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FilmIntuition (33 KP) rated The Other Woman in Books
Aug 21, 2018
A thrillingly fast-paced read from Sandie Jones, The Other Woman finds her novel's hardworking, unlucky-in-love British heroine Emily unwittingly (and very quickly) caught up in an escalating game of psychological chicken with her boyfriend's mother Pammie that unfortunately, her boyfriend and the rest of the world is unable to see.
Sure to be a popular late summer beach read, while it suffers from a few gaps in logic and common sense as our lead character never thinks to use technology to snap a photo, record a threat as evidence, or merely research one of two sketchy backstories involving both her boyfriend as well as Pammie, as a journalist, Jones knows how to assemble a compelling story.
Although it raises a valid concern regarding how much we change and/ore are willing to take when we're in a committed relationship, because more than a few people in Pammie's orbit suffer from serious likability issues, I kept wanting to yell at the fictional Emily as though she were on the other end of the phone, “honey, just leave already!”
Nonetheless still able to reel me back in and (mostly) suspend my disbelief, as I grew closer to the final Emily vs. Pammie standoff, I found myself walking around with the book in hand, waiting to see what Jones had in store for the finale.
Needing to reveal, explain, and wrap-up everything in a very rushed showdown that perhaps involves way too much spoken exposition, while that device has been used so often in books and film that it's easy to overlook, one of Woman's biggest hurdles isn't in the book at all but on the cover.
A vital reminder for publishers to be careful as to which blurbs you include on the book itself, because my Advanced Reader Copy arrived complete with a quotation advertising “a twist you will not see coming,” readers (like yours truly) are sure to find their brains working overtime to the point that I was able to correctly deduce where Jones might be going roughly halfway through.
Of course it's still an incredibly fun read and I didn't have all of the nuts and bolts of said twist squared away to the point that it ruined everything. All the same and regardless of the fact that all of these genre titles have twists, I would've loved it even more if I'd never been tipped off that there was something that far out of left field for which to look.
Even so an impressive debut that I thank Minotaur Books for sending me, The Other Woman might make you uneasy to meet your new love's parents but it'll definitely excite you to imagine what new novels and twists Jones might have up her sleeve.
Sure to be a popular late summer beach read, while it suffers from a few gaps in logic and common sense as our lead character never thinks to use technology to snap a photo, record a threat as evidence, or merely research one of two sketchy backstories involving both her boyfriend as well as Pammie, as a journalist, Jones knows how to assemble a compelling story.
Although it raises a valid concern regarding how much we change and/ore are willing to take when we're in a committed relationship, because more than a few people in Pammie's orbit suffer from serious likability issues, I kept wanting to yell at the fictional Emily as though she were on the other end of the phone, “honey, just leave already!”
Nonetheless still able to reel me back in and (mostly) suspend my disbelief, as I grew closer to the final Emily vs. Pammie standoff, I found myself walking around with the book in hand, waiting to see what Jones had in store for the finale.
Needing to reveal, explain, and wrap-up everything in a very rushed showdown that perhaps involves way too much spoken exposition, while that device has been used so often in books and film that it's easy to overlook, one of Woman's biggest hurdles isn't in the book at all but on the cover.
A vital reminder for publishers to be careful as to which blurbs you include on the book itself, because my Advanced Reader Copy arrived complete with a quotation advertising “a twist you will not see coming,” readers (like yours truly) are sure to find their brains working overtime to the point that I was able to correctly deduce where Jones might be going roughly halfway through.
Of course it's still an incredibly fun read and I didn't have all of the nuts and bolts of said twist squared away to the point that it ruined everything. All the same and regardless of the fact that all of these genre titles have twists, I would've loved it even more if I'd never been tipped off that there was something that far out of left field for which to look.
Even so an impressive debut that I thank Minotaur Books for sending me, The Other Woman might make you uneasy to meet your new love's parents but it'll definitely excite you to imagine what new novels and twists Jones might have up her sleeve.
Gareth von Kallenbach (971 KP) rated Killer Elite (2011) in Movies
Aug 7, 2019
It’s your friendly neighborhood freelance photographer and fellow movie junkie with my take on of the VERY late summer movie release “Killer Elite” starring Jason Statham, Robert DeNiro, Clive Owen, Yvonne Strahovski, and Dominic Purcell.
First off, I’m just going to say that the cast alone warrents giving this movie a look. If you know at least one name on this list, you also know it’s worth watching once.
“Killer Elite” stars Jason Statham (The Transporter Trilogy) as Danny Bryce. A retired speical forces soldier who is lured out of retirement when is mentor Hunter (Robert DeNiro) is held hostage by a mysterious Middle-Eastern sheik. With the help of his former comrade Davies (Dominic Purcell Of Blade:Trinity And TV’s Prison Break), Bryce must complete the task of killing three assassins who are reponsible for the deaths of all but one of the sheik’s sons. Which also means going up against retired SAS comando Spike (Clive Owen Of Sin City, Children Of Men, And The Bourne Identity).
Despite less-than-stellar buzz, when I saw this line-up amongst the cast, I knew the movie had to have some potential and for me it did NOT disappoint. Honestly, I don’t get the beef some critics have with the movie. “Killer Elite” is a an action movie. Typically, action movies concentrate on a basic plotline or little to no plot. Action movies are all about ACTION coupled with good actors/actresses. Killer Elite is not just an action movie … it’s a GREAT ACTION MOVIE.
(Sidenote: The 1975 film of the same title, starring Robert DuVall and James Cann has a similar story line, but the movies are based on entirely different events. Both movies are worth checking out though).
“Killer Elite” is based on a book entitled The FeatherMen written by Sir Ranulph Fiennes, which he claimed to be based on true events to much controversy. It follows the assassinations of members of the British Special Air Services, by a hit squad known as The Clinic. The FeatherMen was a group of retired/vigilante special forces members who went head to head with the hitmen of The Clinic to protect members of the regiment.
Look, if you like action movies, this is one for the books. Even the flashbacks with Statham and his love interest are good. There’s even a litle bit of comic relief provided courtesy of Dominic Purcell who looks alot like Lemmy from Motorhead in this movie, just 30 years younger. There is NOT a dull moment int the movie. Pay the cash. Whether it’s in theaters or DVD or other digital medium. An excellent movie for a Friday night!
First off, I’m just going to say that the cast alone warrents giving this movie a look. If you know at least one name on this list, you also know it’s worth watching once.
“Killer Elite” stars Jason Statham (The Transporter Trilogy) as Danny Bryce. A retired speical forces soldier who is lured out of retirement when is mentor Hunter (Robert DeNiro) is held hostage by a mysterious Middle-Eastern sheik. With the help of his former comrade Davies (Dominic Purcell Of Blade:Trinity And TV’s Prison Break), Bryce must complete the task of killing three assassins who are reponsible for the deaths of all but one of the sheik’s sons. Which also means going up against retired SAS comando Spike (Clive Owen Of Sin City, Children Of Men, And The Bourne Identity).
Despite less-than-stellar buzz, when I saw this line-up amongst the cast, I knew the movie had to have some potential and for me it did NOT disappoint. Honestly, I don’t get the beef some critics have with the movie. “Killer Elite” is a an action movie. Typically, action movies concentrate on a basic plotline or little to no plot. Action movies are all about ACTION coupled with good actors/actresses. Killer Elite is not just an action movie … it’s a GREAT ACTION MOVIE.
(Sidenote: The 1975 film of the same title, starring Robert DuVall and James Cann has a similar story line, but the movies are based on entirely different events. Both movies are worth checking out though).
“Killer Elite” is based on a book entitled The FeatherMen written by Sir Ranulph Fiennes, which he claimed to be based on true events to much controversy. It follows the assassinations of members of the British Special Air Services, by a hit squad known as The Clinic. The FeatherMen was a group of retired/vigilante special forces members who went head to head with the hitmen of The Clinic to protect members of the regiment.
Look, if you like action movies, this is one for the books. Even the flashbacks with Statham and his love interest are good. There’s even a litle bit of comic relief provided courtesy of Dominic Purcell who looks alot like Lemmy from Motorhead in this movie, just 30 years younger. There is NOT a dull moment int the movie. Pay the cash. Whether it’s in theaters or DVD or other digital medium. An excellent movie for a Friday night!
Jeremy Hutchinson's Case Histories: From Lady Chatterley's Lover to Howard Marks
Book
Read an extract here THE SUNDAY TIMES BESTSELLER 'Thomas Grant has brought together...
Lee (2222 KP) rated Stan & Ollie (2018) in Movies
Dec 19, 2018 (Updated Dec 19, 2018)
A wonderful movie
I have been really looking forward to seeing this movie. I, along with countless millions around the world, have fond memories of watching regular re-runs of Laurel & Hardy movies on TV, and they hold a very special place in so many people's hearts. Timeless legends that deserve to be remembered for generations to come. That being said, the preview screening I attended last night was probably only a quarter full, so I fear that this story detailing the latter part of their career isn't really going to appeal to mainstream audiences. I kind of hope it reignites interest in their work though as this truly is a wonderful film.
The movie begins in 1937, where Stan and Ollie are currently riding high as the most successful comedy performers in Hollywood. They're at Hal Roach studios, making their way to the set of Way Out West in order to shoot another scene. They're just chatting away together as we follow them - about their wives, about money. Stan's contract with Hal Roach is due to end shortly, while Ollie's isn't, and Stan is conscious of the fact that they don't actually own the rights to their own movies, so don't make as much money as performers such as Charlie Chaplin. He argues a bit with Hal Roach about it, before he and Ollie perform a song and dance number for the movie (the original clip of this scene is shown at the end of this movie, highlighting just how perfectly they nailed the recreation of it here). That short conversation, and the differing viewpoints regarding money and their film rights, lays the foundations for the rest of the movie, and we then jump forward 16 years.
The boys arrive in Newcastle, England in 1953. They're here to perform a tour of the UK, recreating classic scenes from their movies in an attempt to generate enough interest in them to get a movie made. A retelling of Robin Hood, which is being written by Stan. Age is clearly catching up with them though, particularly with Ollie, while Stan remains the driving force of the pair, constantly performing classic gags and coming up with new ideas. Unfortunately for them, they barely manage to fill half the seats of the theatres they perform in, with concern growing as to whether or not their eventual London dates will even go ahead. Their wives are due to join them on tour in a couple of weeks time, and they're also concerned as to what they'll make of it all when they arrive, especially as the boys are currently only staying in small, simple guest houses. Promoter Bernard Delfont (one of the movies funniest supporting roles) is keen to get them out and about promoting themselves, attending events and meeting dignitaries. His interests initially seem focused elsewhere in the theatre business, particularly with upcoming British comedy performer Norman Wisdom, so it's hard work generating interest in Laurel & Hardy once more. Luckily though, the effort pays off, and they eventually upgrade their London show to a bigger theatre, selling it out.
John C Reilly and Steve Coogan are just perfect as Stan and Ollie. I struggled a little at times with Steve Coogan, as I've been a big fan of his varied comedy work for nearly 30 years now, so found it a bit distracting. But he definitely pulls this off, and it's incredible to see so many mannerisms and iconic scenes from their movies so perfectly reproduced by both leads. The other outstanding and hilarious double act in this movie are the wives, who arrive in London to support their husbands and mix things up a little. They are clearly very caring and protective of their husbands though, supporting them through ill health, and an unfortunate falling out between Stan and Ollie related to events that occurred 16 years ago. A pivotal moment in their careers which was alluded to in the opening scenes of the movie, and further elaborated on in a number of flashbacks later on. It's a bit of an emotional roller-coaster, but overall this is a wonderfully heartwarming and moving love story about two of Hollywoods greatest. And it succeeded in making me want to watch every single one of their movies again.
The movie begins in 1937, where Stan and Ollie are currently riding high as the most successful comedy performers in Hollywood. They're at Hal Roach studios, making their way to the set of Way Out West in order to shoot another scene. They're just chatting away together as we follow them - about their wives, about money. Stan's contract with Hal Roach is due to end shortly, while Ollie's isn't, and Stan is conscious of the fact that they don't actually own the rights to their own movies, so don't make as much money as performers such as Charlie Chaplin. He argues a bit with Hal Roach about it, before he and Ollie perform a song and dance number for the movie (the original clip of this scene is shown at the end of this movie, highlighting just how perfectly they nailed the recreation of it here). That short conversation, and the differing viewpoints regarding money and their film rights, lays the foundations for the rest of the movie, and we then jump forward 16 years.
The boys arrive in Newcastle, England in 1953. They're here to perform a tour of the UK, recreating classic scenes from their movies in an attempt to generate enough interest in them to get a movie made. A retelling of Robin Hood, which is being written by Stan. Age is clearly catching up with them though, particularly with Ollie, while Stan remains the driving force of the pair, constantly performing classic gags and coming up with new ideas. Unfortunately for them, they barely manage to fill half the seats of the theatres they perform in, with concern growing as to whether or not their eventual London dates will even go ahead. Their wives are due to join them on tour in a couple of weeks time, and they're also concerned as to what they'll make of it all when they arrive, especially as the boys are currently only staying in small, simple guest houses. Promoter Bernard Delfont (one of the movies funniest supporting roles) is keen to get them out and about promoting themselves, attending events and meeting dignitaries. His interests initially seem focused elsewhere in the theatre business, particularly with upcoming British comedy performer Norman Wisdom, so it's hard work generating interest in Laurel & Hardy once more. Luckily though, the effort pays off, and they eventually upgrade their London show to a bigger theatre, selling it out.
John C Reilly and Steve Coogan are just perfect as Stan and Ollie. I struggled a little at times with Steve Coogan, as I've been a big fan of his varied comedy work for nearly 30 years now, so found it a bit distracting. But he definitely pulls this off, and it's incredible to see so many mannerisms and iconic scenes from their movies so perfectly reproduced by both leads. The other outstanding and hilarious double act in this movie are the wives, who arrive in London to support their husbands and mix things up a little. They are clearly very caring and protective of their husbands though, supporting them through ill health, and an unfortunate falling out between Stan and Ollie related to events that occurred 16 years ago. A pivotal moment in their careers which was alluded to in the opening scenes of the movie, and further elaborated on in a number of flashbacks later on. It's a bit of an emotional roller-coaster, but overall this is a wonderfully heartwarming and moving love story about two of Hollywoods greatest. And it succeeded in making me want to watch every single one of their movies again.
Darren (1599 KP) rated The Nightingale (2018) in Movies
Dec 4, 2019
Verdict: Shocking & Intense
Story: The Nightingale starts as an Irish convict Clare (Franciosi) is forced to work under British Officer Hawkins (Claflin) to pay off her debts, which usually involves cleaning and performing a song to the soldiers, until one day he goes too far by raping her, Clare is desperate to get out of her debt, to which she has paid off, but Hawkins won’t release her.
Confronting Hawkins with her husband Aidan (Sheasby), it leads to Hawkins not getting his promotion and Hawkins makings Clare pay with his men Ruse (Herriman) and Jago (Greenwood). Left completely broken Clare is put in contact with aboriginal tracker Billy (Ganambarr), as she goes in search for revenge on the men that took everything from him.
Thoughts on The Nightingale
Characters – Clare is an Irish convict, she has been released from jail to work off her time cleaning and using her beautiful singing voice to entertain the soldiers. She is coping with her time until Hawkins refuses her chance to have her freedom, being subjected to violence from the soldiers, with nothing left she is hellbent on revenge and isn’t in this journey to make any friends or want anybody’s sympathy, she just wants blood. Billy is an aboriginal tracker that reluctantly agrees to help Clare on her journey, he doesn’t want trouble, he is tired of how the white man has treated his kind, believing at first that Clare is just like the rest, until he learns the truth. The two have some true heart to heart moments as well as having moments which will give you a laugh too. Hawkins is a English officer that believes he should be given a promotion to a vacant captain role, he can’t control his soldiers and his aggression sees him leaving bodies in his path, making him have enemies coming from all directions, as he looks to arrive for his latest position. Ruse and Jago are the two soldiers that are also involved in the attack on Clare and her family, they are just as cowardly as Hawkins.
Performances – Aisling Franciosi gives us one of the most grounded and exceptional performances of recent years, she shows us the pure vengeance her character is going through, right next to the grief she would have experienced. Sam Claflin brings us one of the most horrendous humans to life with his performance, one that will leave almost wanting to hate the actors for his performance being so horrid. Baykali Ganambarr is wonderful too showing us the pain that a generation of people would have suffered through during the events of the film.
Story – The story here follows a young woman that sees everything taken from her in an act of violence by military men and seeks her own form of revenge. Where this story steps up comes from breaking certain traditions, while the opening actions are always going to be hard to watch and give the motivation required for Clare determination for revenge. Once we get on the war path, this isn’t a calm calculated plan for revenge like we have seen before, this is a cold complete emptiness reaction to the horrors she experiences with her journey being the only time she properly starts to grieve what she has been through. This is a new level of revenge movie that isn’t just revenge on this one action, it feels like a moment that wants to show the people that the white English soldiers walked all over. Wonderful story telling throughout.
Thriller – This is a tense thriller that shows the path of revenge that one lady and her tracker go on after being wronged by acts of violence by English soldiers.
Settings – The film uses the settings amazingly to show the world that Clare goes into and how the trackers are the only way to get through the outback in Tasmanian wilderness safely.
Scene of the Movie – The last song.
That Moment That Annoyed Me – The English Soldiers.
Final Thoughts – This is one of the best revenge films you will see, it has a different style to anything you have seen before with performances that are true heavyweight ones.
Overall: Brilliant.
Story: The Nightingale starts as an Irish convict Clare (Franciosi) is forced to work under British Officer Hawkins (Claflin) to pay off her debts, which usually involves cleaning and performing a song to the soldiers, until one day he goes too far by raping her, Clare is desperate to get out of her debt, to which she has paid off, but Hawkins won’t release her.
Confronting Hawkins with her husband Aidan (Sheasby), it leads to Hawkins not getting his promotion and Hawkins makings Clare pay with his men Ruse (Herriman) and Jago (Greenwood). Left completely broken Clare is put in contact with aboriginal tracker Billy (Ganambarr), as she goes in search for revenge on the men that took everything from him.
Thoughts on The Nightingale
Characters – Clare is an Irish convict, she has been released from jail to work off her time cleaning and using her beautiful singing voice to entertain the soldiers. She is coping with her time until Hawkins refuses her chance to have her freedom, being subjected to violence from the soldiers, with nothing left she is hellbent on revenge and isn’t in this journey to make any friends or want anybody’s sympathy, she just wants blood. Billy is an aboriginal tracker that reluctantly agrees to help Clare on her journey, he doesn’t want trouble, he is tired of how the white man has treated his kind, believing at first that Clare is just like the rest, until he learns the truth. The two have some true heart to heart moments as well as having moments which will give you a laugh too. Hawkins is a English officer that believes he should be given a promotion to a vacant captain role, he can’t control his soldiers and his aggression sees him leaving bodies in his path, making him have enemies coming from all directions, as he looks to arrive for his latest position. Ruse and Jago are the two soldiers that are also involved in the attack on Clare and her family, they are just as cowardly as Hawkins.
Performances – Aisling Franciosi gives us one of the most grounded and exceptional performances of recent years, she shows us the pure vengeance her character is going through, right next to the grief she would have experienced. Sam Claflin brings us one of the most horrendous humans to life with his performance, one that will leave almost wanting to hate the actors for his performance being so horrid. Baykali Ganambarr is wonderful too showing us the pain that a generation of people would have suffered through during the events of the film.
Story – The story here follows a young woman that sees everything taken from her in an act of violence by military men and seeks her own form of revenge. Where this story steps up comes from breaking certain traditions, while the opening actions are always going to be hard to watch and give the motivation required for Clare determination for revenge. Once we get on the war path, this isn’t a calm calculated plan for revenge like we have seen before, this is a cold complete emptiness reaction to the horrors she experiences with her journey being the only time she properly starts to grieve what she has been through. This is a new level of revenge movie that isn’t just revenge on this one action, it feels like a moment that wants to show the people that the white English soldiers walked all over. Wonderful story telling throughout.
Thriller – This is a tense thriller that shows the path of revenge that one lady and her tracker go on after being wronged by acts of violence by English soldiers.
Settings – The film uses the settings amazingly to show the world that Clare goes into and how the trackers are the only way to get through the outback in Tasmanian wilderness safely.
Scene of the Movie – The last song.
That Moment That Annoyed Me – The English Soldiers.
Final Thoughts – This is one of the best revenge films you will see, it has a different style to anything you have seen before with performances that are true heavyweight ones.
Overall: Brilliant.
Lottie disney bookworm (1056 KP) rated The Wendy (Tales of The Wendy #1) in Books
Dec 29, 2020
Contains spoilers, click to show
If I am being completely honest, Peter Pan has never been my favourite Disney film. Oh sure the lost boys and Michael were cute; Tink was sassy and Hook was a good villain but why did everyone moon over Peter so much? And Wendy was always a bit, well a bit wet!
Enter Erin Michelle Sky and Steven Brown with their Tales of Wendy series to prove me wrong! The Wendy is the first in this series but I am already desperate to finish the second book, The Navigator before their third is released at the end of this year.
The Wendy, as you may expect, centres around Wendy Darling. However, this is not the prissy, mother-idolising figure I love to roll my eyes at: oh no, this Wendy Darling is growing up in the late 1700s in a London orphanage. In a world where her sole career option seems to be to become a mother, this feisty ten-year-old would prefer to “marry Davy Jones than grow up and look after babies”. This Wendy Darling is the one I have been waiting for.
Wendy’s dream is to join the Navy and sail the world. Unlike the rest of 18th Century Britain, she doesn’t see why being a girl should prevent this.
Therefore, over the years she becomes adapt at mathematics, science, navigation, marksmanship and swordsmanship. Nevertheless, despite being just as good, if not better than her childhood friend Charlie, he earns the rank of Officer in the British Navy whilst Wendy is assigned to the Home Office as a Diviner, one who can detect the presence of magic: a post to be filled only by women and dogs.
It is here that the reader meets John and Michael: Wendy’s “brothers-in-arms but in no way related, despite what you may have heard”. They are all stationed in Dover Castle, along with the Brigade’s dog Nana (who else?!). Their mission: to protect Britain from a magical threat, the innisfay or “everlost”, whom are known to kidnap orphans. Sound familiar?
The Wendy is definitely the best retelling of Peter Pan I have read so far. Despite the presence of all our favourite names, the characters are a far cry from their animated counterparts. Michael and John are wonderfully dry and sarcastic; Hook is powerful and attractive; Tink is a shape shifter; Peter, despite possessing a pair of wings and armour, is essentially the same and Wendy is an ambitious, feisty, yet beautifully flawed protagonist.
There are many little nods to the film which are greatly appreciated. Wendy “moving out of the nursery” means leaving the orphanage and gaining an apprenticeship and “thinking happy thoughts” as a means of flight is a practical joke by Peter to make Wendy smile.
Sky and Brown’s conversationalist style of writing makes this a very easy read, despite Wendy galloping all over the South of England with a variety of characters. It also allows the reader to really bond with Wendy and empathise with her and her struggles to achieve the employment she has longed so for since childhood.
As you may have gathered, sexism plays a large part in Wendy’s uphill struggle: as the only main female character she is constantly undermined in her ambition to become a sailor. Even when she proves to be useful in her post within the Home Office she is removed to the country “for her own safety”. Those men whom do not undermine her moon after her romantically: it truly is infuriating.
In some situations, this ingrained attitude was slightly heart-breaking but equally a sign of the times in which this novel was set: Wendy’s thoughts often returned to the propriety of her actions and the danger she experiences just through wearing “men’s clothes” is powerful moment. However, Wendy never lets these attitudes halt her ambition, ending her first novel as a true inspiration to girls following in her footsteps: Navigator Darling.
I can’t wait to discover the next step in her journey which, conveniently, lays past the second star to the right and straight on till morning!
Enter Erin Michelle Sky and Steven Brown with their Tales of Wendy series to prove me wrong! The Wendy is the first in this series but I am already desperate to finish the second book, The Navigator before their third is released at the end of this year.
The Wendy, as you may expect, centres around Wendy Darling. However, this is not the prissy, mother-idolising figure I love to roll my eyes at: oh no, this Wendy Darling is growing up in the late 1700s in a London orphanage. In a world where her sole career option seems to be to become a mother, this feisty ten-year-old would prefer to “marry Davy Jones than grow up and look after babies”. This Wendy Darling is the one I have been waiting for.
Wendy’s dream is to join the Navy and sail the world. Unlike the rest of 18th Century Britain, she doesn’t see why being a girl should prevent this.
Therefore, over the years she becomes adapt at mathematics, science, navigation, marksmanship and swordsmanship. Nevertheless, despite being just as good, if not better than her childhood friend Charlie, he earns the rank of Officer in the British Navy whilst Wendy is assigned to the Home Office as a Diviner, one who can detect the presence of magic: a post to be filled only by women and dogs.
It is here that the reader meets John and Michael: Wendy’s “brothers-in-arms but in no way related, despite what you may have heard”. They are all stationed in Dover Castle, along with the Brigade’s dog Nana (who else?!). Their mission: to protect Britain from a magical threat, the innisfay or “everlost”, whom are known to kidnap orphans. Sound familiar?
The Wendy is definitely the best retelling of Peter Pan I have read so far. Despite the presence of all our favourite names, the characters are a far cry from their animated counterparts. Michael and John are wonderfully dry and sarcastic; Hook is powerful and attractive; Tink is a shape shifter; Peter, despite possessing a pair of wings and armour, is essentially the same and Wendy is an ambitious, feisty, yet beautifully flawed protagonist.
There are many little nods to the film which are greatly appreciated. Wendy “moving out of the nursery” means leaving the orphanage and gaining an apprenticeship and “thinking happy thoughts” as a means of flight is a practical joke by Peter to make Wendy smile.
Sky and Brown’s conversationalist style of writing makes this a very easy read, despite Wendy galloping all over the South of England with a variety of characters. It also allows the reader to really bond with Wendy and empathise with her and her struggles to achieve the employment she has longed so for since childhood.
As you may have gathered, sexism plays a large part in Wendy’s uphill struggle: as the only main female character she is constantly undermined in her ambition to become a sailor. Even when she proves to be useful in her post within the Home Office she is removed to the country “for her own safety”. Those men whom do not undermine her moon after her romantically: it truly is infuriating.
In some situations, this ingrained attitude was slightly heart-breaking but equally a sign of the times in which this novel was set: Wendy’s thoughts often returned to the propriety of her actions and the danger she experiences just through wearing “men’s clothes” is powerful moment. However, Wendy never lets these attitudes halt her ambition, ending her first novel as a true inspiration to girls following in her footsteps: Navigator Darling.
I can’t wait to discover the next step in her journey which, conveniently, lays past the second star to the right and straight on till morning!
Gareth von Kallenbach (971 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
Fred (860 KP) rated The Haunting of Bly Manor in TV
Oct 11, 2020
Yet another re-telling of The Turn of the Screw
This is a re-telling of The Turn of the Screw by Henry James, written in 1898. The last re-telling was 2020s The Turning, which was terrible. So how is this version?
In the last episode of this series, a character says, "This wasn't a ghost story, it was a love story." which is true. Sort of. It's a ghost story in the fact that it has ghosts in it. It's a love story in that two people fall in love. But it's really all about the characters. They are very good characters & acted out very well. I'll even give Henry Thomas credit for trying a British accent, even if his face contorted like someone was running a current through his face every time he talked. Entire episodes are sometimes devoted to a character. And this is the main problem. It's fine to give some character development, but this series is so stretched out. It's 9 episodes that could have been 3 or 4 episodes and worked out much better. Each person's story also jumps back in time, then forward, then back, then back again, then forward, then back. It's pacing can be real bad & quite frankly can be real boring at times.
Sometimes I think how can this story be remade 35 times now & still there's no great film version. It's a good story. It's an interesting idea. But, it's also weird & sometimes confusing & sometimes all over the place. It's got to be tight, but it's also got to be fleshed out enough that we care about the characters. Which as I said, is what it's all about.
Now, is it a ghost story? I already said yes. Is it a horror series? Well, I would say no. It's not scary. It's not creepy. It doesn't even have jump scares, which is normally good, but I would have enjoyed one or two to be honest. What it does have, as I've stated, is characters. But it also has atmosphere & great settings. The manor itself is almost it's own character. But as much as it is dark & there are things hiding in the corners or even in plain sight, it's just doesn't have that creep factor. Even the little girl shushes a ghost when it won't shut up. There's no sense of real evil or malevolence going on.
Now it sounds like I hated this series, but I didn't. I liked it. It was not what I expected, being the second season of the anthology "The Haunting" series, which started with the phenomenal "The Haunting of Hill House". But, if it had been just like Hill House, I probably would have been bored & just re-watched the first season again. So, I'm glad it was different. But like I said, it was stretched out far longer than it should have been.
Now, after we watched the entire series, my wife said that she liked it & would re-watch it maybe in 5 years. and gives it a 6 out of 10 as well. I'm sure a re-watch would be good for seeing things you did not catch the first time, but feel it'd be better to move on to something different. If you're looking for something scary to watch this Halloween series, then you can skip this. Unless you're in the mood to watch some good actors, playing good characters, with an interesting movie & have lots of free time. However, if you didn't see the first season "Hill House", then watch that instead.
In the last episode of this series, a character says, "This wasn't a ghost story, it was a love story." which is true. Sort of. It's a ghost story in the fact that it has ghosts in it. It's a love story in that two people fall in love. But it's really all about the characters. They are very good characters & acted out very well. I'll even give Henry Thomas credit for trying a British accent, even if his face contorted like someone was running a current through his face every time he talked. Entire episodes are sometimes devoted to a character. And this is the main problem. It's fine to give some character development, but this series is so stretched out. It's 9 episodes that could have been 3 or 4 episodes and worked out much better. Each person's story also jumps back in time, then forward, then back, then back again, then forward, then back. It's pacing can be real bad & quite frankly can be real boring at times.
Sometimes I think how can this story be remade 35 times now & still there's no great film version. It's a good story. It's an interesting idea. But, it's also weird & sometimes confusing & sometimes all over the place. It's got to be tight, but it's also got to be fleshed out enough that we care about the characters. Which as I said, is what it's all about.
Now, is it a ghost story? I already said yes. Is it a horror series? Well, I would say no. It's not scary. It's not creepy. It doesn't even have jump scares, which is normally good, but I would have enjoyed one or two to be honest. What it does have, as I've stated, is characters. But it also has atmosphere & great settings. The manor itself is almost it's own character. But as much as it is dark & there are things hiding in the corners or even in plain sight, it's just doesn't have that creep factor. Even the little girl shushes a ghost when it won't shut up. There's no sense of real evil or malevolence going on.
Now it sounds like I hated this series, but I didn't. I liked it. It was not what I expected, being the second season of the anthology "The Haunting" series, which started with the phenomenal "The Haunting of Hill House". But, if it had been just like Hill House, I probably would have been bored & just re-watched the first season again. So, I'm glad it was different. But like I said, it was stretched out far longer than it should have been.
Now, after we watched the entire series, my wife said that she liked it & would re-watch it maybe in 5 years. and gives it a 6 out of 10 as well. I'm sure a re-watch would be good for seeing things you did not catch the first time, but feel it'd be better to move on to something different. If you're looking for something scary to watch this Halloween series, then you can skip this. Unless you're in the mood to watch some good actors, playing good characters, with an interesting movie & have lots of free time. However, if you didn't see the first season "Hill House", then watch that instead.
Darren (1599 KP) rated Suffragette (2015) in Movies
Jun 25, 2019
Story: Suffragette starts in 1912, woman still don’t have the right to vote, but the battle for equality continues to wage on with Emmeline Pankhurst (Streep) pushes the campaign through. We follow Maud Watts (Mulligan) who finds herself witnessing one of the campaigns with Violet Miller (Duff) bringing her into their movement.
When the latest campaign gets rejected scenes get violent and Maud finds herself in the middle of the fight, facing time in jail, forced to give up campaigning for equal rights. Now the movement is stronger than ever will look to get the equality for women through.
Thoughts on Suffragette
Characters – Maud Watts is a quiet laundry employee, married with a child, she gets caught in the middle of one of the campaigns for equal rights, she ends up joining the movement as a foot soldier knowing what is right for women everywhere. Violet Miller is one of the foot soldiers that recruits Maud, she has been fight for a while now and knows that she wants the best for her daughter. Edith Ellyn offers a cover for the meetings to make things right for women, she has been campaigning for years next to the leader, Emmeline Pankhurst has been in hiding for years as she keeps the movement going strong to make sure women can get the right to vote. Inspector Arthur Steed is trying to stop the movement from taking over, he puts the women to the test to see who the strong ones are.
Performances – Carey Mulligan is great in the leading role, we see her confliction with Maud’s decisions being made. Helena Bonham Carter is great too which puts her in a supportive role. Anne-Marie Duff is the actress I hadn’t heard of before and she goes toe to toe with the bigger names. Meryl Streep does have a small role in this film, but that doesn’t hide her importance to the story. Brendan Gleeson makes for a good law man in any movie, this is no different.
Story – The story shows the struggles British women had to get the chance to vote, just vote something men had been doing for years. It leaves you to wonder just how this took such a long time to change in a world where we are all meant to be equal. The bravery these women showed shines through because they faced being shamed by their families, the main story follows how Maud Watts went into the world and how it affected her life. While I do understand this is looking at the women’s battle, you do feel like there would have been male supporters in this fight too and them speaking up would have been just as taboo to the ones who wouldn’t look down on them.
Biopic/History – This is a moment, a movement in history that should never have had to happen, but the importance to what it achieved is remarkable.
Settings – The settings show how the everyday location were important to make this movement happen, we feel like we are in 1912 London.
Scene of the Movie – The speech.
That Moment That Annoyed Me – You would think men would have supported this too.
Final Thoughts – This is a look at an important moment in time, it shows how women worked, fought and battled to get equality in Britain.
Overall: Important look at history.
https://moviesreview101.com/2019/06/22/meryl-streep-weekend-suffragette-2015/
When the latest campaign gets rejected scenes get violent and Maud finds herself in the middle of the fight, facing time in jail, forced to give up campaigning for equal rights. Now the movement is stronger than ever will look to get the equality for women through.
Thoughts on Suffragette
Characters – Maud Watts is a quiet laundry employee, married with a child, she gets caught in the middle of one of the campaigns for equal rights, she ends up joining the movement as a foot soldier knowing what is right for women everywhere. Violet Miller is one of the foot soldiers that recruits Maud, she has been fight for a while now and knows that she wants the best for her daughter. Edith Ellyn offers a cover for the meetings to make things right for women, she has been campaigning for years next to the leader, Emmeline Pankhurst has been in hiding for years as she keeps the movement going strong to make sure women can get the right to vote. Inspector Arthur Steed is trying to stop the movement from taking over, he puts the women to the test to see who the strong ones are.
Performances – Carey Mulligan is great in the leading role, we see her confliction with Maud’s decisions being made. Helena Bonham Carter is great too which puts her in a supportive role. Anne-Marie Duff is the actress I hadn’t heard of before and she goes toe to toe with the bigger names. Meryl Streep does have a small role in this film, but that doesn’t hide her importance to the story. Brendan Gleeson makes for a good law man in any movie, this is no different.
Story – The story shows the struggles British women had to get the chance to vote, just vote something men had been doing for years. It leaves you to wonder just how this took such a long time to change in a world where we are all meant to be equal. The bravery these women showed shines through because they faced being shamed by their families, the main story follows how Maud Watts went into the world and how it affected her life. While I do understand this is looking at the women’s battle, you do feel like there would have been male supporters in this fight too and them speaking up would have been just as taboo to the ones who wouldn’t look down on them.
Biopic/History – This is a moment, a movement in history that should never have had to happen, but the importance to what it achieved is remarkable.
Settings – The settings show how the everyday location were important to make this movement happen, we feel like we are in 1912 London.
Scene of the Movie – The speech.
That Moment That Annoyed Me – You would think men would have supported this too.
Final Thoughts – This is a look at an important moment in time, it shows how women worked, fought and battled to get equality in Britain.
Overall: Important look at history.
https://moviesreview101.com/2019/06/22/meryl-streep-weekend-suffragette-2015/
Bob Mann (459 KP) rated Fast & Furious 9 (2021) in Movies
Jun 24, 2021
Ridiculous storyline (1 more)
Improbable action
Magnetic bulls**t that will no doubt attract Fast-fans
Positives:
- Glossy locations, fast cars and beautiful women: the usual Fast stuff.
- When the stunts are "real", they are good and exciting. But it's often difficult to tell when there's been a 'computer-assist'.
Negatives:
- I complained in my review for "The Hitman's Wife's Bodyguard" about it having a childish and ludicrous plot. This movie makes that look like bl***y Shakespeare! There's an attempt to add a smidgen of family tension into the mix, based on Dom's childhood trauma. But aside from that element, the 'story' (I use the term in its loosest possible sense) bounces (without any rational logic most of the time) from ludicrous situation to ludicrous situation without pause. Most of these are linked by Ramsey (the very British Nathalie Emmanuel) stating a random fact such as "Well, now he's going to need to launch a satellite". And off we go again. (That particular crazy story arc even sees them 'doing a Musk' and flying a car into space: I kid you not!)
- It's not even the 'big stuff' that's unbelievable. Everywhere you look, there are inconsistencies and things that don't make sense.
-- Tej (played by Ludicris - an appropriate name here) takes dodging a brigade worth of machine gun bullets to nonsensical limits.
-- Generally, the cast gets blasted, dropped, crashed, burned, and otherwise put through more fatal situations than you can imagine, only to walk out without a scratch.
-- And if you can show me a single delivery lorry in Edinburgh that has an automatic gearbox, I'll be amazed!
- At one point, Roman (Tyrese Gibson) mutters some line about "Trusting in the physics and the numbers". Well, let me tell you, it's like no physics that I studied on this planet. A lot of the set pieces involve huge magnets attached to trucks and cars. Now - correct me if I'm wrong - but if you turn a massive magnet on in a truck then as well as ripping the car you are chasing through the adjacent building (as if), you will also force the truck to be pulled into that building too. OK, perhaps not as much.... but the lorry ain't going to stay in its driving lane, I know that much! And magnets attract metal - they don't repel it!
- At 145 minutes, this is well over 2 hours of my life I will never get back.
Summary Thoughts on "F9": It's just such a formulaic and contrived piece of fluff that it makes me cross that they can spend $200,000 on a movie and not make it better. Part of this involves the lazy use of CGI to create obviously nonsensical stunts that devalue true action films. Yes, the stunt team was busy, and impressive, here - but always going for "one better" has led to extensive use of CGI. That's why I liked the 2014 'knock-off' film "Need for Speed" - - at least they did all their stunts old-school, in camera, and not in the computer.
But whatever I say here, this movie will unfortunately get its audience. At the time of writing, it's already made nearly $300K at the box office on its $200K budget. Which means there will inevitably be an F10, no doubt involving a driving battle on the planet Mars. Sigh.
By the way, before you dive for the exits to relieve your bladder (it is 145 minutes after all), there is a mid-credits scene that re-introduces an old favourite.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/24/f9-magnetic-bullst-that-will-no-doubt-attract-fast-fans/. Thanks).
- Glossy locations, fast cars and beautiful women: the usual Fast stuff.
- When the stunts are "real", they are good and exciting. But it's often difficult to tell when there's been a 'computer-assist'.
Negatives:
- I complained in my review for "The Hitman's Wife's Bodyguard" about it having a childish and ludicrous plot. This movie makes that look like bl***y Shakespeare! There's an attempt to add a smidgen of family tension into the mix, based on Dom's childhood trauma. But aside from that element, the 'story' (I use the term in its loosest possible sense) bounces (without any rational logic most of the time) from ludicrous situation to ludicrous situation without pause. Most of these are linked by Ramsey (the very British Nathalie Emmanuel) stating a random fact such as "Well, now he's going to need to launch a satellite". And off we go again. (That particular crazy story arc even sees them 'doing a Musk' and flying a car into space: I kid you not!)
- It's not even the 'big stuff' that's unbelievable. Everywhere you look, there are inconsistencies and things that don't make sense.
-- Tej (played by Ludicris - an appropriate name here) takes dodging a brigade worth of machine gun bullets to nonsensical limits.
-- Generally, the cast gets blasted, dropped, crashed, burned, and otherwise put through more fatal situations than you can imagine, only to walk out without a scratch.
-- And if you can show me a single delivery lorry in Edinburgh that has an automatic gearbox, I'll be amazed!
- At one point, Roman (Tyrese Gibson) mutters some line about "Trusting in the physics and the numbers". Well, let me tell you, it's like no physics that I studied on this planet. A lot of the set pieces involve huge magnets attached to trucks and cars. Now - correct me if I'm wrong - but if you turn a massive magnet on in a truck then as well as ripping the car you are chasing through the adjacent building (as if), you will also force the truck to be pulled into that building too. OK, perhaps not as much.... but the lorry ain't going to stay in its driving lane, I know that much! And magnets attract metal - they don't repel it!
- At 145 minutes, this is well over 2 hours of my life I will never get back.
Summary Thoughts on "F9": It's just such a formulaic and contrived piece of fluff that it makes me cross that they can spend $200,000 on a movie and not make it better. Part of this involves the lazy use of CGI to create obviously nonsensical stunts that devalue true action films. Yes, the stunt team was busy, and impressive, here - but always going for "one better" has led to extensive use of CGI. That's why I liked the 2014 'knock-off' film "Need for Speed" - - at least they did all their stunts old-school, in camera, and not in the computer.
But whatever I say here, this movie will unfortunately get its audience. At the time of writing, it's already made nearly $300K at the box office on its $200K budget. Which means there will inevitably be an F10, no doubt involving a driving battle on the planet Mars. Sigh.
By the way, before you dive for the exits to relieve your bladder (it is 145 minutes after all), there is a mid-credits scene that re-introduces an old favourite.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/24/f9-magnetic-bullst-that-will-no-doubt-attract-fast-fans/. Thanks).
