"Alien is a perfect film and if I were to ever make a sci-fi or horror film, the benchmark for me would be Alien. I would put Alien and Aliens side-by-side, actually. I think Alien 3 is mediocre and I think Alien: Resurrection is a travesty. AvP is fun. Whoever wins, we lose, you know — why not? I would love to see a return to greatness for that franchise. Knowing that David Fincher was given a chance, it’s actually kind of confusing. I think with better writers Alien 3 would be measuring up, because obviously he is as quality a director as Scott or Cameron. Jeunet is a brilliant director too, but just not right for that series."

"Then A Prophet. I love that movie. I think one of the greatest things about films is when they can take you to a very certain time and a very certain place. It’s time travel, its magic. I know nothing about what French prison would be like, I know nothing about it, but I believe every single second of that film. I feel like, after you watch that film, you know a little bit about what that’s like. I know how difficult that is to do. I just think it’s a beautiful honest moment, and I think that he deals with the immediacy of panic and how being panicked can change you and what people will do to survive. Its a brilliant film."

"Niggaz4Life is just… both the De La Soul albums had a cinematic quality to them, you can see those songs. With that being said, [on this album] Dr Dre had this sonic brilliance and pristine gangster music that just sounded brilliant. And it was orchestrated and sequenced very brilliantly, too. It seems like an awful lot of thought went into it. To me, it wasn't Gangsta with an 'a', it was Gangster with an 'er' - with a suit and tie. This is the business gangster; this isn't hold your gun sideways, this is Scorcese. Ice Cube not being there for this album was part of the appeal; everyone wanted to know what they'd be able to achieve without him. And it's a triumph."

"This film and the Criterion label are synonymous for me. Its beautiful cover art and immaculate menus seem to fit perfectly with its lead character; it’s almost as if Max Fischer himself were unsatisfied with the original vanilla DVD release from Disney and produced a handcrafted one instead. The actual film is a brilliant gem by Wes Anderson, and one that still shines brightly today. Just in the past year, we’ve seen a number of films that walk in the shadow of this one. Of course, it wouldn’t have inspired so many movies, music videos, commercials, and TV shows if it wasn’t such a distinctive effort. This is an undeniable cult classic, one that every Max Fischer on the planet has on their shelf."

"It is storytelling that is so unexpected and brilliant as to seem inevitable, and that’s the best kind. I wanted to put down my pencil and back away until I learned how to write when I saw this movie. Structurally, it’s insanely sound. Everything that they’re doing is visually ecstatic, and philosophically it could be studied for centuries. It contains every aspect of modern life and religion and philosophy and knows it, and they’re doing something that is very deliberately very heady. But at the same time, when asked what is this movie about, their answer was “It’s about kung fu versus robots.” If it was just that, it would be on this list. But it’s that and everything else."