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Emma @ The Movies (1786 KP) rated A Wrinkle in Time (2018) in Movies
Sep 25, 2019
After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him.
There aren't enough good words to describe how much I love this film. I've sat staring at this screen for twenty minutes trying to work out how to sum it up, and it's really difficult. It will sound ridiculous, but I was left with such a feeling of well being. It sounds daft doesn't it? But it really gave me a sense of perspective that is so easily forgotten. I'm kind of paraphrasing the film but just think about how many decisions the universe had to make to make you... and if you think about that for a while, it's kind of a wow moment.
There are two moments in the film that I love. The first being the moment where they see the universe as it is, and all the things we can't perceive about someone's life. It's poignant and quite emotional. The second is when Charles Wallace goes to the dark side... that kid is amazing and truly demonic, and I loved every second of it.
The only reason that this didn't get five stars is because of the casting. I found Reid and Miller very frustrating to watch, and a little awkward.
It feels spiritual, and I understand that the book has a significant Christian leaning. There are still elements in the film that come across in that way. The Mrs all have a very angel-like, but there's no specific moments that would make you think "bible". There are plenty though that make you think about self and your own place in the universe.
Quite frankly this film made me think more beyond the film than anything else has. My stance is that I always go into a film to not think, the idea is that you're breaking from reality, to unwind, to enjoy yourself. So it usually isn't until a second watching that I might look beyond what's presented, but this one really didn't give me that option, and I liked it.
There aren't enough good words to describe how much I love this film. I've sat staring at this screen for twenty minutes trying to work out how to sum it up, and it's really difficult. It will sound ridiculous, but I was left with such a feeling of well being. It sounds daft doesn't it? But it really gave me a sense of perspective that is so easily forgotten. I'm kind of paraphrasing the film but just think about how many decisions the universe had to make to make you... and if you think about that for a while, it's kind of a wow moment.
There are two moments in the film that I love. The first being the moment where they see the universe as it is, and all the things we can't perceive about someone's life. It's poignant and quite emotional. The second is when Charles Wallace goes to the dark side... that kid is amazing and truly demonic, and I loved every second of it.
The only reason that this didn't get five stars is because of the casting. I found Reid and Miller very frustrating to watch, and a little awkward.
It feels spiritual, and I understand that the book has a significant Christian leaning. There are still elements in the film that come across in that way. The Mrs all have a very angel-like, but there's no specific moments that would make you think "bible". There are plenty though that make you think about self and your own place in the universe.
Quite frankly this film made me think more beyond the film than anything else has. My stance is that I always go into a film to not think, the idea is that you're breaking from reality, to unwind, to enjoy yourself. So it usually isn't until a second watching that I might look beyond what's presented, but this one really didn't give me that option, and I liked it.
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Bob Mann (459 KP) rated Red Sparrow (2018) in Movies
Sep 29, 2021
Good Lord! How much sex and violence is acceptable for a UK-15 film?
I recognise that it’s a “thing” that I get into periodic ‘ruts’ of ranting about particular aspects of cinema. But it’s not spoilers in trailers this time! No, the most recent rut I’ve been in is concerned with the correctness or otherwise of the BBFC’s rating of UK 15-certificate films, which seems to have been the rating of every cinema film I’ve seen recently! In my view both “Phantom Thread” and “Lady Bird” should both have firmly been 12A’s to attract a broader teenage audience. But here’s a case on the other side of the balance.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
Sarah (7799 KP) rated Harry Potter and the Deathly Hallows - Part 1 (2010) in Movies
Jan 14, 2018
One of the better HP adaptations
I have a bit of an issue with the Harry Potter films in general. I'm grateful that they've at least brought the wizarding world onto the big screen, I just think it's a shame that some of them are very poor versions of the books. Part 1 of the Deathly Hallows is a fairly decent adaptation, but even still it's very frustrating to see how much has been missed out. My other half even commented asking if Dobby had a bigger part in the books, as it was obvious even to him as a non book reader that storylines from the books had been implied in the films rather than actually featured.
Still despite all that, it is definitely one of the better in the series and I like how dark the series has gone. The acting is great from the seasoned cast, but at little hit and miss from the younger actors. The effects are fairly good too if a little overused..
I have a love hate relationship with the HP films. I love the sets and how the wizarding world has been brought to life - without these films we wouldn't have the studios in London and the amazing world in Universal Florida. It's just a shame so much of the back story and detail from the books has been left out.
Still despite all that, it is definitely one of the better in the series and I like how dark the series has gone. The acting is great from the seasoned cast, but at little hit and miss from the younger actors. The effects are fairly good too if a little overused..
I have a love hate relationship with the HP films. I love the sets and how the wizarding world has been brought to life - without these films we wouldn't have the studios in London and the amazing world in Universal Florida. It's just a shame so much of the back story and detail from the books has been left out.