Search
Search results
Darren (1599 KP) rated Xenophobia (2019) in Movies
Aug 5, 2019
Story: Xenophobia starts as we head to an alien support group after Eric (Powell) has his own experience of the unexplained. The group has been meeting for years and to make him feel welcome, they let him know about their own experiences, first up is Becky (Renton) who on a camping trip with her husband and dogs get a visit that will change the world forever.
The next story follows a new member Karen (Stevens) who believes her daughter has been abducted by aliens after receiving a worrying video message, we follow the night which led up to the disappearance of the daughter, which is filled with strange occurrences.
The third story comes from Kara (Sterling) who has been running from her abusive husband, to a hide away for women of abuse, with Adrian (Perez) leading the protection for the women, only for them to find themselves stuck in a world they couldn’t have imagined.
Thoughts on Xenophobia
Performances – When we look at the performances in the film we get the type of performances we are expecting in the b-movie style of movies, we have moments that are over the top, while others bring us the grounded performance we need.
Story – The story here is an anthology of alien encounters that are connected by the support group, each member does have their own story, which gives us a chance to break down the different stories. First up was Pinnacles which might be one of the quickest stories, but it does let us see just how a typical alien encounter might come about, it is simple and does what it needs to, to send Eric to the support group. Doomsday is one that starts like you would imagine, only to go down a very different path which will shock along the way. Star Child is the story that embraces the b-movie style the movie gets through, it does feel like the campiest of the anthology. The Sullivan House is the biggest of the stories, it has a bigger message going on, which is all the more interesting despite the clear alien heading their way at some point. For an overall anthology this is on the similar levels as the VHS film only for it to only focus on aliens, each one will have a different look.
Sci-Fi – The sci-fi side of this film focuses on the different aliens that are visiting the humans, each one does have a unique look which is great to see, something different.
Settings – The film does give us the normal locations for alien encounters, be it a remote house, the woods or a cabin in the woods, yeah nothing overly difficult, but they do work.
Special Effects – The effects in the film are a mixed bag, the practical ones all look great, which is nice to see, certain CGI moments do just look out of place though.
Scene of the Movie – The Sullivan House.
That Moment That Annoyed Me – The CGI moments are weak.
Final Thoughts – This is an entertaining alien anthology film, it is nice that they are all connected in some way which helps with the meeting, rather than just having random stories.
Overall: Anthology to enjoy.
The next story follows a new member Karen (Stevens) who believes her daughter has been abducted by aliens after receiving a worrying video message, we follow the night which led up to the disappearance of the daughter, which is filled with strange occurrences.
The third story comes from Kara (Sterling) who has been running from her abusive husband, to a hide away for women of abuse, with Adrian (Perez) leading the protection for the women, only for them to find themselves stuck in a world they couldn’t have imagined.
Thoughts on Xenophobia
Performances – When we look at the performances in the film we get the type of performances we are expecting in the b-movie style of movies, we have moments that are over the top, while others bring us the grounded performance we need.
Story – The story here is an anthology of alien encounters that are connected by the support group, each member does have their own story, which gives us a chance to break down the different stories. First up was Pinnacles which might be one of the quickest stories, but it does let us see just how a typical alien encounter might come about, it is simple and does what it needs to, to send Eric to the support group. Doomsday is one that starts like you would imagine, only to go down a very different path which will shock along the way. Star Child is the story that embraces the b-movie style the movie gets through, it does feel like the campiest of the anthology. The Sullivan House is the biggest of the stories, it has a bigger message going on, which is all the more interesting despite the clear alien heading their way at some point. For an overall anthology this is on the similar levels as the VHS film only for it to only focus on aliens, each one will have a different look.
Sci-Fi – The sci-fi side of this film focuses on the different aliens that are visiting the humans, each one does have a unique look which is great to see, something different.
Settings – The film does give us the normal locations for alien encounters, be it a remote house, the woods or a cabin in the woods, yeah nothing overly difficult, but they do work.
Special Effects – The effects in the film are a mixed bag, the practical ones all look great, which is nice to see, certain CGI moments do just look out of place though.
Scene of the Movie – The Sullivan House.
That Moment That Annoyed Me – The CGI moments are weak.
Final Thoughts – This is an entertaining alien anthology film, it is nice that they are all connected in some way which helps with the meeting, rather than just having random stories.
Overall: Anthology to enjoy.
Jesters_folly (230 KP) rated TRON (1982) in Movies
Nov 17, 2020
Before Player One, before Ralph and Neo and even before the Lawnmower Man there was Tron. Tron covers a lot of ground, some of which was quite advanced for a film from 1983, we have hackers, corporate espionage, teleportation experiments, A.I. and what we would now call Cyberspace.
Basically Ed Dillinger is the boss of an evil corporation, Encom, (yes IT corporations were evil as far back as the 1980s) who got to where he was by stealing the programs of five arcade games from Flynn. Ed is being blackmailed by the 'Master Control Program' or 'MCP' for short, a rouge A.I. that believes it can rule the world better than humans.
Alan works at Encom and is trying to create a Data monitoring program called Tron. Alan is also dating Flynn's ex, Lora who also works at Encom, in a department that is developing a way of digitising mater and transporting it down a laser beam to a new destination. The three team up to help Flynn find the proof of the theft but the MCP digitises Flynn who finds himself used as a gladiator in the program. When Flynn meets the Tron program they team up to bring the MCP down.
First off the whole thing could have been stopped if Encom had proper health and safety, the computer that Flynn was using was the same one that operated the digitising laser and the laser was set up right behind the screen with barriers or other safety measures.
Ok in all seriousness the concepts in Tron were quite advanced, baring in mind that this was out in 1983, a time when home P.C.s were just beginning to become popular and the internet wasn't really around (there were networked computers but really only in offices) Tron brought us a concept of Cyberspace (although it wasn't called that in the film), a world where the computer programs live and the games are real. Not only that but everything is linked together, there weren't any networked games back then any you had to go to an arcade to play most of the games that existed.
By todays standards the Cyberspace world wouldn't feel right. It is a lineal landscape with fractural crystals coloured in greys, red and blues, a far cry from Wreck-it Ralph's advert filled, brightly coloured internet. Again this is due to when it was made, no internet, no advertising and, of course the computers of the time had slightly less memory than the ones today, with the ZX81 being released that year with a massive 16 or 48 Kb of memory, yes kiddies that's Kilo-bites, not even one meg so the games that were available were quite basic (compared to what we have today) an, of course, outside of an arcade those games would have been stored on floppy disk or cassette tape.
The action in Tron is muted, mainly kept to bike crashes and people throwing Frisbees at each other but this is because Tron is; 1) a kids film and 2) a Disney film. The muted action doesn't take away from the film though, it's still an enjoyable adventure film whose influence can be seen even now with films like Wreck-it Ralph.
For a film that is mostly early 80's CGI (or even just early CGI) Tron hasn't aged too badly and the story could easily have been written now, especially with the recent advent of LitRGP books and 'Isekai' anime such as 'Sword Art Online'.
Basically Ed Dillinger is the boss of an evil corporation, Encom, (yes IT corporations were evil as far back as the 1980s) who got to where he was by stealing the programs of five arcade games from Flynn. Ed is being blackmailed by the 'Master Control Program' or 'MCP' for short, a rouge A.I. that believes it can rule the world better than humans.
Alan works at Encom and is trying to create a Data monitoring program called Tron. Alan is also dating Flynn's ex, Lora who also works at Encom, in a department that is developing a way of digitising mater and transporting it down a laser beam to a new destination. The three team up to help Flynn find the proof of the theft but the MCP digitises Flynn who finds himself used as a gladiator in the program. When Flynn meets the Tron program they team up to bring the MCP down.
First off the whole thing could have been stopped if Encom had proper health and safety, the computer that Flynn was using was the same one that operated the digitising laser and the laser was set up right behind the screen with barriers or other safety measures.
Ok in all seriousness the concepts in Tron were quite advanced, baring in mind that this was out in 1983, a time when home P.C.s were just beginning to become popular and the internet wasn't really around (there were networked computers but really only in offices) Tron brought us a concept of Cyberspace (although it wasn't called that in the film), a world where the computer programs live and the games are real. Not only that but everything is linked together, there weren't any networked games back then any you had to go to an arcade to play most of the games that existed.
By todays standards the Cyberspace world wouldn't feel right. It is a lineal landscape with fractural crystals coloured in greys, red and blues, a far cry from Wreck-it Ralph's advert filled, brightly coloured internet. Again this is due to when it was made, no internet, no advertising and, of course the computers of the time had slightly less memory than the ones today, with the ZX81 being released that year with a massive 16 or 48 Kb of memory, yes kiddies that's Kilo-bites, not even one meg so the games that were available were quite basic (compared to what we have today) an, of course, outside of an arcade those games would have been stored on floppy disk or cassette tape.
The action in Tron is muted, mainly kept to bike crashes and people throwing Frisbees at each other but this is because Tron is; 1) a kids film and 2) a Disney film. The muted action doesn't take away from the film though, it's still an enjoyable adventure film whose influence can be seen even now with films like Wreck-it Ralph.
For a film that is mostly early 80's CGI (or even just early CGI) Tron hasn't aged too badly and the story could easily have been written now, especially with the recent advent of LitRGP books and 'Isekai' anime such as 'Sword Art Online'.
Matthew Krueger (10051 KP) rated Cursed (2005) in Movies
Sep 18, 2020
the cgi (2 more)
production problems
PG-13 not R
Hollywood's Own Werewolves
Cursed- could of been better. It had a good young cast of people. Just the movie itself was so-so. The cgi/visual effects were bad, like really bad. So bad it made the movie bad.
The only thing making this film good is its young cast and the horror.
The plot: In Los Angeles, siblings Ellie (Christina Ricci) and Jimmy (Jesse Eisenberg) come across an accident on Mulholland Drive. As they try to help the woman caught in the wreckage, a ferocious creature attacks them, devouring the woman and scratching the terrified siblings. They slowly discover that the creature was a werewolf and that they have fallen victim to a deadly curse. Now that they have been sliced by the werewolf's claws, they will be transformed into werewolves themselves.
Originally planned for 2003, the film is a notable example of development hell, taking over two more years to be made than originally planned, during which producers Bob and Harvey Weinstein kept asking for reshoots and changes to the plot, re-edited the movie to give a PG-13 rating rather than the original intended R-rating, and fired legendary makeup artist Rick Baker to replace the werewolves he had created with computer-generated ones.
The film was a box-office failure and was panned by critics; Craven himself was very displeased with the final result.
The set used for the high school is Torrance High School, the same used for Sunnydale High on Buffy the Vampire Slayer, and West Beverly High on Beverly Hills, 90210 and its spin-off 90210.
However, the film soon suffered numerous production and script issues and was postponed for over a year. While production was stalled, several cast members had to be replaced due to scheduling conflicts with other films. When the movie was rewritten and reshot, many cast members had been cut entirely, including Skeet Ulrich, Mandy Moore, Omar Epps, Illeana Douglas, Heather Langenkamp, Scott Foley, Robert Forster, and Corey Feldman.
Only about 90% of the original version was filmed, leaving the original ending unfilmed. Although, while filming the original version, producer Bob Weinstein told Wes Craven he was happy with the film, he later changed his opinion and ordered for the movie to be reshot with a new plot. After massive reshoots which included filming a new ending, Weinstein told Craven he didn't like the new ending, leading to another ending where Jake attacks Ellie and Jimmy in their home, despite some incoherence with the rest of the film.
In the fall of 2004, Dimension cut the film to a PG-13 rating instead of the planned R rating. Speaking to the New York Post, Wes Craven commented, "The contract called for us to make an R-rated film. We did. It was a very difficult process. Then it was basically taken away from us and cut to PG-13 and ruined. It was two years of very difficult work and almost 100 days of shooting of various versions. Then at the very end, it was chopped up and the studio thought they could make more with a PG-13 movie, and trashed it ... I thought it was completely disrespectful, and it hurt them too, and it was like they shot themselves in the foot with a shotgun.
Its a decent movie.
The only thing making this film good is its young cast and the horror.
The plot: In Los Angeles, siblings Ellie (Christina Ricci) and Jimmy (Jesse Eisenberg) come across an accident on Mulholland Drive. As they try to help the woman caught in the wreckage, a ferocious creature attacks them, devouring the woman and scratching the terrified siblings. They slowly discover that the creature was a werewolf and that they have fallen victim to a deadly curse. Now that they have been sliced by the werewolf's claws, they will be transformed into werewolves themselves.
Originally planned for 2003, the film is a notable example of development hell, taking over two more years to be made than originally planned, during which producers Bob and Harvey Weinstein kept asking for reshoots and changes to the plot, re-edited the movie to give a PG-13 rating rather than the original intended R-rating, and fired legendary makeup artist Rick Baker to replace the werewolves he had created with computer-generated ones.
The film was a box-office failure and was panned by critics; Craven himself was very displeased with the final result.
The set used for the high school is Torrance High School, the same used for Sunnydale High on Buffy the Vampire Slayer, and West Beverly High on Beverly Hills, 90210 and its spin-off 90210.
However, the film soon suffered numerous production and script issues and was postponed for over a year. While production was stalled, several cast members had to be replaced due to scheduling conflicts with other films. When the movie was rewritten and reshot, many cast members had been cut entirely, including Skeet Ulrich, Mandy Moore, Omar Epps, Illeana Douglas, Heather Langenkamp, Scott Foley, Robert Forster, and Corey Feldman.
Only about 90% of the original version was filmed, leaving the original ending unfilmed. Although, while filming the original version, producer Bob Weinstein told Wes Craven he was happy with the film, he later changed his opinion and ordered for the movie to be reshot with a new plot. After massive reshoots which included filming a new ending, Weinstein told Craven he didn't like the new ending, leading to another ending where Jake attacks Ellie and Jimmy in their home, despite some incoherence with the rest of the film.
In the fall of 2004, Dimension cut the film to a PG-13 rating instead of the planned R rating. Speaking to the New York Post, Wes Craven commented, "The contract called for us to make an R-rated film. We did. It was a very difficult process. Then it was basically taken away from us and cut to PG-13 and ruined. It was two years of very difficult work and almost 100 days of shooting of various versions. Then at the very end, it was chopped up and the studio thought they could make more with a PG-13 movie, and trashed it ... I thought it was completely disrespectful, and it hurt them too, and it was like they shot themselves in the foot with a shotgun.
Its a decent movie.
BankofMarquis (1832 KP) rated Black Panther: Wakanda Forever (2022) in Movies
Nov 18, 2022
Should have been called WAKANDA MOURNS
The passing of Chadwick Boseman from cancer is a unfortunate and sad thing. The makers of the Black Panther series of films for the MCU had a difficult task to accomplish. How do they pay tribute to their lost lead while also leading the series in a new direction? In the end, they ultimately decided to lean INTO (and not away from) his passing - and your emotional involvement in this film will be predicated on how you react to this, for basing an entire SuperHero Movie on grief and longing for a return to the past is not going to make the “feel good movie of the year”.
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7799 KP) rated Stranger Things - Season 1 in TV
Nov 16, 2017
This is a very good, entertaining show, I just really don't think it lives up to all the hype. For me, although i found it fun and interesting to watch, I didn't want to binge watch the whole first season in one go like everyone else seems to have done.
I'll start with the positives. I love the 80s setting, music and title sequence. The whole plot itself is like an amalgamation of The X-Files, Stephen King and 80s films like ET, and King himself is even referenced in an episode to my joy. Its a great throwback to the films of my childhood. The friendship between the younger characters is also very reminiscent of IT and Stand by Me. The characters themselves are in the main well developed and acted. The three boys and Eleven are very good, and I adore David Harbour.
Sadly it isn't perfect. Some of the CGI is a little lacking, the government seem a bit inept at points and I almost feel like the plot has been dumbed down to lessen the scares. Yes there are bits that are creepy and scary, but they couldve done so much more.
In all, this is a very good tv show, one of the best new shows I've seen in quite a while. I don't think it quite lives up to the hype, but I'll still be watching the second series. Just might give the binge watching a miss.
One last thing, after watching IT earlier this year, every time Finn Wolfhard was on screen, all I could think of was "Beep Beep Richie!"...
I'll start with the positives. I love the 80s setting, music and title sequence. The whole plot itself is like an amalgamation of The X-Files, Stephen King and 80s films like ET, and King himself is even referenced in an episode to my joy. Its a great throwback to the films of my childhood. The friendship between the younger characters is also very reminiscent of IT and Stand by Me. The characters themselves are in the main well developed and acted. The three boys and Eleven are very good, and I adore David Harbour.
Sadly it isn't perfect. Some of the CGI is a little lacking, the government seem a bit inept at points and I almost feel like the plot has been dumbed down to lessen the scares. Yes there are bits that are creepy and scary, but they couldve done so much more.
In all, this is a very good tv show, one of the best new shows I've seen in quite a while. I don't think it quite lives up to the hype, but I'll still be watching the second series. Just might give the binge watching a miss.
One last thing, after watching IT earlier this year, every time Finn Wolfhard was on screen, all I could think of was "Beep Beep Richie!"...
The Marinated Meeple (1853 KP) rated Jurassic Park (1993) in Movies
Apr 5, 2018
The CGI (2 more)
The Special Effects
The Storytelling
The all time best dinosaur movie made so far....
This move is a great one and will hold up for many many years. They way the original king Kong holds up the groundbreaking special effects for the time are solid enough to fool people nowadays in a charming old fashioned way. Yes technology is evolving faster than dinosaurs ever did, but when something is made this well, it tends to age well, not poorly. Jaws is another example of aging well, yes we can see the flaws and the seems, but it doesn't matter. Yes I understand the science is flawed, but the premise is interesting, and the pseudo science is good enough to capture the imagination. And the imagination runs wild here like a T-Rex after a Jeep. It gobbled me up like a guy on a toilet. I still love to visit Isla Sorna. And plan to go back many many more times.
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Nikki Massey (8 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 11, 2019
This wonderful movie is about loss, love and growing up.
It follows the lives of Hiccup and his dragon Toothless. When the dragons and Hiccup's clan start to outgrow their island, they start the search for a new place.
A villain, out to destroy dragons, sets a plan and trap to capture Toothless.
In escaping and foiling the villain they discover they are growing up and moving on. Do the two go their separate ways and do they find what they are ultimately looking for?
I loved this colourful film. The CGI is so good I questioned it wasn't just a live film in a real setting!
The characters are loveable, even some that you might like to give a good shake too!
I have to admit, in the last quarter of an hour I lost count of the number of times and ways I cried - with sadness, with relief and from happiness.
I love how it shows you sometimes have to do something that feels difficult if you know it's the right thing to do and makes someone else happy. I loved how it depicted a disabled boy but that didn't stop him from achieving what he set his heart to. I love how it shows that everyone effectually has to grow up, it isn't necessarily easy, but you do come out a stronger and well rounded person for it.
A lovely family film well worth a watch, even if you haven't seen the other films in the series. The story kept my attention throughout and I really rooted for them and I loved the ending!
It follows the lives of Hiccup and his dragon Toothless. When the dragons and Hiccup's clan start to outgrow their island, they start the search for a new place.
A villain, out to destroy dragons, sets a plan and trap to capture Toothless.
In escaping and foiling the villain they discover they are growing up and moving on. Do the two go their separate ways and do they find what they are ultimately looking for?
I loved this colourful film. The CGI is so good I questioned it wasn't just a live film in a real setting!
The characters are loveable, even some that you might like to give a good shake too!
I have to admit, in the last quarter of an hour I lost count of the number of times and ways I cried - with sadness, with relief and from happiness.
I love how it shows you sometimes have to do something that feels difficult if you know it's the right thing to do and makes someone else happy. I loved how it depicted a disabled boy but that didn't stop him from achieving what he set his heart to. I love how it shows that everyone effectually has to grow up, it isn't necessarily easy, but you do come out a stronger and well rounded person for it.
A lovely family film well worth a watch, even if you haven't seen the other films in the series. The story kept my attention throughout and I really rooted for them and I loved the ending!
James P. Sumner (65 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 4, 2019
Visuals (1 more)
Action
A true monster of a movie!
This sequel to the 2014 reboot of Godzilla is an enjoyable movie. It doesn't follow the common trend of "less is more", not wasting any time showing you the visually stunning monsters in all their glory.
The plot is simple enough: Godzilla has been absent since the last movie five years ago. More monsters (called Titans here) have been discovered around the world and the mysterious Monarch group are studying them. Needless to say, it doesn't take long for things to take a turn for the worst, and when a big, bad monster is revived and starts destroying things, our old pal Godzilla returns.
This is one of those movies where you leave your brain and the real world at the door, and just enjoy it for what it is. There's a lot of criticism aimed at modern movies for overusing CGI, but this film needs it and uses it very well. The monsters look incredible, and genuinely look massive. The battles and subsequent destruction look amazing, too. It's a real treat for the eyes, packed with many WOW! moments.
Is it perfect? No. As graphically stunning as it is, the plot leaves a lot to be desired. Riddled with tiny (and the odd large) plot holes, it's a pretty basic storyline. But then, it doesn't need to be overly complex in a movie like this one.
No one comes to a Godzilla movie expecting Oscar-worthy performances and Aaron Sorkin-esque screenplays. They come to be entertained. And you will be here. Well worth stepping away from life for a couple of hours. Don't forget your popcorn!
The plot is simple enough: Godzilla has been absent since the last movie five years ago. More monsters (called Titans here) have been discovered around the world and the mysterious Monarch group are studying them. Needless to say, it doesn't take long for things to take a turn for the worst, and when a big, bad monster is revived and starts destroying things, our old pal Godzilla returns.
This is one of those movies where you leave your brain and the real world at the door, and just enjoy it for what it is. There's a lot of criticism aimed at modern movies for overusing CGI, but this film needs it and uses it very well. The monsters look incredible, and genuinely look massive. The battles and subsequent destruction look amazing, too. It's a real treat for the eyes, packed with many WOW! moments.
Is it perfect? No. As graphically stunning as it is, the plot leaves a lot to be desired. Riddled with tiny (and the odd large) plot holes, it's a pretty basic storyline. But then, it doesn't need to be overly complex in a movie like this one.
No one comes to a Godzilla movie expecting Oscar-worthy performances and Aaron Sorkin-esque screenplays. They come to be entertained. And you will be here. Well worth stepping away from life for a couple of hours. Don't forget your popcorn!
Andy K (10823 KP) rated Aquaman (2018) in Movies
Jun 12, 2019
The underwater eye candy made it a fun watch!
I knew there was a reason a bought a 75" television. It is for movies like Aquaman. Ok fine, the screenplay isn't very good at times and I did not enjoy some of Aquaman's one liners, although I do not know if that is true to the comic character or not.
Having not known much about the character other than what has already appeared in the collective recent DCU films, I was eager to learn more about his origins and his universe.
His mother escapes her arranged marriage by coming to the surface and meeting a lighthouse keeper whom she grows to love and has their child. He will grow up to be the Atlantian who should be king but does not want the responsibility.
The film reminded me a lot of a Thor movie at times, just this time under water instead of an Asgard realm bereft with creatures big and small.
The real star of this was the underwater realm itself. The lighting, glowing and use of color was unlike any movie released to date I have seen and that says a lot. The visuals were not only groundbreaking and striking in their depth and complexity (which normally I rip on CGI puke movies), but served to compliment the actors and story in symbiosis.
I couldn't believe the number of negative reviews on IMDb for this film (although haters gotta hate everything these days). I think you can look past a little corny dialogue and let yourself get lost within the visual splendor that is Aquaman!
Having not known much about the character other than what has already appeared in the collective recent DCU films, I was eager to learn more about his origins and his universe.
His mother escapes her arranged marriage by coming to the surface and meeting a lighthouse keeper whom she grows to love and has their child. He will grow up to be the Atlantian who should be king but does not want the responsibility.
The film reminded me a lot of a Thor movie at times, just this time under water instead of an Asgard realm bereft with creatures big and small.
The real star of this was the underwater realm itself. The lighting, glowing and use of color was unlike any movie released to date I have seen and that says a lot. The visuals were not only groundbreaking and striking in their depth and complexity (which normally I rip on CGI puke movies), but served to compliment the actors and story in symbiosis.
I couldn't believe the number of negative reviews on IMDb for this film (although haters gotta hate everything these days). I think you can look past a little corny dialogue and let yourself get lost within the visual splendor that is Aquaman!
Daniel Boyd (1066 KP) rated Black Panther (2018) in Movies
Mar 5, 2018 (Updated Mar 5, 2018)
Cool For Cats
Marvel's latest hotly anticipated superhero epic Black Panther, has arrived. Chadwick Boseman stars as the titular hero and gives a subdued, collected performance, which I didn't expect. The first time that we saw this character was in Civil War and while I understand he was on a revenge quest in that movie, he conveyed an sense of energy that is isn't present in Black Panther. I don't think that this was Chadwick Boseman's decision, but is instead based on what Ryan Coogler's vision of who Black Panther should be.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.