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The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'
Book
The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the...
TD
The Devil Wears Prada
8.0
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Book
A delightfully dishy novel about the all-time most impossible boss in the history of impossible...
Smarter Faster Better: The Secrets of Being Productive
6.0
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Book
In the international bestseller The Power of Habit, Pulitzer Prize-winning journalist Charles Duhigg...
Rufus Wainwright recommended Pet Sounds by The Beach Boys in Music (curated)
Actress is the story of Katherine O’Dell, told by her daughter. She looks back on her mother’s career as Ireland’s darling, as she works her way up through Ireland’s bus-and-truck circuit, London’s West End , Broadway and finally Hollywood. Norah lives through the more successful period of her mothers life, and then has to deal with her fall from Grace after she commits a thoroughly bizarre crime. I really loved this book, and I had to keep reminding myself that it was in fact fiction. The author, Anne Enright, read her book, and she did it so well. It really sounded like someone who was telling their own life story, as opposed to telling ‘a’ story. It was really immersive and well told. I’m not surprised that it was on the long list for the Women’s Prize 2020.
I loved the way that we watched Katherine’s slide into mental health problems through the eyes of her daughter, juxtaposed with the life that she had lived before - the whole bohemian, free living, carelessness of it. And then the reveal that all was not as it seemed. I enjoy books that explore family relationships - in fiction the opportunities are endless.
I really liked the historical element as well: the troubles in Ireland and how they impacted on Katherine and Norah. Not that it’s an enjoyable topic, but I have family connections, and the history of this fascinates me. To be honest, a lot of things impact on the relationship of this mother and daughter. It must have been very difficult for Norah to grow up in the way that she did - and again, I have to remind myself that this isn’t a true story!
This is the first Anne Enright novel that I’ve read/ listened to, and I have another book of hers on my bookcase that I’ll be moving up the ‘to be read’ pile. I think she’s an author that I’ll also be adding to me ‘read everything by them’ list!
I loved the way that we watched Katherine’s slide into mental health problems through the eyes of her daughter, juxtaposed with the life that she had lived before - the whole bohemian, free living, carelessness of it. And then the reveal that all was not as it seemed. I enjoy books that explore family relationships - in fiction the opportunities are endless.
I really liked the historical element as well: the troubles in Ireland and how they impacted on Katherine and Norah. Not that it’s an enjoyable topic, but I have family connections, and the history of this fascinates me. To be honest, a lot of things impact on the relationship of this mother and daughter. It must have been very difficult for Norah to grow up in the way that she did - and again, I have to remind myself that this isn’t a true story!
This is the first Anne Enright novel that I’ve read/ listened to, and I have another book of hers on my bookcase that I’ll be moving up the ‘to be read’ pile. I think she’s an author that I’ll also be adding to me ‘read everything by them’ list!
Diamonds
7.0
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Tabletop Game
Diamonds is a trick-taking card game in which players collect Diamonds — not cards bearing that...
CardGames FitzgeraldGames GamesforEveryone
BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Hamilton: An American Musical Soundtrack by Lin-Manuel Miranda in Music
Dec 31, 2018 (Updated Dec 31, 2018)
Possibly the greatest hip hop album ever written (1 more)
Definitely the greatest musical ever written
One Of The Greatest Things That I Have Ever Had The Pleasure Of Witnessing
Let me start this review by saying that I strongly dislike musical theatre. I have always found the concept of musicals dumb and pretty naff.
Back before Cracked.com dissolved, I was a loyal listener of their weekly podcast. Each week the host, Jack O'Brian would play songs throughout the podcast from an album that he had been listening to that week. During an episode that they dropped back in early 2016, Jack explained at the start of the episode that he had been to see a musical called Hamilton the previous weekend and he would be playing songs from that through the episode. I rolled my eyes, expecting to be bombarded with cheesy broadway show tunes and was unbelievably pleasantly surprised by what I heard.
Right away, these songs grabbed me, to the point that I actively seeked out the rest of the soundtrack to listen to the rest of the songs. The following summer, my girlfriend and I were planning a trip to NYC and I was dying to go and see Hamilton live, even though Lin-Manuel Miranda had moved away from the title role, as had a lot of the other OG cast, I still wanted to experience the soundtrack live. However, after seeing that the price of 2 tickets equated to an amount equal to a deposit for a house, we had to let the chance pass us by.
Last week, while on a trip down to London, we finally got to see the play live and it was most definitely worth the wait. Seeing the songs play out live only enhances the genius of Lin-Manuel's writing and the cast that we seen were absolutely stellar, (even though they were apparently mostly the understudy cast.)
Hamilton is one of the greatest things ever written and if you ever get the chance, I implore you to do everything that you can to see it live - and this is coming from someone who hates musical theatre.
Back before Cracked.com dissolved, I was a loyal listener of their weekly podcast. Each week the host, Jack O'Brian would play songs throughout the podcast from an album that he had been listening to that week. During an episode that they dropped back in early 2016, Jack explained at the start of the episode that he had been to see a musical called Hamilton the previous weekend and he would be playing songs from that through the episode. I rolled my eyes, expecting to be bombarded with cheesy broadway show tunes and was unbelievably pleasantly surprised by what I heard.
Right away, these songs grabbed me, to the point that I actively seeked out the rest of the soundtrack to listen to the rest of the songs. The following summer, my girlfriend and I were planning a trip to NYC and I was dying to go and see Hamilton live, even though Lin-Manuel Miranda had moved away from the title role, as had a lot of the other OG cast, I still wanted to experience the soundtrack live. However, after seeing that the price of 2 tickets equated to an amount equal to a deposit for a house, we had to let the chance pass us by.
Last week, while on a trip down to London, we finally got to see the play live and it was most definitely worth the wait. Seeing the songs play out live only enhances the genius of Lin-Manuel's writing and the cast that we seen were absolutely stellar, (even though they were apparently mostly the understudy cast.)
Hamilton is one of the greatest things ever written and if you ever get the chance, I implore you to do everything that you can to see it live - and this is coming from someone who hates musical theatre.
The Improv: An Oral History of the Comedy Club That Revolutionized Stand-Up
Jay Leno, Budd Friedman and Tripp Whetsell
Book
Have you heard the one about the aspiring Broadway producer who bought a closed restaurant and...
Fragrant Orchid: The Story of My Early Life
Yamaguchi Yoshiko, Fujiwara Sakuya and Chia-ning Chang
Book
The acclaimed actress and legendary singer, Yamaguchi Yoshiko (aka Li Xianglan, b. 1920), emerged...