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Action Point (2018)
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A daredevil designs and operates his own theme park with his friends.
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Atypical - Season 2
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A teen on the autism spectrum decides to get a girlfriend, his bid for more independence puts his...
Bill & Ted Face the Music (2020)
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Long-mooted second sequel to Bill and Ted's Excellent Adventure. Once told they'd save the universe...
Bill & Ted Face The Music (2020)
7.0
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Bill & Ted Face the Music is a 2020 American science fiction comedy film directed by Dean Parisot...
Jesters_folly (230 KP) rated Bill & Ted Face the Music (2020) in Movies
Sep 16, 2020
Contains spoilers, click to show
25 years after their Bogus Journey, Wylde Stallions are on the verge of splitting up only to be told that they only only have 70 minuets to wright and perform the song that will bring harmony to, not only all of time but reality itself.
Bill & Ted Face the Music is an amalgam of the two previous films that is designed the trilogy or pass it on to the next generation and is split into two narratives. Bill and Ted head to the future to try to find the song, save their marriage and avoid being killed by robot from the future whilst their daughters have their own Excellent Adventure, travelling back in time to put the ultimate band together.
Bill & Ted Face the music tries to replicate the feel of the previous films and, for the most part succeeds, Keanu Reeves and Alex Winter both do well in portraying an ageing Bill & Ted who are trying to live up to their destiny whilst keeping their lives together as well a number of future Bill and Ted's who all have their own agenda and it's nice to many of the original cast back in their original roles, even George Carlin makes a cameo as Rufus (kind of).
New comers to the franchise, Samara Weaving and Brigette Lundy-Paine do a fair job as Thea and Billie, Bill & Teds teenage daughters, both of whom are exactly like their respective farther's but more modern.
The only two complaints I would have is that the robot is very annoying, he's meant to be but it just doesn't seem to work. Also I didn't know who Kid Cudi was (Showing my age and musical tastes here).
Bill & Ted Face the music is great, fun film that is, in essence, a tribute to the enjoyment and power of music, it fails only in the fact that it doesn't really have an effective bad guy, it tries to replicate De Nomolos, or at least his robots from Bogus Journey but, like Excellent Adventure it would have worked (almost) without him as he was really only used for one reason.
Oh and FYI there is an end of credits scene so make sure you sit through to the end.
Bill & Ted Face the Music is an amalgam of the two previous films that is designed the trilogy or pass it on to the next generation and is split into two narratives. Bill and Ted head to the future to try to find the song, save their marriage and avoid being killed by robot from the future whilst their daughters have their own Excellent Adventure, travelling back in time to put the ultimate band together.
Bill & Ted Face the music tries to replicate the feel of the previous films and, for the most part succeeds, Keanu Reeves and Alex Winter both do well in portraying an ageing Bill & Ted who are trying to live up to their destiny whilst keeping their lives together as well a number of future Bill and Ted's who all have their own agenda and it's nice to many of the original cast back in their original roles, even George Carlin makes a cameo as Rufus (kind of).
New comers to the franchise, Samara Weaving and Brigette Lundy-Paine do a fair job as Thea and Billie, Bill & Teds teenage daughters, both of whom are exactly like their respective farther's but more modern.
The only two complaints I would have is that the robot is very annoying, he's meant to be but it just doesn't seem to work. Also I didn't know who Kid Cudi was (Showing my age and musical tastes here).
Bill & Ted Face the music is great, fun film that is, in essence, a tribute to the enjoyment and power of music, it fails only in the fact that it doesn't really have an effective bad guy, it tries to replicate De Nomolos, or at least his robots from Bogus Journey but, like Excellent Adventure it would have worked (almost) without him as he was really only used for one reason.
Oh and FYI there is an end of credits scene so make sure you sit through to the end.
Lee (2222 KP) rated Bill & Ted Face the Music (2020) in Movies
Sep 15, 2020
Back in 1991, I thought that Bill & Ted's Bogus Journey was the greatest movie of all time. Sure, Bill & Ted's Excellent Adventure was pretty incredible too, but with the addition of Death… Station… evil robot Bill & Ted… it was all just genius as far as I was concerned. My movie watching habits since the nineties have shown me that neither of those films is actually the greatest of all time (well, maybe top 50), but that certainly didn't stop me from getting ridiculously giddy with excitement at the prospect of a third outing. Even more so after successfully introducing my youngest daughter to both movies recently, at which point I also concluded that Excellent Adventure was, in fact, the better of the two!
So, here we are. 29 years on from Bogus Journey, and we find Bill & Ted at a very difficult time in their lives. Dwindling popularity and record sales mean that their destiny of uniting the world with a single song is now becoming increasingly unlikely. A wedding reception where Bill & Ted are unveiling their latest musical creation to a less than lukewarm reception gives us a nice nostalgic chance to see some familiar faces from the previous movies and also brings us quickly up to speed on the lives of our two heroes. Still married to the medieval princesses (Jayma Mays and Erinn Hayes), they now both have grown-up daughters, Thea (Brigette Lundy-Paine) and Billie (Samara Weaving). Both girls are like younger versions of their fathers, making heavy use of the word ‘dude’, and with extensive musical tastes and knowledge. They worship their fathers though and truly believe in their music.
Following the wedding reception, a trip to couples therapy shows us that it's not just their music career that's heading for the rocks. There's even talk of breaking up the band - “We’ve spent our entire lives trying to unite the world. And I’m tired, dude” Ted confesses to Bill. And as their destiny begins to fracture, reality also starts to unravel, with historical figures randomly being sucked from their own time and dumped into another.
Arriving just in the nick of time is a traveller from the future. Kelly (Kristen Schaal) lands in an egg-shaped time machine and whisks the boys into the future where they find that they are now no longer being worshipped in the same way as they were before. They are told in no uncertain terms that they have just 77 minutes to come up with the song they were destined to write, or the past, present and future are all going to collide, resulting in the world collapsing in on itself. Whoah!
Resigning themselves to the fact that if they haven't been able to come up with the song in the last couple of decades, they're unlikely to come up with it in the next 77 minutes, Bill & Ted land on the genius idea that they can simply go to the future and steal the song from their future selves. So, they begin jumping forward to various points in time and meeting up with different versions of themselves. We get overweight rock star Bill & Ted, complete with dodgy British accents, muscular prison inmate Bill & Ted and even OAP nursing home Bill & Ted.
Meanwhile, daughters Thea and Billie come up with a slightly more solid plan of action that involves picking up prominent musicians from history and forming them into the ultimate band, in the hopes that their combined talents will come up with the song that saves the world. It's a race against time as both missions play out simultaneously, taking in a trip to hell, recruiting ex-band member Death (William Sandler) and trying to outwit a robot who's out to kill them. It's basically a greatest hits remix of the first two movies.
It took some time for me to adjust to seeing Keanu Reeves outside of his role as John Wick, clean-shaven and considerably less dangerous. Both he and Alex Winter are obviously much older than when we last saw them as Bill & Ted, but it was surprising just how well they slipped right back into the roles. It honestly felt so good to be back in the company of these guys. The daughters are also a welcome addition, although they feel underused, and being separated from their fathers for much of the movie means that everything feels a lot more chaotic than we’re used to.
Bill & Ted Face the Music rattles along at a fairly brisk pace and the ending felt very rushed and abrupt. Something about the whole thing just doesn’t feel right and I didn’t feel as though we were ever getting very much time to explore or experience a particular scene before we were straight onto the next. It’s funny at times, but with most of it essentially reworking themes and ideas from earlier movies it ends up as the weakest of the trilogy, which is a real shame.
I’ve got so much love for these characters and movies that I feel bad about being negative in any way. However, I can’t help feeling that Face the Music teeters on the edge of ‘maybe they should have just left alone with the last movie’ a little too often. At the end of the day though, I can't really knock a movie that's essentially all about harmless fun and, more importantly, carries with it a message about uniting the world, being excellent to each other. I think we all could appreciate that philosophy in our lives right now.
So, here we are. 29 years on from Bogus Journey, and we find Bill & Ted at a very difficult time in their lives. Dwindling popularity and record sales mean that their destiny of uniting the world with a single song is now becoming increasingly unlikely. A wedding reception where Bill & Ted are unveiling their latest musical creation to a less than lukewarm reception gives us a nice nostalgic chance to see some familiar faces from the previous movies and also brings us quickly up to speed on the lives of our two heroes. Still married to the medieval princesses (Jayma Mays and Erinn Hayes), they now both have grown-up daughters, Thea (Brigette Lundy-Paine) and Billie (Samara Weaving). Both girls are like younger versions of their fathers, making heavy use of the word ‘dude’, and with extensive musical tastes and knowledge. They worship their fathers though and truly believe in their music.
Following the wedding reception, a trip to couples therapy shows us that it's not just their music career that's heading for the rocks. There's even talk of breaking up the band - “We’ve spent our entire lives trying to unite the world. And I’m tired, dude” Ted confesses to Bill. And as their destiny begins to fracture, reality also starts to unravel, with historical figures randomly being sucked from their own time and dumped into another.
Arriving just in the nick of time is a traveller from the future. Kelly (Kristen Schaal) lands in an egg-shaped time machine and whisks the boys into the future where they find that they are now no longer being worshipped in the same way as they were before. They are told in no uncertain terms that they have just 77 minutes to come up with the song they were destined to write, or the past, present and future are all going to collide, resulting in the world collapsing in on itself. Whoah!
Resigning themselves to the fact that if they haven't been able to come up with the song in the last couple of decades, they're unlikely to come up with it in the next 77 minutes, Bill & Ted land on the genius idea that they can simply go to the future and steal the song from their future selves. So, they begin jumping forward to various points in time and meeting up with different versions of themselves. We get overweight rock star Bill & Ted, complete with dodgy British accents, muscular prison inmate Bill & Ted and even OAP nursing home Bill & Ted.
Meanwhile, daughters Thea and Billie come up with a slightly more solid plan of action that involves picking up prominent musicians from history and forming them into the ultimate band, in the hopes that their combined talents will come up with the song that saves the world. It's a race against time as both missions play out simultaneously, taking in a trip to hell, recruiting ex-band member Death (William Sandler) and trying to outwit a robot who's out to kill them. It's basically a greatest hits remix of the first two movies.
It took some time for me to adjust to seeing Keanu Reeves outside of his role as John Wick, clean-shaven and considerably less dangerous. Both he and Alex Winter are obviously much older than when we last saw them as Bill & Ted, but it was surprising just how well they slipped right back into the roles. It honestly felt so good to be back in the company of these guys. The daughters are also a welcome addition, although they feel underused, and being separated from their fathers for much of the movie means that everything feels a lot more chaotic than we’re used to.
Bill & Ted Face the Music rattles along at a fairly brisk pace and the ending felt very rushed and abrupt. Something about the whole thing just doesn’t feel right and I didn’t feel as though we were ever getting very much time to explore or experience a particular scene before we were straight onto the next. It’s funny at times, but with most of it essentially reworking themes and ideas from earlier movies it ends up as the weakest of the trilogy, which is a real shame.
I’ve got so much love for these characters and movies that I feel bad about being negative in any way. However, I can’t help feeling that Face the Music teeters on the edge of ‘maybe they should have just left alone with the last movie’ a little too often. At the end of the day though, I can't really knock a movie that's essentially all about harmless fun and, more importantly, carries with it a message about uniting the world, being excellent to each other. I think we all could appreciate that philosophy in our lives right now.