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Hara05 (11 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Jul 1, 2019
The Wizarding World Needs To Be Left Alone
I'm a huge Harry Potter fan. I fell in love as soon as I opened the first book back in 1997 and I've compiled a very extensive, mostly useless knowledge base on the subject.
I put up with the first Fantastic Beasts film for two reasons: I was craving some Potter magic and the 'beasts' were adorable, fascinating and comical. The first film has enough magic, enough fun and enough humour to allow me to enjoy it but Crimes of Grindelwald? Nah. Just Nah.
I can't help but feel completely rinsed by this film. It breaks away from canon, turning a world I've devoted so much time too onto its head. It tells us that everything we have learned, everything we've spent our money and time on, is basically wrong. I haven't been a fan of Rowling dishes out new pieces of information here and there as if she has always known them - just be honest with us and tell us that time has made you think of these things or see things in a different light. She's still an intelligent, creative woman - she doesn't need to keep trying to prove it.
Crimes of Grindelwald just isn't as magical, as innovative or as creative as the Harry Potter series and the viewer can't help but feel that the writers are clutching at straws in order to attempt to build another franchise. They rely too heavily on people's love for the Wizarding World and don't actually offer us much more, or anything of value with this film. It's convoluted, clichéd and at times, predictable. It uses characters so wonderfully fleshed out in the previous film and completely changes who they are in a simple two minute, completely random scene. It feels as if there is no direction to these films, as if Crimes of Grindelwald is a different entity, split from Fantastic Beasts but shoved under that arch in order to make a buck.
I was truly so disappointed with this movie. I felt let down by Rowling and the filmmakers because I've been so loyal to this franchise and I wanted this new installment to be wonderful. I wanted to feel nostalgic and engrossed when I watched this but instead, I was picking out holes in the storyline and pointing out errors. This is not what we expect from what is essentially, a Harry Potter film.
We have three more of these films to get through. I just hope they up their game and are more tolerable than Crimes of Grindelwald.
I put up with the first Fantastic Beasts film for two reasons: I was craving some Potter magic and the 'beasts' were adorable, fascinating and comical. The first film has enough magic, enough fun and enough humour to allow me to enjoy it but Crimes of Grindelwald? Nah. Just Nah.
I can't help but feel completely rinsed by this film. It breaks away from canon, turning a world I've devoted so much time too onto its head. It tells us that everything we have learned, everything we've spent our money and time on, is basically wrong. I haven't been a fan of Rowling dishes out new pieces of information here and there as if she has always known them - just be honest with us and tell us that time has made you think of these things or see things in a different light. She's still an intelligent, creative woman - she doesn't need to keep trying to prove it.
Crimes of Grindelwald just isn't as magical, as innovative or as creative as the Harry Potter series and the viewer can't help but feel that the writers are clutching at straws in order to attempt to build another franchise. They rely too heavily on people's love for the Wizarding World and don't actually offer us much more, or anything of value with this film. It's convoluted, clichéd and at times, predictable. It uses characters so wonderfully fleshed out in the previous film and completely changes who they are in a simple two minute, completely random scene. It feels as if there is no direction to these films, as if Crimes of Grindelwald is a different entity, split from Fantastic Beasts but shoved under that arch in order to make a buck.
I was truly so disappointed with this movie. I felt let down by Rowling and the filmmakers because I've been so loyal to this franchise and I wanted this new installment to be wonderful. I wanted to feel nostalgic and engrossed when I watched this but instead, I was picking out holes in the storyline and pointing out errors. This is not what we expect from what is essentially, a Harry Potter film.
We have three more of these films to get through. I just hope they up their game and are more tolerable than Crimes of Grindelwald.
Shanghai Mahjong
Games and Entertainment
App
WINNER "BEST GAME" 2009 3rd PLACE WINNER "BEST APP EVER" 2010 "Quite honestly, if you enjoy the game...
Unkilled - Multiplayer Zombie Survival
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The multiply awarded best-looking mobile shooter you have ever seen. Online multiplayer, extra long...
Gareth von Kallenbach (980 KP) rated Ice Age: Dawn of the Dinosaurs (Ice Age 3) (2009) in Movies
Aug 9, 2019
Scrat and the gang are back, and this time in stunning 3D in the new “Ice Age: Dawn of the Dinosaurs”. The third chapter in the popular series once again follows the adventures of the unusual mix of friends, in their frozen home.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
BankofMarquis (1832 KP) rated Frozen II (2019) in Movies
Mar 23, 2020
Better Than The Original
I never really had much desire/interest in revisiting the sisters from Arendelle and thought the much-hyped sequel to the 2013 mega-hit, FROZEN, was nothing more than a cash grab. But...my daughter talked me into checking it out, so it was with much harumphing that I sat down for a viewing of FROZEN 2.
I loved it.
Loved it, so much so, that I have since watched it a 2nd time - and liked it even more.
Set 6 years after the events in the first film, life in Arendelle has settled down for Queen Elsa, her sister Anna, Anna's boyfriend Kristoff, his reindeer Sven and good ol' Olaf the Snowman (who still likes warm hugs). But something is stirring inside Elsa. Is it a longing for more? Is it a calling from outside? Is it something more? I won't spoil it, but the journey/adventure that this stirring from Elsa begets is a welcome "road trip" for some old friends. It lets us, the audience, spend some more quality time with these characters - with some wonderful music, to boot.
All voice actors from the first film are back (why wouldn't they be) and their voice performances are stronger and more self-assured than in the first film. Idina Menzel, Jonathan Groff, Josh Gad and the under-rated Kristin Bell all "bring-it" to this adventure while newcomers like Sterling K. Brown, Evan Rachel Wood and Martha Plimpton all join in with aplomb making a very appealing film with an fun adventure that has, at it's core, heart. Which, I think, is what makes both of the Frozen films work. The deep heart at the core of these films, and their underlying theme of familial love will win out against all odds.
Add to that the FANTASTIC songs written, yet again, by Robert Lopez and Kristen Anderson-Lopez. They are catchy, fun, hummable and TERRIFIC. It was worth the 2nd viewing just to hear the songs again.
The direction by Chris Buck and Jennifer Lee (the Directors of the first FROZEN) is just as self-assured and strong. They "up" the precedings by picking up the pace and adding to the "difficulty" level (shooting much of this film on water) and they succeed mostly throughout the film.
It is always fun for me to be surprised by a film - and I was most definitely surpised by Frozen 2 - and I would venture to guess that you will be too, especially if you drop any "attitude" you have about this sequel existing and just sit back and enjoy the ride that you are going to be on.
Letter Grade: A
9 stars (out of 10) and you can take that to the BankofMarquis
FROZEN 2 is free to stream for subscribers of DISNEY+ or can be streamed for a fee (to rent or own) on most major platforms like YouTube, GooglePlay, Vudu and Amazon.
I loved it.
Loved it, so much so, that I have since watched it a 2nd time - and liked it even more.
Set 6 years after the events in the first film, life in Arendelle has settled down for Queen Elsa, her sister Anna, Anna's boyfriend Kristoff, his reindeer Sven and good ol' Olaf the Snowman (who still likes warm hugs). But something is stirring inside Elsa. Is it a longing for more? Is it a calling from outside? Is it something more? I won't spoil it, but the journey/adventure that this stirring from Elsa begets is a welcome "road trip" for some old friends. It lets us, the audience, spend some more quality time with these characters - with some wonderful music, to boot.
All voice actors from the first film are back (why wouldn't they be) and their voice performances are stronger and more self-assured than in the first film. Idina Menzel, Jonathan Groff, Josh Gad and the under-rated Kristin Bell all "bring-it" to this adventure while newcomers like Sterling K. Brown, Evan Rachel Wood and Martha Plimpton all join in with aplomb making a very appealing film with an fun adventure that has, at it's core, heart. Which, I think, is what makes both of the Frozen films work. The deep heart at the core of these films, and their underlying theme of familial love will win out against all odds.
Add to that the FANTASTIC songs written, yet again, by Robert Lopez and Kristen Anderson-Lopez. They are catchy, fun, hummable and TERRIFIC. It was worth the 2nd viewing just to hear the songs again.
The direction by Chris Buck and Jennifer Lee (the Directors of the first FROZEN) is just as self-assured and strong. They "up" the precedings by picking up the pace and adding to the "difficulty" level (shooting much of this film on water) and they succeed mostly throughout the film.
It is always fun for me to be surprised by a film - and I was most definitely surpised by Frozen 2 - and I would venture to guess that you will be too, especially if you drop any "attitude" you have about this sequel existing and just sit back and enjoy the ride that you are going to be on.
Letter Grade: A
9 stars (out of 10) and you can take that to the BankofMarquis
FROZEN 2 is free to stream for subscribers of DISNEY+ or can be streamed for a fee (to rent or own) on most major platforms like YouTube, GooglePlay, Vudu and Amazon.
Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies
Feb 22, 2020 (Updated Feb 23, 2020)
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
Stumbling Stones: A Path Through Grief, Love and Loss
Book
This book is a beautifully written exploration of grief and loss. Thought-provoking, often poetic,...
Kristy H (1252 KP) rated The Favorite Sister in Books
Mar 10, 2019
Fell flat for me
The reality TV show Goal Diggers is supposed to buck the trend of most reality TV, with a focus on the radical notion that it is about women putting other women first. It even features unmarried, childless (for the most part), successful women. But, is that really the case? It sure seems like everyone on Diggers is fake and lying. There's Brett, 27, the youngest of the group, who is running her business, SPOKE, which focuses on helping women in Morocco. Her sister, Kelly is the newest addition, and she runs the business with Brett and is a mom to her teenage daughter, Layla. There's also Jen, who oversees her vegan empire; Lauren, creator of a dating website; and Stephanie, a successful author. None of these women really like each other after several seasons of the show. Even so, the producers never expected it all to end in murder.
I have some conflicted and confused emotions about this book. It took me over a week to read, which is forever in my world (I finished three other books in the meantime, to put it in perspective). You know how your Kindle tells you the percentage left to read? I swear that number never changed, it felt like such slow going, and I considered giving up several times. I really only kept reading because of a big reveal that happened on page one (literally) and then the rest of the book spends its time going back in time explaining what happened. I was mildly curious enough to find out what went down. The novel keeps you wondering just enough even if you don't like the characters.
Because, wow, these characters are really despicable. I can get past it in most books, and I thought maybe I'd like Brett for a while, but this self-centered group really took the cake. I am not a reality TV person, especially Real Housewives, so maybe that's part of why this one wasn't for me? I found the in-fighting, petty catfights, and personal drama to just be over-the-top. It's sad, because at times, I found a real wit and depth to the book, but for the most part it just dragged on. And on.
And again, some of this just may be because I'm not a reality TV gal. I really like Knoll's writing, I just couldn't get a handle on the tone. Funny? Serious? Both? What was it aiming for? Did it all just go over my head? I caught that it was trying for some really meaningful social commentary about feminism, weight, race, and so much more, but then it would get lost in two women fighting over platform heels.
There were some good twists at the end, but overall, this one fell flat for me, including the final ending. I felt like I slogged through it, and I just didn't enjoy the characters. Perhaps I missed the overall point or meaning. Many others have enjoyed it, so you may find it's more suited for you than it was for me.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
I have some conflicted and confused emotions about this book. It took me over a week to read, which is forever in my world (I finished three other books in the meantime, to put it in perspective). You know how your Kindle tells you the percentage left to read? I swear that number never changed, it felt like such slow going, and I considered giving up several times. I really only kept reading because of a big reveal that happened on page one (literally) and then the rest of the book spends its time going back in time explaining what happened. I was mildly curious enough to find out what went down. The novel keeps you wondering just enough even if you don't like the characters.
Because, wow, these characters are really despicable. I can get past it in most books, and I thought maybe I'd like Brett for a while, but this self-centered group really took the cake. I am not a reality TV person, especially Real Housewives, so maybe that's part of why this one wasn't for me? I found the in-fighting, petty catfights, and personal drama to just be over-the-top. It's sad, because at times, I found a real wit and depth to the book, but for the most part it just dragged on. And on.
And again, some of this just may be because I'm not a reality TV gal. I really like Knoll's writing, I just couldn't get a handle on the tone. Funny? Serious? Both? What was it aiming for? Did it all just go over my head? I caught that it was trying for some really meaningful social commentary about feminism, weight, race, and so much more, but then it would get lost in two women fighting over platform heels.
There were some good twists at the end, but overall, this one fell flat for me, including the final ending. I felt like I slogged through it, and I just didn't enjoy the characters. Perhaps I missed the overall point or meaning. Many others have enjoyed it, so you may find it's more suited for you than it was for me.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Cet (105 KP) rated Solo: A Star Wars Story - Soundtrack by John Powell in Music
Jul 15, 2018 (Updated Jul 15, 2018)
Has a Star Wars Feel but not quite memorable
I received a gift copy for this review.
TL;DR It belongs in Star Wars but not memorable enough to make it Star Wars. In other words I doubt you'll hear any of these themes in any fan films.
Let's face it John Williams won't be with us forever. He's closing in on 90 and I've read Episode IX will be his last with Star Wars. Lucas Films getting him to work with other composers is the best thing they could do. However why John Powell? This is not a young buck. Lucas Films needs to get their act together in keeping some regulars. Especially on the tech department.
Now to the review.
I've listened to this soundtrack 3 or so times. To John Powell's credit every track belongs in the star wars universe. However no composition here including the scores by Williams is memorable. We don't have a Duel of Fates, Across the Stars, or my favorite Binary Sunset. These themes if you don't know them by title you will know them by sound, and you will immediately have a visual to go with it.
There are a few tracks that conjure certain scenes from the movie. I'm not sure if that's due to the title of the theme or credit to Powell. The Corellia chase for one is catchy. Capturing an old west feel and Han's gun slinging, and hijacking of a land speeder. However when I watched the movie I don't even recall this theme. I had to listen to the composition while writing this paragraph. So although fitting for the character and setting it's forgettable.
When I stated there isn't any music here that's memorable, that's not entirely true. Around 20 seconds into The Adventures of Han begins a beautiful arrangement. It's short sweet and even repeats 29 seconds in Corellia Chase, and 1 minute 24 seconds into Break Out. This short 10 second snippet should've been treated like Indiana Jones. A recurring theme that we could've linked to Han Solo himself.
On the other hand perhaps the writing and the visual of the movie also holds the music back. I'm fairly sure the above arrangement appears in a few other songs. The movie was 2 hours of action packed scenes. There was no tension due to the fact we knew what was coming. The few characters that I got attached to didn't have their own theme. They should've capitalized more on Vos, Beckett, and even the romance with Qi'ra. None of these characters had a theme.
The music here belongs in Star Wars. It's hard to imagine them anywhere else. In previous Star Wars films the music was just as memorable as the scenes though. If I were to compare it to anything else it would be The Avengers. I couldn't hum any of the compositions, but if I heard em i'd probably recognize where it's from. A image wouldn't go with it, and that's just not Star Wars enough.
TL;DR It belongs in Star Wars but not memorable enough to make it Star Wars. In other words I doubt you'll hear any of these themes in any fan films.
Let's face it John Williams won't be with us forever. He's closing in on 90 and I've read Episode IX will be his last with Star Wars. Lucas Films getting him to work with other composers is the best thing they could do. However why John Powell? This is not a young buck. Lucas Films needs to get their act together in keeping some regulars. Especially on the tech department.
Now to the review.
I've listened to this soundtrack 3 or so times. To John Powell's credit every track belongs in the star wars universe. However no composition here including the scores by Williams is memorable. We don't have a Duel of Fates, Across the Stars, or my favorite Binary Sunset. These themes if you don't know them by title you will know them by sound, and you will immediately have a visual to go with it.
There are a few tracks that conjure certain scenes from the movie. I'm not sure if that's due to the title of the theme or credit to Powell. The Corellia chase for one is catchy. Capturing an old west feel and Han's gun slinging, and hijacking of a land speeder. However when I watched the movie I don't even recall this theme. I had to listen to the composition while writing this paragraph. So although fitting for the character and setting it's forgettable.
When I stated there isn't any music here that's memorable, that's not entirely true. Around 20 seconds into The Adventures of Han begins a beautiful arrangement. It's short sweet and even repeats 29 seconds in Corellia Chase, and 1 minute 24 seconds into Break Out. This short 10 second snippet should've been treated like Indiana Jones. A recurring theme that we could've linked to Han Solo himself.
On the other hand perhaps the writing and the visual of the movie also holds the music back. I'm fairly sure the above arrangement appears in a few other songs. The movie was 2 hours of action packed scenes. There was no tension due to the fact we knew what was coming. The few characters that I got attached to didn't have their own theme. They should've capitalized more on Vos, Beckett, and even the romance with Qi'ra. None of these characters had a theme.
The music here belongs in Star Wars. It's hard to imagine them anywhere else. In previous Star Wars films the music was just as memorable as the scenes though. If I were to compare it to anything else it would be The Avengers. I couldn't hum any of the compositions, but if I heard em i'd probably recognize where it's from. A image wouldn't go with it, and that's just not Star Wars enough.