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2015 Books of the Year - The Times, Uncut, Rough Trade. Shortlisted for the 2015 Gordon Burn Prize....
The Secret Life of Violet Grant (Schuyler Sisters #1)
Book
Manhattan, 1964. Vivian Schuyler, newly graduated from Bryn Mawr College, has recently defied the...
The Golden Hour
Book
The Bahamas, 1941. Newly-widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the...
ClareR (5726 KP) rated The Ministry of Time in Books
Jun 4, 2024
This book is everything I love about reading. I read to escape (mainly, but not solely!), and so science fiction/ fantasy has always appealed to me. Now I’ve discovered speculative fiction, and it seems to be like both of these things wrapped up in a package with a label saying: “This Seems Plausible”.
The Ministry of Time is a clever book - it uses time travel and science fiction, with a touch of history that actually happened, and mixes it up with a hefty dose of romance, thriller and literary fiction. It doesn’t sound like it will work, but I’m here to say that it really DOES!
Ok, so a quick, yet vague, synopsis: the British Government has come into possession of a device that can go back in time and find particular people in the past. It’s been decided that the people they take are all in life-threatening situations. Those plucked from their time are placed with a “Bridge”; someone who will facilitate their integration into modern society.
The main pair is that of Graham Gore, a Polar explorer from the Erebus expedition, and his Bridge, a woman whose mother escaped the Khmer Rouge in Cambodia. Not an easy adjustment for a Victorian man. This Bridge is the narrator.
Graham Gore adjusts quickly to modern life, but is modern life willing to accept him? And what affect does it have on him and his fellow time travellers, to be so out of time?
There was so much to think about whilst reading this - I was completely immersed, and it ended FAR too quickly!
The Ministry of Time is a clever book - it uses time travel and science fiction, with a touch of history that actually happened, and mixes it up with a hefty dose of romance, thriller and literary fiction. It doesn’t sound like it will work, but I’m here to say that it really DOES!
Ok, so a quick, yet vague, synopsis: the British Government has come into possession of a device that can go back in time and find particular people in the past. It’s been decided that the people they take are all in life-threatening situations. Those plucked from their time are placed with a “Bridge”; someone who will facilitate their integration into modern society.
The main pair is that of Graham Gore, a Polar explorer from the Erebus expedition, and his Bridge, a woman whose mother escaped the Khmer Rouge in Cambodia. Not an easy adjustment for a Victorian man. This Bridge is the narrator.
Graham Gore adjusts quickly to modern life, but is modern life willing to accept him? And what affect does it have on him and his fellow time travellers, to be so out of time?
There was so much to think about whilst reading this - I was completely immersed, and it ended FAR too quickly!
Bob Mann (459 KP) rated The Guernsey Literary and Potato Peel Pie Society (2018) in Movies
Sep 29, 2021
“Contented with little, wishing for more”.
Here’s a curious little British film that has some merit, both as an entertainment vehicle and as a history lesson.
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…
Mekkin B. (122 KP) rated His Majesty's Dragon in Books
Sep 14, 2017
Set during the Napoleonic War, British officer and gentleman Captain William Laurence has his life turned upside down after seizing a rare dragon egg from a captured French vessel. Led by an unwavering sense of duty and a growing affection for his new dragonet, Temeraire, he must leave behind everything he knows to join the mysterious and disreputable Aerial Corps.
Naomi Novik knows her stuff. This book is chock full of amazing worldbuilding. Her mastery of naval maneuvers, English society, and the history of the Napoleonic wars is immersive in its completeness. She wastes no time coddling the reader with infodumps or explanations, although the drawback is that it is occasionally so detailed and alien to me that my eyes would glaze over and slide completely past a paragraph filled with information about where Napoleon's forces were and what they were doing.
Laurence himself gets flack as a character for being stiff and "unprogressive", but I feel this is somewhat unwarranted. He's compelling precisely because he exhibits a mindset that would be entirely normal for a man of his station in his time, and slowly has to adjust everything he thinks about class, gender, and duty. His stiffness and reserve can seem alien at times, but we empathize completely with his love of the bright and lovely Temeraire.
This book does have some pacing problems. It is slow in places, particularly during their training and Loch Laggan, and in others cuts chapters far too early, leaving one feeling a bit of whiplash as the next chapter starts up.
Still, the premise is amazing, the dragons are glorious, and I spent an entire night reading this book cover to cover. If you like Bloody Jack, or wondered what How To Train Your Dragon would look like if it were set during the Napoleonic war, you'll definitely enjoy this one.
Naomi Novik knows her stuff. This book is chock full of amazing worldbuilding. Her mastery of naval maneuvers, English society, and the history of the Napoleonic wars is immersive in its completeness. She wastes no time coddling the reader with infodumps or explanations, although the drawback is that it is occasionally so detailed and alien to me that my eyes would glaze over and slide completely past a paragraph filled with information about where Napoleon's forces were and what they were doing.
Laurence himself gets flack as a character for being stiff and "unprogressive", but I feel this is somewhat unwarranted. He's compelling precisely because he exhibits a mindset that would be entirely normal for a man of his station in his time, and slowly has to adjust everything he thinks about class, gender, and duty. His stiffness and reserve can seem alien at times, but we empathize completely with his love of the bright and lovely Temeraire.
This book does have some pacing problems. It is slow in places, particularly during their training and Loch Laggan, and in others cuts chapters far too early, leaving one feeling a bit of whiplash as the next chapter starts up.
Still, the premise is amazing, the dragons are glorious, and I spent an entire night reading this book cover to cover. If you like Bloody Jack, or wondered what How To Train Your Dragon would look like if it were set during the Napoleonic war, you'll definitely enjoy this one.
Mayhawke (97 KP) rated The Strange Disappearance of a Bollywood Star in Books
Feb 13, 2018
Kahn is establishing himself as a solid and reliable voice in cosy crime
Vaseem Khan is still a relatively new voice in cozy crime fiction, but I have been with him since the start, and on current showing I shall be with him long into the future.
One of the great pleasures for crime fiction readers of the last decade has been the influx of new voices as - in the search for something new and different - the British market has been opened up to translations from abroad (Camilleri, Akunin, Vargas) and English-language fiction set in different cultural environments (No.1 Ladies Detective Agency, Aurelio Zen, Dr. Siri Paboun). Khan has proven himself a skillful and delightful contributor to the latter category, lifting the vibrant sounds, colours, smells and characters of India (good and bad) from the page as he weaves remarkably clever and entertaining stories of brutal thefts, murder and abduction for the protagonist, Inspector Chopra (Retd) & and his mystical and cheeky four-legged sidekick, Ganesha, to unravel.
His latest book sees a young and arrogant Bollywood star abducted on the eve of his most important film shoot to date. As the biggest and most expensive film in Bollywood history grinds to a halt money, reputations and lives are on the line and Chopra is employed to quietly find and return the prodigal starlet to his duties. It quickly becomes apparent, though, that the boy has not just had a Bieberesque tantrum, and that the funding for, and personalities behind the movie may be a lot murkier and more complex than they seem.
Already on his third book in two years he promises to be as prolific as he is enjoyable.
One of the great pleasures for crime fiction readers of the last decade has been the influx of new voices as - in the search for something new and different - the British market has been opened up to translations from abroad (Camilleri, Akunin, Vargas) and English-language fiction set in different cultural environments (No.1 Ladies Detective Agency, Aurelio Zen, Dr. Siri Paboun). Khan has proven himself a skillful and delightful contributor to the latter category, lifting the vibrant sounds, colours, smells and characters of India (good and bad) from the page as he weaves remarkably clever and entertaining stories of brutal thefts, murder and abduction for the protagonist, Inspector Chopra (Retd) & and his mystical and cheeky four-legged sidekick, Ganesha, to unravel.
His latest book sees a young and arrogant Bollywood star abducted on the eve of his most important film shoot to date. As the biggest and most expensive film in Bollywood history grinds to a halt money, reputations and lives are on the line and Chopra is employed to quietly find and return the prodigal starlet to his duties. It quickly becomes apparent, though, that the boy has not just had a Bieberesque tantrum, and that the funding for, and personalities behind the movie may be a lot murkier and more complex than they seem.
Already on his third book in two years he promises to be as prolific as he is enjoyable.
ClareR (5726 KP) rated Valkyrie (2008) in Movies
Jun 23, 2019
Surprisingly good!
I will hold my hands up and admit that I can be very critical of films set in Germany and particularly during the Second World War. I’m a bit of a germanophile - I studied German language, literature and history at university. I read into the furore that surrounded the making of this film: the Germans didn’t want Tom Cruise to play the main part because of his affiliation with Scientology (Germans believe it’s a cult, and therefore want nothing to do with it), and Claus von Stauffenberg’s eldest son even asked Cruise to stand down from the role. They all had a rethink though, and decided that it was more important that this story was actually told. And I have to agree with them. There’s a belief that all Germans were complicit in the actions of Hitler and his National Socialists, but this isn’t true. What might be true, is that people were terrified that they would be killed for any opposing thoughts or actions - and they were right.
I was really surprised (pleasantly!) by Cruises acting in this. After my initial horror at the opening sequence where he was talking in German (my children asked if he would be speaking German throughout, and were fully prepared to go to bed early - they didn’t want to read subtitles for a whole movie, I didn’t want to hear the shocking pronunciation!😆), it really picked up! The British actors really made it for me (I could well be accused of bias, but well, I don’t care 🤷🏼♀️), and Eddie Izzard was the most surprising - I really need to stop being surprised that he can act well!
It’s a good film! We had a good family film night anyway, and I think it’s worth watching.
I was really surprised (pleasantly!) by Cruises acting in this. After my initial horror at the opening sequence where he was talking in German (my children asked if he would be speaking German throughout, and were fully prepared to go to bed early - they didn’t want to read subtitles for a whole movie, I didn’t want to hear the shocking pronunciation!😆), it really picked up! The British actors really made it for me (I could well be accused of bias, but well, I don’t care 🤷🏼♀️), and Eddie Izzard was the most surprising - I really need to stop being surprised that he can act well!
It’s a good film! We had a good family film night anyway, and I think it’s worth watching.
Gareth von Kallenbach (980 KP) rated Closed Circuit (2013) in Movies
Aug 6, 2019
oday, we’re going to bring you something a little different from ‘across the pond’ in the form of the latest crime-thriller from
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
The Maverick Mountaineer: The Remarkable Life of George Ingle Finch: Climber, Scientist, Inventor
Book
"In the spring of 1901 a teenager stood on top of a hill, gazed out in wonderment at the Australian...