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BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Hamilton: An American Musical Soundtrack by Lin-Manuel Miranda in Music
Dec 31, 2018 (Updated Dec 31, 2018)
Possibly the greatest hip hop album ever written (1 more)
Definitely the greatest musical ever written
One Of The Greatest Things That I Have Ever Had The Pleasure Of Witnessing
Let me start this review by saying that I strongly dislike musical theatre. I have always found the concept of musicals dumb and pretty naff.
Back before Cracked.com dissolved, I was a loyal listener of their weekly podcast. Each week the host, Jack O'Brian would play songs throughout the podcast from an album that he had been listening to that week. During an episode that they dropped back in early 2016, Jack explained at the start of the episode that he had been to see a musical called Hamilton the previous weekend and he would be playing songs from that through the episode. I rolled my eyes, expecting to be bombarded with cheesy broadway show tunes and was unbelievably pleasantly surprised by what I heard.
Right away, these songs grabbed me, to the point that I actively seeked out the rest of the soundtrack to listen to the rest of the songs. The following summer, my girlfriend and I were planning a trip to NYC and I was dying to go and see Hamilton live, even though Lin-Manuel Miranda had moved away from the title role, as had a lot of the other OG cast, I still wanted to experience the soundtrack live. However, after seeing that the price of 2 tickets equated to an amount equal to a deposit for a house, we had to let the chance pass us by.
Last week, while on a trip down to London, we finally got to see the play live and it was most definitely worth the wait. Seeing the songs play out live only enhances the genius of Lin-Manuel's writing and the cast that we seen were absolutely stellar, (even though they were apparently mostly the understudy cast.)
Hamilton is one of the greatest things ever written and if you ever get the chance, I implore you to do everything that you can to see it live - and this is coming from someone who hates musical theatre.
Back before Cracked.com dissolved, I was a loyal listener of their weekly podcast. Each week the host, Jack O'Brian would play songs throughout the podcast from an album that he had been listening to that week. During an episode that they dropped back in early 2016, Jack explained at the start of the episode that he had been to see a musical called Hamilton the previous weekend and he would be playing songs from that through the episode. I rolled my eyes, expecting to be bombarded with cheesy broadway show tunes and was unbelievably pleasantly surprised by what I heard.
Right away, these songs grabbed me, to the point that I actively seeked out the rest of the soundtrack to listen to the rest of the songs. The following summer, my girlfriend and I were planning a trip to NYC and I was dying to go and see Hamilton live, even though Lin-Manuel Miranda had moved away from the title role, as had a lot of the other OG cast, I still wanted to experience the soundtrack live. However, after seeing that the price of 2 tickets equated to an amount equal to a deposit for a house, we had to let the chance pass us by.
Last week, while on a trip down to London, we finally got to see the play live and it was most definitely worth the wait. Seeing the songs play out live only enhances the genius of Lin-Manuel's writing and the cast that we seen were absolutely stellar, (even though they were apparently mostly the understudy cast.)
Hamilton is one of the greatest things ever written and if you ever get the chance, I implore you to do everything that you can to see it live - and this is coming from someone who hates musical theatre.
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Kristy H (1252 KP) rated Scrappy Little Nobody in Books
Feb 1, 2018
Anna Kendrick has been acting (and singing) since childhood, and her autobiography chronicles her growth as an actress and person, as told in little snippets and essays. Grouped in assorted themes, we hear from various stages of Anna's life, spanning her childhood to present day, and learn how Anna, a tiny scrappy kid, became a famous, Oscar-nominated actress. The book touches on her fame, as well as her personal thoughts and feelings.
I've always enjoyed Kendrick and have seen several of her films (and heard her sing about a million times, thanks to my young children and the popularity of the film, <i>Trolls</i>) but didn't know a lot about her early career. Her autobiography does a good job of filling in some of the gaps of Anna's childhood career (working on Broadway at twelve - who knew?!), but isn't told in any chronological order, so we don't get a sense of any real span of her career from Point A to B. Most of the book is told in short little bits. Many of them are quite funny stories, and there are some truly laugh out loud moments. In many cases, Kendrick is a very relatable person, who seems like the type of friend you'd like to hang out with. At other points, she seemed a bit whiny, and for me, the book spent too much time with her protesting about some of the travails of being in the celebrity industry. I can only take so much "woe is me" from famous people who write books about their lives.
The book is on more solid ground when we're reading about Anna's early life, where you gain a true admiration for her talent, and with her silly and snarky stories about her misanthropic personality (misanthropes unite!). Still, the jumping back and forth in time makes it hard to get a true trace on the arc of her life at times, and beyond some of the complaining and expounding on the travails of award shows, press junkets, and the like, there wasn't as much about her post-fame life as I was interested in.
If you like Kendrick's films, or her twitter feed, you'll probably enjoy the book and its organization, even if you find yourself wishing for a little more at the end. She's led an interesting life so far, and I'm sure another autobiography down the road would be quite intriguing.
I've always enjoyed Kendrick and have seen several of her films (and heard her sing about a million times, thanks to my young children and the popularity of the film, <i>Trolls</i>) but didn't know a lot about her early career. Her autobiography does a good job of filling in some of the gaps of Anna's childhood career (working on Broadway at twelve - who knew?!), but isn't told in any chronological order, so we don't get a sense of any real span of her career from Point A to B. Most of the book is told in short little bits. Many of them are quite funny stories, and there are some truly laugh out loud moments. In many cases, Kendrick is a very relatable person, who seems like the type of friend you'd like to hang out with. At other points, she seemed a bit whiny, and for me, the book spent too much time with her protesting about some of the travails of being in the celebrity industry. I can only take so much "woe is me" from famous people who write books about their lives.
The book is on more solid ground when we're reading about Anna's early life, where you gain a true admiration for her talent, and with her silly and snarky stories about her misanthropic personality (misanthropes unite!). Still, the jumping back and forth in time makes it hard to get a true trace on the arc of her life at times, and beyond some of the complaining and expounding on the travails of award shows, press junkets, and the like, there wasn't as much about her post-fame life as I was interested in.
If you like Kendrick's films, or her twitter feed, you'll probably enjoy the book and its organization, even if you find yourself wishing for a little more at the end. She's led an interesting life so far, and I'm sure another autobiography down the road would be quite intriguing.
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