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Imperial Struggle
Tabletop Game
In 1697 the Sun King, Louis XIV, emerged from a decade of war with his Continental ambitions still...
RəX Regent (349 KP) rated Downfall (Der Untergang) (2004) in Movies
Feb 19, 2019
The true story of the last days of NAZI Germany, focusing on Hitler and his cohorts as they sought refuge on his Berlin Bunker and is chronicled here with such honesty.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
James P. Sumner (65 KP) rated Official Secrets (2019) in Movies
Oct 16, 2019
Should this tense, dramatic thriller remain a Secret?
I was lucky enough to be invited to an advanced screening of this film, ahead of it's general release.
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
Darren (1599 KP) rated Dr. No (1962) in Movies
Nov 7, 2019
Characters – James Bond is on his first mission on the big screen, the resourceful British Spy that always seems to stay one step ahead of the enemies as he looks for answers to a colleague’s disappearance. We see how he is the womaniser we all know now and just how he can handle himself in a fight. Honey Ryder appears one hour into the film with one of the most iconic entrances in the franchise history, she assistance Bond on the mission with her knowledge of the island. Dr No is the mastermind behind the island plot, he keeps his plans secret and will get his men to eliminate any problems that come his way.
Performances – Sean Connery is great in his first outing as Bond, he uses the charm his character is famous for to make us want to come back for the next adventure. Ursula Andress is solid enough, she looks the part even if the character is mostly just made to be the damsel in distress. Joseph Wiseman does make for a good villain by the time we see him, he helps us reach the levels we know we can expect in the franchise.
Story – James Bond is one his first film mission, needing to show his skills to find a missing colleague against the first villain. This story is a simple one, it is designed to show us what James is capable off when it comes to save the world from a terrorist plot. This might not be the one everyone remembers because it does just introduce him without going too far with the difficulties of a mission that would need to be topped next time out. This is one that shows the style that he must work, the slow investigation before coming face to face with the villain.
Action/Adventure – The action gives us James the fight sequences needed to show how quickly he can get the job done when needed. The adventure takes our spy across the world to a tropical island, this time Jamaica to fight a villain.
Settings – The film is set in Jamaica, it gives us a tropical feeling from start to finish where we get to see the islands off the mainland as an early sign of where the bases for the masterminds will be.
Scene of the Movie – Base battle.
That Moment That Annoyed Me – We don’t meet the Bond girl till an hour into the film.
Final Thoughts –This is a great start to the Bond franchise, we get to learn Bond’s skills face a villain that has enough menace to be a threat and keep us ready for more.
Overall: Great start to the franchise.
Performances – Sean Connery is great in his first outing as Bond, he uses the charm his character is famous for to make us want to come back for the next adventure. Ursula Andress is solid enough, she looks the part even if the character is mostly just made to be the damsel in distress. Joseph Wiseman does make for a good villain by the time we see him, he helps us reach the levels we know we can expect in the franchise.
Story – James Bond is one his first film mission, needing to show his skills to find a missing colleague against the first villain. This story is a simple one, it is designed to show us what James is capable off when it comes to save the world from a terrorist plot. This might not be the one everyone remembers because it does just introduce him without going too far with the difficulties of a mission that would need to be topped next time out. This is one that shows the style that he must work, the slow investigation before coming face to face with the villain.
Action/Adventure – The action gives us James the fight sequences needed to show how quickly he can get the job done when needed. The adventure takes our spy across the world to a tropical island, this time Jamaica to fight a villain.
Settings – The film is set in Jamaica, it gives us a tropical feeling from start to finish where we get to see the islands off the mainland as an early sign of where the bases for the masterminds will be.
Scene of the Movie – Base battle.
That Moment That Annoyed Me – We don’t meet the Bond girl till an hour into the film.
Final Thoughts –This is a great start to the Bond franchise, we get to learn Bond’s skills face a villain that has enough menace to be a threat and keep us ready for more.
Overall: Great start to the franchise.
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Gareth von Kallenbach (980 KP) rated Shaun of the Dead (2004) in Movies
Aug 14, 2019
With the recent influx of the walking dead at your local multiplex, it would be easy to dismiss the British film “Shaun of the Dead” as just another cheap zombie film. While few will mistake “Shaun” as a landmark in cinematic history, but despite its flaws, there are a few funny moments on the film.
The film attempts to mix horror and comedy and largely but works best if viewed as a comedic satire of the genre. Shaun, (Simon Pegg), (who also helped write the film), is a working class stiff who toils away his time in an London district selling electronics by day and squiring the love of his life Liz (Kate Ashfield), to the local pub much to her dismay as the monotony of the situation and Shaun’s obscene slacker friend Ed (Nick Frost), have worn on her last nerve.
Despite getting an ultimatum from Liz to take her to someplace other than the pub, Shaun becomes distracted and fails to secure a table elsewhere, causing Liz to storm out and send Shaun into a spiral as he begins to question his place in life and suspect that there is much more that he should be doing.
As if this was not enough of a burden for Shaun to endure, the local population seems to be acting oddly as reports of mayhem and carnage are starting to arise and the streets start to fill with Zombies. At first Shaun and Ed are oblivious to the changes around them as they continue their daily routines without noticing the blood stains, bodies and walking dead in the neighborhood, that is until one decided to attack.
Shaun and Ed soon get a nasty dose of reality and Shaun eventually decides that he must get his mother and Liz to safety, so armed with his Cricket bat, he takes on the grisly horde of undead against overwhelming odds.
While the film does have some good comedic moments, it drags horribly for the last 20 minutes as only a funny but albeit brief segment involving a zombie attack to a Queen classic is the only respite in the monotone that the film crawls to. The biggest problem is that the film seems to run out of material about 40 minutes in and the makers of the film try to stretch the film using standards from past zombie films. We have the desperate stand in a surrounded building, the improvised weapons, the infighting between survivors, and the classic bearing of the soul when it seems darkest.
I do admire the creative element that the creators of the film came up with especially with the obvious budget restrictions they were under. That being said, the film is not worthy of the praise that is being heaped upon it. Yes, it shows promise for the cast, and yes it is a nice twist on the tired zombie genre, but any momentum that was gained in the early portion of the film is quickly destroyed by the sputtering plot that crawls its way to the finish with a ho-hum climax that will disappoint any in the audience who still care.
The film attempts to mix horror and comedy and largely but works best if viewed as a comedic satire of the genre. Shaun, (Simon Pegg), (who also helped write the film), is a working class stiff who toils away his time in an London district selling electronics by day and squiring the love of his life Liz (Kate Ashfield), to the local pub much to her dismay as the monotony of the situation and Shaun’s obscene slacker friend Ed (Nick Frost), have worn on her last nerve.
Despite getting an ultimatum from Liz to take her to someplace other than the pub, Shaun becomes distracted and fails to secure a table elsewhere, causing Liz to storm out and send Shaun into a spiral as he begins to question his place in life and suspect that there is much more that he should be doing.
As if this was not enough of a burden for Shaun to endure, the local population seems to be acting oddly as reports of mayhem and carnage are starting to arise and the streets start to fill with Zombies. At first Shaun and Ed are oblivious to the changes around them as they continue their daily routines without noticing the blood stains, bodies and walking dead in the neighborhood, that is until one decided to attack.
Shaun and Ed soon get a nasty dose of reality and Shaun eventually decides that he must get his mother and Liz to safety, so armed with his Cricket bat, he takes on the grisly horde of undead against overwhelming odds.
While the film does have some good comedic moments, it drags horribly for the last 20 minutes as only a funny but albeit brief segment involving a zombie attack to a Queen classic is the only respite in the monotone that the film crawls to. The biggest problem is that the film seems to run out of material about 40 minutes in and the makers of the film try to stretch the film using standards from past zombie films. We have the desperate stand in a surrounded building, the improvised weapons, the infighting between survivors, and the classic bearing of the soul when it seems darkest.
I do admire the creative element that the creators of the film came up with especially with the obvious budget restrictions they were under. That being said, the film is not worthy of the praise that is being heaped upon it. Yes, it shows promise for the cast, and yes it is a nice twist on the tired zombie genre, but any momentum that was gained in the early portion of the film is quickly destroyed by the sputtering plot that crawls its way to the finish with a ho-hum climax that will disappoint any in the audience who still care.