"One more. Let’s go with Clint Eastwood’s movie Unforgiven. I think that’s a brilliant movie. The acting in it is totally brilliant. I’ve always been a big Gene Hackman fan, but who isn’t? I love Eastwood and Morgan Freeman in it. Richard Harris is hilarious. I think the movie has an unbelievable sense of myth, and a great sense of undoing that myth. I’ve never been in a movie theater where I had that experience where the end of the movie, you have the hero say, “Yeah, I’ve killed women and children. I’m gonna kill you.”"

"His new album is called Carrie & Lowell, and I love it. I love all his albums, but that one is on another level because from start to finish it’s brilliant songwriting and some of the best production I’ve ever heard. The song 'Death With Dignity' has got that acoustic guitar in and out, left and right side, it’s just brilliant. It sounds so lame but every time I hear that song, it just beats the shit out of me. It just bruises my whole body. It’s one of those ones that’s even hard to talk about because it’s so good."

"My son listens to Frank Ocean, so I started listening to this through him. I started with listening to Channel Orange and I thought that was fucking amazing. At first I was displaced by the thin-sounding R&B American-ness of it, but when you get into it you realise it’s brilliant. What I like about it is the nature of what Frank Ocean’s singing about, his little introspective vanity subjects. He doesn’t go outwards, like ‘the big wave’s gonna crush us, save the animals’, he just talks about vain things. It’s good. It’s brilliant actually. He’s just a really weird guy singing about weird subjects. There’s that tune ‘Super Rich Kids’, which is just fucking brilliant. ‘Too many bottles of this wine we can’t pronounce’, there’s little moments of discomfort like that, turned into a chorus. I much prefer that to someone’s big treatise about, I don’t know, Assad. Or the coronavirus."