"Two Days One Night, it’s perfectly directed. The way the Dardenne brothers frame her, making her kids’ bed before she goes and tries to overdose in the bathroom — it stays in that one shot. It’s this wide shot, handheld, which nobody does like the Dardenne brothers. I’ve tried to chase it; there’s nothing like it. There’s nothing like watching a scene unfold and becoming something you did not expect in the beginning of the shot. It’s like one shot can tell an entire three-course meal. Also, that movie is one of the few movies that made me uncontrollably sob at the end, because of her power, the sweetness of it. I can’t believe the sweetness; it made me so raw and vulnerable. It’s not just that it’s tragic. It’s such a small story, but I connect with it. I connect with needing people and needing for them to hear from you. I feel like getting heard at the end of the movie, or not getting heard, depending on how you look at it, is so unbelievably moving. Marion Cotillard is the god of our generation. Not a goddess, she’s god!"