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Hazel (2934 KP) rated One For Sorrow (DI Callanach #7) in Books
Mar 6, 2022
This is an absolute cracker of a book; totally absorbing, riveting and a rollercoaster ride of emotions.
This is the first one in the series I have read ... I know, I know, where have I been? However, I do feel this can be read quite successfully as a standalone even though I know there is quite a lot of back story that I have missed. This didn't affect my enjoyment of this book one little bit though so don't let it put you off; if anything, it has forced me to put the previous 6 on my wish list it's just a shame my birthday has been an gone ... do you think I can ask for them as a Mother's Day gift foregoing the usual card, flowers and chocolates? I would say so 😀
From start to finish, I literally couldn't put it down ... yes I know this is a bit cliché and is said far too often but in this instance, it is a totally accurate statement. With excellent and believable characters, a fast pace and a tense and thrilling plot that had me guessing to the end, this is definitely going to be one of my books of 2022.
This has got everything you could want from a crime thriller from beginning to end and on that, the ending ... I actually gasped out loud and frantically swiping at my Kindle screen wanting to find out what happens next only to realise that there was no more which has left me waiting very impatiently!
Bravo Helen Fields, bravo ... just wow!
Thank you to Avon Books UK and NetGalley for my copy in return for an honest, unbiased and unedited review.
This is the first one in the series I have read ... I know, I know, where have I been? However, I do feel this can be read quite successfully as a standalone even though I know there is quite a lot of back story that I have missed. This didn't affect my enjoyment of this book one little bit though so don't let it put you off; if anything, it has forced me to put the previous 6 on my wish list it's just a shame my birthday has been an gone ... do you think I can ask for them as a Mother's Day gift foregoing the usual card, flowers and chocolates? I would say so 😀
From start to finish, I literally couldn't put it down ... yes I know this is a bit cliché and is said far too often but in this instance, it is a totally accurate statement. With excellent and believable characters, a fast pace and a tense and thrilling plot that had me guessing to the end, this is definitely going to be one of my books of 2022.
This has got everything you could want from a crime thriller from beginning to end and on that, the ending ... I actually gasped out loud and frantically swiping at my Kindle screen wanting to find out what happens next only to realise that there was no more which has left me waiting very impatiently!
Bravo Helen Fields, bravo ... just wow!
Thank you to Avon Books UK and NetGalley for my copy in return for an honest, unbiased and unedited review.
CA
Cinema and Sacrifice
Book
Cinema has a long history of engaging with the theme of sacrifice. Given its capacity to stimulate...
The Other Ida
Book
A soul-searching novel about how well one woman really knows her family--Winner of the 2014 Dundee...
The Godfather: Pt. 1: Godfather and Seventies Hollywood: Pt. 2: Gangster Film
10.0
Rate It
Book
Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its...
Vehicle Log Book GPS PRO
Business and Finance
App
Vehicle Log Book PRO is your ultimate vehicle travel TAX companion for business or private use -...
Goddess in the Stacks (553 KP) rated Redshirts in Books
Dec 23, 2018
Some books are surreal suspensions of disbelief. Some books just make you go "WHAT the FUCK" every couple of chapters when a new twist is revealed, and this is one of the latter. Just - what the FUCK.
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
WebCricket
Sports and Entertainment
10.0
Rate It
App
WebCricket is a free cricket scoring application which also has the fantastic feature of live online...
Amelia - Story Book for Kids
Book and Games
App
One of the most interactive story books for iPad, iPhone and iPod touch. Discover unique adventure...
Awix (3310 KP) rated Doctor Strange (2016) in Movies
Feb 22, 2018 (Updated Feb 5, 2021)
The fourteenth movie in Marvel's meta-franchise is an impressively faithful attempt at adapting a challenging book for the screen. If the story of a brilliant, arrogant man undergoing a personal trauma and discovering his inner hero seems a little familiar, that's only because the studio has used it as the basis of at least two other movies before, but it's a solid structure imaginatively employed here.
Cumbersome Bandersnatch leads the movie with the charisma you'd expect; the lack of a really strong villain is a bit of a problem but also a frequent issue for Marvel. Visual effects give the impression of Ditkoesque imagery without slavishly copying it; may cause migraines/motion sickness in delicate viewers. You almost get the sense that Marvel are doing a Dr Strange movie at this point just to tick a box, but if nothing else it promises to move this series in some interesting new directions. More movies should have a harpsichord on the soundtrack.
Cumbersome Bandersnatch leads the movie with the charisma you'd expect; the lack of a really strong villain is a bit of a problem but also a frequent issue for Marvel. Visual effects give the impression of Ditkoesque imagery without slavishly copying it; may cause migraines/motion sickness in delicate viewers. You almost get the sense that Marvel are doing a Dr Strange movie at this point just to tick a box, but if nothing else it promises to move this series in some interesting new directions. More movies should have a harpsichord on the soundtrack.