"“In 1985, I was 15 and Psychocandy came out. With all the records I’ve mentioned so far, there’s not much there that you would call extreme, except for Tomorrow Never Knows, maybe… but into that regular world came this absolutely mental record! “The first time I heard it was when Muriel Gray played a track on Radio 1, and I remember her introducing it and saying, ‘This is going to divide the listeners!’ It’s hard to overstate the effect that record had. It really did shatter everything! “Sound-wise, it was so relentlessly extreme - for 40 minutes - and it was just a brilliant piece of production as well. As soon as I heard them, it was one of those eureka moments.”"

"We liked Free – very bluesy, with a lot of soul. There was a time when there was this thing called Freemania, when they were the biggest thing since sliced bread. They were a bit Led Zeppelinish – brilliant musicians, and Paul Rodgers was a white guy who sounded black. They were all great at what they did. This album didn’t influence me so much, but it influenced the band the other guys were in, Sob. They named the band after this album. They were a very bluesy outfit before Paul Quinn and I joined the band and it became Son of a Bitch, then Saxon – our old band, Coast, was more proggy. So this album became part of my listening cycle."

"Alien is a perfect film and if I were to ever make a sci-fi or horror film, the benchmark for me would be Alien. I would put Alien and Aliens side-by-side, actually. I think Alien 3 is mediocre and I think Alien: Resurrection is a travesty. AvP is fun. Whoever wins, we lose, you know — why not? I would love to see a return to greatness for that franchise. Knowing that David Fincher was given a chance, it’s actually kind of confusing. I think with better writers Alien 3 would be measuring up, because obviously he is as quality a director as Scott or Cameron. Jeunet is a brilliant director too, but just not right for that series."

"Then A Prophet. I love that movie. I think one of the greatest things about films is when they can take you to a very certain time and a very certain place. It’s time travel, its magic. I know nothing about what French prison would be like, I know nothing about it, but I believe every single second of that film. I feel like, after you watch that film, you know a little bit about what that’s like. I know how difficult that is to do. I just think it’s a beautiful honest moment, and I think that he deals with the immediacy of panic and how being panicked can change you and what people will do to survive. Its a brilliant film."