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Awix (3310 KP) rated On Chesil Beach (2018) in Movies
Jun 1, 2018
Bleak British Repressed Sexuality a Go Go!
Handsomely mounted BBC film starts off looking like many another period-set literary adaptation, then turns into something rather different. Newlyweds Edward and Florence are on the brink of their wedding night; both are nervous, and struggling with the expectations society and their upbringing has placed upon them. (The fact that society hasn't bothered to educate them in the slightest about what can, or should, go on in the bedroom really doesn't help on this voyage into, or possibly out of, virgin territory.) Not all goes to plan; a small but genuine tragedy unfolds.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Awix (3310 KP) rated Yesterday (2019) in Movies
Jul 2, 2019 (Updated Jun 15, 2020)
Highly-anticipated high-concept collaboration between two of British cinema's biggest names doesn't really live up to expectations. Going-nowhere singer-songwriter falls off his bike during a mysterious black-out and when he wakes up discovers he is now living in a world where the Beatles have never existed. Fame and fortune naturally beckon, but will they come at the expense of The Important Things in Life?
It's a fascinating premise, but one the film largely ignores in favour of a very familiar rom-com storyline that doesn't do anything particularly interesting or engaging. You can't help wondering: what has happened to the world? How come (almost) nobody remembers the Fab Four? The whole point of this kind of story is surely for the absence of the Beatles to reveal, by implication, their greatness and significance, but the film suggests they can vanish leaving barely a ripple in terms of cultural or musical legacy. The results are intermittently amusing and occasionally interesting, but the film only succeeds at aiming low. Decent performances from the leads help; Kate McKinnon is good value as usual, but James Corden and Ed Sheeran are in it too.
It's a fascinating premise, but one the film largely ignores in favour of a very familiar rom-com storyline that doesn't do anything particularly interesting or engaging. You can't help wondering: what has happened to the world? How come (almost) nobody remembers the Fab Four? The whole point of this kind of story is surely for the absence of the Beatles to reveal, by implication, their greatness and significance, but the film suggests they can vanish leaving barely a ripple in terms of cultural or musical legacy. The results are intermittently amusing and occasionally interesting, but the film only succeeds at aiming low. Decent performances from the leads help; Kate McKinnon is good value as usual, but James Corden and Ed Sheeran are in it too.
Awix (3310 KP) rated Village of the Damned (1995) in Movies
Nov 16, 2019
Thumpingly unsubtle SF remake turns up the horror dial but doesn't seem aware that sometimes less is more. After a strange town-wide blackout, the citizens of Midwich (do they really have 'villages' in Northern California, anyway?) discover ten women have simultaneously become pregnant. They give birth to eerily similar children who seem to have psychic powers.
Released in 1995, this is very much The Midwich Cuckoos for the X Files generation, but ends up just another signpost marking the decline of John Carpenter as a film-maker worth paying attention to. The sad thing is that he really does seem familiar with both the original British film and the source novel (elements of the book missing from the 1960 film reappear here) and is obviously trying to do his best to honour them, but where John Wyndham is chillingly subtle and understated, John Carpenter is just walloping the audience with a succession of predictable set-piece 'shocks'. Reasonable CGI but overall it looks cheap and unconvincing; some reasonable performances from an interesting cast, but there's a limit to what they can do with such a duff script.
Released in 1995, this is very much The Midwich Cuckoos for the X Files generation, but ends up just another signpost marking the decline of John Carpenter as a film-maker worth paying attention to. The sad thing is that he really does seem familiar with both the original British film and the source novel (elements of the book missing from the 1960 film reappear here) and is obviously trying to do his best to honour them, but where John Wyndham is chillingly subtle and understated, John Carpenter is just walloping the audience with a succession of predictable set-piece 'shocks'. Reasonable CGI but overall it looks cheap and unconvincing; some reasonable performances from an interesting cast, but there's a limit to what they can do with such a duff script.
Alan Turing: The Enigma: The Book That Inspired the Film, the Imitation Game
Book
This is the official book that inspired the film The Imitation Game, which stars Benedict...
Kevin Murphy recommended Local Hero (1983) in Movies (curated)
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
JT (287 KP) rated Dead Man's Shoes (2006) in Movies
Mar 10, 2020
British films don’t really come more powerful as this, Shane Meadows has delivered a film so intense it’ll feel like the quickest most terrifying ninety minutes of your life.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Steve Fearon (84 KP) rated Kill List (2012) in Movies
Sep 7, 2018
Performances are strong (1 more)
Gruesome and Violent in a very effective way
The ending is very divisive (1 more)
Lots of elements are left unexplained
Intense, memorable but lacks clarity
Contains spoilers, click to show
Kill List is a very British Horror, that follows a clearly damaged ex-soldier that is drawn into the world of hit-men and assassinations in order to earn his way out of financial trouble.
Featuring a number of recognizable British tv actors, and a interesting edit style that chops out extraneous seconds here there and everywhere, often overlaying conversational narrative over a shot displaying a different scene, effectively giving you two informational elements at the same time.
It has some brutal violence, as the two hitman proceed to move down their list discovering generally bad people, which allows the viewer to avoid the moral conflict that might otherwise complicate the premise.
There are nods that the people hiring them know more than they are letting on, and the film builds to a slightly confusing crescendo with an ending similar to another very controversial horror film of recent years, that will shock some and disappoint others.
Overall it is an enjoyable but challenging film, that would have benefited from signposting a few more of the confusing elements more clearly, though the ending and its insinuations are more than likely intended to be of a vague and open nature by design.
Violent, upsetting and very dark in theme, Kill List is definitely a horror, and definitely not one for those of a weak constitution...it is flawed, and not a classic but it certainly is a solid choice for a rainy evening.
Featuring a number of recognizable British tv actors, and a interesting edit style that chops out extraneous seconds here there and everywhere, often overlaying conversational narrative over a shot displaying a different scene, effectively giving you two informational elements at the same time.
It has some brutal violence, as the two hitman proceed to move down their list discovering generally bad people, which allows the viewer to avoid the moral conflict that might otherwise complicate the premise.
There are nods that the people hiring them know more than they are letting on, and the film builds to a slightly confusing crescendo with an ending similar to another very controversial horror film of recent years, that will shock some and disappoint others.
Overall it is an enjoyable but challenging film, that would have benefited from signposting a few more of the confusing elements more clearly, though the ending and its insinuations are more than likely intended to be of a vague and open nature by design.
Violent, upsetting and very dark in theme, Kill List is definitely a horror, and definitely not one for those of a weak constitution...it is flawed, and not a classic but it certainly is a solid choice for a rainy evening.
Marc Karlin: Look Again
Book
This book provides almost the only published material on the work of Marc Karlin. On his death in...
ClareR (5726 KP) rated Kick-Ass (2010) in Movies
Apr 22, 2019
When I grow up, I want to be Hit Girl!
I really like this film, and I’ve watched it more than once! It’s very cartoonish in its delivery, and that’s just fine by me! Although that is kind of counteracted by the extreme violence and the language (I have to admit that I laughed A LOT when Hit Girl uses the ‘C’ word - I think that’s a British thing, possibly ??♀️) .
I’ve no doubt this will get watched again in my house - I have two teenaged boys who have been brought up in a house of graphic novels and superhero/ Marvel/ DC movies, so it’s a strong likelihood!
I’ve no doubt this will get watched again in my house - I have two teenaged boys who have been brought up in a house of graphic novels and superhero/ Marvel/ DC movies, so it’s a strong likelihood!