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Charlie Cobra Reviews (1840 KP) rated Ad Astra (2019) in Movies
Jul 7, 2020
A Sci-Fi Film Grounded In Reality
Ad Astra is a 2019 sci-fi/adventure movie directed, produced, and co-written by James Gray. Ethan Gross was the co-writer and other producers on the film were Brad Pitt, Dede Gardner, Jeremy Kleiner, James Gray, Anthony Katagas, Rodrigo Teixeira and Arnon Milchan. The movie was produced by 20th Century Fox, Regency Enterprises, Bona Film Group, New Regency, Plan B Entertainment, RT Features, Keep Your Head Productions, MadRiver Pictures, TSG Entertainment and was distributed by Walt Disney Studios Motion Pictures. The film stars Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler and Donald Sutherland.
When all life on Earth is threatened by mysterious power surges, U.S. Space Command seeks out astronaut Major Roy McBride for a special mission. He is the son of famed astronaut H. Clifford McBride, who headed the "Lima Project" which purpose was to search the Solar System for intelligent life. Now, after sixteen years of silence and his father believed dead, they inform Roy that the surges have been traced back to the "Lima Project" and he must travel Mars to try and contact his father to save the Earth.
I was super excited about this movie before watching it in theaters. Even though I saw the trailers, I made sure not to read up on it or watch them too much because I didn't want for anything to spoil it for me. Honestly after watching it, I still have mixed feelings. In a lot of ways I liked the film but almost equally I didn't. There was a lot that I was kind of disappointed in but also a lot that happened different than what I thought was going to happen, especially when it came to the plot. This movie was very realistic for a science fiction space movie when I thought it was going to be more fantastical. I think that was the main reason for me not liking it as much as I thought I would, also the pacing threw me off because this movie was really long. I kept waiting for it to get good and it never really did. There were a couple of good scenes overall but I agree with some critics or reviewers who said that it either needed to be shorter or a lot longer and made into a mini-series. I thought Brad Pitt did an excellent job in his role as Major Roy McBride but I understand people who criticized his performance because his character is very unemotional. I also really liked Ruth Negga's performance and think she did a fantastic job. I was let down that Tommy Lee Jones didn't have as much screen time as I thought he was going to, double for Donald Sutherland as well. Not a lot more I can say without spoiling parts of the movie. I wound up giving this movie a 6/10. I would have given it a point lower but there's a lot that makes this film above normal.
When all life on Earth is threatened by mysterious power surges, U.S. Space Command seeks out astronaut Major Roy McBride for a special mission. He is the son of famed astronaut H. Clifford McBride, who headed the "Lima Project" which purpose was to search the Solar System for intelligent life. Now, after sixteen years of silence and his father believed dead, they inform Roy that the surges have been traced back to the "Lima Project" and he must travel Mars to try and contact his father to save the Earth.
I was super excited about this movie before watching it in theaters. Even though I saw the trailers, I made sure not to read up on it or watch them too much because I didn't want for anything to spoil it for me. Honestly after watching it, I still have mixed feelings. In a lot of ways I liked the film but almost equally I didn't. There was a lot that I was kind of disappointed in but also a lot that happened different than what I thought was going to happen, especially when it came to the plot. This movie was very realistic for a science fiction space movie when I thought it was going to be more fantastical. I think that was the main reason for me not liking it as much as I thought I would, also the pacing threw me off because this movie was really long. I kept waiting for it to get good and it never really did. There were a couple of good scenes overall but I agree with some critics or reviewers who said that it either needed to be shorter or a lot longer and made into a mini-series. I thought Brad Pitt did an excellent job in his role as Major Roy McBride but I understand people who criticized his performance because his character is very unemotional. I also really liked Ruth Negga's performance and think she did a fantastic job. I was let down that Tommy Lee Jones didn't have as much screen time as I thought he was going to, double for Donald Sutherland as well. Not a lot more I can say without spoiling parts of the movie. I wound up giving this movie a 6/10. I would have given it a point lower but there's a lot that makes this film above normal.
Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
Sarah (7798 KP) rated Snatch (2001) in Movies
Dec 20, 2020
Hilarious
Film #7 on the 100 Movies Bucket List: Snatch
Snatch (2000) is Guy Ritchie’s second film following on from his hugely successful debut, Lock, Stock and Two Smoking Barrels (1998). Critically Snatch wasn’t quite as well received as it’s predecessor but the general movie going public found it a lot more enjoyable, and personally I agree with the public. I’ve always loved Snatch and prefer it over Lock, Stock.
Snatch tells a rather convoluted and twisting tale about gangsters, diamonds and unlicensed boxing. In a number of intersecting storylines, we see unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get pulled into the world of match fixing with violent bookmaker Brick Top (Alan Ford), recruiting Brad Pitt’s gypsy Mickey along the way. And then you have inept criminals Sol (Lennie James), Vinny (Robbie Gee) and Tyrone (Ade) as they attempt to steal a valuable diamond from Franky Four Fingers (Benicio Del Toro) on behalf of Russian Boris the Blade (Rade Serbedzija), also involving Vinnie Jones’s Bullet-Tooth Tony, Mike Reid’s Doug the Head and Dennis Farina’s Cousin Avi along the way. As you can see, the plot isn’t exactly straight forward but despite it’s complexity, it’s a fun and entertaining watch to see all of these separate storylines come together.
What makes this complex and quite frankly bonkers story so good to watch is the script and absolutely superb dialogue. Considering this isn’t what you’d class as a typical comedy fun, it is downright hilarious. No matter how many times I’ve seen this film, it still makes me laugh every time with it’s smart, witty and funny dialogue. From Turkish’s narration to Cousin Avi’s scathing remarks about London and pretty much every interaction between Sol, Vinny and Tyrone, Snatch is extremely amusing. Admittedly there are some lines and exchanges that feel a little too forced and staged, and I think this may be due to some questionable acting and the sometimes unnatural sounding London accents.
Guy Ritchie has undoubtedly put together a stylish and slick film, and Snatch definitely encompasses the dark and gritty feel of London. Maybe a little too much as it can feel a bit gloomy at times. It has a great soundtrack and this really works with Ritchie’s directing style for the most part. There are some questionable camera angles and not all of these work – the most grating for me was in the opening scenes with Franky Four Finger’s heist where the camera jumped around far too much.
Despite this, his style works well in general and is aided by the fantastic cast that has been assembled. I’ve never been a fan of Jason Statham, but this is by far his best work, although the star of Snatch is certainly Brad Pitt, who is virtually unrecognisable as gypsy Mickey, both in looks and with his purposely indecipherable Irish accent. Snatch came out the year after Fight Club at a time that would likely be classed as the peak of Pitt’s career, so to see him play a character like Mickey was surprising to say the least. But the entire cast shine with the material they’ve got to work with.
Snatch isn’t a film for everyone and definitely not for the easily offended. For me, I could watch this repeatedly and still laugh every time, and it’s absolutely deserving of a place on this list.
Snatch (2000) is Guy Ritchie’s second film following on from his hugely successful debut, Lock, Stock and Two Smoking Barrels (1998). Critically Snatch wasn’t quite as well received as it’s predecessor but the general movie going public found it a lot more enjoyable, and personally I agree with the public. I’ve always loved Snatch and prefer it over Lock, Stock.
Snatch tells a rather convoluted and twisting tale about gangsters, diamonds and unlicensed boxing. In a number of intersecting storylines, we see unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get pulled into the world of match fixing with violent bookmaker Brick Top (Alan Ford), recruiting Brad Pitt’s gypsy Mickey along the way. And then you have inept criminals Sol (Lennie James), Vinny (Robbie Gee) and Tyrone (Ade) as they attempt to steal a valuable diamond from Franky Four Fingers (Benicio Del Toro) on behalf of Russian Boris the Blade (Rade Serbedzija), also involving Vinnie Jones’s Bullet-Tooth Tony, Mike Reid’s Doug the Head and Dennis Farina’s Cousin Avi along the way. As you can see, the plot isn’t exactly straight forward but despite it’s complexity, it’s a fun and entertaining watch to see all of these separate storylines come together.
What makes this complex and quite frankly bonkers story so good to watch is the script and absolutely superb dialogue. Considering this isn’t what you’d class as a typical comedy fun, it is downright hilarious. No matter how many times I’ve seen this film, it still makes me laugh every time with it’s smart, witty and funny dialogue. From Turkish’s narration to Cousin Avi’s scathing remarks about London and pretty much every interaction between Sol, Vinny and Tyrone, Snatch is extremely amusing. Admittedly there are some lines and exchanges that feel a little too forced and staged, and I think this may be due to some questionable acting and the sometimes unnatural sounding London accents.
Guy Ritchie has undoubtedly put together a stylish and slick film, and Snatch definitely encompasses the dark and gritty feel of London. Maybe a little too much as it can feel a bit gloomy at times. It has a great soundtrack and this really works with Ritchie’s directing style for the most part. There are some questionable camera angles and not all of these work – the most grating for me was in the opening scenes with Franky Four Finger’s heist where the camera jumped around far too much.
Despite this, his style works well in general and is aided by the fantastic cast that has been assembled. I’ve never been a fan of Jason Statham, but this is by far his best work, although the star of Snatch is certainly Brad Pitt, who is virtually unrecognisable as gypsy Mickey, both in looks and with his purposely indecipherable Irish accent. Snatch came out the year after Fight Club at a time that would likely be classed as the peak of Pitt’s career, so to see him play a character like Mickey was surprising to say the least. But the entire cast shine with the material they’ve got to work with.
Snatch isn’t a film for everyone and definitely not for the easily offended. For me, I could watch this repeatedly and still laugh every time, and it’s absolutely deserving of a place on this list.
Sarah (7798 KP) rated The Terminator (1984) in Movies
Jan 27, 2021
A classic
Film #12 on the 100 Movies Bucket List: The Terminator
The Terminator is a sci-fi classic and is responsible not only for helping propel Arnold Schwarzenegger and James Cameron to the household names they are now, but also for creating a movie franchise that is still going nearly 40 years later. Although admittedly the majority of the sequels are better off never spoken about again.
Released in 1984 and bringing director James Cameron into recognition, The Terminator follows a cyborg assassin (Arnold Schwarzenegger) who is sent back in time to kill Sarah Connor (Linda Hamilton), to prevent her son John Connor from saving humanity in the future. Also sent back in time to try and save Sarah is human soldier Kyle Reese (Michael Biehn).
This is a story that must be familiar to most, having spawned a further 5 sequels (and counting) in the past 30+ years. And as sci-fi stories go, this is a damn good one – time travel, murder, even romance – it has it all. It’s been a long time since I’ve seen this, and watching it back now I never realised how 80s it was. Aside from the memorable title music from Brad Fiedel, the rest of the score and soundtrack screams 80s and with the clothing and hairstyles, it’d be difficult to miss when this was released. There are a lot of horror aspects and tones to this original too that makes it a lot darker and sometimes scary, which is not something we see in any of the sequels. The gore, especially the wonderfully icky scene when the T-800 patches himself up in the bathroom mirror, is great and another aspect sadly lacking from the sequels. Admittedly some of the effects and props in this do look a little dated (the T-800 point of view and the animatronic Arnie are noticeably dodgy), but considering this was made in 1984 it’s actually incredibly impressive. The final scenes with the metal skeleton of the T-800 are especially noteworthy.
This is the film that made Linda Hamilton into the kick ass heroine we know and love, Arnie into the cyborg we love and hate (depending on which film you’re watching), and made the name John Connor into something that is completely unforgettable. With limited lines and a requirement to look menacing and imposing, this film is perfect for Arnold Schwarzenegger. He isn’t required to do much and personally I think his role as the T-800 in any of the Terminator films are undoubtedly his best performances to date. And with supporting performances from the likes of future Aliens alum Lance Henriksen, Michael Biehn and a blink and you’ll miss him Bill Paxton, the cast is faultless. And let’s be honest, who didn’t have a crush on Michael Biehn after watching this?
What I like the most about The Terminator is its simplicity. It might be a sci-fi, but it’s relatively low budget with a small cast of main characters and a large amount of practical effects and action scenes. It has a fairly B movie look about it, and coming from the James Cameron we know now, something this simple is actually very refreshing. While I like a lot of Cameron’s work (who doesn’t love Aliens?), his more recent efforts are a little too over the top and overwhelming. This is nothing of the sort.
The Terminator is absolutely a classic and deserving of its place on this list. I will admit that I still think the first sequel T2 is superior, especially as it doesn’t have the outdated and overwhelmingly 80s feel that makes this original slightly flawed.
The Terminator is a sci-fi classic and is responsible not only for helping propel Arnold Schwarzenegger and James Cameron to the household names they are now, but also for creating a movie franchise that is still going nearly 40 years later. Although admittedly the majority of the sequels are better off never spoken about again.
Released in 1984 and bringing director James Cameron into recognition, The Terminator follows a cyborg assassin (Arnold Schwarzenegger) who is sent back in time to kill Sarah Connor (Linda Hamilton), to prevent her son John Connor from saving humanity in the future. Also sent back in time to try and save Sarah is human soldier Kyle Reese (Michael Biehn).
This is a story that must be familiar to most, having spawned a further 5 sequels (and counting) in the past 30+ years. And as sci-fi stories go, this is a damn good one – time travel, murder, even romance – it has it all. It’s been a long time since I’ve seen this, and watching it back now I never realised how 80s it was. Aside from the memorable title music from Brad Fiedel, the rest of the score and soundtrack screams 80s and with the clothing and hairstyles, it’d be difficult to miss when this was released. There are a lot of horror aspects and tones to this original too that makes it a lot darker and sometimes scary, which is not something we see in any of the sequels. The gore, especially the wonderfully icky scene when the T-800 patches himself up in the bathroom mirror, is great and another aspect sadly lacking from the sequels. Admittedly some of the effects and props in this do look a little dated (the T-800 point of view and the animatronic Arnie are noticeably dodgy), but considering this was made in 1984 it’s actually incredibly impressive. The final scenes with the metal skeleton of the T-800 are especially noteworthy.
This is the film that made Linda Hamilton into the kick ass heroine we know and love, Arnie into the cyborg we love and hate (depending on which film you’re watching), and made the name John Connor into something that is completely unforgettable. With limited lines and a requirement to look menacing and imposing, this film is perfect for Arnold Schwarzenegger. He isn’t required to do much and personally I think his role as the T-800 in any of the Terminator films are undoubtedly his best performances to date. And with supporting performances from the likes of future Aliens alum Lance Henriksen, Michael Biehn and a blink and you’ll miss him Bill Paxton, the cast is faultless. And let’s be honest, who didn’t have a crush on Michael Biehn after watching this?
What I like the most about The Terminator is its simplicity. It might be a sci-fi, but it’s relatively low budget with a small cast of main characters and a large amount of practical effects and action scenes. It has a fairly B movie look about it, and coming from the James Cameron we know now, something this simple is actually very refreshing. While I like a lot of Cameron’s work (who doesn’t love Aliens?), his more recent efforts are a little too over the top and overwhelming. This is nothing of the sort.
The Terminator is absolutely a classic and deserving of its place on this list. I will admit that I still think the first sequel T2 is superior, especially as it doesn’t have the outdated and overwhelmingly 80s feel that makes this original slightly flawed.
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.
Gareth von Kallenbach (965 KP) rated Cars 2 (2011) in Movies
Aug 7, 2019
Producer Brad Lewis (Ratatouille)steps into the director’s chair for this sequel that follows racing legend Lightning McQueen (Owen Wilson) and his trusty sidekick, Mater (Larry the Cable Guy).
Passports are secured and ready to take part in the biggest race on the planet, Lightning and his freinds prepare to take on the best racers in the world. As the first-ever World Grand Prix approaches, cars from every continent prepare for the ultimate competition. But who will have what it takes to become the fastest car on the planet? Just as Lightning McQueen edges up to the starting line, however, his old pal Mater gets sidetracked on a top-secret spy mission that takes him from Japan to Europe. Thankfully Mater’s friends are always willing to lend a helping wheel, and as the race gets under way, everyone shifts into high gear to help out an old friend.
“Cars 2” It’s James Bond meets “Fast and the Furious” and Full of ACTION! None of the characters from the first film are forgotten Of course Tow Mater stands out the most for his hilarious ways of a small town country tow truck who isn’t afraid to do or say anything! Mater is as FUNNY as can be and shares a range of emotions with Lightning . The bond between Lightning McQueen and Tow mater “Mater” are classic as for Mater he encounters a reality check when he’s able to understand how others view him for the first time out of Radiator Springs. When Mater is mistaken for someone else a whole new world of adventure is opened up for him which causes him to grow.
I saw the film with an all ages group in the theater and I observed that everybody was enjoying it as well.
Watching this movie in 3D really made you feel like you were there! It’s funny when computer graphics of animation are realistic enough to make you become part of the story. It is amazing how much technology has changed from when I first encountered Disney animation in the 1970’s.
If you enjoyed the first Cars movie your sure to enjoy this one too! It is a must see! Never a dull moment. A Wonderful start to the Summer of family Movies.
Passports are secured and ready to take part in the biggest race on the planet, Lightning and his freinds prepare to take on the best racers in the world. As the first-ever World Grand Prix approaches, cars from every continent prepare for the ultimate competition. But who will have what it takes to become the fastest car on the planet? Just as Lightning McQueen edges up to the starting line, however, his old pal Mater gets sidetracked on a top-secret spy mission that takes him from Japan to Europe. Thankfully Mater’s friends are always willing to lend a helping wheel, and as the race gets under way, everyone shifts into high gear to help out an old friend.
“Cars 2” It’s James Bond meets “Fast and the Furious” and Full of ACTION! None of the characters from the first film are forgotten Of course Tow Mater stands out the most for his hilarious ways of a small town country tow truck who isn’t afraid to do or say anything! Mater is as FUNNY as can be and shares a range of emotions with Lightning . The bond between Lightning McQueen and Tow mater “Mater” are classic as for Mater he encounters a reality check when he’s able to understand how others view him for the first time out of Radiator Springs. When Mater is mistaken for someone else a whole new world of adventure is opened up for him which causes him to grow.
I saw the film with an all ages group in the theater and I observed that everybody was enjoying it as well.
Watching this movie in 3D really made you feel like you were there! It’s funny when computer graphics of animation are realistic enough to make you become part of the story. It is amazing how much technology has changed from when I first encountered Disney animation in the 1970’s.
If you enjoyed the first Cars movie your sure to enjoy this one too! It is a must see! Never a dull moment. A Wonderful start to the Summer of family Movies.
JT (287 KP) rated Killing Them Softly (2012) in Movies
Mar 10, 2020
There was quite a significant gap between films for writer/director Andrew Dominik, five years in fact. His last feature length outing The Assassination of Jesse James by the Coward Robert Ford was a Western epic and here he has teamed up with Brad Pitt again for Killing Them Softly, one with a significantly shorter run time.
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
BankofMarquis (1832 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
A missed opportunity
Like crossing the vast expanse of oceans in a sailing ship, rocketing across the vast expanse of our Galaxy would, naturally, lead one to self-contemplation. In the film AD ASTRA Brad Pitt spends a lot of time contemplating.
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated Ad Astra (2019) in Movies
Sep 16, 2019
My first experience in IMAX was at the IMAX theater at the Grand Canyon. This was before IMAX theaters could easily be found within easy driving distance in most large cities. The movie, which interestingly still is showing today from those early years took viewers on the magical journey through the Grand Canyon. Throwing in a bit of history, with incredible visages, viewers could experience the canyon without ever hiking within its depths. It may seem odd to compare a big budget title like Ad Astra written and directed by James Gray (The Immigrant / The Lost City of Z) to a short thirty-minute experience film about the Grand Canyon, but both are equally awe inspiring and beautiful if experienced in the same way.
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
JT (287 KP) rated World War Z (2013) in Movies
Mar 10, 2020
Zombies, they’ve been around for a while now in all shapes and sizes, yet like the walking undead the genre shows no signs of dying out. Director Marc Forster teams up with Brad Pitt for a zombie horror (if you can really call it that) which travels the world in search of a vaccine that will stop the world’s population being wiped out.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.