"I wanted to pick the Pistols or the first Clash record, because they did mean a lot to me, but I’ve had to go with Obsession by UFO, because they were such a huge influence. Def Leppard were on a boating holiday on the Norfolk Broads, and we happened to read a local paper which said that UFO were playing the Ipswich Gaumont, which was a taxi and a bus ride away from where we were parking the boat. We’d yet to play a gig when we saw UFO, and they opened up with three brand new songs, which was very brave: Hot And Ready, Cherry, and (I think) Only You Can Rock Me. And then they went on to do more familiar material, and we were just gobsmacked. The dynamic on stage between Pete Way’s lunacy and Phil Mogg’s attention-grabbing stance in the middle, and then the mad German on the right with his bucket boots and Flying V. It was insanely brilliant. Steve Clarke turned around to me and said, “Right. That’s it. I’m leaving if we don’t start playing shows.” Because all we’d done was rehearse for nine months to try and become relatively good at what we did. That show — and that album — were a massive influence on us, because we were listening to the album all the way through the boating holiday. UFO were and still remain a major influence on us for all sorts of reasons. They were very British, and they had a sense of humour So with the greatest of respect to Never Mind The Bollocks and the first Clash album, I’m going with that one."

"A little Whiplash anecdote is, of course, like everybody else, I had no idea who Damien Chazelle was. Jason Reitman was the one who sent me the script, in an email, for Whiplash. He sent me both the short and the feature script and just said, “Read this,” and obviously it’s from Jason so I’m gonna read it. It was again, obviously, probably one of the most brilliant scripts I had ever read and one of the best fits in terms of the character that I really immediately understood and felt like I could wrap my brain around and pull off. They said, “The writer-director would love to meet you,” and we set up a lunch, and Damien and I sat down and immediately basically agreed on everything, except he didn’t know that I had a musical background, so he was talking about how we’d have body doubles and we’d have somebody coaching me on how to wave my arms around like a conductor. And I said, “Hey, we don’t need that because actually, that’s one of the arrows I have in my quiver.” That was one of those moments where it felt like kismet, that Damien was like, “Oh, my God.” He said, “When Jason and Helen suggested you for this part, I immediately thought that’s a great idea, but I had no idea that you actually had those kinds of abilities.” And also, he didn’t write the script for me, but he wrote it with Miles Teller in mind from the beginning, and didn’t know that Miles had been playing drums since he was 15 years old."