Search
Search results
The Rubicon Method: Overcome Procrastination
Book
Procrastination is one of the greatest problems of our times, where otherwise brilliant and capable...
self-help
The Red Dragon of Oxford (Wings over Albion #1)
8.0
Rate It
Book
Dragons aren't real. Or so I used to think. Oxford isn't exactly what I'd imagined. Sure, the...
MM Paranormal Romance Dragons
31 of 220
Book
The Pig in the Derby Hat ( Trussel and Gout: Paranormal investigations 1)
By M.A. knights
⭐️⭐️⭐️⭐️⭐️
Young Clementine Trussel didn’t go looking for the supernatural. It found her.
When a small pig wearing a derby hat falls out of her Granny’s window, Clementine is inclined to believe she’s seeing things. Only someone else saw it too, the mysterious Theophilius Gout, and he claims to be an expert in the paranormal.
There is definitely something odd about the fat, tweed-clad man, and when her Granny falls deathly ill, Clementine is uneasy entrusting her recovery to a stranger. Even one as enigmatic as Mr Gout. Besides, he seems more interested in the cakes from her parents’ bakery than anything…otherworldly.
But with her grandmother's life, and Clementine's own future, hanging in the balance, she is forced to follow him into a world of magic and monsters hidden in the shadows of her quiet hometown.
Will they be in time to save her Granny? Is Mr Gout what he claims to be? And just what exactly is the pig in the derby hat?
This was a brilliant short read I loved it. A cosy paranormal story with fun characters, and so well written. Looking forward to reading more.
Book
The Pig in the Derby Hat ( Trussel and Gout: Paranormal investigations 1)
By M.A. knights
⭐️⭐️⭐️⭐️⭐️
Young Clementine Trussel didn’t go looking for the supernatural. It found her.
When a small pig wearing a derby hat falls out of her Granny’s window, Clementine is inclined to believe she’s seeing things. Only someone else saw it too, the mysterious Theophilius Gout, and he claims to be an expert in the paranormal.
There is definitely something odd about the fat, tweed-clad man, and when her Granny falls deathly ill, Clementine is uneasy entrusting her recovery to a stranger. Even one as enigmatic as Mr Gout. Besides, he seems more interested in the cakes from her parents’ bakery than anything…otherworldly.
But with her grandmother's life, and Clementine's own future, hanging in the balance, she is forced to follow him into a world of magic and monsters hidden in the shadows of her quiet hometown.
Will they be in time to save her Granny? Is Mr Gout what he claims to be? And just what exactly is the pig in the derby hat?
This was a brilliant short read I loved it. A cosy paranormal story with fun characters, and so well written. Looking forward to reading more.
Merissa (12995 KP) rated Into The Churn in Books
Apr 4, 2024
INTO THE CHURN is the first in a new same-name series by an amazing author. First, she has proven to be a force to be reckoned with in Fantasy, and now, she has done it again in Science Fiction.
The characters of Ezren and Foster are outstanding, quickly drawing you into their story and making you want all the good things for them. Their relationship is quick, but not rushed, and not without its arguments as they are both strong-minded and strong-willed. They are ably supported by a brilliant cast, all with their own unmistakable personalities, who share the pages so well.
From a death-defying race, to sabotage and murder, this story gives you enough to sink your teeth into, whilst leaving you wanting more. I have fallen in love with Belethea and hope to return to her skies soon!
This is high-class Science Fiction that just happens to have young MCs but can be enjoyed by readers of all ages. HIGHLY RECOMMENDED BY ME!!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 22, 2024
The characters of Ezren and Foster are outstanding, quickly drawing you into their story and making you want all the good things for them. Their relationship is quick, but not rushed, and not without its arguments as they are both strong-minded and strong-willed. They are ably supported by a brilliant cast, all with their own unmistakable personalities, who share the pages so well.
From a death-defying race, to sabotage and murder, this story gives you enough to sink your teeth into, whilst leaving you wanting more. I have fallen in love with Belethea and hope to return to her skies soon!
This is high-class Science Fiction that just happens to have young MCs but can be enjoyed by readers of all ages. HIGHLY RECOMMENDED BY ME!!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 22, 2024
Daniel Boyd (1066 KP) rated Widows (2018) in Movies
Nov 14, 2018 (Updated Nov 14, 2018)
Outstanding performances from the entire cast (3 more)
Phenomenal Direction
Clever Cinematography
A Brilliant Script With Sharp Dialogue
The Best Movie I Have Seen This Year
Widows is an outstanding thriller from Steve McQueen. It stars a brilliant Viola Davis as Veronica Rawlings at the top of her game as a widow of her criminal husband. He and his crew died during the heist and now she and the other widows of the recently deceased crew decide to complete the heist and take the money for themselves. That is the basic plot outline, but it is actually a lot more in depth and layered than that, embroiled in politics and gang rivalries, amongst even more complex elements. However, although there are a lot of moving parts in the film, it never seems confused or messy. It doesn't treat it's audience like idiots either, as long as you are paying attention.
The cast are astonishing in the movie and I truly believe that is the sign of a great director getting the best out of his actors. Viola Davis is an acting powerhouse, making you want to cry one moment and then stand up and jump into battle with her the next. That woman could read the phonebook and make it sound convincingly intense. She is supported by a fantastic turn from Michelle Rodrigez, an actress who I have been a fan of for years, but can sometimes be known to come across fairly wooden. Not here, she is convincing and passionate in every scene she appears in. I also really liked seeing Elizabeth Debecki playing against type here. She is usually cast as a 'perfect,' type of character, such as Tom Hiddleston's love interest in Night Manager or as a member of the perfect alien race in Guardians of The Galaxy. Here she is a much more realistic, down to earth character. Cynthia Erivo, who came out of nowhere and blew me away in Bad Times At The El Royale, also appears here as the crew's driver and gives a genuine, energetic performance who is also the first one to stand up to Veronica's hard-ass attitude. Carrie Coon appears briefly as another widow, but her role is more of a cameo than anything else, it is still important to the story though towards the film's conclusion.
The male actors in the film are equally as brilliant as their female counterparts. I don't want to give too much away about Liam Neeson's Henry Rawlings, but he is convincing and engaging in every part of his performance. Jon Bernthal is slowly becoming the king of appearing in small impactful roles in big ensemble movies. He has already done this in Wolf Of Wall Street, Baby Driver, Sicario and Wind River and he does it here too appearing in a small but memorable role as one of Henry's crew. Colin Farrell and Robert Duvall are great as usual here, as a believable father and son duo. Daniel Kaluuya deserves a special shout out as the movie's main antagonist. This role really gives Kaluuya a chance to flex his more cruel acting skills and show off his versatility as a performer.
The script written by McQueen and Gillian Flynn is full of razor sharp wit and electrifying moments. This is the type of golden material that most actors dream of getting to work with. The movie is shot by Sean Bobbitt who uses an array of clever camera angles and techniques to help convey the mood of each scene. Bobbit also shot Hunger, Shame and 12 Years a Slave and there is a reason that McQueen continues to use him to shoot his films. The score and audio mixing was also effective and helped to amplify the atmosphere throughout the movie.
Overall, Widows is a perfect storm of extremely high quality technical aspects and exquisite performances from an exceptionally talented ensemble of actors. If you didn't get what you wanted out of a female led heist thriller from Ocean's 8, then go out and see this masterpiece asap.
The cast are astonishing in the movie and I truly believe that is the sign of a great director getting the best out of his actors. Viola Davis is an acting powerhouse, making you want to cry one moment and then stand up and jump into battle with her the next. That woman could read the phonebook and make it sound convincingly intense. She is supported by a fantastic turn from Michelle Rodrigez, an actress who I have been a fan of for years, but can sometimes be known to come across fairly wooden. Not here, she is convincing and passionate in every scene she appears in. I also really liked seeing Elizabeth Debecki playing against type here. She is usually cast as a 'perfect,' type of character, such as Tom Hiddleston's love interest in Night Manager or as a member of the perfect alien race in Guardians of The Galaxy. Here she is a much more realistic, down to earth character. Cynthia Erivo, who came out of nowhere and blew me away in Bad Times At The El Royale, also appears here as the crew's driver and gives a genuine, energetic performance who is also the first one to stand up to Veronica's hard-ass attitude. Carrie Coon appears briefly as another widow, but her role is more of a cameo than anything else, it is still important to the story though towards the film's conclusion.
The male actors in the film are equally as brilliant as their female counterparts. I don't want to give too much away about Liam Neeson's Henry Rawlings, but he is convincing and engaging in every part of his performance. Jon Bernthal is slowly becoming the king of appearing in small impactful roles in big ensemble movies. He has already done this in Wolf Of Wall Street, Baby Driver, Sicario and Wind River and he does it here too appearing in a small but memorable role as one of Henry's crew. Colin Farrell and Robert Duvall are great as usual here, as a believable father and son duo. Daniel Kaluuya deserves a special shout out as the movie's main antagonist. This role really gives Kaluuya a chance to flex his more cruel acting skills and show off his versatility as a performer.
The script written by McQueen and Gillian Flynn is full of razor sharp wit and electrifying moments. This is the type of golden material that most actors dream of getting to work with. The movie is shot by Sean Bobbitt who uses an array of clever camera angles and techniques to help convey the mood of each scene. Bobbit also shot Hunger, Shame and 12 Years a Slave and there is a reason that McQueen continues to use him to shoot his films. The score and audio mixing was also effective and helped to amplify the atmosphere throughout the movie.
Overall, Widows is a perfect storm of extremely high quality technical aspects and exquisite performances from an exceptionally talented ensemble of actors. If you didn't get what you wanted out of a female led heist thriller from Ocean's 8, then go out and see this masterpiece asap.
Connor Sheffield (293 KP) rated The Raven (2012) in Movies
Apr 27, 2017
A brilliant crime thriller (4 more)
Gory
Connections to the work of Edgar Allan Poe
Great Cast
Watchable over and over again
Would love to know what happens in the end (1 more)
Not as exhilirating after the first watch
Quote the Raven, Nevermore.
First of all let me say this;
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
Sarah (7800 KP) rated Samsung Galaxy Buds in Tech
Apr 13, 2019
Virtually flawless
I need to start off by saying that prior to owning these, I have never used any sort of wireless headphones and neither do I claim to be a headphone connoisseur. I usually just use the free ones you get with phones. All I will say is that I really hope that all other wireless bluetooth headphones are as brilliant as these are.
They look fantastic. From the small pill box shaped container to the headphone, they look sleek and stylish and are fairly small too. They're simple to set up - as soon as I opened them, my phone recognised them and linked them straight away, so quickly done. And the even recognise when you've put them in your ears! The Samsung Wearables app is a great tool to be able to check the battery on the headphones and change the equaliser and what actions the touch controls make. Sound quality is brilliant and they really do block out surrounding sound so well - I wore them at a busy gym (which had loud music on in the background), and couldn't hear anything other than myself. The ambient sound feature is a nice touch too for those occasions when you want to be able to hear things around you.
The fit of the headphones is surprisingly good. They come with 3 different sizes of rubber wings & tips so you can easily find a size to fit you, and I was pleasantly surprised to find that once these are in my ear, I didn't have to keep pushing them in to stop them from falling out. In fact I used these at the gym and whilst out and about, and I never once had them fall out like standard headphones do. And if they do fall out or you lose one, theres a 'find my bud' feature that will help locate them (assuming they havent got too far!).
They aren't perfect though. The touch pad controls are a little temperamental. This could be due to a novice user, or just how it is. Also the positioning of the headphones and touchpads means if you like to lie on your side and listen to music in bed, it could be difficult. And the other slight issue is the battery life. Combined charge between the headphones & pod is around 13 hours, which isn't a lot. Although I'm probably only moaning because it means it's another piece of tech that I have to remember to charge.
These are only very slight niggles though. These are by far the best headphones I've ever owned - great sound quality, intuitive, great size and very functional. I'll never go back to wearing wired headphones again.
They look fantastic. From the small pill box shaped container to the headphone, they look sleek and stylish and are fairly small too. They're simple to set up - as soon as I opened them, my phone recognised them and linked them straight away, so quickly done. And the even recognise when you've put them in your ears! The Samsung Wearables app is a great tool to be able to check the battery on the headphones and change the equaliser and what actions the touch controls make. Sound quality is brilliant and they really do block out surrounding sound so well - I wore them at a busy gym (which had loud music on in the background), and couldn't hear anything other than myself. The ambient sound feature is a nice touch too for those occasions when you want to be able to hear things around you.
The fit of the headphones is surprisingly good. They come with 3 different sizes of rubber wings & tips so you can easily find a size to fit you, and I was pleasantly surprised to find that once these are in my ear, I didn't have to keep pushing them in to stop them from falling out. In fact I used these at the gym and whilst out and about, and I never once had them fall out like standard headphones do. And if they do fall out or you lose one, theres a 'find my bud' feature that will help locate them (assuming they havent got too far!).
They aren't perfect though. The touch pad controls are a little temperamental. This could be due to a novice user, or just how it is. Also the positioning of the headphones and touchpads means if you like to lie on your side and listen to music in bed, it could be difficult. And the other slight issue is the battery life. Combined charge between the headphones & pod is around 13 hours, which isn't a lot. Although I'm probably only moaning because it means it's another piece of tech that I have to remember to charge.
These are only very slight niggles though. These are by far the best headphones I've ever owned - great sound quality, intuitive, great size and very functional. I'll never go back to wearing wired headphones again.
JT (287 KP) rated Let Me In (2010) in Movies
Mar 10, 2020
t’s a hard thing remaking or rebooting a classic, whatever you want to call it, you have to make sure of one thing…don’t balls it up! Thankfully director Matt Reeves doesn’t do that, in fact he takes a brilliant original and puts his own spin on it.
The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.
When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.
Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.
It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity
There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.
The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.
Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.
There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.
We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!
The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.
When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.
Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.
It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity
There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.
The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.
Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.
There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.
We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!
Go Film Magazine - Art House Cinema & Award Winning Movies On The Go
Entertainment and Magazines & Newspapers
7.0
Rate It
App
Go Film Magazine Brings You The Best Short Films From Around The World Straight To Your iPad and...
We Need to Talk About ... Kevin Bridges
Book
This is the comic autobiography of 2014. A comedian's autobiography? I wonder if he's ever used...