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Eerily prescient sci-fi drama from Gerry Anderson. Poorly stored atomic waste on the Moon explodes,...
ClareR (6001 KP) rated River Sing Me Home in Books
Jan 19, 2023
River Sing Me Home was such a moving read on The Pigeonhole.
Set across Barbados, British Guiana and Trinidad in 1834, Rachel is driven to go and find her sold children when slavery is abolished. You would think that she would be free to do so, but when slavery was abolished, slave owners operated an apprentice scheme - which was simply the same terms and conditions as slavery. So Rachel has to be very careful and remain under the radar of slave catchers.
Rachel’s determination to find her children and her joy when she does find them, the brutality and inhumanity of the slave trade, Rachel’s experiences of love and loss, all add up to a really emotional reading experience.
Recommended.
Set across Barbados, British Guiana and Trinidad in 1834, Rachel is driven to go and find her sold children when slavery is abolished. You would think that she would be free to do so, but when slavery was abolished, slave owners operated an apprentice scheme - which was simply the same terms and conditions as slavery. So Rachel has to be very careful and remain under the radar of slave catchers.
Rachel’s determination to find her children and her joy when she does find them, the brutality and inhumanity of the slave trade, Rachel’s experiences of love and loss, all add up to a really emotional reading experience.
Recommended.
The World Turn'd Upside Down
Book
"The World Turned Upside Down" takes readers on an exhilarating journey through one of history's...
American Revolution United States History Founding Fathers
Bob Mann (459 KP) rated Official Secrets (2019) in Movies
Mar 13, 2020
Cracking British all star cast (1 more)
Reminds you just how crazy politics was in 2003
The best little UK film you've never seen
A film about whistle-blowing against the backdrop of the Iraq War of 2003 doesn't sound like a very appealing watch, but "Official Secrets" defies all those fears. It's a cracking little UK movie.
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Silent Landscape at Gallipoli: The Battlefields of the Dardanelles, One Hundred Years on
Book
In our first book, we explored the impact of the fighting on the landscape of the Western Front -...
Awix (3310 KP) rated Darkest Hour (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Doesn't quite get to the Nub of the Issue
Yet another trip back to the Second World War, with plucky little Britain taking on the world single-handed, etc, etc. Essentially a kind of companion piece to Nolan's Dunkirk, with Gary Oldman's newly-installed Prime Minister having to oversee the retreat of the British army while contending with voices in his own government who want to enter peace negotiations with the Nazis.
Well, obviously British film-makers do this kind of heritage project quite well, and this is a polished movie even if it doesn't offer anything terribly original. The whole thing is carried along by Oldman's bravura performance - it must be said that Gary Oldman, thanks to the magic of prosthetic make-up it took three hours to apply, does look very much like Gary Oldman wearing three hours' worth of prosthetic make-up, but his performance is good enough to make you overlook the (lack of) resemblance.
You could possibly take exception to the film's rather rose-tinted depiction of Churchill, but for me the real flaw in the film is this - the central question posed by the story is just where Churchill's resolve to keep fighting came from, when everyone around him advised otherwise, and the situation seemed so abject. Was he such an idealistic champion of liberty, or foe of fascism? (Historical evidence suggests otherwise.) Or was he just a contrarian old bugger in love with his own legend? The movie doesn't find an convincing answer to this question. Still, otherwise well-made and engaging, and unlikely to outrage mild-mannered elderly relatives.
Well, obviously British film-makers do this kind of heritage project quite well, and this is a polished movie even if it doesn't offer anything terribly original. The whole thing is carried along by Oldman's bravura performance - it must be said that Gary Oldman, thanks to the magic of prosthetic make-up it took three hours to apply, does look very much like Gary Oldman wearing three hours' worth of prosthetic make-up, but his performance is good enough to make you overlook the (lack of) resemblance.
You could possibly take exception to the film's rather rose-tinted depiction of Churchill, but for me the real flaw in the film is this - the central question posed by the story is just where Churchill's resolve to keep fighting came from, when everyone around him advised otherwise, and the situation seemed so abject. Was he such an idealistic champion of liberty, or foe of fascism? (Historical evidence suggests otherwise.) Or was he just a contrarian old bugger in love with his own legend? The movie doesn't find an convincing answer to this question. Still, otherwise well-made and engaging, and unlikely to outrage mild-mannered elderly relatives.
Sarah Lebaigue (1 KP) rated Dunkirk (2017) in Movies
Jan 27, 2018
Acting and script work was on point (2 more)
Costume and set design were perfect
Sound design and score kept my heart racing
Kept my heart racing from beginning to end
Dunkirk is a thrilling film that deserves the Oscar nomination that it has. Nolan has created a masterpiece using time and music to create an intensity that I have never felt before as a movie goer. The film used similar events at different times to mirror one another elegantly.
My heart was always in my throat. I cared about the characters and had a strong connection to the story. I am not a nationalist kind of person by any means, and this film made me ever so proud to be British. With stunning performances from this amazing cast, which made it a group performance without any star or lead actor.
Dunkirk handles the topics of war, death and desperation perfectly and with no nods to Germany or to anything related to the German socialist group. By making the film all about the British characters point of view and removing the name and enemy out of view was a beautiful decision. By this point in time we know about the world wars in depthly and there are many films that talk about it. But this is the first film that doesn’t harp on about the Germans being evil. It was a gorgeous film and one I wish I could see in cinema again, as it’s sound design and cinematography deserved a larger screen.
My heart was always in my throat. I cared about the characters and had a strong connection to the story. I am not a nationalist kind of person by any means, and this film made me ever so proud to be British. With stunning performances from this amazing cast, which made it a group performance without any star or lead actor.
Dunkirk handles the topics of war, death and desperation perfectly and with no nods to Germany or to anything related to the German socialist group. By making the film all about the British characters point of view and removing the name and enemy out of view was a beautiful decision. By this point in time we know about the world wars in depthly and there are many films that talk about it. But this is the first film that doesn’t harp on about the Germans being evil. It was a gorgeous film and one I wish I could see in cinema again, as it’s sound design and cinematography deserved a larger screen.
Steve Fearon (84 KP) rated Kill List (2012) in Movies
Sep 7, 2018
Performances are strong (1 more)
Gruesome and Violent in a very effective way
The ending is very divisive (1 more)
Lots of elements are left unexplained
Intense, memorable but lacks clarity
Contains spoilers, click to show
Kill List is a very British Horror, that follows a clearly damaged ex-soldier that is drawn into the world of hit-men and assassinations in order to earn his way out of financial trouble.
Featuring a number of recognizable British tv actors, and a interesting edit style that chops out extraneous seconds here there and everywhere, often overlaying conversational narrative over a shot displaying a different scene, effectively giving you two informational elements at the same time.
It has some brutal violence, as the two hitman proceed to move down their list discovering generally bad people, which allows the viewer to avoid the moral conflict that might otherwise complicate the premise.
There are nods that the people hiring them know more than they are letting on, and the film builds to a slightly confusing crescendo with an ending similar to another very controversial horror film of recent years, that will shock some and disappoint others.
Overall it is an enjoyable but challenging film, that would have benefited from signposting a few more of the confusing elements more clearly, though the ending and its insinuations are more than likely intended to be of a vague and open nature by design.
Violent, upsetting and very dark in theme, Kill List is definitely a horror, and definitely not one for those of a weak constitution...it is flawed, and not a classic but it certainly is a solid choice for a rainy evening.
Featuring a number of recognizable British tv actors, and a interesting edit style that chops out extraneous seconds here there and everywhere, often overlaying conversational narrative over a shot displaying a different scene, effectively giving you two informational elements at the same time.
It has some brutal violence, as the two hitman proceed to move down their list discovering generally bad people, which allows the viewer to avoid the moral conflict that might otherwise complicate the premise.
There are nods that the people hiring them know more than they are letting on, and the film builds to a slightly confusing crescendo with an ending similar to another very controversial horror film of recent years, that will shock some and disappoint others.
Overall it is an enjoyable but challenging film, that would have benefited from signposting a few more of the confusing elements more clearly, though the ending and its insinuations are more than likely intended to be of a vague and open nature by design.
Violent, upsetting and very dark in theme, Kill List is definitely a horror, and definitely not one for those of a weak constitution...it is flawed, and not a classic but it certainly is a solid choice for a rainy evening.
Andy K (10823 KP) rated Zoo (2018) in Movies
Oct 19, 2019
Saving your marriage or zombie apocalypse?
I have to admit being new to the world of British cinema (since I live in the US) so those extreme British accents are still a struggle for me at times (especially when you guys talk so fast!). I have to admit to even putting subtitles on a few times so I could get all the words.
Interesting premise of this film and the recommendation from a friend to watch.
How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?
This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.
Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.
The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.
Interesting premise of this film and the recommendation from a friend to watch.
How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?
This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.
Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.
The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.
