Search
Sarah (7798 KP) rated Dog Soldiers (2002) in Movies
Sep 11, 2017 (Updated Dec 24, 2018)
This is one of those small relatively unknown horror films that you watch with little to no expectations, and end up being pleasantly surprised. This is a hilariously funny take on a werewolf film, with a fantastic British cast, lots of blood and guts and is a great debut for Neil Marshall. The old school effects are also make for a refreshing change. There are some great one liners in this that are quotable for a long time afterwards. Sean Pertwee is a great actor and does brilliantly in this, alongside Kevin McKidd and Davos Seaworth himself, Liam Cunningham. This harks back to the days of trashy effects and a silly storyline, and doesn’t take itself too seriously either, giving a thoroughly entertaining and enjoyable 2 hours for the watcher.
The Royal Ghost: A Mina Scarletti Mystery
Book
BRIGHTON 1871: A book by two respectable spinsters claiming to have seen the ghost of the Prince...
Awix (3310 KP) rated The Wicker Man (1973) in Movies
Feb 18, 2018 (Updated Feb 18, 2018)
British folk-horror film is part of the mini-boom in 'British civil servant travels by seaplane to sun-obsessed Christopher Lee's remote island in search of missing girl, discovers Britt Ekland waiting for him' movies that happened in 1973-4. Devout Christian copper (Woodward) visits Summerisle (off the Scottish coast) after receiving a tip-off about a vanishing schoolgirl, is appalled by what he sees as the immorality of the islanders. The lord of the place (Lee) assures him that there's nothing to be worried about, they just have different ethical standards (they're all Pagans), but Woodward is not convinced. Is something nasty lined up for May Day?
Books have been written about the tortuous distribution endured by The Wicker Man and its producers; rumours persist that the original much longer version is buried under a motorway somewhere in England. But all the available cuts are excellent, if not superb: the film is not particularly scary per se, more a queasy examination of how society, morality and religion intersect with one another; manages to make moral relativism seem more disturbing than devil-worship, somehow. Has one of the greatest non-endings in cinema history. Great performances, banging tunes, thoughtful and playful script; a film for all seasons, but goes especially well with a barbecue.
Books have been written about the tortuous distribution endured by The Wicker Man and its producers; rumours persist that the original much longer version is buried under a motorway somewhere in England. But all the available cuts are excellent, if not superb: the film is not particularly scary per se, more a queasy examination of how society, morality and religion intersect with one another; manages to make moral relativism seem more disturbing than devil-worship, somehow. Has one of the greatest non-endings in cinema history. Great performances, banging tunes, thoughtful and playful script; a film for all seasons, but goes especially well with a barbecue.
The Book of Echoes
10.0
Rate It
Book
A sweeping, uplifting story of how a boy from Brixton and a girl from Lagos escape their dark past...
Historical Fiction Africa Literary Fiction Nigeria African Literature British Literature
Darren Fisher (2447 KP) rated Killer's Moon (1978) in Movies
Dec 11, 2020 (Updated Dec 11, 2020)
Classic low budget British horror
I love my bonkers films and this demented British horror from Alan Birkinshaw certainly is up there. Four lunatics escape from a cottage (yep, not even a mental institution) whilst dosed up on LSD provided by the psychiatrists (it's a experiment in which said nutters think they are only dreaming - so whatever they do whilst tripping holds no consequence). Meanwhile, in the middle of nowhere, a bus full of schoolgirls brakes down. With no other choice the bus driver goes lookin for help whilst the teachers and girls seek refuge in a desolate hotel. As the escaped lunatics make their murderous way across country they come across the hotel. Once inside they begin tormenting, raping and decimating the cast. It's grimy, sleazy and very non-politically correct. I certainly can't imagine it getting made in todays times. The infrequent gore scenes are more 'Carry On...' style than gruesome, the special effects are amateur, accompanied with goofy sound effects. What carries the film along is the dialogue. Co-written with the directors sister Fay Weldon, the script is jaw droppingly unbelievable, unintentionally hilarious and mind-bogglingly bizarre. The most infamous quote comes after one school girl has been raped by one of the lunatics and pretty much sets the tone of what you are watching...
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
Clive Barker: Dark Imaginer
Book
Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations of the...
Matthew Krueger (10051 KP) rated The Satanic Rites of Dracula (1974) in Movies
Nov 23, 2020
Last Film With Christopher Lee as Dracula (1 more)
A huge Disappointment
Out With Boredom
The Satanic Rites of Dracula- was a huge disappointment. It was boring, and only was intresting when Dracula was on screen. The first 30 minutes doesnt seem like a dracula film, i was confused on what i was watching. It sad because this was the last time you get to see Christopher Lee as Dracula. And it was a disappointment.
The plot: British-made chiller about a blood-thirsty count who takes up residence in modern London to develop a new strain of bubonic plague, with the evil intention of annihilating all life on Earth.
Work began on what was tentatively titled Dracula is Dead...and Well and Living in London in November 1972.
The film itself is a mixture of horror, science fiction and a spy thriller, with a screenplay by Don Houghton, a veteran of BBC's Doctor Who. This is the problem its trying to be more sci-fi and a spy thriller than horror.
This was the final Hammer film that Christopher Lee and Peter Cushing would make together. The two stars would eventually reunite one more time in House of the Long Shadows, ten years later.
A huge let down.
The plot: British-made chiller about a blood-thirsty count who takes up residence in modern London to develop a new strain of bubonic plague, with the evil intention of annihilating all life on Earth.
Work began on what was tentatively titled Dracula is Dead...and Well and Living in London in November 1972.
The film itself is a mixture of horror, science fiction and a spy thriller, with a screenplay by Don Houghton, a veteran of BBC's Doctor Who. This is the problem its trying to be more sci-fi and a spy thriller than horror.
This was the final Hammer film that Christopher Lee and Peter Cushing would make together. The two stars would eventually reunite one more time in House of the Long Shadows, ten years later.
A huge let down.
Awix (3310 KP) rated The Hand of Night (1968) in Movies
May 29, 2020 (Updated May 30, 2020)
So-so British horror movie, one of a number of genre films made in north Africa in the mid to late sixties. A troubled man (William Sylvester, presumably fairly fresh from 2001: A Space Odyssey) visiting Morocco finds himself torn between a vivacious young French girl and a sultry woman who may or may not be (hint: she is) an ancient vampire.
Admirably serious tone and the central metaphor is coherent, but the problem with a lot of these foreign-shot films is that all the money seems to have gone on plane tickets, and the photography is often primitive and flat (a bit like a travelogue from the Moroccan Tourist Board). The pace is also not all it could be. Some decent bits here and there but the drabness of the film and its lack of incident counts against it. A case of potential not being realised.
Admirably serious tone and the central metaphor is coherent, but the problem with a lot of these foreign-shot films is that all the money seems to have gone on plane tickets, and the photography is often primitive and flat (a bit like a travelogue from the Moroccan Tourist Board). The pace is also not all it could be. Some decent bits here and there but the drabness of the film and its lack of incident counts against it. A case of potential not being realised.
Awix (3310 KP) rated Hands of the Ripper (1971) in Movies
May 27, 2018 (Updated May 27, 2018)
Bring the Daughter; Have some Slaughter
Pretty decent Hammer horror melodrama set in a sort of grab-bag version of late Victorian London. Anna (Rees) grows up an orphan, little suspecting the identity of her father, or the fact that she seems to have inherited his compulsion to kill. An ambitious psychiatrist (Porter) takes her under his wing, believing he can help her with her little problem. (As ever, hubris comes before a gory comeuppance.) Meanwhile, Hammer whips up gallons of fake blood.
Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.
Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.