Search
Search results

Sarah (7799 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.

TheDefunctDiva (304 KP) rated The Fly (1986) in Movies
Mar 13, 2021 (Updated Mar 15, 2021)
Come Fly With Me...
Contains spoilers, click to show
The Fly, Directed by David Cronenberg, 1986
To the victor go the spoils. To the reader, go the spoilers.
We watched The Fly the other night. I observed, with fond amusement, that the energetic and quirky Jeff Goldblum always seems to star as himself. In this film, he plays a scientist named Seth Brundle. His offbeat handsomeness pairs well with the pale beauty of Geena Davis, who stars alongside him as journalist Veronica Quaife. As the two characters hit it off, I tried to ignore the fact that Goldblum’s character came off as somewhat creepy.
Then we were introduced to Veronica’s ex-boyfriend, who is also her boss. Stathis, played by John Getz, is unhinged. His performance was exaggerated, almost a caricature. He presents himself as the pinnacle alpha-male. Talk about a stalker. His attempts to control Veronica, and his jealousy, were epic. I commented that the scariest thing about this movie was Veronica’s ex. Little did I know what the rest of the film had in store.
Seth, an undiscovered genius, has invented a transporter. Seth shows Veronica how his invention works by transporting her stocking from one pod to another. Veronica wants to publish a story about it, but Seth insists that his technology is not ready. Seth and Veronica become involved, and she helps document his experiments.
Later, things get hairy. Naturally, they want to see if the pods are capable of transporting living beings. Instead of experimenting on a bug, or a mouse, or a smaller creature, they attempt to transport a full-sized monkey.
Suffice to say, things do not go well. Kudos to the special effects team for creating that pile of retch.
More modifications are made, and another monkey survives the transportation trip.
The romance grows between Seth and Veronica. I had a hard time buying into the chemistry between Goldblum and Davis. They both seemed a little distant. Regardless, the love story pushes forward. There is even talk of the pair going away together “like an old married couple.” Then Veronica’s boss throws a wrench in the mix. Veronica is forced to deal with his antics. Seth, who is also a bit of a jealous type, gets drunk and sends himself through the transporter, since the monkey seemed fine.
Then there comes the stuff of nightmares. Seth isn’t himself. He is immediately charged with manic energy. He performs quite an impressive gymnastics routine (thank you, stunt Goldblum).Veronica is clearly distraught that her boyfriend is losing it.
The physical metamorphosis begins. Seth develops weird, wiry hairs protruding from a cut on his back. His sex drive goes wonky, and when he alienates Veronica, he finds a random lady from a bar to sleep with. His complexion worsens dramatically. He discovers that his machine has melded his genetic information with the DNA of a fly that was in the pod of the transporter with him. THE DNA FUSED AT A MOLECULAR LEVEL. This, my dear viewers, is not good. Not the sort of thing you can get addressed at your nearest urgent care clinic.
Things get worse, and incredibly gross, from there. Fingernails fall off and bug juice oozes. The makeup and special effects departments did an extremely convincing job. I felt incredibly bad for this seemingly highly intelligent man. My boyfriend kept calling for a flame thrower.
Veronica tries to help, and is empathetic. But watching your newfound love deteriorate so rapidly, and being powerless to help, is extremely traumatic. Davis brought her A-game to this portion of the performance. And, true to the sci-fi soap opera plot, she discovers that she is pregnant with Seth’s baby.
I don’t want to spoil the ending for you. But do you imagine this story ends well? I had hope. But it was squashed like a bug. If you have the stomach for good, old-fashioned movie gore, and you like Weird Science with a touch of Bad Romance, this film is for you.
To the victor go the spoils. To the reader, go the spoilers.
We watched The Fly the other night. I observed, with fond amusement, that the energetic and quirky Jeff Goldblum always seems to star as himself. In this film, he plays a scientist named Seth Brundle. His offbeat handsomeness pairs well with the pale beauty of Geena Davis, who stars alongside him as journalist Veronica Quaife. As the two characters hit it off, I tried to ignore the fact that Goldblum’s character came off as somewhat creepy.
Then we were introduced to Veronica’s ex-boyfriend, who is also her boss. Stathis, played by John Getz, is unhinged. His performance was exaggerated, almost a caricature. He presents himself as the pinnacle alpha-male. Talk about a stalker. His attempts to control Veronica, and his jealousy, were epic. I commented that the scariest thing about this movie was Veronica’s ex. Little did I know what the rest of the film had in store.
Seth, an undiscovered genius, has invented a transporter. Seth shows Veronica how his invention works by transporting her stocking from one pod to another. Veronica wants to publish a story about it, but Seth insists that his technology is not ready. Seth and Veronica become involved, and she helps document his experiments.
Later, things get hairy. Naturally, they want to see if the pods are capable of transporting living beings. Instead of experimenting on a bug, or a mouse, or a smaller creature, they attempt to transport a full-sized monkey.
Suffice to say, things do not go well. Kudos to the special effects team for creating that pile of retch.
More modifications are made, and another monkey survives the transportation trip.
The romance grows between Seth and Veronica. I had a hard time buying into the chemistry between Goldblum and Davis. They both seemed a little distant. Regardless, the love story pushes forward. There is even talk of the pair going away together “like an old married couple.” Then Veronica’s boss throws a wrench in the mix. Veronica is forced to deal with his antics. Seth, who is also a bit of a jealous type, gets drunk and sends himself through the transporter, since the monkey seemed fine.
Then there comes the stuff of nightmares. Seth isn’t himself. He is immediately charged with manic energy. He performs quite an impressive gymnastics routine (thank you, stunt Goldblum).Veronica is clearly distraught that her boyfriend is losing it.
The physical metamorphosis begins. Seth develops weird, wiry hairs protruding from a cut on his back. His sex drive goes wonky, and when he alienates Veronica, he finds a random lady from a bar to sleep with. His complexion worsens dramatically. He discovers that his machine has melded his genetic information with the DNA of a fly that was in the pod of the transporter with him. THE DNA FUSED AT A MOLECULAR LEVEL. This, my dear viewers, is not good. Not the sort of thing you can get addressed at your nearest urgent care clinic.
Things get worse, and incredibly gross, from there. Fingernails fall off and bug juice oozes. The makeup and special effects departments did an extremely convincing job. I felt incredibly bad for this seemingly highly intelligent man. My boyfriend kept calling for a flame thrower.
Veronica tries to help, and is empathetic. But watching your newfound love deteriorate so rapidly, and being powerless to help, is extremely traumatic. Davis brought her A-game to this portion of the performance. And, true to the sci-fi soap opera plot, she discovers that she is pregnant with Seth’s baby.
I don’t want to spoil the ending for you. But do you imagine this story ends well? I had hope. But it was squashed like a bug. If you have the stomach for good, old-fashioned movie gore, and you like Weird Science with a touch of Bad Romance, this film is for you.

Chris Sawin (602 KP) rated the PlayStation 4 version of Little Nightmares II in Video Games
Apr 9, 2021
The incredible story. (3 more)
Great visuals and interactions with items both in the foreground and background.
Brilliant score.
Its gameplay and controls are mostly entertaining.
Some puzzles are difficult to solve without cheating. (2 more)
It is ridiculously difficult at times. Expect to die. A lot.
It is longer than the first game, but still feels short.
A Visually Creepy Masterpiece with a few Minor Flaws
Little Nightmares II is a vast improvement over the original game that still has a few flaws that could be ironed out in a sequel. The first game was creepy and a lot of fun, but it felt incredibly short. It was the type of game you bought, played through quickly, and traded in because it didn’t seem to have much replay value. Although I'm just now reading about the DLC for the game and the hidden ending to Little Nightmares II, but I digress.
Little Nightmares II has you playing as Mono, a young boy that wears a paper bag over his head; not unlike Ugly Bob from the Terrance & Phillip In Not Without My Anus on the first episode of the second season of South Park. The game is a lot like Limbo with more color. Mono is thrown into a world of bleak surroundings and even darker outcomes. Thankfully, you have Six from the previous game to assist you. However, Little Nightmares II is only one player which seems like a missed opportunity for this to be a two player game.
The format of each level is pretty similar other than the last one. You typically flee a major boss character that chases you while you search for the key to a locked door. Stealth is involved throughout the game. If you make too much noise, run too fast, or walk into the light from the shadows in view of a boss’s eyesight then you get eaten or killed. You use your surroundings to thwart the boss, which usually involves killing them yourself. The chase element is the same near the end of the game, but you're thrown into more surreal and dreamlike surroundings.
It does seem like you interact more with the background in comparison to the previous game. You can almost always run into the background on any level. It may result in you falling off a cliff, but that kind of exploration ability in a side-scroller is really cool. I played Little Nightmares II on a PS5 despite the game being for PS4. What’s cool is you can feel Mono’s heartbeat through the controller when situations are tense and seeing little dust particles float through the air as you explore is a nice addition.
The highlight of the game is the story. The world Little Nightmares and Little Nightmares II takes place in is so deliciously dreary with what feels like no hope for survival. You root for Mono and Six to stay together as friends, but that outcome seems less and less likely as the game progresses. You also gain powers as Mono later on; the most noteworthy one being able to use televisions as portals. All of the major bosses are fantastically terrifying, as well. You’re chased by a hunter with a shotgun, a teacher with a stretchy neck and an appetite, twitchy mannequins that only move in darkness, viewers obsessed with television, and The Thin Man who kidnaps Six.
The game can be frustrating at times. Not only is it difficult and will result in you dying over and over again, but certain puzzles are almost impossible to solve without looking up how to solve them first.
According to the internet, it seems as though this may be the end of the Little Nightmares franchise since the creators are moving on to something new and will focus less on sequels in the future. It’s unfortunate since Dave Mervik’s writing with the story of the game is so well done and the game as a whole is mostly very fun and entertaining to play while providing legitimate thrills and chills. Tobias Lilja’s musical score is a frightening delight. However, despite Little Nightmare II’s flaws, it’ll be impossible not to be invested in anything Tarsier Studios is involved with in the years to come.
Little Nightmares II has you playing as Mono, a young boy that wears a paper bag over his head; not unlike Ugly Bob from the Terrance & Phillip In Not Without My Anus on the first episode of the second season of South Park. The game is a lot like Limbo with more color. Mono is thrown into a world of bleak surroundings and even darker outcomes. Thankfully, you have Six from the previous game to assist you. However, Little Nightmares II is only one player which seems like a missed opportunity for this to be a two player game.
The format of each level is pretty similar other than the last one. You typically flee a major boss character that chases you while you search for the key to a locked door. Stealth is involved throughout the game. If you make too much noise, run too fast, or walk into the light from the shadows in view of a boss’s eyesight then you get eaten or killed. You use your surroundings to thwart the boss, which usually involves killing them yourself. The chase element is the same near the end of the game, but you're thrown into more surreal and dreamlike surroundings.
It does seem like you interact more with the background in comparison to the previous game. You can almost always run into the background on any level. It may result in you falling off a cliff, but that kind of exploration ability in a side-scroller is really cool. I played Little Nightmares II on a PS5 despite the game being for PS4. What’s cool is you can feel Mono’s heartbeat through the controller when situations are tense and seeing little dust particles float through the air as you explore is a nice addition.
The highlight of the game is the story. The world Little Nightmares and Little Nightmares II takes place in is so deliciously dreary with what feels like no hope for survival. You root for Mono and Six to stay together as friends, but that outcome seems less and less likely as the game progresses. You also gain powers as Mono later on; the most noteworthy one being able to use televisions as portals. All of the major bosses are fantastically terrifying, as well. You’re chased by a hunter with a shotgun, a teacher with a stretchy neck and an appetite, twitchy mannequins that only move in darkness, viewers obsessed with television, and The Thin Man who kidnaps Six.
The game can be frustrating at times. Not only is it difficult and will result in you dying over and over again, but certain puzzles are almost impossible to solve without looking up how to solve them first.
According to the internet, it seems as though this may be the end of the Little Nightmares franchise since the creators are moving on to something new and will focus less on sequels in the future. It’s unfortunate since Dave Mervik’s writing with the story of the game is so well done and the game as a whole is mostly very fun and entertaining to play while providing legitimate thrills and chills. Tobias Lilja’s musical score is a frightening delight. However, despite Little Nightmare II’s flaws, it’ll be impossible not to be invested in anything Tarsier Studios is involved with in the years to come.

San Andreas Grand Crime City 3D - Drift, Race & Shoot in Real Gangster City Simulator
Games and Entertainment
App
Welcome to the criminal world of Miami Vice City and take up the charge of the Miami Vice Grand...

Lee (2222 KP) rated I Feel Pretty (2018) in Movies
May 21, 2018
Pretty Average
Renee Bennett (Amy Schumer) feels average, and anything but pretty in this world. Clothing store workers sneer at her choice of fashion, suggesting that she should instead venture in the direction of the plus size clothing. Supermarket customers mistake her as just a downtrodden employee, focusing instead on the 'perfect' girl standing beside her. In busy bars, workers favour the pretty girls ordering drinks over her, and in her exercise class she's made to feel uncomfortable at her larger than average footwear needs. She's also part of a small group of 3 friends, who all struggle to attract dates in this superficial world, and wish they were prettier.
Then one day, Renee falls off her exercise bike and bangs her head. When she comes round, she believes that magic has made her beautiful, and she thinks that all her friends are seeing someone completely different. Only they're not, they're seeing exactly the same person as before.
This perceived change gives Renee a new found confidence. She believes that men are trying to hit on her, and in one of the movies funnier moments, she believes she can win a bikini competition. She also pursues her dream of becoming receptionist for the large cosmetics company she works for, moving from the dull, dark office of their online division all the way up to their big shiny head office where all the beautiful people work. And where her idol and boss, Avery LeClaire (Michelle Williams) works. Eventually, another bang to the head reverses the 'spell' and Renee has to try and deal with the sudden realisation that beauty really is only skin deep.
With Amy Schumer onboard for this, I guess I was expecting it to be a lot funnier than it actually is. While I didn't not like it, I've got to say I was pretty disappointed overall. There's obviously a strong message to this movie, but it gradually becomes muddled as the movie progresses and isn't effectively executed, which is a real shame considering. I wondered if being a man, I was maybe missing the message and failing to appreciate it as much as a woman might, but my wife actually felt the same way.
Then one day, Renee falls off her exercise bike and bangs her head. When she comes round, she believes that magic has made her beautiful, and she thinks that all her friends are seeing someone completely different. Only they're not, they're seeing exactly the same person as before.
This perceived change gives Renee a new found confidence. She believes that men are trying to hit on her, and in one of the movies funnier moments, she believes she can win a bikini competition. She also pursues her dream of becoming receptionist for the large cosmetics company she works for, moving from the dull, dark office of their online division all the way up to their big shiny head office where all the beautiful people work. And where her idol and boss, Avery LeClaire (Michelle Williams) works. Eventually, another bang to the head reverses the 'spell' and Renee has to try and deal with the sudden realisation that beauty really is only skin deep.
With Amy Schumer onboard for this, I guess I was expecting it to be a lot funnier than it actually is. While I didn't not like it, I've got to say I was pretty disappointed overall. There's obviously a strong message to this movie, but it gradually becomes muddled as the movie progresses and isn't effectively executed, which is a real shame considering. I wondered if being a man, I was maybe missing the message and failing to appreciate it as much as a woman might, but my wife actually felt the same way.

Rachel King (13 KP) rated Thunderbird Falls (Walker Papers, #2) in Books
Feb 11, 2019
The second book in the Walker Papers series was more enjoyable than the first one for me, simple because I like Joanne's sense of humor. She pokes fun at herself relentlessly, whether it be in her thoughts or outloud in conversation, which makes her superhuman abilities not so off-putting. At one part she makes the remark that the people who are given the strongest powers usually don't even want them - the universe's way of creating balance. This is a great summary of Joanne's reluctance to be who she is supposed to be. The irony of this book is that reluctance is what she needs most in this book in order to defeat the Big Bad of this book, but she spends most of the book working on acceptance. She has a certain klutz factor in everything she does, and yet she still ends up on top no matter what the situation is.
The lack of romantic interludes I find rather discouraging, since she seems to have a few potential men in her sights but refuses to act on her attractions. With the chemistry building between her and her boss, a lack of activity feels like a loose end left hanging.
Another factor that felt like a loose end was Joanne's search for a spirit animal. While she did the search in the plot, and did come out with one, the ending made it look like she lost her spirit animal, so does she still have one or not? It seems like an awful lot of work to come up empty-handed.
Loose end number three was the outcome of the coven that Joanne joined. Nothing was stated to indicate if she was still a member, or what they intend to do about the events that they played a part in.
I was also rather confused about what the meaning of several of the scenes was, such as her encounter with the big Coyote and her sight-reversal of color. Neither of these, as well as other things, were explained much at all. I feel like I should research what shamanism is before I read anymore of this series, as it does not look like the author is inclined to delve into the details.
The lack of romantic interludes I find rather discouraging, since she seems to have a few potential men in her sights but refuses to act on her attractions. With the chemistry building between her and her boss, a lack of activity feels like a loose end left hanging.
Another factor that felt like a loose end was Joanne's search for a spirit animal. While she did the search in the plot, and did come out with one, the ending made it look like she lost her spirit animal, so does she still have one or not? It seems like an awful lot of work to come up empty-handed.
Loose end number three was the outcome of the coven that Joanne joined. Nothing was stated to indicate if she was still a member, or what they intend to do about the events that they played a part in.
I was also rather confused about what the meaning of several of the scenes was, such as her encounter with the big Coyote and her sight-reversal of color. Neither of these, as well as other things, were explained much at all. I feel like I should research what shamanism is before I read anymore of this series, as it does not look like the author is inclined to delve into the details.

Whatchareadin (174 KP) rated How to Walk Away in Books
Apr 9, 2019
Maggie Jacobson hates to fly. So when her boyfriend, Chip, decides to propose to her while he is flying a plane, she is flattered, but can't wait to land. That's when things go horribly wrong. There is an accident which leave Maggie paralyzed from the knee down. Life will never be the same for Maggie again, but will she and Chip be able to build a life together after this incident? Will Maggie be able to "walk" away from this event with her head held high and go on with life?
Thank you to NetGalley and St. Martins Press for the opportunity to read and review this book.
What would you do if you're whole life literally got flipped upside down in a matter of moments? For Maggie her fear of flying came to a head with this accident. I'm not sure what I would do. This book started out very interesting for me. I dove in head first. I don't know where things slowed down for me. I wanted to find out what was going to happen next, but the ending seemed a bit predictable for me. Overall I enjoyed the book. I like the story line and the play on words with the title. With the title and the context of the book, I thought Maggie would one day walk away. There are a few times when I wanted to jump in the book and smack a couple of people. When you read the book, you will understand.
Even though Maggie was the main focus in this book, she wasn't the only one who had some issues they needed to "walk" away from. There is her sister who she hasn't seen or spoken to in three years. Her mother, who carries on a facade of being the perfect mother, but has some deep secrets, and Maggie's therapist, Ian. He loves the work he does, but every day his boss is tries to find ways to get him fired.
This is the first book I have read by Katherine Center. This was also the first I had heard of this author.
Thank you to NetGalley and St. Martins Press for the opportunity to read and review this book.
What would you do if you're whole life literally got flipped upside down in a matter of moments? For Maggie her fear of flying came to a head with this accident. I'm not sure what I would do. This book started out very interesting for me. I dove in head first. I don't know where things slowed down for me. I wanted to find out what was going to happen next, but the ending seemed a bit predictable for me. Overall I enjoyed the book. I like the story line and the play on words with the title. With the title and the context of the book, I thought Maggie would one day walk away. There are a few times when I wanted to jump in the book and smack a couple of people. When you read the book, you will understand.
Even though Maggie was the main focus in this book, she wasn't the only one who had some issues they needed to "walk" away from. There is her sister who she hasn't seen or spoken to in three years. Her mother, who carries on a facade of being the perfect mother, but has some deep secrets, and Maggie's therapist, Ian. He loves the work he does, but every day his boss is tries to find ways to get him fired.
This is the first book I have read by Katherine Center. This was also the first I had heard of this author.

Cyn Armistead (14 KP) rated Dragon Ship (Theo Waitley, #4; Liaden Universe, #17) in Books
Mar 1, 2018
[a:Sharon Lee|57980|Sharon Lee|http://photo.goodreads.com/authors/1249574929p2/57980.jpg] and [a:Steve Miller|5829|Steve Miller|http://photo.goodreads.com/authors/1249575165p2/5829.jpg] continue to please with this latest installment in the Liaden Universe series. Theo Waitley, now First Pilot on the sentient ship Bechimo, is in the process of deciding whether she's going to bond with the ship permanently as its Captain. She and the Bechimo are being pursued, together and separately, by the Department of the Interior. Despite that fact, she goes out to establish a new trade route for Clan Korval, with former Juntavas Boss Clarence O'Berin sitting as Co-pilot.
Theo's former lover Win Ton is confined in Bechimo's restructuring facility, something a step beyond the autodoc, where he is being rebuilt cell by cell after being tortured by the Department of the Interior in its pursuit of the Bechimo. There's no guarantee that Win Ton will survive the process, or what shape he'll be in when it is completed.
They aren't far into the route when they receive a distress signal from space station Codrescu, in orbit around Eylot, the planet where Theo began training as a Pilot. The political situation on Eylot has come to a head, and all Pilots there are in danger. Codrescu has put out an emergency call for help, so Theo takes Bechimo to the rescue — despite the fact that she has good reason to never want to see that system again.
Theo is a very young woman, but growing by leaps and bounds. She makes any decision that doesn't rely on social intelligence very well, guided by good basic instincts and other types of intelligence. Her social skills still leave much to be desired, but she's slowly improving those and she knows she has a weakness in that area.
It is always a joy to read a Liaden novel, but watching Theo grow up adds a new dimension of pleasure to the reading. While I've paused to read and re-read some of the chapbooks in order to put off the time before I ran out of new material, the time is here now. I'm back to the same old complaint: I want more, now! Please?
Theo's former lover Win Ton is confined in Bechimo's restructuring facility, something a step beyond the autodoc, where he is being rebuilt cell by cell after being tortured by the Department of the Interior in its pursuit of the Bechimo. There's no guarantee that Win Ton will survive the process, or what shape he'll be in when it is completed.
They aren't far into the route when they receive a distress signal from space station Codrescu, in orbit around Eylot, the planet where Theo began training as a Pilot. The political situation on Eylot has come to a head, and all Pilots there are in danger. Codrescu has put out an emergency call for help, so Theo takes Bechimo to the rescue — despite the fact that she has good reason to never want to see that system again.
Theo is a very young woman, but growing by leaps and bounds. She makes any decision that doesn't rely on social intelligence very well, guided by good basic instincts and other types of intelligence. Her social skills still leave much to be desired, but she's slowly improving those and she knows she has a weakness in that area.
It is always a joy to read a Liaden novel, but watching Theo grow up adds a new dimension of pleasure to the reading. While I've paused to read and re-read some of the chapbooks in order to put off the time before I ran out of new material, the time is here now. I'm back to the same old complaint: I want more, now! Please?

Kristy H (1252 KP) rated Greenfield in Books
Feb 13, 2018
Jack Clayton is retiring from the police force and dreaming about a calm life in retirement. All that changes when he meets Officer Yolanda Tilden, a young hotshot officer on the force he's just left. Once a prospective FBI Detective, Yolanda had to leave the FBI after getting injured and she's not happy about it. Jack's former boss, Chief Varner, convinces (tricks?) Jack into coming back for a special assignment to work with Yolanda for thirty days as a mentor. At first, the set-in-his-ways Jack and the angry Yolanda clash, but eventually the two work together on a drug case and start forming a true partnership.
Full disclosure - I only read this book because the author is a friend of a friend, and my friend bought the book for me. I knew the author wrote the book in his spare time, so I wasn't exactly sure what to expect.
The first part of the book wasn't my favorite. It lagged and was totally unrealistic (let's completely solve the drug wars in 48 hours!), but did a good job of setting up Jack and Yolanda's friendship and partnership. The writing can be a little stilted at times (must Yolanda say Jack's name every time she speaks to him?), with a few typos. Still, as I thought about it, the plot certainly wasn't any more outlandish than the New Adult romances that are all the rage right now.
Things certainly improved with Part 2, and I found myself staying up late to find out what happened. Part 2 sets up what appears to the "Cold Case Series" that Krammes writes (he has several books after this one). I really enjoyed Part 2 and found the plot to be engaging and interesting. While Jack and Yolanda's relationship is still a little far-fetched, the two are rather endearing at times, and amusing. The mystery portion was interesting and very solid. Overall, it was a fun book and Part 2 probably pulled it to a solid 3 to 3.5 stars. I look forward to reading the next one, since it's basically set in my hometown!
Full disclosure - I only read this book because the author is a friend of a friend, and my friend bought the book for me. I knew the author wrote the book in his spare time, so I wasn't exactly sure what to expect.
The first part of the book wasn't my favorite. It lagged and was totally unrealistic (let's completely solve the drug wars in 48 hours!), but did a good job of setting up Jack and Yolanda's friendship and partnership. The writing can be a little stilted at times (must Yolanda say Jack's name every time she speaks to him?), with a few typos. Still, as I thought about it, the plot certainly wasn't any more outlandish than the New Adult romances that are all the rage right now.
Things certainly improved with Part 2, and I found myself staying up late to find out what happened. Part 2 sets up what appears to the "Cold Case Series" that Krammes writes (he has several books after this one). I really enjoyed Part 2 and found the plot to be engaging and interesting. While Jack and Yolanda's relationship is still a little far-fetched, the two are rather endearing at times, and amusing. The mystery portion was interesting and very solid. Overall, it was a fun book and Part 2 probably pulled it to a solid 3 to 3.5 stars. I look forward to reading the next one, since it's basically set in my hometown!

Merissa (12346 KP) rated Relentless (Somerton Security #2) in Books
Jun 21, 2018
Relentless (Somerton Security #2) by Elizabeth Dyer
Relentless is the second book in the Somerton Security series, and this time we are dealing with the big boss man himself, Ethan Somerton. This book does follow on from book one, so I would definitely recommend you read them in order, just so you get the most enjoyment out of them!
Ethan has a hard job to do - he needs to go undercover for a cartel, which could (most likely) get him killed. However, he is prepared to do that if it means he is giving a friend he thinks of like a brother a chance at living. They may have a friend on the inside though, as someone has been leaving tips for the various security forces, trying to help. Parker's program says one person, but Ethan is convinced it is someone else. Someone who sets his blood on fire, but has more walls than he does, and with very good reason. With a little bit of stubbornness and luck, they may just have a way forward.
This book is raw and gritty, and makes no bones about it. Ethan and Natalia have a hard time of it, both of them needing to trust the other, when trust is the hardest commodity to come by. I loved catching up with Parker and Georgia, and seeing how they are making it work, even when they are so different. Ethan is a tough man, but he certainly has found his match in Natalia. She has gone through things no one should, and survived.
With no editing or grammatical errors that disrupted my reading flow, this book was a brilliant read, and I certainly look forward to reading more in this series. I really need to know what happened at a certain time with a certain someone ;) If you like #Romance #Suspense, then I can pretty much guarantee you will love this series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ethan has a hard job to do - he needs to go undercover for a cartel, which could (most likely) get him killed. However, he is prepared to do that if it means he is giving a friend he thinks of like a brother a chance at living. They may have a friend on the inside though, as someone has been leaving tips for the various security forces, trying to help. Parker's program says one person, but Ethan is convinced it is someone else. Someone who sets his blood on fire, but has more walls than he does, and with very good reason. With a little bit of stubbornness and luck, they may just have a way forward.
This book is raw and gritty, and makes no bones about it. Ethan and Natalia have a hard time of it, both of them needing to trust the other, when trust is the hardest commodity to come by. I loved catching up with Parker and Georgia, and seeing how they are making it work, even when they are so different. Ethan is a tough man, but he certainly has found his match in Natalia. She has gone through things no one should, and survived.
With no editing or grammatical errors that disrupted my reading flow, this book was a brilliant read, and I certainly look forward to reading more in this series. I really need to know what happened at a certain time with a certain someone ;) If you like #Romance #Suspense, then I can pretty much guarantee you will love this series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!