"He's known in the indie rock subculture as the other half of a band called The Folk Implosion that he was in with Lou Barlow from Sebadoh. They did most of the songs on the Kids soundtrack and their song 'Natural One' was a single in the 90s. John was also a member of the Palace Brothers which was Will Oldham's band from before he became Bonnie "Prince" Billy. So he has a little bit of history collaborating with other great people, but he also made a series of lo-fi home recorded records in the 90s. It is a strange, outsidery folk record. It's psychedelic and a little reminiscent of things like Syd Barrett and Skip Spence's Oar, but it also has this really interesting British folk, Incredible String Band type of 12 string guitar playing. The lyrics are very free associating, somewhat improvised, very intimate and very quiet. His records are so intimate that he broke down a wall between himself and the tape recorded that had never been broken down before. It makes you feel like you're in this tiny little space with him and his singing you this craziest record. I discovered this album at Kim's Underground, a record store in New York. I just bought one of his cassettes off a rack because it looked interesting to me. I'm really lucky I grabbed that tape because Leave Home was the most listen to record of my early teenage years. The style was so inspiring to me growing-up, that all I wanted to do was make John Davis-like songs. A lot of the early Moldy Peaches songs like 'Lucky No.9', 'Lazy Confessions' – all these things on the first album – are me trying to copy John Davis' stuff."

"Let’s go with Jaws. I saw Jaws when I was about… I must have been nine years old. Of course, at the time it was the most terrifying film I’d ever seen. It kept me awake for days. It kept me afraid of the ocean for a while. It had me afraid of lakes in Nebraska, in case there were sharks there. I was nine years old. But there are so many amazing things about that, on a historical level. That was the very first film that opened nationwide on the same day. As far as I know, prior to that, they would roll out films big cities to smaller ones, coast to coast. But this opened worldwide, which ushered in the era of the blockbuster. So it was groundbreaking in that regard, and of course, that is something that defines the entire movie industry today. The interesting thing is that, 43 years later, the film holds up exceptionally well. The characters feel as fresh and original as they did so long ago. So well directed. The history of the making of the film and how challenging it was for Spielberg, and the broken shark and all of this, and all of the changes he had to make — none of those challenges are reflected in the quality of the film. So to me, that’s a fabulous, fabulous film."