"I grew up not understanding racism — I was never around anything that would have led me to that. All of a sudden I went to the premiere of this film and it struck me so hard. It made me brothers with my fellow man more than any other film that I’ve ever seen. It changed my life. The perspective it gave me was incredible. I don’t have a lot of films that changed my life, but that one made me realize we’re all in this together. Michael Pena is a good friend of mine, and this was the first film that put him on the map. He was so good. When the lights went down in that movie, we were taken away. It was unreal."

"To look at Mick Jagger’s creative output today, working hard to suggest the dynamism of his early career, you may wonder what it is he is straining to return to. This film offers an answer. Rock and roll, particularly British rock of the late sixties and early seventies, featured pioneering, Dionysian front men who lured their fans, male and female, into a bacchanal of sex, drugs, and blistering music. Those gatherings were often combustible. In this case, tragic. The remarkable Maysles brothers and Ms. Zwerin fashion a kind of cinematic, pop Warren Commission of the Altamont Speedway concert/crime scene. You don’t need drugs to get high watching the Stones at their peak. The band, and especially Jagger, are a drug."