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Connor Sheffield (293 KP) rated Wonder Woman (2017) in Movies
Jun 1, 2017
Beautiful visuals (3 more)
Gal Gadot is a strong and sexy Diana
A war film with comic book fantasy
The strong messages within the film
Bringing a God to a Gun Fight
So I may be a little biased as I am a huge DC fan, but that doesn't mean every DC film gets the top rating from me, because I know that most of the DC films, somewhat especially as of recent, haven't quite grasped the ability to merge comic book elements with great film elements....this film has nailed it.
Gal Gadot has brought the character of Wonder Woman, a.k.a Diana Prince, to the big screen with such power that is unmatched by any other female comic book character. She's strong, sexy, charming and innocent to the ways of the world outside of Themyscira.
The effects of this film bring to the big screen, stunning visuals, a dull colour overtone to add to the atmosphere of the effects of war on the world that really make you aware of just how important the situation of the world is, and why Diana has truly been sent to help. The team of brilliant minds behind this film have managed to bring the glowing lasso, the powers of Wonder Woman herself, and the deviating effects of war into a perfectly organized combination that makes you feel like you're watching a war film with comic book fantasy elements, not just a comic book film that contains a war.
There's humour that is brought forth via Diana's innocence of the world outside of her home on Paradise Island. She learns the deviation of the many deaths that the war has brought to the world, but through her companion, Steve Trevor, she learns of the joys of how life was before, and how it could be again, when there is no more war.
The film is full of moments that make you want to laugh, cry or watch in awe as Wonder Woman proves to the men in the war that women are not as weak and frightened as they thought at the time. It's hard for her not to in her own film, but she truly steals the show, and you want nothing more than to see her kick ass.
The choreography of the fight sequences are sleek and beautiful in themselves. The fight on Themyscira reminded me somewhat of 300, if the Spartans were all badass Amazonians with bows and arrows, and horses. The beautiful slow motion shots are used to portray the power of these beautiful warriors, and the best slow motion shot takes place in the war, at No Man's Land.
This scene is cinematic beauty! Wonder Woman steps ups the ladder and stands strong as she makes her way across No Man's Land, deflecting bullets and proving that whilst no man can cross, She can, and will! Gal Gadot's beauty shines through amongst the dim and dull overtone of the film and she truly portrays that she is a Goddess amongst the world of men.
Overall I highly recommend this film! You'll laugh, you'll cry (possibly...unless you're a robot), and you'll sit in awe of Wonder Woman as she kicks ass and proves that you shouldn't send men to do a woman's job ;)
Gal Gadot has brought the character of Wonder Woman, a.k.a Diana Prince, to the big screen with such power that is unmatched by any other female comic book character. She's strong, sexy, charming and innocent to the ways of the world outside of Themyscira.
The effects of this film bring to the big screen, stunning visuals, a dull colour overtone to add to the atmosphere of the effects of war on the world that really make you aware of just how important the situation of the world is, and why Diana has truly been sent to help. The team of brilliant minds behind this film have managed to bring the glowing lasso, the powers of Wonder Woman herself, and the deviating effects of war into a perfectly organized combination that makes you feel like you're watching a war film with comic book fantasy elements, not just a comic book film that contains a war.
There's humour that is brought forth via Diana's innocence of the world outside of her home on Paradise Island. She learns the deviation of the many deaths that the war has brought to the world, but through her companion, Steve Trevor, she learns of the joys of how life was before, and how it could be again, when there is no more war.
The film is full of moments that make you want to laugh, cry or watch in awe as Wonder Woman proves to the men in the war that women are not as weak and frightened as they thought at the time. It's hard for her not to in her own film, but she truly steals the show, and you want nothing more than to see her kick ass.
The choreography of the fight sequences are sleek and beautiful in themselves. The fight on Themyscira reminded me somewhat of 300, if the Spartans were all badass Amazonians with bows and arrows, and horses. The beautiful slow motion shots are used to portray the power of these beautiful warriors, and the best slow motion shot takes place in the war, at No Man's Land.
This scene is cinematic beauty! Wonder Woman steps ups the ladder and stands strong as she makes her way across No Man's Land, deflecting bullets and proving that whilst no man can cross, She can, and will! Gal Gadot's beauty shines through amongst the dim and dull overtone of the film and she truly portrays that she is a Goddess amongst the world of men.
Overall I highly recommend this film! You'll laugh, you'll cry (possibly...unless you're a robot), and you'll sit in awe of Wonder Woman as she kicks ass and proves that you shouldn't send men to do a woman's job ;)
Sivapuranam
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The Shiva Purana or Shiva Mahapurana is one of the puranas (a genre of Hindu religious texts),...
BookblogbyCari (345 KP) rated Guess Who in Books
Aug 14, 2018
Book Review by Cari Mayhew.
One murder; one room; 5 suspects. Now there’s a promising description for an intense read!
The story begins when central character, Morgan Shephard wakes up handcuffed in what appears to be a hotel room in London. Morgan is a resident detective for a daytime reality TV programme. With him there’s a lawyer, an actress, a teenager, a coffee shop worker, and a hotel cleaner. They find a dead body in the bath - the body of Morgan’s therapist. A message from a masked man appears on the TV screen explaining that Morgan has 3 hours to identify the murderer or the hotel will be blown up.
The characters find that they cannot escape the room. Morgan runs quick interviews with the suspects and finds that they all have links to the victim, but not as strong as his own. Before the 3 hours is up, while Morgan is searching the air ducts, the one suspect accuses another and proceeds to stab him to death. Morgan becomes fairly sure that he knows who murdered his therapist and calls the name out moments before the 3 hours are up. Then nothing happens so he calls out the names of all the suspects. An explosion is then heard by all, but everything remains as it was – there was no explosion. They then discover that they are not at all where they thought they were.
The chapters on Morgan’s current settings are spliced with chapters from other points in Morgan’s life with special emphasis on his solving of a murder which made him famous at age 11, and the reader discovers who has had the longest vendetta against Morgan, and the chapters slowly spell out why.
But this does little to address the reasoning behind the presence of the others in the room, until a further 2 vendettas are revealed.
I enjoyed the book and the story behind the masked man’s murderous hatred, but what I didn’t like was that the general premise of the book wasn’t lived up to. The 3 hours before the “explosion” was up at the 50% mark of the book, and the 5 suspects in the room all have incredibly weak links to the murder victim. I also think that more story could have been made around the lawyer whose big case Morgan was somehow embroiled in which was to take to trial that very day.
I found elements of the book too unrealistic, with extensive effort to bring the plotting to fruition, 1 completely needless and unnecessary victim, and an actual willing murder victim. Also Morgan’s drink and drug dependency did nothing to aid the story telling.
Although I was hoping for more from the book, the plot was indeed intense and I did have a good read.
One murder; one room; 5 suspects. Now there’s a promising description for an intense read!
The story begins when central character, Morgan Shephard wakes up handcuffed in what appears to be a hotel room in London. Morgan is a resident detective for a daytime reality TV programme. With him there’s a lawyer, an actress, a teenager, a coffee shop worker, and a hotel cleaner. They find a dead body in the bath - the body of Morgan’s therapist. A message from a masked man appears on the TV screen explaining that Morgan has 3 hours to identify the murderer or the hotel will be blown up.
The characters find that they cannot escape the room. Morgan runs quick interviews with the suspects and finds that they all have links to the victim, but not as strong as his own. Before the 3 hours is up, while Morgan is searching the air ducts, the one suspect accuses another and proceeds to stab him to death. Morgan becomes fairly sure that he knows who murdered his therapist and calls the name out moments before the 3 hours are up. Then nothing happens so he calls out the names of all the suspects. An explosion is then heard by all, but everything remains as it was – there was no explosion. They then discover that they are not at all where they thought they were.
The chapters on Morgan’s current settings are spliced with chapters from other points in Morgan’s life with special emphasis on his solving of a murder which made him famous at age 11, and the reader discovers who has had the longest vendetta against Morgan, and the chapters slowly spell out why.
But this does little to address the reasoning behind the presence of the others in the room, until a further 2 vendettas are revealed.
I enjoyed the book and the story behind the masked man’s murderous hatred, but what I didn’t like was that the general premise of the book wasn’t lived up to. The 3 hours before the “explosion” was up at the 50% mark of the book, and the 5 suspects in the room all have incredibly weak links to the murder victim. I also think that more story could have been made around the lawyer whose big case Morgan was somehow embroiled in which was to take to trial that very day.
I found elements of the book too unrealistic, with extensive effort to bring the plotting to fruition, 1 completely needless and unnecessary victim, and an actual willing murder victim. Also Morgan’s drink and drug dependency did nothing to aid the story telling.
Although I was hoping for more from the book, the plot was indeed intense and I did have a good read.
After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist
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Whether you're new to After Effects and want to get up to speed quickly, or already a user who needs...
Week Menu - Plan your cooking with your personal recipe book - iPhone Edition
Food & Drink and Lifestyle
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Plan your cooking with your personal recipe book ~ ~ ~ ~ Tired of not knowing what to make for...
Week Menu - Plan your cooking with your personal recipe book
Food & Drink and Utilities
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Plan your cooking with your personal recipe book ~ ~ ~ ~ Tired of not knowing what to make for...
Gareth von Kallenbach (980 KP) rated The Road (2009) in Movies
Aug 8, 2019
“The Road” takes us on the post-apocalyptic story of the man, played by Viggo Morganson and the boy (Kodi Smit-McPhee), a father and son doing their best to get along in a world which is no longer suitable for humanity. Constantly teaching his son survival skills and doing his best not to focus on his lost love the man attempts to explain the essence of humanity to his boy who has never known a better world. Add in the ever-present threat of cannibals and you have the film adaptation of this best selling book.
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
BankofMarquis (1832 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Dec 28, 2018
The first "true" comic book movie
The animated feature, SPIDERMAN: INTO THE SPIDER-VERSE, is the first, true "comic-book" film I have ever seen.
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
A Great Cozy Read!
I have come to adore cozy novels in recent months, so I jumped at the chance to read this delightful little mystery. What could be a better setting than a beautiful, picturesque little town in coastal California with a gorgeous pie shop! This is the third book in the Pie Town Mystery series by Kirsten Weiss, the first book being ‘The Quiche and the Dead’ followed by ‘Bleeding Tarts.’
Valentine (Val) Harris’ pie shop, ‘Pie Town’ is struggling, however, when Val’s quirky business partner and pie crust expert, Charlene, allows a reality television crew from the show 'Pie Hard' to film the shop, it seems that things might be about to change. If Val can tolerate criticism from an abrasive pastry chef during filming, the free publicity might turn the unusual opportunity into the sweetest deal she didn’t know she needed.
When the show’s bossy producer, Regina Katz, gets pushed to her death, Val and Charlene, once again, turn crime-solvers in the hope of finding the killer. Val needs to stay cool long enough to solve the crime and keep ‘Pie Town’ from falling apart, or else she just might go up in smoke before she ever graces the small screen.
For anyone, like me, who hasn’t read the first two books of the series, Kirsten Weiss, without being too overt, provides plenty of back-stories. Written in the first person, the characters in this novel were a scream and I particularly liked Val and Charlene’s interaction. I really enjoyed the easy-to-read writing style, the plot and the pace of the book.
All in all, “Pie Hard” is a lighthearted, lovely read, that combines mystery, thrills and murder and mayhem.
I'm looking forward to reading the first two books of the series with, hopefully, more to come!
[Thanks to #NetGalley and Kensington Publishing for the ARC of #PieHard in exchange for an honest review.]
Valentine (Val) Harris’ pie shop, ‘Pie Town’ is struggling, however, when Val’s quirky business partner and pie crust expert, Charlene, allows a reality television crew from the show 'Pie Hard' to film the shop, it seems that things might be about to change. If Val can tolerate criticism from an abrasive pastry chef during filming, the free publicity might turn the unusual opportunity into the sweetest deal she didn’t know she needed.
When the show’s bossy producer, Regina Katz, gets pushed to her death, Val and Charlene, once again, turn crime-solvers in the hope of finding the killer. Val needs to stay cool long enough to solve the crime and keep ‘Pie Town’ from falling apart, or else she just might go up in smoke before she ever graces the small screen.
For anyone, like me, who hasn’t read the first two books of the series, Kirsten Weiss, without being too overt, provides plenty of back-stories. Written in the first person, the characters in this novel were a scream and I particularly liked Val and Charlene’s interaction. I really enjoyed the easy-to-read writing style, the plot and the pace of the book.
All in all, “Pie Hard” is a lighthearted, lovely read, that combines mystery, thrills and murder and mayhem.
I'm looking forward to reading the first two books of the series with, hopefully, more to come!
[Thanks to #NetGalley and Kensington Publishing for the ARC of #PieHard in exchange for an honest review.]
BankofMarquis (1832 KP) rated The Old Guard (2020) in Movies
Jul 22, 2020
Theron makes this film watchable
In this time, where new cinematic experiences are limited to home viewing, it is fun to take a break from watching (or re-watching) classic films to check out a new movie.
And this one, THE OLD GUARD, is a fun enough and well worth checking out.
Starring Charlize Theron and based on a limited-run comics series from 2017, THE OLD GUARD tells the tale of a group if immortals (beings who cannot die) who bond together to serve the greater good of humanity.
While the plot is rather "by-the-book": young, hip, ego-maniacal mega-industrialist uses nefarious methods to capture the immortals to use for his own (money making) purposes, the star power of Theron holds this piece together in interesting ways.
Make no mistake - this is Theron's film (as the oldest of the immortals) and she is terrific. She demands attention anytime she is on the screen and when she shares the scene with strong actors like Chewitel Ejiofor(12 YEARS A SLAVE) and young Kiki Lane (IF BEALE STREET COULD TALK), it makes for an interesting film, indeed. Unfortunately, the rest of the Immortals (Luca Marinelli, Marwan Kenzari and - especially - Matthias Schoenaerts) are rather bland and the "big bad" (played by Dudley Dursley himself, Harry Melling) and his generic henchmen just aren't interesting enough.
The Direction, by Gina-Prince Bythewood, and the fight choreography is professional, but nothing special, which adds to the "meh" I was feeling whenever Theron was not on the screen.
But there is enough going right in this film that in this day where there is a dearth of new entertainment available, THE OLD GUARD fills the void quite well.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank (ofMarquis)
And this one, THE OLD GUARD, is a fun enough and well worth checking out.
Starring Charlize Theron and based on a limited-run comics series from 2017, THE OLD GUARD tells the tale of a group if immortals (beings who cannot die) who bond together to serve the greater good of humanity.
While the plot is rather "by-the-book": young, hip, ego-maniacal mega-industrialist uses nefarious methods to capture the immortals to use for his own (money making) purposes, the star power of Theron holds this piece together in interesting ways.
Make no mistake - this is Theron's film (as the oldest of the immortals) and she is terrific. She demands attention anytime she is on the screen and when she shares the scene with strong actors like Chewitel Ejiofor(12 YEARS A SLAVE) and young Kiki Lane (IF BEALE STREET COULD TALK), it makes for an interesting film, indeed. Unfortunately, the rest of the Immortals (Luca Marinelli, Marwan Kenzari and - especially - Matthias Schoenaerts) are rather bland and the "big bad" (played by Dudley Dursley himself, Harry Melling) and his generic henchmen just aren't interesting enough.
The Direction, by Gina-Prince Bythewood, and the fight choreography is professional, but nothing special, which adds to the "meh" I was feeling whenever Theron was not on the screen.
But there is enough going right in this film that in this day where there is a dearth of new entertainment available, THE OLD GUARD fills the void quite well.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank (ofMarquis)
Connor Sheffield (293 KP) Jun 1, 2017