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Lee (2222 KP) rated Ready or Not (2019) in Movies
Sep 27, 2019
Ready or Not opens with a gleefully intense and shocking scene. It serves to give us a taste of the kind of twisted games that usually play out within the confines of huge gothic mansion owned by the eccentric Le Domas family, who made their fortune in the board game business. If you've seen the trailer, then you'll know that Ready or Not is basically just Hide and Seek, but with deathly consequences. However, this short, sharp introduction leaves you in no doubt as to just how far the Le Domas family will go in order to win the game.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Sarah Betts (103 KP) rated Shadow Souls (The Vampire Diaries: The Return, #2) in Books
Dec 30, 2019
This is my review on Amazon.com:
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
LeftSideCut (3778 KP) rated Pokémon: Let's Go, Pikachu! in Video Games
Nov 7, 2019
I, like many people my age, spent a good chunk of their childhood playing through Pokémon Blue and Red on the Nintendo Game Boy, and then not long after, Pokémon Yellow.
These games took the world by storm and it was easy to see the way. An top down adventure game, with light RPG elements, and the satisfaction of collecting different creatures, whilst the games tag line urged you to 'catch 'em all', it was a set of games that were enjoyed by adults and children alike.
All these years later, Pokémon Yellow has been given a new lick of paint, and re released as Let's Go Pikachu (or Eevee if you prefer).
It's the same in nearly everyway, just with modern graphics, and it's just great.
Firstly, seeing all of these beloved characters in full shiny 3D graphics is pretty special.
The game retains all of the simple camera angles and vibrant colour palette, and it really works.
The game mechanics are identical as well. It's a simple game to get used to, and one that takes a lot longer to master.
The music is also given update, but all the classic score is intact. This 'if it ain't broke' approach that has been applied works wonders, much like the recent Crash Bandicoot and Spyro re releases.
The Nintendo Switch format allows the player to dock the console, meaning that you can play Let's Go through a TV and turns the controller into a Wii style remote, enabling you to 'throw' Pokéballs if that's your style, or you can opt for a classic handheld approach.
Another feature allows you to import Pokémon from the Pokémon Go app, which is a nice touch
With games like Breath of the Wild showing off just what the Switch can do in terms of huge beautiful looking maps, im longing for a proper open world Pokémon game at some point, but Let's Go is a nostalgia filled and fun stop gap that will steal hours and hours of your time.
These games took the world by storm and it was easy to see the way. An top down adventure game, with light RPG elements, and the satisfaction of collecting different creatures, whilst the games tag line urged you to 'catch 'em all', it was a set of games that were enjoyed by adults and children alike.
All these years later, Pokémon Yellow has been given a new lick of paint, and re released as Let's Go Pikachu (or Eevee if you prefer).
It's the same in nearly everyway, just with modern graphics, and it's just great.
Firstly, seeing all of these beloved characters in full shiny 3D graphics is pretty special.
The game retains all of the simple camera angles and vibrant colour palette, and it really works.
The game mechanics are identical as well. It's a simple game to get used to, and one that takes a lot longer to master.
The music is also given update, but all the classic score is intact. This 'if it ain't broke' approach that has been applied works wonders, much like the recent Crash Bandicoot and Spyro re releases.
The Nintendo Switch format allows the player to dock the console, meaning that you can play Let's Go through a TV and turns the controller into a Wii style remote, enabling you to 'throw' Pokéballs if that's your style, or you can opt for a classic handheld approach.
Another feature allows you to import Pokémon from the Pokémon Go app, which is a nice touch
With games like Breath of the Wild showing off just what the Switch can do in terms of huge beautiful looking maps, im longing for a proper open world Pokémon game at some point, but Let's Go is a nostalgia filled and fun stop gap that will steal hours and hours of your time.
Phil Leader (619 KP) rated Piranha (Oregon Files #10) in Books
Nov 25, 2019
Let's be honest here some of the Cussler franchises are getting a little tired and in need of some fresh momentum. Who better to take up the baton of the secret spy ship Oregon than Boyd Morrison? His characterisation and love of technology and gadgets fits perfectly with plots that require several different protagonists in play (there are 4 main 'bad guys' alone in this book, not mention a ship full of the good guys) and high-tech confrontations.
Morrison does indeed tackle this book with gusto. This is mostly action from cover to cover with very little time to catch breath between and exposition being done on the move. There is certainly no feeling that the narrative is moving from set piece to set piece without much momentum or reason.
The main plot is also interesting - what if someone always knew what you were going to do, as if they had an omniscient eavesdropping device. How would you counter that? Add in a vengeful Venezuelan Navy captain and some particularly nasty henchmen and you have the basics for a real thrill ride.
I do like Morrison's work (if you have never read any of the Tyler Locke series I recommend that you do) and expected to like this book, but it exceeded my every expectation. Our heroes are assaulted on all sides - and notably often not under the protection of the Oregon - and the only way they win through is by simply being good at what they do - there are no escapes due to fortunate circumstances.
This is definitely one of the most impressive Cussler brand books for years, probably the best Oregon Files book there is. Although mention is made in passing of various previous exploits, reading the previous novels is not required to enjoy this book.
If you like fast paced adventure with plenty of thrills then you can't go far wrong reading this
Morrison does indeed tackle this book with gusto. This is mostly action from cover to cover with very little time to catch breath between and exposition being done on the move. There is certainly no feeling that the narrative is moving from set piece to set piece without much momentum or reason.
The main plot is also interesting - what if someone always knew what you were going to do, as if they had an omniscient eavesdropping device. How would you counter that? Add in a vengeful Venezuelan Navy captain and some particularly nasty henchmen and you have the basics for a real thrill ride.
I do like Morrison's work (if you have never read any of the Tyler Locke series I recommend that you do) and expected to like this book, but it exceeded my every expectation. Our heroes are assaulted on all sides - and notably often not under the protection of the Oregon - and the only way they win through is by simply being good at what they do - there are no escapes due to fortunate circumstances.
This is definitely one of the most impressive Cussler brand books for years, probably the best Oregon Files book there is. Although mention is made in passing of various previous exploits, reading the previous novels is not required to enjoy this book.
If you like fast paced adventure with plenty of thrills then you can't go far wrong reading this
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