Search
Gareth von Kallenbach (980 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Gareth von Kallenbach (980 KP) rated The Hateful Eight (2015) in Movies
Aug 6, 2019
Tarantino has accomplished something I have always thought impossible, created a bad Samuel L. Jackson film. It’s unfortunate, but despite all of the hype and build up for the release of Tarantino’s latest film, I was unable to enjoy the experience no matter how hard I tried.
Film is supposed to transport the audience to another place and time. The fact that the plot of “The Hateful Eight” mostly unfolds during a blizzard in a small cabin makes it a film which relies heavily on the development of its characters and the relationships between them. If this is done well, the audience can become entranced by the story.
But it is a very disappointing lack of character depth that makes the story fall flat. Many people will sit back completely prepared to let Tarantino take them on yet another adventure filled with gore, creativity, and depth. Yet, for many, that moment will never come.
The film starts out with an artistic introduction and some beautiful scenery, but then continues along at a slugs pace. The underdeveloped characters’ recite choppy and unconvincing lines. Samuel L. Jackson delivers his classic sharp tongued speech in the fashion which usually builds up to one of his great freak out moments. But this time, the buildup leads to nothing.
The plot, while attempting to catch the audience by surprise, waits too long and fails at this task as well. Sure, there is some gore of course. However, nothing like the infamous cringe-worthy scenes of Tarantino’s past work.
Personally, I was never fully consumed, and was left trying to enjoy the film out of a feeling of necessity. But no matter how much of a cinematic master Tarantino has proven to be over the years, it is undeniable that this just isn’t his best work.
I give “The Hateful Eight” 2.75 stars. But I really, really did, want to give it five.
Film is supposed to transport the audience to another place and time. The fact that the plot of “The Hateful Eight” mostly unfolds during a blizzard in a small cabin makes it a film which relies heavily on the development of its characters and the relationships between them. If this is done well, the audience can become entranced by the story.
But it is a very disappointing lack of character depth that makes the story fall flat. Many people will sit back completely prepared to let Tarantino take them on yet another adventure filled with gore, creativity, and depth. Yet, for many, that moment will never come.
The film starts out with an artistic introduction and some beautiful scenery, but then continues along at a slugs pace. The underdeveloped characters’ recite choppy and unconvincing lines. Samuel L. Jackson delivers his classic sharp tongued speech in the fashion which usually builds up to one of his great freak out moments. But this time, the buildup leads to nothing.
The plot, while attempting to catch the audience by surprise, waits too long and fails at this task as well. Sure, there is some gore of course. However, nothing like the infamous cringe-worthy scenes of Tarantino’s past work.
Personally, I was never fully consumed, and was left trying to enjoy the film out of a feeling of necessity. But no matter how much of a cinematic master Tarantino has proven to be over the years, it is undeniable that this just isn’t his best work.
I give “The Hateful Eight” 2.75 stars. But I really, really did, want to give it five.
Gareth von Kallenbach (980 KP) rated Beastly (2011) in Movies
Aug 7, 2019
The beauty and the beast story has officially entered the world of modern fashion in the new film Beastly. In this adaptation we meet Kyle (Alex Pettyfer) a rich kid who believes that a handsome exterior is all that counts in this world. That is until he slights emo student witch Kendra (Mary-Kate Olsen). Kyle soon finds himself with a beastly appearance, cursed until he can overcome his new fractured form and make someone fall in love with him. Adding to the cast is Kyle’s love interest and all around nice girl, Lindy (Vanessa Hudgens). Also notable is Kyle’s mentor/tutor Will played by Neil Patrick Harris.
Sticking closely to the predictable and extremely overdone plot, Beastly offers audiences very little they have not seen before. Kyle is overdramatic. Lindy is suspiciously like the character Vanessa Hudgens played in “High School Musical”. And we learn that Neil Patrick Harris, while always funny, does not play a convincing blind man.
The film does have good scenery and a soundtrack that is high school appropriate. Moreover, the wardrobe is strikingly impressive. But trite dialogue and poorly paced emotional cues give the film a juvenile comedic result. Beastly is amusing and a little funny, however it completely misses the emotional connection expected from a teen adaptation of a famous romantic tale.
Further distracting from the film’s romantic plot are the numerous hollow side stories and plethora of unnecessary character details. From the sudden trip to Kyle’s family cabin to the violent fight between Lindy’s father and a drug dealer, the movie includes numerous scenes that should have been cut.
But still, even with all the downsides, I had no interest in leaving the theater, because Beastly was a high budget train wreck. Not unlike a B-movie in quality and dialogue yet with an impressive budget, an Olsen sister, and some serious face tattoos, “Beastly” is simply cheesy.
Sticking closely to the predictable and extremely overdone plot, Beastly offers audiences very little they have not seen before. Kyle is overdramatic. Lindy is suspiciously like the character Vanessa Hudgens played in “High School Musical”. And we learn that Neil Patrick Harris, while always funny, does not play a convincing blind man.
The film does have good scenery and a soundtrack that is high school appropriate. Moreover, the wardrobe is strikingly impressive. But trite dialogue and poorly paced emotional cues give the film a juvenile comedic result. Beastly is amusing and a little funny, however it completely misses the emotional connection expected from a teen adaptation of a famous romantic tale.
Further distracting from the film’s romantic plot are the numerous hollow side stories and plethora of unnecessary character details. From the sudden trip to Kyle’s family cabin to the violent fight between Lindy’s father and a drug dealer, the movie includes numerous scenes that should have been cut.
But still, even with all the downsides, I had no interest in leaving the theater, because Beastly was a high budget train wreck. Not unlike a B-movie in quality and dialogue yet with an impressive budget, an Olsen sister, and some serious face tattoos, “Beastly” is simply cheesy.
The Lying Game
7.8
Rate It
Book
From the instant New York Times bestselling author of blockbuster thrillers In a Dark, Dark Wood and...
Turkish Airlines
Travel and Lifestyle
App
Welcome to Turkish Airlines iPhone application. Stay ahead on the move with instant access to...
AirTycoon Online 2
Games
App
Welcome to Air Tycoon Online 2! - The world best airline management simulation game. You will get...
British Airways for iPad
Travel and Business
App
To Fly. To Serve. Explore the world from the comfort of your sofa with the new British Airways app...
Multi-Task by Omni
Album Watch
RIYL: Preoccupations, Orange Juice, Josef K, Fire Engines, Franz Ferdinand, Parquet Courts, Spoon,...
alternative rock
Alex Hope(Alex Hope #1)
9.0
Rate It
Book
‘All I could really see were her eyes…and they were exquisite. They were a bright, crystal clear...
LeftSideCut (3776 KP) rated Till Death (2021) in Movies
Oct 6, 2021
Contains spoilers, click to show
Till Death is a pretty middle-of-the-road thriller that somehow manages to both benefit and suffer from its no-nonsense approach to, well everything really. On the one hand, it's premise is an enticing one - after finding out about her affair, Emma's (Megan Fox) husband leads her out to a remote cabin under the false pretense of an anniversary getaway, handcuffs the two of them together by the wrists, and proceeds to shoot himself, leaving her attached to his dead body and fighting for her life when two hitmen come by to finish the job. This setup leads to a decent amount of tension, it's snowy setting exacerbating her survival conditions.
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist