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BankofMarquis (1832 KP) rated Eternals (2021) in Movies
Nov 10, 2021
Works Well Enough
The interesting thing about creating a Cinematic “Universe” (like Marvel has done and others are desperately trying to do) is that because it is a “Universe” you can tell different types of stories with different types of characters in differing styles.
In ETERNALS, Marvel has really attempted to open up their “Universe” by introducing their audience to the Eternals, celestial beings that are tangentially interested in the goings-on of the human world.
It’s not a Super-Hero movie, per se, it’s a world of “Gods and Monsters” (to steal a phrase) that has repercussions across the Universe.
So with this background in mind, the ETERNALS succeeds, mostly, because it is trying to be something…else. NOT a SUPERHERO film, but something on a different plane.
Unfortunately, this probably will put off “Fan-boys” who want “more of the same” (more Avengers, more Thanos, more F/X smashy-smashy, fight-fight) and ETERNALS just isn’t intended to be that.
Your first clue that this film is trying to be something else is the choice of Director - recent Oscar Winner Chloe Zhao (NOMADLAND), known for her personal stories and interesting visuals. She brings that sensibility to this film and it (mostly), though it is the type of Cinematic style that works best in low-res (like an independent film like Nomadland) rather than large IMAX Comic-book film event films.
The movie itself is entertaining…enough. It is, necessarily, slow at the beginning as Zhao needs to set up these characters and the realm that they are playing on (and orient the audience as to how this fits with the AVENGERS:ENDGAME of it all). There are 10 (yes, TEN) Eternals to introduce along with ancillary characters, so the film has to take some time to gather steam.
And…it gathers steam, not in the action sequences (which are serviceable) but in the characters and the character interactions and this is where the film really works for me.
Gemma Chan (CRAZY, RICH ASIANS) and Richard Madden (Rob Stark on GAME OF THRONES) are, basically, the lead characters as their relationship takes center stage for most of the film - and these 2 (especially Chan) holds the screen well, which is tough to do since there are so many characters - and so much other things going on.
The real hero of the Marvel Cinematic Universe, IMHO, is the Casting Director who, time-after-time, plucks relative unknowns and throws them into parts that they are perfectly cast for…Salma Hayak (leader of Eternals, Ajak), Lia McHugh (Sprite), Brian Tyree Henry (Phastos), Lauren Ridloff (Makkari) and Barry Keoghan (Druig) all fit their parts well, with the relationship between Makkari and Druig being particularly interesting.
Speaking of interesting relationships, Ma Dong-seok (so good in the Korean Zombie flick TRAIN TO BUSAN) as Gilgamesh almost steals the screen from MOVIE STAR Angelina Jolie’s Thena…almost. Jolie is a MOVIE STAR that just walks onto the screen and commands your attention - and she is perfectly cast as Thena. It is a very smart use of her talents…and her personae as a MOVIE STAR and works very well.
Finally, it took awhile for the film to figure out what to do with Kumail Nanjiani’s character of Kingo (and Nanjiani’s tremendous comedic talents), but, eventually, they do figure it out - but not entirely - which is really the problem with this film. It ALMOST figures out the formula to make this huge, broad, galactic film very personal, but doesn’t quite get there.
I liked, but didn’t LOVE, ETERNALS. I applaud what this film tries to do and I am fine with where it went and was entertained by it. If this is the first part of a journey, then I am anxious to see where ETERNALS goes from here. If this is a “one-off” film, then it doesn’t, quite, work well enough.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
In ETERNALS, Marvel has really attempted to open up their “Universe” by introducing their audience to the Eternals, celestial beings that are tangentially interested in the goings-on of the human world.
It’s not a Super-Hero movie, per se, it’s a world of “Gods and Monsters” (to steal a phrase) that has repercussions across the Universe.
So with this background in mind, the ETERNALS succeeds, mostly, because it is trying to be something…else. NOT a SUPERHERO film, but something on a different plane.
Unfortunately, this probably will put off “Fan-boys” who want “more of the same” (more Avengers, more Thanos, more F/X smashy-smashy, fight-fight) and ETERNALS just isn’t intended to be that.
Your first clue that this film is trying to be something else is the choice of Director - recent Oscar Winner Chloe Zhao (NOMADLAND), known for her personal stories and interesting visuals. She brings that sensibility to this film and it (mostly), though it is the type of Cinematic style that works best in low-res (like an independent film like Nomadland) rather than large IMAX Comic-book film event films.
The movie itself is entertaining…enough. It is, necessarily, slow at the beginning as Zhao needs to set up these characters and the realm that they are playing on (and orient the audience as to how this fits with the AVENGERS:ENDGAME of it all). There are 10 (yes, TEN) Eternals to introduce along with ancillary characters, so the film has to take some time to gather steam.
And…it gathers steam, not in the action sequences (which are serviceable) but in the characters and the character interactions and this is where the film really works for me.
Gemma Chan (CRAZY, RICH ASIANS) and Richard Madden (Rob Stark on GAME OF THRONES) are, basically, the lead characters as their relationship takes center stage for most of the film - and these 2 (especially Chan) holds the screen well, which is tough to do since there are so many characters - and so much other things going on.
The real hero of the Marvel Cinematic Universe, IMHO, is the Casting Director who, time-after-time, plucks relative unknowns and throws them into parts that they are perfectly cast for…Salma Hayak (leader of Eternals, Ajak), Lia McHugh (Sprite), Brian Tyree Henry (Phastos), Lauren Ridloff (Makkari) and Barry Keoghan (Druig) all fit their parts well, with the relationship between Makkari and Druig being particularly interesting.
Speaking of interesting relationships, Ma Dong-seok (so good in the Korean Zombie flick TRAIN TO BUSAN) as Gilgamesh almost steals the screen from MOVIE STAR Angelina Jolie’s Thena…almost. Jolie is a MOVIE STAR that just walks onto the screen and commands your attention - and she is perfectly cast as Thena. It is a very smart use of her talents…and her personae as a MOVIE STAR and works very well.
Finally, it took awhile for the film to figure out what to do with Kumail Nanjiani’s character of Kingo (and Nanjiani’s tremendous comedic talents), but, eventually, they do figure it out - but not entirely - which is really the problem with this film. It ALMOST figures out the formula to make this huge, broad, galactic film very personal, but doesn’t quite get there.
I liked, but didn’t LOVE, ETERNALS. I applaud what this film tries to do and I am fine with where it went and was entertained by it. If this is the first part of a journey, then I am anxious to see where ETERNALS goes from here. If this is a “one-off” film, then it doesn’t, quite, work well enough.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated Blood, Ink & Fire in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Imagine a world without books… In this dystopian novel by Ashley Mansour, that is exactly what the world is like. <i>Blood, Ink & Fire</i> is set in the future where not only are books non-existent, it is illegal to know how to read. Noelle Hartley has grown up in the United Vales of Fell, where a computer controls what she hears, sees and feels by showing her a constant stream of artificial images. But, Noelle knows she is different. Unlike her parents she is able to question the meanings of the pictures, and when a rebellious group hacks into the system, forcing words onto their screens, Noelle is able to read them.
With the help of her blind friend, John, Noelle and her grandfather escape from this controlling society and find people living on the outside who are against what Fell is doing to humanity. Noelle learns facts about her grandfather’s past that she could never have imagined as well as discovering secrets about herself. Noelle is a reader and is told by members of the past generations that it is not true that all the books were destroyed. There are nine volumes hidden in various locations, which when brought together will become the key to unlock the knowledge that has been banned for so long. It is Noelle’s job to find them.
It is scary how plausible this post-literacy world is. Mansour includes three quotes before the beginning of the novel from the years 1987, 2008 and 2014 that put forward fears that books and our ability to read is becoming less important with the advancement of the internet. Humanity is becoming less intelligent and more controlled by what they see on their computers. Brains do not need to think as much as the answers are all online. Even whilst reading the narrative, there are aspects that are frighteningly familiar. The idea of a continuous stream of images is similar to current social medias such as Tumblr and Pinterest, where users feel compelled to scroll through the entire feed to view all of the latest posts.
There is however a part of this novel that is entirely fiction and would be impossible to ever occur. One of the characters is a bit of an enigma, a piece of the past inhabiting a human body. Literacy personified. This causes the storyline to be less credible, thus readers will view this as a piece of fiction (which it is) and be less likely to take the warning about the Internet changing people’s brains to heart.
<i>Blood, Ink & Fire</i> is a really fascinating story that is exciting from start to finish. It is full of clever ideas, making it unique from other books in this genre. It is also evident that Mansour undertook a vast amount of research, particularly of Shakespeare’s plays, as there was a reference to the playwright and his work in nearly every chapter, from character names to plots. Those familiar with Shakespeare will benefit from these allusions as they make the narrative flow effectively from beginning to end. It is, however, possible to read and enjoy without any prior knowledge of Shakespeare – you may even learn something new from reading this book.
I highly recommend <i>Blood, Ink & Fire</i> to book lovers and dystopian fiction fans. It feels similar in style to <i>The Darkest Minds</i> trilogy by Alexander Bracken, and with series such as <i>The Hunger Games</i> and <i>Divergent</i> being brought to the big screen, this new young adult book is bound to be popular. This was Ashley Mansour’s debut novel and I am keen to discover what she will write next.
Imagine a world without books… In this dystopian novel by Ashley Mansour, that is exactly what the world is like. <i>Blood, Ink & Fire</i> is set in the future where not only are books non-existent, it is illegal to know how to read. Noelle Hartley has grown up in the United Vales of Fell, where a computer controls what she hears, sees and feels by showing her a constant stream of artificial images. But, Noelle knows she is different. Unlike her parents she is able to question the meanings of the pictures, and when a rebellious group hacks into the system, forcing words onto their screens, Noelle is able to read them.
With the help of her blind friend, John, Noelle and her grandfather escape from this controlling society and find people living on the outside who are against what Fell is doing to humanity. Noelle learns facts about her grandfather’s past that she could never have imagined as well as discovering secrets about herself. Noelle is a reader and is told by members of the past generations that it is not true that all the books were destroyed. There are nine volumes hidden in various locations, which when brought together will become the key to unlock the knowledge that has been banned for so long. It is Noelle’s job to find them.
It is scary how plausible this post-literacy world is. Mansour includes three quotes before the beginning of the novel from the years 1987, 2008 and 2014 that put forward fears that books and our ability to read is becoming less important with the advancement of the internet. Humanity is becoming less intelligent and more controlled by what they see on their computers. Brains do not need to think as much as the answers are all online. Even whilst reading the narrative, there are aspects that are frighteningly familiar. The idea of a continuous stream of images is similar to current social medias such as Tumblr and Pinterest, where users feel compelled to scroll through the entire feed to view all of the latest posts.
There is however a part of this novel that is entirely fiction and would be impossible to ever occur. One of the characters is a bit of an enigma, a piece of the past inhabiting a human body. Literacy personified. This causes the storyline to be less credible, thus readers will view this as a piece of fiction (which it is) and be less likely to take the warning about the Internet changing people’s brains to heart.
<i>Blood, Ink & Fire</i> is a really fascinating story that is exciting from start to finish. It is full of clever ideas, making it unique from other books in this genre. It is also evident that Mansour undertook a vast amount of research, particularly of Shakespeare’s plays, as there was a reference to the playwright and his work in nearly every chapter, from character names to plots. Those familiar with Shakespeare will benefit from these allusions as they make the narrative flow effectively from beginning to end. It is, however, possible to read and enjoy without any prior knowledge of Shakespeare – you may even learn something new from reading this book.
I highly recommend <i>Blood, Ink & Fire</i> to book lovers and dystopian fiction fans. It feels similar in style to <i>The Darkest Minds</i> trilogy by Alexander Bracken, and with series such as <i>The Hunger Games</i> and <i>Divergent</i> being brought to the big screen, this new young adult book is bound to be popular. This was Ashley Mansour’s debut novel and I am keen to discover what she will write next.
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PERSONAL DAILY WRITING Beautiful and clear space for you to write entries with different background...
Gareth von Kallenbach (980 KP) rated The Jungle Book (2016) in Movies
Jun 19, 2019
Disney’s animated take on Rudyard Kipling’s classic The Jungle Book is a timeless classic. My mother is even fond of telling me about the Jungle Book theme I had in my room as an infant. So it was with great interest that we covered the new live-action film version which continues a successful tradition for Disney of adapting their animated classics into live-action features. For those not familiar with the story it involves a young boy named Mowgli (Neel Sethi), who was found alone in the jungle by a panther named Bagheera (Ben Kingsley), Mowgli is put in the care of a Wolfpack under the custody of Raksha (Lupita Nyong”o), who raised him as one of her own in the ways of the pack.
Mowgli grew and thrived under this arrangement and was loved and accepted by those in his group. Unfortunately Mowgli eventually draws the attention of a tiger named Shere Khan (Idris Elba), who has a deep disliking and fear of humans and what they’re capable of and thus demands that Mowgli be turned over to him so he removed the human threat from the jungle. Unwilling to let Mowgli be killed, Bagheeera agrees to take the boy to the Human Village where he will have the protection and guidance of his people going forward.
As they embark on a journey filled with sights, sounds, splendor, and danger, they meet all sorts of new characters along the way. From the lovable Baloo (Bill Murray), to the dangerous Kaa (Scarlett Johansson), their adventure is anything but boring especially with Shere Khan constantly lurking and new dangers and surprises around every corner.
Director Jon Favreau keeps the film in line with the source material and offers a lavish and fun production that while heavy on CGI imagery never overshadows the focus being on the characters as they are what propel the story even though the jungle itself very much is a central character to the story. There is action and adventure and parent should be warned that there are a few parts that may be a bit too intense for younger viewers. That being said, the film is just an absolute delight from beginning to end and moves at a brisk enough pace that never drags. There are a couple of musical numbers included which thankfully do not undermine some of the more action intense sequences of the film which had been ramped up considerably from their animated version counterparts.
There’s been talk that a sequel is early in the planning stages and I for one would definitely love to see more adventures especially since it’s reported that the same team that brought this to the screen would be involved in the sequel. The cast is incredibly strong and supports one another very well and what makes this film so great is that like many of the Disney classics it has the broad generational appeal that will allow adults to really enjoy the film rather than feel that they’re simply along to keep the kids happy.
Disney has announced that they would plan to do several live-action adaptations of their animated classics and based on their recent track record of success, in doing so I can’t wait to see what they have next as “The Jungle Book” is an absolute delight that is not to be missed.
http://sknr.net/2016/04/14/the-jungle-book/
Mowgli grew and thrived under this arrangement and was loved and accepted by those in his group. Unfortunately Mowgli eventually draws the attention of a tiger named Shere Khan (Idris Elba), who has a deep disliking and fear of humans and what they’re capable of and thus demands that Mowgli be turned over to him so he removed the human threat from the jungle. Unwilling to let Mowgli be killed, Bagheeera agrees to take the boy to the Human Village where he will have the protection and guidance of his people going forward.
As they embark on a journey filled with sights, sounds, splendor, and danger, they meet all sorts of new characters along the way. From the lovable Baloo (Bill Murray), to the dangerous Kaa (Scarlett Johansson), their adventure is anything but boring especially with Shere Khan constantly lurking and new dangers and surprises around every corner.
Director Jon Favreau keeps the film in line with the source material and offers a lavish and fun production that while heavy on CGI imagery never overshadows the focus being on the characters as they are what propel the story even though the jungle itself very much is a central character to the story. There is action and adventure and parent should be warned that there are a few parts that may be a bit too intense for younger viewers. That being said, the film is just an absolute delight from beginning to end and moves at a brisk enough pace that never drags. There are a couple of musical numbers included which thankfully do not undermine some of the more action intense sequences of the film which had been ramped up considerably from their animated version counterparts.
There’s been talk that a sequel is early in the planning stages and I for one would definitely love to see more adventures especially since it’s reported that the same team that brought this to the screen would be involved in the sequel. The cast is incredibly strong and supports one another very well and what makes this film so great is that like many of the Disney classics it has the broad generational appeal that will allow adults to really enjoy the film rather than feel that they’re simply along to keep the kids happy.
Disney has announced that they would plan to do several live-action adaptations of their animated classics and based on their recent track record of success, in doing so I can’t wait to see what they have next as “The Jungle Book” is an absolute delight that is not to be missed.
http://sknr.net/2016/04/14/the-jungle-book/
Zuky the BookBum (15 KP) rated The Mountain in Books
Mar 15, 2018
I was really looking forward to this book because I’d seen loads of great reviews for it, unfortunately I did not enjoy this for a number of reasons… let me explain.
I want to start off this review on a positive note. I did initially enjoy this book. It was slow to take off and the accident in the Bletterbach was gone in seconds (when it seemed like such an important part of the plot!) but the mystery of the years old Bletterbach killings did grab my interest quite quickly and I was looking forward to knowing what the hell happened. Unfortunately, that’s where the good things I have to say end.
This book was so ridiculously drawn out and slow, it really couldn’t grab my attention for very long. I would read about 30 pages and then put it down because I was so bored by all the tedious, pointless descriptions and scene that weren’t necessary to progress the plot. Most of this novel was conversations between two people, that 90% of the time ended with no further information or revelations to the mystery. Then, the bits that weren’t people talking were extremely long, often times overly scientifics bit of information that I think were meant to be eye-opening and exciting, but instead they often confused me and were extremely boring to read.
The writing in this one was also a little weird. I always find I have a bit of trouble with translated books – they feel clunky to read – and this one felt just the same. The conversations that were had between people felt forced and unrealistic most of the time and there was no atmosphere whatsoever. When Salinger was down in the Bletterbach before the accident, there was no nail-biting edge of the seat moment, and again, when he was experiencing his panic attacks, these was no tension or feeling of claustrophobia. I was hoping this was going to give me the same creeped out, terrified feelings that The White Road did, but it let me down.
I thought that maybe while I was being put to sleep by the slow moving story, I might enjoy the characters, however I was disappointed by those too. More specifically, by Salinger, our main character. I hated him. I really, really hated him. He didn’t progress as a character after everything he had been through and no matter how many times his wife came to him angry and distraught at what he was doing. Throughout the novel he was just an awful person, always thinking about throwing a punch and being inconsiderate to other people. There really was nothing nice about him. And then the other characters in the story played such small parts that we really didn’t get to know them very well. Even Werner who seemed to play an important part of the story didn’t get much “screen” time.
In the end, I skim read the last 100 pages of this novel! I’m still counting it as a full read because I pushed myself through <b><i>t h r e e h u n d r e d</b></i> tedious pages. The conclusion of the mystery was disappointing to say the least and I’m glad I didn’t attempt to read the rest of the story.
Overall, I really didn’t enjoy this book, apart from maybe the first 50 pages. I wouldn’t recommend this one, I think there are plenty of better similar books out there that you could pick up instead.
<i>Thanks to Bookbridgr and MacLehose Press for providing me a copy in exchange for an honest review. I’m just sorry I didn’t enjoy it!</i>
I want to start off this review on a positive note. I did initially enjoy this book. It was slow to take off and the accident in the Bletterbach was gone in seconds (when it seemed like such an important part of the plot!) but the mystery of the years old Bletterbach killings did grab my interest quite quickly and I was looking forward to knowing what the hell happened. Unfortunately, that’s where the good things I have to say end.
This book was so ridiculously drawn out and slow, it really couldn’t grab my attention for very long. I would read about 30 pages and then put it down because I was so bored by all the tedious, pointless descriptions and scene that weren’t necessary to progress the plot. Most of this novel was conversations between two people, that 90% of the time ended with no further information or revelations to the mystery. Then, the bits that weren’t people talking were extremely long, often times overly scientifics bit of information that I think were meant to be eye-opening and exciting, but instead they often confused me and were extremely boring to read.
The writing in this one was also a little weird. I always find I have a bit of trouble with translated books – they feel clunky to read – and this one felt just the same. The conversations that were had between people felt forced and unrealistic most of the time and there was no atmosphere whatsoever. When Salinger was down in the Bletterbach before the accident, there was no nail-biting edge of the seat moment, and again, when he was experiencing his panic attacks, these was no tension or feeling of claustrophobia. I was hoping this was going to give me the same creeped out, terrified feelings that The White Road did, but it let me down.
I thought that maybe while I was being put to sleep by the slow moving story, I might enjoy the characters, however I was disappointed by those too. More specifically, by Salinger, our main character. I hated him. I really, really hated him. He didn’t progress as a character after everything he had been through and no matter how many times his wife came to him angry and distraught at what he was doing. Throughout the novel he was just an awful person, always thinking about throwing a punch and being inconsiderate to other people. There really was nothing nice about him. And then the other characters in the story played such small parts that we really didn’t get to know them very well. Even Werner who seemed to play an important part of the story didn’t get much “screen” time.
In the end, I skim read the last 100 pages of this novel! I’m still counting it as a full read because I pushed myself through <b><i>t h r e e h u n d r e d</b></i> tedious pages. The conclusion of the mystery was disappointing to say the least and I’m glad I didn’t attempt to read the rest of the story.
Overall, I really didn’t enjoy this book, apart from maybe the first 50 pages. I wouldn’t recommend this one, I think there are plenty of better similar books out there that you could pick up instead.
<i>Thanks to Bookbridgr and MacLehose Press for providing me a copy in exchange for an honest review. I’m just sorry I didn’t enjoy it!</i>
Ross (3284 KP) rated Slow Motion Ghosts in Books
Jan 8, 2019
Some good twists (1 more)
Parallel personal story
A decent intriguing thriller set in the 80s
*** Disclosure - I received a free advance copy of this book from netgalley in return for an honest review ***
Jeff Noon is a writer of speculative fiction who has been on my reading list for some time (not through recommendation, but through finding his books in discount shops and liking the sound of them). Here he travels somewhat less speculative ground, telling the tale of a murder investigation during the aftermath of the Brixton riots of the early 80s.
The body of Brendan Clarke is found in unusual circumstances, with his face mutilated in certain odd patterns and with no apparent signs of struggle. The investigation into his murder leads the detectives to look into the earlier suicide of a Bowie-esque rock star as the links between the two are too big to ignore. There then follows an investigation into the cult-like group of misfit teenagers set up in Hastings and the cult status of King Lost, aka Lucas Bell.
There is the usual conflict within the investigative team - one jaded, opinionated DS, one DS that is hard-working and reliable and one DC that is off-screen most of the time researching things. An added element is the recent controversy surrounding DI Hobbes, as he recently shopped in his colleagues for battering a young black man in retaliation for the Brixton riots.
The main storyline is good, with enough mystery and emerging evidence to keep the interest. The link in to the past suicide of the cult figure adds an extra element. However it feels Noon went a little too far out of his way to make there a reasonable number of plausible suspects, all of whom are fairly interchangeable if I'm honest (I still can't remember which one of two characters died and which didn't).
It was interesting to read a crime book written about pre-Google times, so there really was a need for more hard work, door-knocking and evidence gathering.
There were some early incongruous events that came across as quite needlessly jarring, for example when someone says they can't remember what someone looked like, it was only a quick glimpse, can't remember anything at all and then somehow when asked about facial markings (apropos of nothing) suddenly remembered a facial tattoo. A couple of instances like that really took me out of the book.
All in all, this was a reasonably well-told crime book with a decent setting, but not exactly a ground-breaking storyline.
Jeff Noon is a writer of speculative fiction who has been on my reading list for some time (not through recommendation, but through finding his books in discount shops and liking the sound of them). Here he travels somewhat less speculative ground, telling the tale of a murder investigation during the aftermath of the Brixton riots of the early 80s.
The body of Brendan Clarke is found in unusual circumstances, with his face mutilated in certain odd patterns and with no apparent signs of struggle. The investigation into his murder leads the detectives to look into the earlier suicide of a Bowie-esque rock star as the links between the two are too big to ignore. There then follows an investigation into the cult-like group of misfit teenagers set up in Hastings and the cult status of King Lost, aka Lucas Bell.
There is the usual conflict within the investigative team - one jaded, opinionated DS, one DS that is hard-working and reliable and one DC that is off-screen most of the time researching things. An added element is the recent controversy surrounding DI Hobbes, as he recently shopped in his colleagues for battering a young black man in retaliation for the Brixton riots.
The main storyline is good, with enough mystery and emerging evidence to keep the interest. The link in to the past suicide of the cult figure adds an extra element. However it feels Noon went a little too far out of his way to make there a reasonable number of plausible suspects, all of whom are fairly interchangeable if I'm honest (I still can't remember which one of two characters died and which didn't).
It was interesting to read a crime book written about pre-Google times, so there really was a need for more hard work, door-knocking and evidence gathering.
There were some early incongruous events that came across as quite needlessly jarring, for example when someone says they can't remember what someone looked like, it was only a quick glimpse, can't remember anything at all and then somehow when asked about facial markings (apropos of nothing) suddenly remembered a facial tattoo. A couple of instances like that really took me out of the book.
All in all, this was a reasonably well-told crime book with a decent setting, but not exactly a ground-breaking storyline.
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