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David McK (3453 KP) rated The Dark Knight (2008) in Movies
Jun 23, 2019 (Updated Jul 23, 2024)
Summmer 2008: at the time of writing this, now 11 years ago (edit: now 16), and the cinematic landscape was rather different - the MCU was only just starting off (with Iron Man), and superheroes in the cinema were not as commonplace as they are today ( to the best of my memory).
While Christopher No.an had effectively rebooted perhaps DCs most famous character in Batman Begins, that film had (deliberately, IMO) kept the focus pretty much on Bruce Wayne/Batman rather than on his mos famous foes, ending with a deliberate tease of the introduction of the Joker.
And what an introduction he gets in this.
As portrayed by Heath Ledger (whose untimely death no doubt helped stoke the interest for this movie: his last full screen role), this Joker is very different than Jack Nicholson's 1989 portrayal. It's a definite magnetic tour de force from the actor, sure, although (personally) I've never really viewed the character as a Joker so much as as a genius psychopath.
"I'm an agent of chaos" he says at one point. "I'm a dog chasing a car. I wouldn't know what to do with one if I caught it". And that, to me, is what is missing from the character-as-written.
Alongside Ledger, Aaron Eckhart also puts in a brilliant turn as Harvey Dent, completely blowing Tommy Lee Jones portrayal of the same character (in Batman Forever) out of the water. It's a far more realistic interpretation of what drives Dent to become Two-face, with some frightenly realistic effects.
And, finally, it may be a small thing: but in this Batman gets and operates (briefly) out of Gotham city, making his world seem more 'real' as a result.
While Christopher No.an had effectively rebooted perhaps DCs most famous character in Batman Begins, that film had (deliberately, IMO) kept the focus pretty much on Bruce Wayne/Batman rather than on his mos famous foes, ending with a deliberate tease of the introduction of the Joker.
And what an introduction he gets in this.
As portrayed by Heath Ledger (whose untimely death no doubt helped stoke the interest for this movie: his last full screen role), this Joker is very different than Jack Nicholson's 1989 portrayal. It's a definite magnetic tour de force from the actor, sure, although (personally) I've never really viewed the character as a Joker so much as as a genius psychopath.
"I'm an agent of chaos" he says at one point. "I'm a dog chasing a car. I wouldn't know what to do with one if I caught it". And that, to me, is what is missing from the character-as-written.
Alongside Ledger, Aaron Eckhart also puts in a brilliant turn as Harvey Dent, completely blowing Tommy Lee Jones portrayal of the same character (in Batman Forever) out of the water. It's a far more realistic interpretation of what drives Dent to become Two-face, with some frightenly realistic effects.
And, finally, it may be a small thing: but in this Batman gets and operates (briefly) out of Gotham city, making his world seem more 'real' as a result.
Fred (860 KP) rated the PlayStation 4 version of LEGO Marvel Super Heroes 2 in Video Games
Jul 12, 2018
Tons of characters from the Marvel comics (2 more)
Cool story
Cool locales
Voice acting is meh (1 more)
Lots of glitches
More of the same, but different & glitchy
I've played all of the Lego games & I've seen some good ones, like the Star Wars one & I've seen some bad ones. (Looking at you Indiana Jones) I'm a fan of these games, as they're mindless fun, plus they're easy platinum trophies.
Lego Marvel Superheroes 2 is one of those good ones, although it does have some problems.
Let's start with the good. There are tons & I mean TONS of characters to unlock in this one. Mostly based on the comic book versions of the characters, with some from the MCU of course. It was so fun to play some of my favorite lesser-known characters, like the Spider-Man Noir version or the Kronan in the Planet Hulk arena.
The story is an original, with Kang the Conqueror as the main villain of the story. Because he's altering lime-lines, along with different dimensions, we have a world mixed with different worlds. We have Asgard, Manhattan Noir (a 30s-40s version of New York), Wild West Town, Avenger's Mansion, & many many more. Just like the mall in the movie The Blues Brothers, this place has got everything. It's so much fun jumping around from place to place.
Now the bad. Let's start with the voice acting. There are no famous voices in the game & it shows. Supposedly, the game was made during an actor's strike & so we got what they can get. Now, not saying the voice acting is bad, but it's just so-so. Some voices seem out of place for some characters. Captain America doesn't sound like he should. Doctor Strange doesn't sound like he should. Now, I may be ruined by the actors from the movies, but if you hear them in the game, you'll agree. It has less to do with their live-action counterparts & more of "Yeah, I never pictured Tony Stark sounding like...that."
And now my main complaint. Lots of glitches. Even after the update, I find lots of glitches in the game. The most annoying one is finding one of your characters stuck in a spot, dying over & over in an endless loop, such as falling off a platform to his/her death or stuck on some radioactive material. I found myself more than a few times having to exit the level & start all over due to this happening. Another glitch was in the arena, where Hulk turned himself back to Bruce Banner & would not turn back into the Hulk. Now maybe this was meant to happen, like in the Infinity War movie, when he was scared to turn to the Hulk, but I don't think so. Reason being towards the end of the fight, they have Hulk talking, while he was still as Bruce Banner. Luckily I didn't need Hulk to beat the level, as I would have had to start over. Other glitches include characters switching by themselves & audio cutting out.
This being said, I still want to play this game. While not one of the best Lego games, it's still fun & it's very cool, especially if you're a comic book fan.
Lego Marvel Superheroes 2 is one of those good ones, although it does have some problems.
Let's start with the good. There are tons & I mean TONS of characters to unlock in this one. Mostly based on the comic book versions of the characters, with some from the MCU of course. It was so fun to play some of my favorite lesser-known characters, like the Spider-Man Noir version or the Kronan in the Planet Hulk arena.
The story is an original, with Kang the Conqueror as the main villain of the story. Because he's altering lime-lines, along with different dimensions, we have a world mixed with different worlds. We have Asgard, Manhattan Noir (a 30s-40s version of New York), Wild West Town, Avenger's Mansion, & many many more. Just like the mall in the movie The Blues Brothers, this place has got everything. It's so much fun jumping around from place to place.
Now the bad. Let's start with the voice acting. There are no famous voices in the game & it shows. Supposedly, the game was made during an actor's strike & so we got what they can get. Now, not saying the voice acting is bad, but it's just so-so. Some voices seem out of place for some characters. Captain America doesn't sound like he should. Doctor Strange doesn't sound like he should. Now, I may be ruined by the actors from the movies, but if you hear them in the game, you'll agree. It has less to do with their live-action counterparts & more of "Yeah, I never pictured Tony Stark sounding like...that."
And now my main complaint. Lots of glitches. Even after the update, I find lots of glitches in the game. The most annoying one is finding one of your characters stuck in a spot, dying over & over in an endless loop, such as falling off a platform to his/her death or stuck on some radioactive material. I found myself more than a few times having to exit the level & start all over due to this happening. Another glitch was in the arena, where Hulk turned himself back to Bruce Banner & would not turn back into the Hulk. Now maybe this was meant to happen, like in the Infinity War movie, when he was scared to turn to the Hulk, but I don't think so. Reason being towards the end of the fight, they have Hulk talking, while he was still as Bruce Banner. Luckily I didn't need Hulk to beat the level, as I would have had to start over. Other glitches include characters switching by themselves & audio cutting out.
This being said, I still want to play this game. While not one of the best Lego games, it's still fun & it's very cool, especially if you're a comic book fan.
Chris Sawin (602 KP) rated Batman Gotham Knight (2008) in Movies
Jun 18, 2019
Batman: Gotham Knight was originally advertised as an animated feature that bridged the gap between Batman Begins and The Dark Knight, but it’s more of a Batman in his early stages becoming the legendary crime fighting vigilante he’s known as today. There are six segments in total with each segment having a different production studio.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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Bob Mann (459 KP) rated Kingsman: The Golden Circle (2017) in Movies
Sep 29, 2021
Vaughn and Golding cross the pond to deliver more of the same.
You would probably need to be living under a rock not to know that “Kingsman: The Golden Circle” is the follow-up film to Matthew Vaughn and Jane Goldman’s highly successful 2015 offering “Kingsman: The Secret Service”: a raucous, violent and rude entry into the spy-caper genre. And the sequel is more of the same: why mess with a crowd-pleasing formula?
The fledgling agent Eggsy (Taron Egerton (“Eddie the Eagle“), curiously called “Eggy” at various points in the film for reasons I didn’t understand) is now the new “Galahad” following the demise in the first film of the original, played by Colin Firth (“Magic in the Moonlight“, “Bridget Jones’ Baby“). But just as he’s getting into his stride the whole Kingsman organisation, now headed by Michael Gambon (“Harry Potter”) as Arthur , is ripped apart by an evil drugs cartel called “The Golden Circle” headed by smiling but deadly Poppy (Juliane Moore, “Still Alice”).
Eggsy and Lancelot (Mark Strong, “Miss Sloane“) in desperation turn to Statesman – the US equivalent organisation – and together with some surprising allies set out to defeat the evil plot to poison all casual drug users.
Subtle this film certainly is not, featuring brash and absurdly unrealistic action scenes that are 90% CGI but – for me at least – enormous fun to watch. As with the first film (and I’m thinking of the grotesquely violent church scene here) the action moves however from ‘edgy’ to “over-the-top/offensive” at times. The ‘burger scene’ and (particularly) the ‘Glastonbury incident’ are the standout moments for all the wrong reasons. I have a theory about how these *might* have come about…
One Mann’s Movies Showcase Theatre
The scene: Matthew Vaughn and Jane Golding are working “The Golden Circle” script at Goldman’s English home.
Vaughn: “OK, so Eggsy is in the tent with Clara and needs to plant the tracking device on her.”
Goldman’s husband Jonathan Ross sticks his head round the door.
Ross: “Hey Guys, I’ve an idea about that. I was on the phone to Wussell Bwand and we came up with a GWEAT idea.”
Vaughn: (rolling his eyes, mutters to himself): “Oh God, not again…”
Ross: “We thought that Eggsy could use his finger to stick the tracker right up her – ahem – ‘lady canal’ and… and… here’s the really great bit… the camera’s gonna be his finger. A camera up the muff! It’ll be weally weally funny!”
Vaughn: “But Jonathan…”.
Goldman nudges him hard.
Goldman (whispering): “Just let it go Matthew… you know what he’s like if he doesn’t get at least a couple of his ideas into the film”.
You can only hope a stunt vagina was used for this scene, else Poppy Delavigne (older sister of Cara) is going to find it very hard to find credible future work. One can only guess what tasteful interlude is being planned for Kingsman 3 – – a prostate-based tracker perhaps?
The film works best when the core team of Taron Egerton, Mark Strong and Colin Firth (yes, Colin Firth!) are together. Jeff Bridges (“Hell or High Water“), Channing Tatum (“Foxcatcher“) and Halle Berry (“Monster’s Ball”) all turn up as key members of ‘Statesman’ – adding star power but not a lot else – together with Pedro Pascal (“The Great Wall“) as ‘Whiskey’…. who I expected to be someone equally famous behind the moustache but wasn’t!
There’s also a very entertaining cameo from a star (no spoilers from me) whose foul-mouthed tirades I found very funny, and who also has the funniest line in the film (playing off one of the most controversial elements of the first film). It’s fair to say though that others I’ve spoken to didn’t think this appearance fitted the film at all.
Julianne Moore makes for an entertaining – if less than credible – villain, as does Bruce Greenwood (“Star Trek: Into Darkness”) as a barely disguised Trump. None of the motivations of the bad ‘uns however support any scrutiny whatsoever: this is very much a “park your brain at the door” film.
I really shouldn’t enjoy this crass, brash, brainless movie fast-food… and I know many have hated it! But my guilty secret is that I really did like it – one of the best nights of unadulterated escapist fun I’ve had since “Baby Driver”. Classy it’s certainly NOT, but I enjoyed this just as much as the original.
The fledgling agent Eggsy (Taron Egerton (“Eddie the Eagle“), curiously called “Eggy” at various points in the film for reasons I didn’t understand) is now the new “Galahad” following the demise in the first film of the original, played by Colin Firth (“Magic in the Moonlight“, “Bridget Jones’ Baby“). But just as he’s getting into his stride the whole Kingsman organisation, now headed by Michael Gambon (“Harry Potter”) as Arthur , is ripped apart by an evil drugs cartel called “The Golden Circle” headed by smiling but deadly Poppy (Juliane Moore, “Still Alice”).
Eggsy and Lancelot (Mark Strong, “Miss Sloane“) in desperation turn to Statesman – the US equivalent organisation – and together with some surprising allies set out to defeat the evil plot to poison all casual drug users.
Subtle this film certainly is not, featuring brash and absurdly unrealistic action scenes that are 90% CGI but – for me at least – enormous fun to watch. As with the first film (and I’m thinking of the grotesquely violent church scene here) the action moves however from ‘edgy’ to “over-the-top/offensive” at times. The ‘burger scene’ and (particularly) the ‘Glastonbury incident’ are the standout moments for all the wrong reasons. I have a theory about how these *might* have come about…
One Mann’s Movies Showcase Theatre
The scene: Matthew Vaughn and Jane Golding are working “The Golden Circle” script at Goldman’s English home.
Vaughn: “OK, so Eggsy is in the tent with Clara and needs to plant the tracking device on her.”
Goldman’s husband Jonathan Ross sticks his head round the door.
Ross: “Hey Guys, I’ve an idea about that. I was on the phone to Wussell Bwand and we came up with a GWEAT idea.”
Vaughn: (rolling his eyes, mutters to himself): “Oh God, not again…”
Ross: “We thought that Eggsy could use his finger to stick the tracker right up her – ahem – ‘lady canal’ and… and… here’s the really great bit… the camera’s gonna be his finger. A camera up the muff! It’ll be weally weally funny!”
Vaughn: “But Jonathan…”.
Goldman nudges him hard.
Goldman (whispering): “Just let it go Matthew… you know what he’s like if he doesn’t get at least a couple of his ideas into the film”.
You can only hope a stunt vagina was used for this scene, else Poppy Delavigne (older sister of Cara) is going to find it very hard to find credible future work. One can only guess what tasteful interlude is being planned for Kingsman 3 – – a prostate-based tracker perhaps?
The film works best when the core team of Taron Egerton, Mark Strong and Colin Firth (yes, Colin Firth!) are together. Jeff Bridges (“Hell or High Water“), Channing Tatum (“Foxcatcher“) and Halle Berry (“Monster’s Ball”) all turn up as key members of ‘Statesman’ – adding star power but not a lot else – together with Pedro Pascal (“The Great Wall“) as ‘Whiskey’…. who I expected to be someone equally famous behind the moustache but wasn’t!
There’s also a very entertaining cameo from a star (no spoilers from me) whose foul-mouthed tirades I found very funny, and who also has the funniest line in the film (playing off one of the most controversial elements of the first film). It’s fair to say though that others I’ve spoken to didn’t think this appearance fitted the film at all.
Julianne Moore makes for an entertaining – if less than credible – villain, as does Bruce Greenwood (“Star Trek: Into Darkness”) as a barely disguised Trump. None of the motivations of the bad ‘uns however support any scrutiny whatsoever: this is very much a “park your brain at the door” film.
I really shouldn’t enjoy this crass, brash, brainless movie fast-food… and I know many have hated it! But my guilty secret is that I really did like it – one of the best nights of unadulterated escapist fun I’ve had since “Baby Driver”. Classy it’s certainly NOT, but I enjoyed this just as much as the original.