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In the free SALT: Official Movie Game, it’s your turn to play as an agent on the run. Based on the...
The Cuckoo's Egg: Tracking a Spy through the maze of computer espionage
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Before the Internet became widely known as a global tool for terrorists, one perceptive U.S. citizen...
I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1)
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Cammie Morgan is a student at the Gallagher Academy for Exceptional Young Women, a fairly typical...
The Boys Volume 3: Good For The Soul
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The third Dynamite collection of Garth Ennis and Darick Robertson's "The Boys" is here! In "Good For...
The File
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Debut author Gary Born erupts into the literary scene with a nail-biting thriller centered on...
Thriller Debut Novel
Bob Mann (459 KP) rated American Made (2017) in Movies
Sep 29, 2021
Cruise Flying High Again.
If you ask anyone to list the top 10 film actors, chance is that “Tom Cruise” would make many people’s lists. He’s in everything isn’t he? Well, actually, no. Looking at his imdb history, he’s only averaged just over a movie per year for several years. I guess he’s just traditionally made a big impact with the films he’s done. This all rather changed in the last year with his offerings of the rather lacklustre “Jack Reacher: Never Go Back” (FFF) and the pretty dreadful “The Mummy” (Ff) as one of this summer’s big blockbuster disappointments. So Thomas Cruise Mapother IV was sorely in need of a upward turn and fortunately “American Made” delivers in spades.
A quick stop in Nicaragua to pick up some paperwork from Noriega.
“Based on a True Story” this is a biopic on the life of Barry Seal, a hot shot ‘maverick’ (pun intended) TWA pilot who gets drawn into a bizarre but highly lucrative spiral of gun- and drug-running to and from Central America at the behest of a CIA operative Monty Schafer (Domhnall Gleeson). All this is completely mystifying to Barry’s wife Lucy (Sarah Wright) who is, at least not initially, allowed to be ‘in’ on the covert activities.
Flying high over Latin America.
The film is a roller-coaster ride of unbelievable action from beginning to end. In the same manner as you might have thought “that SURELY can’t be true” when watching Spielberg’s “Catch Me If You Can”, this thought constantly flits through your mind. At each turn Seal can’t believe his luck, and Cruise brilliantly portrays the wide-eyed astonishment required. This is a role made for him.
Also delivering his best performance in years is Domhnall Gleeson (“Ex Machina“, “Star Wars: The Force Awakens“) as the CIA man with the (whacky) plan. Large chunks of the film are powered by his manic grin.
Domhnall Gleeson as the CIA man with a sense of Contra-rhythm.
As an actress, Sarah Wright is new to me but as well as being just stunningly photogenic she works with Cruise really well (despite being 20 years his junior – not wanting to be ageist, but this is the second Cruise film in a row I’ve pointed that out!)). Wright also gets my honourary award for the best airplane sex scene this decade!
“Time to pack honey”. Seal (Cruise) delivering a midnight surprise to wife Lucy (Sarah Wright) – and not in a good way.
Written by Gary Spinelli (this being only his second feature) the script is full of wit and panache and – while almost certainly (judging from wiki) stretches the truth as far as Seal’s cash-storage facilities – never completely over-eggs the pudding.
Doug Liman (“Jason Bourne“, “Edge of Tomorrow“) directs brilliantly, giving space among the action for enough character development to make you invest in what happens to the players. The 80’s setting is lovingly crafted with a garish colour-palette with well-chosen documentary video inserts of Carter, Reagan, Oliver Stone, George Bush and others. It also takes really chutzpah to direct a film that (unless I missed it) had neither a title nor any credits until the end.
The real Barry Seal.
The only vaguely negative view I had about this film is that it quietly glosses over the huge pain, death and suffering that the smuggled drugs will be causing to thousands of Americans under the covers. And this mildly guilty thought lingers with you after the lights come up to slightly – just slightly – take the edge off the fun.
Stylish, thrilling, moving and enormously funny in places, this is action cinema at its best. A must see film.
A quick stop in Nicaragua to pick up some paperwork from Noriega.
“Based on a True Story” this is a biopic on the life of Barry Seal, a hot shot ‘maverick’ (pun intended) TWA pilot who gets drawn into a bizarre but highly lucrative spiral of gun- and drug-running to and from Central America at the behest of a CIA operative Monty Schafer (Domhnall Gleeson). All this is completely mystifying to Barry’s wife Lucy (Sarah Wright) who is, at least not initially, allowed to be ‘in’ on the covert activities.
Flying high over Latin America.
The film is a roller-coaster ride of unbelievable action from beginning to end. In the same manner as you might have thought “that SURELY can’t be true” when watching Spielberg’s “Catch Me If You Can”, this thought constantly flits through your mind. At each turn Seal can’t believe his luck, and Cruise brilliantly portrays the wide-eyed astonishment required. This is a role made for him.
Also delivering his best performance in years is Domhnall Gleeson (“Ex Machina“, “Star Wars: The Force Awakens“) as the CIA man with the (whacky) plan. Large chunks of the film are powered by his manic grin.
Domhnall Gleeson as the CIA man with a sense of Contra-rhythm.
As an actress, Sarah Wright is new to me but as well as being just stunningly photogenic she works with Cruise really well (despite being 20 years his junior – not wanting to be ageist, but this is the second Cruise film in a row I’ve pointed that out!)). Wright also gets my honourary award for the best airplane sex scene this decade!
“Time to pack honey”. Seal (Cruise) delivering a midnight surprise to wife Lucy (Sarah Wright) – and not in a good way.
Written by Gary Spinelli (this being only his second feature) the script is full of wit and panache and – while almost certainly (judging from wiki) stretches the truth as far as Seal’s cash-storage facilities – never completely over-eggs the pudding.
Doug Liman (“Jason Bourne“, “Edge of Tomorrow“) directs brilliantly, giving space among the action for enough character development to make you invest in what happens to the players. The 80’s setting is lovingly crafted with a garish colour-palette with well-chosen documentary video inserts of Carter, Reagan, Oliver Stone, George Bush and others. It also takes really chutzpah to direct a film that (unless I missed it) had neither a title nor any credits until the end.
The real Barry Seal.
The only vaguely negative view I had about this film is that it quietly glosses over the huge pain, death and suffering that the smuggled drugs will be causing to thousands of Americans under the covers. And this mildly guilty thought lingers with you after the lights come up to slightly – just slightly – take the edge off the fun.
Stylish, thrilling, moving and enormously funny in places, this is action cinema at its best. A must see film.
Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
Haley Mathiot (9 KP) rated The Right Hand in Books
Apr 27, 2018
I started listening to The Right Hand with absolutely no idea what it was about, and within seconds I was entranced. Everything about this book was 5 stars or higher. The writing was right for the genre: descriptive and witty, but more focused on the point of the story than the writing itself. The pacing was perfect, the tone was awesome, and the characters were fabulous. I mean, a CIA spy who is so bad-ass and awesome at what he does that the organization doesn't even want to know how he gets his job done, only that he gets it done? How awesome is that? The plot never stopped moving, changing, turning. (And since I did listen to the audiobook, I will say, the reader did an excellent job!)
Sometimes I have long drawn out reviews and lots to say about books… and don't get me wrong, I have a lot to say about The Right Hand, but it all circles around one thing: If you like spy thrillers and adventure novels and don't mind a good murder or some bloodshed, go read this book now. This book is Exciting, entertaining, funny, emotional, and just downright awesomely cool.
Content/Recommendation: Mind language. Violence (not gruesome, but still bloody). Ages 16+
Sometimes I have long drawn out reviews and lots to say about books… and don't get me wrong, I have a lot to say about The Right Hand, but it all circles around one thing: If you like spy thrillers and adventure novels and don't mind a good murder or some bloodshed, go read this book now. This book is Exciting, entertaining, funny, emotional, and just downright awesomely cool.
Content/Recommendation: Mind language. Violence (not gruesome, but still bloody). Ages 16+
Awix (3310 KP) rated Red Sparrow (2018) in Movies
Mar 7, 2018 (Updated Mar 7, 2018)
Stodgy and slightly bloated twisty-turny espionage thriller is made distinctive, if that's the right word, by extra added leery prurience. Beautiful Russian ballerina (played by American) is blackmailed by her uncle (Belgian) into going to elite hooker-spy school, run by terrifying matron (English). Soon she is packed off on mission to subvert rugged American CIA agent (Australian).
Now there's a discussion to be had about just how appropriate it is to be making blockbuster entertainment about Russian espionage, infiltration, and assassination these days - some would say that a taste barrier has been well and truly breached, and the depiction of the Russian state is cartoon-horrible. But surely we can agree that, at the moment if at no other time, there is something unconscionable about a movie the sine qua non of which is the depiction of an attractive young actress in various provocative situations and states of nudity. Some nastily graphic violence, too, much of it misogynistic and openly sexual. J-Law's performance is not up to the usual standard and mainly consists of doing a Rooshan oksent from behind an unflattering fringe. Competently made, but too long and too much. The kind of film you emerge from wanting to be hosed down with sheep dip. Yuck.
Now there's a discussion to be had about just how appropriate it is to be making blockbuster entertainment about Russian espionage, infiltration, and assassination these days - some would say that a taste barrier has been well and truly breached, and the depiction of the Russian state is cartoon-horrible. But surely we can agree that, at the moment if at no other time, there is something unconscionable about a movie the sine qua non of which is the depiction of an attractive young actress in various provocative situations and states of nudity. Some nastily graphic violence, too, much of it misogynistic and openly sexual. J-Law's performance is not up to the usual standard and mainly consists of doing a Rooshan oksent from behind an unflattering fringe. Competently made, but too long and too much. The kind of film you emerge from wanting to be hosed down with sheep dip. Yuck.
Cry Havoc
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On 7 March 2004, former SAS soldier and mercenary Simon Mann prepared to take off from Harare...