Search

Search only in certain items:

40x40

Amy Norman (1042 KP) rated Page Eight (2011) in Movies

Apr 22, 2021 (Updated Apr 22, 2021)  
Page Eight (2011)
Page Eight (2011)
2011 | Drama, Mystery
6
6.0 (1 Ratings)
Movie Rating
If you enjoy an extremely slow brewed drama then great, this is for you.

Government conspiracies, and 'old school' espionage never looked so dull to me though! This film didn't require action and bullets flying but a little more suspense and mystery wouldn't have hurt.

I can't say a lot happens in this film, but I am sure there is an audience that will get behind the intrigue, and the discussions that this films brings up. It is a thoughtful and intelligent piece, with a painfully A-List British cast (apologies to those that aren't, and sorry for generalising) giving some outstanding performances.

An excellent film for those that enjoy this style but unfortunately not for me.


There are two sequels that follow some of the same characters, if you did enjoy this then look out for:
Turks and Caicos
Salting the Battlefield


From what I have heard they are marginally better.
  
40x40

Sarah (7798 KP) rated Kinky Boots (2006) in Movies

Sep 4, 2018 (Updated Sep 4, 2018)  
Kinky Boots (2006)
Kinky Boots (2006)
2006 | Comedy, Drama
Fabulous
This is such a quintessentially British film that it’s hard not to love it. It’s full of humour, laughs, drama and is so heartwarming and entertaining. Whilst judgemental Northerners (well north of London) or backwards small British towns/locales in a film isn’t unusual, this film is a fun take on a slightly different true story.

Joel Edgerton is great as Charlie. I wasn’t expecting him to be, but he did very well and his accent was flawless. I actually spent the entire film doubting myself that he was Australian, because he did that well. The star of this film though is undoubtedly Chiwetel Ejiofor. He is an absolute riot as Lola and brings such joy to every scene that he’s in, from the musical numbers to the factory scenes. He seems to be channeling Tim Curry in parts (which isn’t a bad thing) and he’s such a hoot. I don’t think there are many that could pull off Lola quite as well as he has.

I do have a few minor criticisms though. The story itself is pretty predictable, but then would anyone expect any less from such a premise? The film though for me was for a change a little too short. I would’ve happily watched a lot more of this without getting bored.

I’m going to watch the musical of this in the theatre in a few months, and this has really got me excited. Just a shame Chiwetel Ejiofor isn’t appearing in the theatre version, I’d love to see that!
  
Peaky Blinders  - Season 1
Peaky Blinders - Season 1
2013 | Drama
Acting, casting, writing, cinematography, music (0 more)
Seasons too short and far between (0 more)
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.

Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)


Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.


You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.


Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.


Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
  
40x40

Awix (3310 KP) rated The Day the Earth Caught Fire (1961) in Movies

Mar 3, 2018 (Updated Mar 3, 2018)  
The Day the Earth Caught Fire (1961)
The Day the Earth Caught Fire (1961)
1961 | Drama, Romance, Sci-Fi
Weather Forecast says 'Sun Everywhere'
Apocalyptic British SF movie shows how this sort of thing should be done. Nuclear tests shift the Earth on its axis, send it closer to the sun: civilisation struggles to cope with the prospect of looming extinction. Story is told from the point of view of the journalists of the Daily Express (don't laugh, it was a newspaper back in the 60s).

Very similar in its downbeat tone to the Quatermass movies Val Guest had previously made for Hammer - no B-movie this, but a serious, hard-edged naturalistic drama. Personal story of romance between lead journo Edward Judd and met office secretary Janet Munro is woven into the main plot with considerable skill; scenes of devastated London are well-mounted. A bit dated in some of its attitudes, but its concerns with the disastrous effects of climate change and its political cynicism mean it still feels surprisingly relevant today. Much better than any of the Roland Emmerich movies which have arguably ripped it off.
  
The Asphyx (1972)
The Asphyx (1972)
1972 | Horror
6
6.0 (2 Ratings)
Movie Rating
Early 70s British costume-drama horror movie, so you know roughly what to expect - scientist consumed with hubris decides to play God, learns the hard way he doesn't have the full set of qualifications for the gig. But this is really a rather morbid Victorian melodrama, an impression which is only heightened by how primitive some of the special effects are (the asphyx puppet in particular is a bit of an eye-popper).

At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.
  
40x40

Awix (3310 KP) rated Blinded by the Light (2019) in Movies

Aug 13, 2019 (Updated Aug 13, 2019)  
Blinded by the Light (2019)
Blinded by the Light (2019)
2019 | Biography, Comedy, Drama
Clumsy, trite, and overlong musical coming-of-age drama. The story of an Asian teenager living in Luton in a dress-up version of the late 1980s is brought to life through the music of Bruce Springsteen (well-known as one of the great interpreters of the British Pakistani experience).

As you can probably tell, there is something slightly odd and out-of-whack about the whole premise of the movie, but it's the realisation that is really shocking. Badly-performed characters swap platitudes and re-enact virtually every movie about growing up with strict Pakistani or Muslim parents you have ever seen before, with occasional musical interludes where characters sing along, not well, with Springsteen tracks. To say the dance routines look under-rehearsed is charitable. Apparently aims to be a feel-good movie but I'm sure I felt it trying to suck the soul out of my body. 'Blinded by the Trite', more like - certainly more dross than Boss (I can keep this up all day).