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Dead Wake: The Last Crossing of the Lusitania
8.5
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On May 1, 1915, a luxury ocean liner as richly appointed as an English country house sailed out of...
Paper Girls: Volume 1
Cliff Chiang, Brian K. Vaughan, Matthew Wilson and Jared K. Fletcher
8.4
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From Brian K. Vaughan, #1 New York Times bestselling writer of SAGA, and Cliff Chiang, legendary...
Kirk Bage (1775 KP) rated The Last Dance in TV
Aug 6, 2020 (Updated Aug 6, 2020)
Some people’s worst nightmare isn’t just being forced to watch sport, but being forced to listen to commentary or analysis on sport. My passion for a competitive event, and appreciation for an acheivement at the highest level in any sport, is still there, but is a little cooler than it was when I was a younger man with the energy to get carried away, whooping and cheering on an underdog or applauding the very best in a discipline.
Basketball for me has never really been a thing. To be honest, I barely understand the rules beyond the basics. It just wasn’t something that was on British TV that often as I grew up, the Olympics being an exception. The skill level (and height above Sea level) needed to be good enough for NBA glory does not escape me though, and neither has the exceptional career of Michael Jordon, who is a clear contender for greatest sportsman of all time, in any sport.
What I do enjoy though is the drama of over-coming hurdles and records against all the odds. The underdog story really appeals to me, as does the story of an older athlete doing it one last time, when no one thinks it’s possible. The Last Dance is exactly that. But not told by actors in a Hollywood way, like the wonderfully under-rated Miracle starring Kurt Russell. This is a documentary, in ten parts, with the real guys, and some of the most comprehensive archive material you’d ever want!
In theory, the tale is about the whole team, and their final fling at winning a title before knowing the aging gang would be disbanded, with the key figures forced into retirement. But, it is about Jordan, of course it is. And as a document of a rise to fame, and how the man responded to that fame and increased pressure, it is simply the best sports documentary yet to be made.
Told in parallel timelines of the final year juxtaposed with the backstory of the previous 20 years, it shows in exquisite detail how a franchise was built, maintained and taken to the heights of being the greatest ever to play the game. There are tantrums, fall outs, walk outs, no shows, injuries, and some mind-bending successes riding on single moments of genius.
The main voices of Jordan himself, as he sits in retirement with a cigar and a single malt, Scottie Pippin, and bad boy Dennis Rodman, are in parts fascinating, eloquent and revealing. Even after many years have passed, the emotion of big moments and issues is still fresh. We see the joy, the pride and the exhilaration, but also the regret, the grudges and the pain. It shows every angle of what being an athlete at the very top means, and exposes what kind of mentality you have to have to be that person. To be a champion.
As with me, it really helps with the cliffhanger drama of it if you don’t remember, or never knew at all, the result of that “last dance” season in ’98. It also helps if watching sport raises the pulse, but I wouldn’t say it is essential, as it all plays like an ten part series full of drama, betrayals and gasp out loud moments. Ten hour long episodes is a lot. But this incredible production never out stays its welcome. Some acheivement, and testament to what a charismatic figure Jordan was and is on the context of sport history.
Of course, not every hero is a hero every minute of his life. And that is my final reason to recommend it. See for yourself what kind of personality virtual gods like these invent for themselves. Utterly compelling TV.
Basketball for me has never really been a thing. To be honest, I barely understand the rules beyond the basics. It just wasn’t something that was on British TV that often as I grew up, the Olympics being an exception. The skill level (and height above Sea level) needed to be good enough for NBA glory does not escape me though, and neither has the exceptional career of Michael Jordon, who is a clear contender for greatest sportsman of all time, in any sport.
What I do enjoy though is the drama of over-coming hurdles and records against all the odds. The underdog story really appeals to me, as does the story of an older athlete doing it one last time, when no one thinks it’s possible. The Last Dance is exactly that. But not told by actors in a Hollywood way, like the wonderfully under-rated Miracle starring Kurt Russell. This is a documentary, in ten parts, with the real guys, and some of the most comprehensive archive material you’d ever want!
In theory, the tale is about the whole team, and their final fling at winning a title before knowing the aging gang would be disbanded, with the key figures forced into retirement. But, it is about Jordan, of course it is. And as a document of a rise to fame, and how the man responded to that fame and increased pressure, it is simply the best sports documentary yet to be made.
Told in parallel timelines of the final year juxtaposed with the backstory of the previous 20 years, it shows in exquisite detail how a franchise was built, maintained and taken to the heights of being the greatest ever to play the game. There are tantrums, fall outs, walk outs, no shows, injuries, and some mind-bending successes riding on single moments of genius.
The main voices of Jordan himself, as he sits in retirement with a cigar and a single malt, Scottie Pippin, and bad boy Dennis Rodman, are in parts fascinating, eloquent and revealing. Even after many years have passed, the emotion of big moments and issues is still fresh. We see the joy, the pride and the exhilaration, but also the regret, the grudges and the pain. It shows every angle of what being an athlete at the very top means, and exposes what kind of mentality you have to have to be that person. To be a champion.
As with me, it really helps with the cliffhanger drama of it if you don’t remember, or never knew at all, the result of that “last dance” season in ’98. It also helps if watching sport raises the pulse, but I wouldn’t say it is essential, as it all plays like an ten part series full of drama, betrayals and gasp out loud moments. Ten hour long episodes is a lot. But this incredible production never out stays its welcome. Some acheivement, and testament to what a charismatic figure Jordan was and is on the context of sport history.
Of course, not every hero is a hero every minute of his life. And that is my final reason to recommend it. See for yourself what kind of personality virtual gods like these invent for themselves. Utterly compelling TV.
Olympia by Gorgon City
Album
Gorgon City are renowned British production duo Kye Gibbon and Matt Robson-Scott. They are set to...
Gareth von Kallenbach (980 KP) rated Jimmy's Hall (2015) in Movies
Aug 6, 2019
It’s not to often that we folks in America have the opportunity to catch any movies from Ireland.
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
Bob Mann (459 KP) rated Endless (2020) in Movies
Oct 19, 2020
Alexandra Shipp's acting is OK (1 more)
The British Columbian scenary
A Ghost "Ditto" - but without the star quality
Riley (Alexandra Shipp) and Chris (Nicholas Hamilton) are teenage lovers about to be torn apart... but not in the way you think. Riley is about to turn her back on her talent for comic book art to follow her parent's wishes: to study law on the other side of the country in Georgetown. Chris is from the other side of the tracks - aren't they always in these films? - living in a one-parent family with his mother Lee (Bond-girl Famke Janssen).
But fate is about to push them even further apart as - with an advert as to why drinking, texting and driving don't mix - Chris is killed in a car crash. Tragedy - when the feeling's gone and you can't go on! Can their love for each other reach beyond death itself, and if so, at what cost?
We've been here before of course with the Demi Moore / Patrick Swayze hit "Ghost" from 1990. That was an Oscar winner (Best Supporting Actress for Whoopi Goldberg and screenplay by Bruce Joel Rubin). Will "Endless" - a teen-love version - match this potential? Unfortunately, without a potter's wheel in sight, it doesn't stand a ghost of a chance.
It feels like it's not for the want of trying from the five youngsters* at the heart of the action, with Eddie Ramos and Zoë Belkin playing the lover's best friends and DeRon Horton being the limbo-trapped ghost-guide equivalent to the subway dropout from "Ghost". (* I say "youngsters", but most seem to be in their late twenties!) )
All seem to invest their energy into the project. Unfortunately, with the exception of Alexandra Shipp, the energy is not matched with great acting talent. Poor Nicholas Hamilton (the bully from "It") seems to have a particularly limited range, with his resting expression being "gormless".
None of the adult actors fair much better, with Famke Janssen being particularly unconvincing.
As I said, the exception here is Alexandra Shipp, who had a supporting role in "Love, Simon" and a more centre-stage role as "Storm" in the otherwise disappointing "X-Men: Dark Phoenix". Here she remains eminently watchable, but is hog-bound by a seriously dodgy script.
If you read my bob-the-movie-man blog regularly, you will know I reach for my flame-thrower at the appearance of voiceovers. And the start of this movie made me shudder with fear as a "tell, not show" approach was followed. It's a mild blessing that the script - by Andre Case and O'Neil Sharma - used this device purely as a slightly lazy way to set the scene and the voiceover didn't rear its ugly head again.
However, on a broader basis, the screenplay doesn't excite - predictability is its middle name - and it contains lines of dialogue that are absolute stinkers. There are whole sections of the movie that defy belief, with a police investigation in particular appearing completely incompetent. The result is that it adds neither drama or tension.
Through my career in IT I've had the great fortune to travel to a number of small cities in Canada, and all have appealed with their consistently picturesque qualities and consistently quirky individuals! Here we have the cities of Kelowna and Vernon in British Columbia playing California, and the drone cinematography (by Frank Borin and Mark Dobrescu) displays the dramatic lake-filled scenery to the full.
With so many cookie-cutter movies out there, it feels like the non-horror "Ghost" recipe (or "Heaven Can Wait" / "It's a Wonderful Life" / "A Matter of Life and Death" / delete per your preference) is well overdue for a makeover. Unfortunately, director Scott Speer's attempt just isn't good enough to fill the void. And that's a shame.
(For the full graphical review, please check out the bob-the-movie-man review here - https://rb.gy/mzq6jx . Thanks.)
But fate is about to push them even further apart as - with an advert as to why drinking, texting and driving don't mix - Chris is killed in a car crash. Tragedy - when the feeling's gone and you can't go on! Can their love for each other reach beyond death itself, and if so, at what cost?
We've been here before of course with the Demi Moore / Patrick Swayze hit "Ghost" from 1990. That was an Oscar winner (Best Supporting Actress for Whoopi Goldberg and screenplay by Bruce Joel Rubin). Will "Endless" - a teen-love version - match this potential? Unfortunately, without a potter's wheel in sight, it doesn't stand a ghost of a chance.
It feels like it's not for the want of trying from the five youngsters* at the heart of the action, with Eddie Ramos and Zoë Belkin playing the lover's best friends and DeRon Horton being the limbo-trapped ghost-guide equivalent to the subway dropout from "Ghost". (* I say "youngsters", but most seem to be in their late twenties!) )
All seem to invest their energy into the project. Unfortunately, with the exception of Alexandra Shipp, the energy is not matched with great acting talent. Poor Nicholas Hamilton (the bully from "It") seems to have a particularly limited range, with his resting expression being "gormless".
None of the adult actors fair much better, with Famke Janssen being particularly unconvincing.
As I said, the exception here is Alexandra Shipp, who had a supporting role in "Love, Simon" and a more centre-stage role as "Storm" in the otherwise disappointing "X-Men: Dark Phoenix". Here she remains eminently watchable, but is hog-bound by a seriously dodgy script.
If you read my bob-the-movie-man blog regularly, you will know I reach for my flame-thrower at the appearance of voiceovers. And the start of this movie made me shudder with fear as a "tell, not show" approach was followed. It's a mild blessing that the script - by Andre Case and O'Neil Sharma - used this device purely as a slightly lazy way to set the scene and the voiceover didn't rear its ugly head again.
However, on a broader basis, the screenplay doesn't excite - predictability is its middle name - and it contains lines of dialogue that are absolute stinkers. There are whole sections of the movie that defy belief, with a police investigation in particular appearing completely incompetent. The result is that it adds neither drama or tension.
Through my career in IT I've had the great fortune to travel to a number of small cities in Canada, and all have appealed with their consistently picturesque qualities and consistently quirky individuals! Here we have the cities of Kelowna and Vernon in British Columbia playing California, and the drone cinematography (by Frank Borin and Mark Dobrescu) displays the dramatic lake-filled scenery to the full.
With so many cookie-cutter movies out there, it feels like the non-horror "Ghost" recipe (or "Heaven Can Wait" / "It's a Wonderful Life" / "A Matter of Life and Death" / delete per your preference) is well overdue for a makeover. Unfortunately, director Scott Speer's attempt just isn't good enough to fill the void. And that's a shame.
(For the full graphical review, please check out the bob-the-movie-man review here - https://rb.gy/mzq6jx . Thanks.)
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
The Grimaldis of Monaco: Centuries of Scandal, Years of Grace
Book
The Grimaldis of Monaco tells in full the remarkable history of the world's oldest reigning dynasty....
The Missing Matisse: A Memoir
1.0
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Nazi planes were bombing Paris the day a lifelong, more personal war began for Pierre. It was the...