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.
This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.
But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.
Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.
This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.
To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.
Try to see SHANG-CHI on the Big Screen, the visuals are worth it.
Letter Grade A- (the finale needed to be better)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.
Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.
At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.
Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.
The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.
This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.
But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.
Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.
This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.
To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.
Try to see SHANG-CHI on the Big Screen, the visuals are worth it.
Letter Grade A- (the finale needed to be better)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated A Wrinkle in Time (2018) in Movies
Jun 19, 2019
The classic children’s book A Wrinkle In Time has come to the big screen with a big-budget presentation under the direction of noted Director Ava DuVernay.
The story had been adapted prior in a 2003 television movie but this time out the scope is much larger as are the names associated with it.
The story follows a young girl named Meg (Storm Reid), who has withdrawn following the disappearance of her father (Chris Pine), four years earlier. Her brilliant adopted brother Charles Wallace (Deric McCabe) is very protective of Meg and wants to help ease the suffering she has endured over the loss of their father.
Enter the quirky Mrs. Whatsit (Reese Witherspon), who Charles Wallace has been talking to unbeknownst to his family who in turn seem taken aback by her arrival and strange nature. Charles Wallace soon introduces his sister and schoolmate Calvin (Levi Miller), to Mrs. Who (Mindy Kaling), who also shares some unusual quirks as well. With the arrival of the final piece in Mrs. Which (Oprah Winfrey), the children are whisked away to another planet on a search to find the missing father and help restore light to the universe from a dark threat that endangers the universe.
What follows is a series of adventures, quirky characters, and bright visuals as the children and mysterious strangers embark on a grand adventure.
The cast is very appealing but I would love to know if the three stars filmed their scenes at the same time as it did appear at times if they were added in post-production as they did not seem to have much direct interactions with one another. The film does tackle some deep and at times dark subject matter which may be a bit much for younger viewers. One would think that Quantum Entanglements and folding space would be subjects more likely found in Star Trek vs a family film but the film does have some good messages and themes which are essential for younger viewers to note.
The film moves at a deliberate pace and does not erupt into overblown action sequences so viewers expecting a rousing action/adventure will need to temper their expectations.
For those looking for a film with an empowering message aimed at younger viewers, than “A Wrinkle in Time”, may be just the thing for an enjoyable family outing to the local cinema.
http://sknr.net/2018/03/07/a-wrinkle-in-time/
The story had been adapted prior in a 2003 television movie but this time out the scope is much larger as are the names associated with it.
The story follows a young girl named Meg (Storm Reid), who has withdrawn following the disappearance of her father (Chris Pine), four years earlier. Her brilliant adopted brother Charles Wallace (Deric McCabe) is very protective of Meg and wants to help ease the suffering she has endured over the loss of their father.
Enter the quirky Mrs. Whatsit (Reese Witherspon), who Charles Wallace has been talking to unbeknownst to his family who in turn seem taken aback by her arrival and strange nature. Charles Wallace soon introduces his sister and schoolmate Calvin (Levi Miller), to Mrs. Who (Mindy Kaling), who also shares some unusual quirks as well. With the arrival of the final piece in Mrs. Which (Oprah Winfrey), the children are whisked away to another planet on a search to find the missing father and help restore light to the universe from a dark threat that endangers the universe.
What follows is a series of adventures, quirky characters, and bright visuals as the children and mysterious strangers embark on a grand adventure.
The cast is very appealing but I would love to know if the three stars filmed their scenes at the same time as it did appear at times if they were added in post-production as they did not seem to have much direct interactions with one another. The film does tackle some deep and at times dark subject matter which may be a bit much for younger viewers. One would think that Quantum Entanglements and folding space would be subjects more likely found in Star Trek vs a family film but the film does have some good messages and themes which are essential for younger viewers to note.
The film moves at a deliberate pace and does not erupt into overblown action sequences so viewers expecting a rousing action/adventure will need to temper their expectations.
For those looking for a film with an empowering message aimed at younger viewers, than “A Wrinkle in Time”, may be just the thing for an enjoyable family outing to the local cinema.
http://sknr.net/2018/03/07/a-wrinkle-in-time/
Bob Mann (459 KP) rated The Suicide Squad (2021) in Movies
Aug 10, 2021
Anarchic and very funny script, with some great visual gags (1 more)
Elba, Davis and Robbie all great. As is new name Daniela Melchior.
What a difference a "The" makes! The original "Suicide Squad" from 2016 was a botched and lacklustre affair, getting just 5/10 from me. James Gunn's semi-reboot is hyper-violent, overlong, totally ludicrous but a whole bunch of fun.
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Smashbomb (4683 KP) created a post in Smashbomb AMA
Jul 12, 2019
Lyndsey Gollogly (2893 KP) rated Corrupt (Devil's Night #1) in Books
Feb 14, 2021
24 of 250
Kindle
Corrupt (Devils night book 1)
By Penelope Douglas
Once read a review will be written via Smashbomb and link posted in comments
Erika
I was told that dreams were our heart’s desires. My nightmares, however, became my obsession.
His name is Michael Crist.
My boyfriend’s older brother is like that scary movie that you peek through your hand to watch. He's handsome, strong, and completely terrifying. The star of his college’s basketball team and now gone pro, he’s more concerned with the dirt on his shoe than me.
But I noticed him.
I saw him. I heard him. The things that he did, and the deeds that he hid…For years, I bit my nails, unable to look away.
Now, I’ve graduated high school and moved on to college, but I haven’t stopped watching Michael. He’s bad, and the dirt I’ve seen isn’t content to stay in my head anymore.
Because he’s finally noticed me.
Michael
Her name is Erika Fane, but everyone calls her Rika.
My brother’s girlfriend grew up hanging around my house and is always at our dinner table. She looks down when I enter a room and stills when I am close. I can always feel the fear rolling off of her, and while I haven’t had her body, I know that I have her mind. That’s all I really want anyway.
Until my brother leaves for the military, and I find Rika alone at college.
In my city.
Unprotected.
The opportunity is too good to be true, as well as the timing. Because you see, three years ago she put a few of my high school friends in prison, and now they’re out.
We’ve waited. We’ve been patient. And now every last one of her nightmares will come true.
I was in two minds all the way through this book but something kept me hooked! It was intriguing and turned out to be an interesting storyline. There were some bits I was uncomfortable with as I don’t really enjoy reading certain scenes. Overall though I enjoyed it in the end.
Kindle
Corrupt (Devils night book 1)
By Penelope Douglas
Once read a review will be written via Smashbomb and link posted in comments
Erika
I was told that dreams were our heart’s desires. My nightmares, however, became my obsession.
His name is Michael Crist.
My boyfriend’s older brother is like that scary movie that you peek through your hand to watch. He's handsome, strong, and completely terrifying. The star of his college’s basketball team and now gone pro, he’s more concerned with the dirt on his shoe than me.
But I noticed him.
I saw him. I heard him. The things that he did, and the deeds that he hid…For years, I bit my nails, unable to look away.
Now, I’ve graduated high school and moved on to college, but I haven’t stopped watching Michael. He’s bad, and the dirt I’ve seen isn’t content to stay in my head anymore.
Because he’s finally noticed me.
Michael
Her name is Erika Fane, but everyone calls her Rika.
My brother’s girlfriend grew up hanging around my house and is always at our dinner table. She looks down when I enter a room and stills when I am close. I can always feel the fear rolling off of her, and while I haven’t had her body, I know that I have her mind. That’s all I really want anyway.
Until my brother leaves for the military, and I find Rika alone at college.
In my city.
Unprotected.
The opportunity is too good to be true, as well as the timing. Because you see, three years ago she put a few of my high school friends in prison, and now they’re out.
We’ve waited. We’ve been patient. And now every last one of her nightmares will come true.
I was in two minds all the way through this book but something kept me hooked! It was intriguing and turned out to be an interesting storyline. There were some bits I was uncomfortable with as I don’t really enjoy reading certain scenes. Overall though I enjoyed it in the end.
